Forest Scenes with Hunters and Nature

Various artworks depicting forest landscapes featuring hunters, hunting dogs, and serene nature scenes, using a mix of etching and print techniques.

Study sheet with candlestick, print maker: Louis Bernard Coclers, Louis Bernard Coclers, unknown, 1756 - 1817, paper, h 84 mm × w 68 mm

Forest face with hunter and hunting dogs, Auguste Paul Charles Anastasi, after Narcisse Virgile Diaz de la Peña, 1848 - 1853 print Paris paper forest, wood. hunting, chase

Frederick Landseer Maur Griggs, 1876-1938, British, Stevenage, 1902. Etching.

Etching by Giovanni Francesco Grimaldi depicting St. Francis of Assisi receiving the stigmata, produced between 1630 and 1680.

Félix Hilaire Buhot, Le Criard (The Shrieker), 1879 1880 Le Criard (The Shrieker)

Lu Tong and Servant, 1788. Min Zhen (Chinese, 1730-after 1788). Album leaf, ink on paper; sheet: 29 x 18.4 cm (11 7/16 x 7 1/4 in.).

Study sheet with candlestick, print maker: Louis Bernard Coclers, Louis Bernard Coclers, unknown, 1756 - 1817, paper, h 84 mm × w 68 mm

Swan and Iris. Whistler, James McNeill (1834-1903). 1883. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The botanist: a man in a garden examining its contents 1860-70 Mariano Fortuny, 1838-1874 Spanish. The botanist: a man in a garden examining its contents 656723

Copper engraving showing a landscape with a park, trees, pathways, and a picnic scene. Created in 1608, it emphasizes natural scenery, figures, and spatial composition in a detailed engraving.

This etching by Simone Cantarini shows Jupiter, Neptune, and Pluto paying homage to the coat of arms of Cardinal Barberini, created between 1630 and 1648. It illustrates mythological figures and heraldic symbolism.

Two trees, Alphonse Legros, 1847 - 1911 print France paper engraving / drypoint trees

Artist: Giovanni Benedetto Castiglione, Italian, 1609-1664, Pan Seated Opposite aVase, Etching, sheet: 11 × 21.4 cm (4 5/16 × 8 7/16in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

Two performances from Adrianopel, Marius Bauer, 1889 print Above a city view of Adrianopel, the Greek name for the current Edirne in Turkey. Under a street in Adrianopel with a man on horseback and a man who floats two donkeys. paper etching temple, shrine ~ Islam, Mohammedanism. city-view, and landscape with man-made constructions. riding a horse, ass, or mule; rider, horseman Adrianopel

Lovis Corinth, Wohl auf, kameraden, aufs pferd, aufs pferd! Ins feld, in die freiheit gezogen! (Come on comrades, to horse, to horse! To action, freedom beckons us), 1923 Wohl auf, kameraden, aufs pferd, aufs pferd! Ins feld, in die freiheit gezogen! (Come on comrades, to horse, to horse! To action, freedom beckons us)

Mill near the Grand Chartreuse. Dated: published 1816. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Warren B. Davis.

La Tête et la queue du serpent 1886 Félix Bracquemond French. La Tête et la queue du serpent 384767

Jean Baptiste Camille Corot, The Poet and His Muse (Le Poete et la muse), 1871 The Poet and His Muse (Le Poete et la muse)

Liber Studiorum: Plate 11: Parson's Bridge, Cardingshire, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 17.6 x 12.5 cm (6 15/16 x 4 15/16 in.).

A woodcut by Christophe Jegher created between 1633 and 1636 depicting the Holy Family resting during the escape to Egypt, showing biblical figures in a 17th-century composition.

Pêcheurs sur le quai à Boulogne , Fishermen, Piers & wharves, Alphonse Legros (1837-1911)

The Small Lion Hunt, with Two Lions, Rembrandt van Rijn, c. 1629 print paper etching lion hunt

Man in Harnas knocks on door at night, Adolphe Mouilleron, 1830 - 1880 print Paris paper. helmet. night. closed door

Woods in Winter Sun, 1st plate (Soleil d'hiver dans les bois). Medium: drypoint and (etching). Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Houthakker, Adrianus Serné, 1783 - 1853 print paper woodcutting, woodcutter ~ forestry

Frontispiece: The Waifs (Les Epaves). Dated: 1868. Dimensions: plate: 16 x 10.2 cm (6 5/16 x 4 in.) sheet: 20.6 x 14.4 cm (8 1/8 x 5 11/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Félicien Rops.

