Formal Historical Gatherings

Scenes of gatherings in ornate halls, showcasing traditional attire, large tables, and elaborate decor during significant events.

Print marked top right: Fourth Part Fol. 472., Revocation of the Edict of Nantes, 1685 The Edict of Nantes by Henry the Fourth. granted and sworn to on February 25, 1599. was revoked and annulled by Lodewyk the XII, on October 8, 1685 (...) , print maker: Jan Luyken, (mentioned on object), Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1696, paper, etching, h 283 mm × w 364 mm

Dinner at City Hall (TF)

Reception of Prince Willem V and Wilhelmina van Prussen in the council chamber of Amsterdam town hall.

Public reading of some psalms in the new frosting, 1773, Reinier Vinkeles (I), 1777 print Public reading of some psalms in the new frosting by the Commission to improve the rhyme psalms, in the meeting room in the Mauritshuis on October 1, 1773. A group sitting at a table and more attendees standing around the table. On the left is a member of the committee to read. Amsterdam paper etching / engraving reading to somebody Mauritshuis

Concertzaal in Felix Meritis, ca. 1810-1813; Vue de l'intérieur de la Salle des concerts à Felix Meritis.View in the concert hall of Felix Meritis in Amsterdam, ca. 1810-1813. Part of a sheet metal from approx. 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and several morals and habits in the United Kingdom of the Netherlands.

Print marked top right: Fourth Part Fol. 472., Revocation of the Edict of Nantes, 1685 The Edict of Nantes by Henry the Fourth. granted and sworn to on February 25, 1599. was revoked and annulled by Lodewyk the XII, on October 8, 1685 (...) , print maker: Jan Luyken, (mentioned on object), Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1696, paper, etching, h 283 mm × w 364 mm

Common Council Chamber, Guildhall, Thomas Rowlandson, 1756-1827, British, And John Bluck, active 1791-1831, British, after Augustus Charles Pugin, 1762-1832, French, 1808, Aquatint, hand-colored

Napoleon is brought to Napoleon, sitting on his throne in com costume, decorative objects of art (TF)

EASTER MONDAY, THE GREAT ZOOLOGICAL GALLERY, BRITISH MUSEUM

Print made by John S. Shury, active 1818-1848, Lord Mayor's Table, Guildhall, 1844. Line engraving on medium, slightly textured, cream wove paper.

Ball in the Civic Hall of the City Hall of Amsterdam in honor of the visit of Prince William V and Wilhelmina of Prussia, June 1768, Reinier Vinkeles (I), 1768 - 1772, draughtsman: Reinier Vinkeles (I), (mentioned on object), Jun-1768 - 1772, paper, pen, brush, h 367 mm × w 329 mm

The Prince of Wales Presiding at a Meeting, held at South Kensington Museum, of the Commissioners for the Paris Exhibition, from "Illustrated London News" January 19, 1867 Anonymous, British, 19th century This print relates to the elaborate British planning process established to select works sent to the International Paris Exposition of 1867 (held April 1 to October 31). The meeting shown here was held at the South Kensington Museum in early January 1867 and attended by leading committee members, to finalize details and plan shipping. The Prince of Wales chaired the gathering in a large gallery hung with the Raphael Cartoons, and the secretary was Sir Henry Cole-who had masterminded London's Great Exhibition of 1851. The Victoria and Albert Museum had been founded in the wake of the 1851 success and subsequent international fairs followed its model.. The Prince of Wales Presiding at a Meeting, held at South Kensington Museum, of the Commissioners for the Paris Exhibition, from "Illust

The first precedent session of the Reichstag in Vienna, on July , Franz Kollarz Kolář -, Lithographer, Johann Rauh -, printer

BARCELONA. EL SALON DEL CIENTO EN EL ACTO DE LOS JUEGOS FLORALES. ILUSTRACION ESPAÑOLA Y AMERICANA.

William III attends a session of parliament as king, 1689, 1689 print William III attends a session of parliament as king, 28 February 1689. The king right in royal robe sitting on his throne. Plate L in the series 'Engelants Schouwtoneel' about the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French. Amsterdam paper etching Lower House, Parliament, Chamber Houses of Parliament

Bal in the town hall, 1768, Reinier Vinkeles (I), 1773 print The ball in the civilian hall of the Amsterdam City Hall given by the city council on the occasion of the visit of Stadholder Willem V and Princess Wilhelmina van Pruisen, 2 June 1768. Part of a press series with title print and 14 records of the indentation of the prince and princess in Amsterdam, 30 May - 4 June 1768. Handwritten at the bottom right numbered: 13. paper etching / engraving public festivities on the occasion of royal events (+ dancing ~ festive activities). ball, formal dance. townhall Burgerzaal. City Hall of Amsterdam (1655-1808)

Robert Pollard, 1755-1838, British, Vaux-Hall, 1785. Etching with aquatint on moderately thick, slightly textured, cream, wove paper.