Joseph Marie Vien, Fountain of Pomona in the Gardens of the Villa d'Este, Tivoli, 1744 1750 Fountain of Pomona in the Gardens of the Villa d'Este, Tivoli

Etching by Romeyn de Hooghe depicting Joseph I as King of Hungary, produced in 1688.

Pissarro, Camille (n.1830-07-10-D.1903-11-12), swimmers in the shade of wooded banks, lithography published in the closing album of the original print-ninth delivery (January-March 1895) (Main title), 1895. Lithography. Petit Palais, Museum of Fine Arts of the City of Paris.

Plowing with angio, vignette; Bigos Skki, Leon (1871-1928); around 1910 (1908-00-00-1912-00-00);Sphinx (Warsaw-1908-1917)-Illustration, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Witke-Jeżewski, Dominik (1862-1944)-stamp, angels ( iconogr.), Peasants, oram, plowing (genre scenes), Poland (culture), Polish drawings, vignettes (decorations), sleds, collection signs

Ex-Libris Edwin Edwards , Coats of arms, Greyhounds, Houses, Alphonse Legros (1837-1911)

View of the Park at Versailles Terrace, Trees and Equestrian Statue 1781-1827 France. Brush and gray wash, with traces of black chalk, over graphite, on cream laid paper, squared in graphite for transfer . Pierre Antoine Mongin

L'Angélus by Félix Hilaire Buhot (1847-1898), created between 1872 and 1878. The artwork features themes of sunrises and sunsets, with depictions of trees and chapels. It is an etching, aquatint, and drypoint, noted for its specific state with a standard reference number

Village face with Landweg in De Kempen, Frans van Kuyck, 1862 - 1911 print paper etching prospect of village, silhouette of village. road, path. four-wheeled vehicle drawn by one animal Campaign

Romanesque ruin with a cow on the water, Karl Eduard Ferdinand Heinrich Blechen, 1826 print Germany paper etching ruin of church, monastery, etc.. cow

Sackpfeifer und Einsiedler (Bagpiper andHermit). Artist: Moritz Von Schwindt, Austrian, 1804-1871

Saint Jérôme (Le Grand). Bisson Frères (French, active 1840 - 1864)

Face in the southwestern bastion of Kasteel Vredenburg in Utrecht from the entrance, from the north.

Servitude and military magnitude. Spy Alfred de Vigny (1797-1963), écrivines Français, Paris Dunki. Illétrera bontenger (1851-1898), Graveur sur Bourg. Served et large militai. "The espi." Mastrats sur Bois. 1897-1898. Paris, Musée de la Viege.

Winter; Romanowicz, Walenty; V.1943 (1943-00-00-1943-00-00);

Le voyageur surpris par l'orage (dite 'la bise') , Travelers, Storms, Alphonse Legros (1837-1911)

Etching by Jacques-Philippe Le Bas showing an Italian hunt with hunters, dogs, and countryside, created in 1739.

An Indian Woman and Her Son 1830 Alexandre-Gabriel Decamps French. An Indian Woman and Her Son. Published in L'Album Lyrique. Alexandre-Gabriel Decamps (French, Paris 1803-1860 Fontainebleau). 1830. Lithograph. Prints

Monk at Prayer. Charles Émile Jacque; French, 1813-1894. Date: 1843. Dimensions: 67 × 54 mm (image); 114 × 80 mm (plate); 160 × 118 mm (sheet). Drypoint and roulette on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Poet and His Muse (Le Poete et la muse). Dated: 1871. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Camille Corot.

Saint Jérôme dans le Gout d'Albert Durer. Bisson Frères (French, active 1840 - 1864)

Cain Slaying Abel 1624-63 attributed to Francesco Allegrini Italian. Cain Slaying Abel. attributed to Francesco Allegrini (Italian, Cantiano () 1615/20-after 1679 Gubbio ()). 1624-63. Pen and brown ink. Framing lines in pen and brown ink on mount. Drawings

Alphonse Legros, Tornado (Le typhon), French, 1837-1911, drypoint

Jeune mère à l'entrée d'un bois (reproduction), Jean-Baptiste-Camille Corot, 1853-1874. Women

A Monk Leading Horses to Water. Dated: c. 1845. Dimensions: plate: 19.2 x 13.1 cm (7 9/16 x 5 3/16 in.) sheet: 33.1 x 25.5 cm (13 1/16 x 10 1/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: Moritz von Schwind.

Bracquemond, Félix (n.1833-05-22-D.1914-10-29), Jeannot Rabbit (IFF 441; Delteil 9) (Main title), 1891. Eau-tie on vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Alphonse Legros, Angler (Le pecheur a la ligne) Angler (Le pecheur a la ligne)

The Raising of Lazarus: The Smaller Plate, 1642, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 5 13/16 x 4 7/16 in. (14.8 x 11.3 cm) (plate), Etching, The Netherlands, 17th century

Four illustrations for a Spanish book (the uncutting plate): the image from the dream of Nebuchadnezzar; Jacobs ladder; David and Goliath; Daniëls vision of the four animals.

Sheet with Two Studies A Tree, and the Upper Part of the Head of the Artist Wearing a Velvet Cap 1639-1649 Holland. Etching on cream laid paper . Rembrandt van Rijn

Three shepherd boys with sheep near willows, Harmen ter Borch, c. 1653, draughtsman: Harmen ter Borch, Zwolle, c. Jan-1653, paper, brush, h 165 mm × w 210 mm

Deepwoods. Artist: Narcisse Virgile Diaz de la Peña, French, 1808-1876

Le Chteaux des Revenants. Alphonse Legros (French, 1837-1911). Etching;

Bottom: Why do they run away?”, illustration for Act III, Scene i, A Midsummer Night’s Dream. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

. Three prints on a leaf. Above: Bust portrait of Abraham van Wielen, with hat, to the left. Middle: Landscape with a lying shepherd. A woman on the back in the background. Below: river landscape with a rowing boat with two fishermen in the foreground.

Etching by Pieter Nolpe from 1652 depicting bathing nymphs for the month of September.

Mary Magdalene as a Penitent Artist's working dates 1755-1802 France. Etching on off-white laid paper, laid down on cream laid paper . Étienne de Lavallée-Poussin

. .

Four Illustrations to Menasseh Ben Israel's 'Piedra Gloriosa', Rembrandt van Rijn, 1655 print Japanese paper etching / drypoint King Nebuchadnezzar's first dream, and its interpretation (Daniel 2). the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder. story of David and Goliath (1 Samuel 17). Daniel's visions (Daniel may be shown having his visions explained, e.g. by the archangel Gabriel)

Antonio Fontanesi, Fisherman on the Lakeshore (Pescatore sulla riva del lago), c 1864 Fisherman on the Lakeshore Pescatore sulla riva del lago

The good shoe , Blacksmiths, Blacksmithing, Forge shops. James McNeill Whistler (1834-1903). Lithographs

Frightened. Artist: Anders Zorn, Swedish, 1860-1920

Print, Saint Jerome Reading in an Italian Landscape, ca. 1653; Rembrandt Harmensz van Rijn (Dutch, 1606-1669); Netherlands; etching on off-white laid paper; 26 × 2.1 cm (10 1/4 × 13/16 in.); Bequest of George Campbell Cooper; 1896-3-163

Artist: Wolfgang Huber, German, ca. 1485-1553, Saint George and theDragon, Wood-cut, Made in Germany, German, 16thcentury, Works on Paper -Prints

L'annonciation aux Bergers. Bisson Frères (French, active 1840 - 1864)

Bourbon de Penthièvre, Louise Marie ADELAIDE DE.

Anonymous artist depicted a grove with Apollo, Venus, and Amor using paint brush on red-brown paper with deck white, showing figures and landscape.

Dance of Death, 1919. Percy John Delf Smith (British, 1882-1948). Etching;

The Vine, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), 1852, Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper, Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm), Plate: 11 13/16 x 8 1/2 inches (30 x 21.6 cm), Image: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm), Image: 3 1/2 x 5 1/16 inches (8.9 x 12.8 cm), and Image: 2 1/8 x 4 5/8 inches (5.4 x 11.8 cm), baskets, cape, cherubs, cloak, figures, foliage, food, grapes, ladder, landscape, leaves, light, monarch, religious and mythological subject, specific aspects, allegorical aspects of Bacchus; Bacchus as a patron, trees, vat, vine, wine

A Tower of Cortez - Mexico. Thomas Moran; American, born England, 1837-1926. Date: 1883. Dimensions: 297 x 244 mm (image); 306 x 250 mm (plate); 487 x 352 mm (sheet). Etching on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Reader: The Lecture under the Trees, c. 1882. Alphonse Legros (French, 1837-1911). Drypoint;

Edmond Morin (1824-1882). "The soul of wine". Bois, 1862. Museum of Fine Arts of the city of Paris, Petit Palais. Soul, drunkenness, October, grapes, harvest, vine, wine, engraving

Rest on the Flight Into Egypt. The holy family and three angels and a donkey at a monument.

Angler, Leendert Brasser, 1727 - 1793 print Man stands with rod on bank at Boom, in the background a church is behind trees. Netherlands paper etching angling

A travers champ (AcrossCountry). Artist: Alphonse Legros, French, 1837-1911

The Crevasse. Artist: Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). Dimensions: 4 3/4 x 3 1/4 in. (12.1 x 8.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

Etching and copper engraving by Jean-Jacques Flipart, 1757-1782, depicting a storm at sea with ships and turbulent waves.

Giovanni Battista Tiepolo, Philosopher Seated, with Globe, Book, and Compass Philosopher Seated, with Globe, Book, and Compass

Winslow Homer, Two Heads (Study after "Undertow"), c. 1886; printed c. 1967, etching, open-bite, stopping out, and scraping on cream laid paper.

The Glade, Alexander Cozens, 1717-1786, British, ca. 1750, Brushed black ink and orange-brown ground on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, wove paper, Sheet: 5 5/8 x 7 7/8 inches (14.3 x 20 cm) and Mount: 11 x 14 1/4 inches (27.9 x 36.2 cm), hills, landscape, mountains, trees

Mount Hua, 1506. Tang Yin (Chinese, 1470-1523). Hanging scroll, ink and light color on paper; painting: 116.4 x 41.4 cm (45 13/16 x 16 5/16 in.); overall with knobs: 213.5 x 66.7 cm (84 1/16 x 26 1/4 in.).

The Distant City 1868 France. Etching and roulette on ivory China paper laid down on white wove paper . Rodolphe Bresdin

Figures on the corner of the quay of La Goulette, Vicomte Arthur-Jean le Bailly d'eghuem, 1875 print paper. etching pier, quay, wharf (+ view ~ vehicle, ship, etc.). fishing (sports). sailing-ship, sailing-boat Tunis. La Goulette

La Cascade, Collection des tableaux en gouache et des dessins de Salomon Gessner, Gessner, Salomon, 1730-1788, Kolbe, Carl Wilhelm, 1759-1835, Etching, 1811, This is an overall view of plate 6.

Claesen, Charles, Carpey, P.-J., Decorative Tables, Déposé, Photographic reproduction of a painting of two women and four children playing by PJ Carpey, recto - printed, This photograph is part of a cover with 24 photographs on 22 sheets., photograph, photo, reproduction, photographs, photographically illustrated books, Ch. Claesen Editeur, Paris, Liége & Berlin, height 263 mm, width 167 mm, photographer, 1874 - 1881, photographic paper, photo paper, albumen print, albumine print, after, after a painting by, Publication (Event), Publication, publisher

Alphonse Legros, Death of the Vagabond (La mort du vagabond) Death of the Vagabond (La mort du vagabond)

Alexander Cozens, 1717-1786, British, The Glade, ca. 1750. Brushed black ink and orange-brown ground on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, wove paper.

Cartoon on the Russian-French Alliance, Marius Bauer, 1897 print French President Félix Faure is depicted together with Tsar Nicolaas II in the midst of fireworks. The print was published in response to Faure's visit to St. Petersburg. This print was an addition of the chronicle of July 4, 1897. Amsterdam paper bonfire, fire-works Sint-Petersburg

Jean Baptiste Camille Corot, Dante and Virgil (Dante et Virgile), 1858 Dante and Virgil (Dante et Virgile)

Printer's Devil. Dated: 1895. Dimensions: plate: 30.3 x 36.9 cm (11 15/16 x 14 1/2 in.) sheet: 36.9 x 27.9 cm (14 1/2 x 11 in.). Medium: engraving in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Francis Scott King.

Boat for a stone bridge, Arnoud Schaepkens, 1831 - 1904 print paper etching / drypoint bridge. rowing-boat, canoe, etc.

A series of pencil sketches by Ferdinand Georg Waldmüller illustrating figures, landscapes, and architectural features, highlighting compositional structure and observational detail.

Copper engraving and etching by Jean Joseph Balechou from 1757 depicting a stormy sea with a shipwreck scene.

Judah and Tamar. Round representation of Judah and Tamar. Tamar is in the foreground next to a tree, dressed as a courtesane. Tamar and Judah can be seen together on the right. With reference to the Bible text in Gen: 38. Reconstructed from two fragments.

Le voyageur à l'abri , Travelers, Alphonse Legros (1837-1911)

Moored boat on a quay, 1890 - 1946 In the background the silhouette of a city. Verso of a loose sheet with a wedding announcement between page 41 and the rear bract of a sketchbook with 41 sheets. paper. pencil quay. city-view, and landscape with man-made constructions

of 3