Paris, Mariette, Pierre (II), Lepautre, Jean, Desseins De lambris à l'Italienne, Gallery of a palace, Gallery in a palace with various figures. Print is part of an album., print, ornamental print, album sheet, prints, height 225 mm, width 152 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1659 - 1659, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Feast for King Charles II of England in the Mauritshuis in The Hague, 1660, 1660 print Guest meal at Candlelight for the English king Charles II in the Mauritshuis in The Hague, 30 May 1660, offered by the States of Holland. Episode during his tour through and departure from the Netherlands. The king is on the right between his aunt Elisabeth, Queen of Bohemen, and his sister Maria Henrietta Stuart, princess of Orange. In the foreground the young Prince William III. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Celebration Meal, Feast, Banquet Mauritshuis

Ball of the European princes, 1742, Simon Fokke, 1740 - 1742, The solemn ball of the European princes, 1742. Ball given by the Elector of Bavaria in a candle-lit ballroom in which central Archduchess Maria Theresa dances with King Frederick of Prussia. Theodor von Neuhoff, the king of Corsica, dances along in a harlequin suit. Other monarchs look on. Allegory of the Austrian war of succession. Design for a print., draughtsman: Simon Fokke, Northern Netherlands, 1740 - 1742, paper, h 240 mm × w 375 mm

Bound Print, Pompe funèbre dElisabeth Thérèse de Lorraine Reine de Sardaigne, en léglise de Notre Dame de Paris le XXIIE. SEPTEMBRE M.DCC.XXXXI. (Funeral of Elisabeth Thérèse of Lorraine, Queen of Sardinia, in the Church of Notre Dame of Paris the 22nd of September 1741); Designed by Michel de Bonneval (French, d. 1766); Engraved by Charles Nicolas Cochin the younger (1715 - 1790); Published by Menus-Plaisirs du Roi; France; etching and engraving on paper; 91.4 × 61.1 cm (36 × 24 1/16 in.)

Public exhibition of the cradle gifted by the city of Paris to the Imperial Prince (Napoleon Eugene Louis Bonaparte), France, from a drawing by Provost, illustration from L'Illustration, Journal Universel, No 682, Volume XXVII, March 22, 1856.

BIJENCOMST IN VERSAILS, NOQUET, AFTER VENEY, AFTRARDET, 1791 print paper etching / engraving meeting. palace Versailles

British Hogerhuis, John Pine, 1749 print Three -faced caption in English. print maker: Londonpublisher: LondonEngland paper etching / engraving Upper House, Senate London

The bride arming on the Wartburg , The bride arming on the Wartburg with Franz Liszt am the piano from About Land and Sea, General Illustrirte Zeitung, Unknown

St. Cloud Day, 18 Brumaire An 8, (November 9, 1799.) Isidore-Stanislas Helman (1743-1806). St. Cloud Day, 18 Brumaire An 8, (November 9, 1799). Etching.

Costumed ball given to the Tuileries Palace, March 7, 1859

Decoration du bal masqué donné par le roy dans la grande gallerie du chateau de Versailles: à l'occasion du mariage de Louis Dauphin de France avec Marie Therese Infante d'Espagne, la nuit du XXV. au XXVI fevrier, MDCCXLV. Cochin, Charles Nicolas, 1715-1790. Prints. 1745. Jerome Robbins Dance Division. Balls (Parties)

OPENING OF GENERAL STATES Jean-Fran�ois Janinet (1752-1814). Opening of the States General, May 3, 1789.

Banquet for the English King Charles II in the Mauritshuis in The Hague, Pieter Philippe, after Jacob Toorenvliet, 1660 print Guest meal at Candlelight for the English king Charles II in the Mauritshuis in The Hague, 30 May 1660, offered by the States of Holland. Episode during his tour through and departure from the Netherlands. The king is on the right between his aunt Elisabeth, Queen of Bohemen, and his sister Maria Henrietta Stuart, princess of Orange. In the foreground the young Prince William III. Sticked on an old set -up sheet with inscription. paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Celebration Meal, Feast, Banquet Mauritshuis

Banquet held by the Russian families resident in Baden-Baden to mark the 58th anniversary of the Widow Empress of Russia, Germany, by a sketch of Philippe de Chastellein, illustration from L'Illustration, Journal Universel, Volume 700, Volume XXVII, July 26 1856.

Merigot, active 1772-1791, Remains of Lord Viscount Nelson laying in State in the Painted Chamber of Greenwich Hospital, 1806. Aquatint, hand-colored.

Decoration for a Masked Ball Given by the King, 1746, Charles-Nicolas Cochin, père; Artist: After Charles-Nicolas Cochin II, French, 1688 - 1754, 18 7/8 x 30 1/2 in. (47.94 x 77.47 cm) (plate)19 5/8 x 32 1/8 in. (49.85 x 81.6 cm) (sheet), Etching and engraving, France, 18th century, Louis XV held this masked ball for the wedding of his son, the sixteen-year-old Dauphin, to his cousin, the Spanish Infanta Marie-Thérèse-Raphaèle, on February 26, 1745. It was reportedly one of the grandest parties ever staged at Versailles. The Hall of Mirrors is filled to capacity and glitters with the light of thousands of candles, which are reflected in the countless panes of mirror and glass. Many of the guests arrived in costume, including the king and his companions, who were disguised as manicured yew trees with sculpted vases, visible among the guests on the right side of the print. Near the center of the crowd, the queen, unmasked and dressed in white, is shown leading her son with his new bride

Print, Interior View of the Coburg Theater, London; Designed by Jacob C. Schnebbelie (1760-1792); Engraved by James Stow (1770-after 1820); England; etching, hand colored

The Society of Arts distributing its Premium, Isaac Taylor, 1730-1807, British, after Edward Pugh, 1763-1813, British, 1804, Engraving

Willem III lives as king a seat from parliament, 1689; King William III Verschynt Parliament in Syn Koninglyk Verbaart Parliament in the 28 Feb: 1689; Englants Schoustoneel imagending the glory sparse with the croons of William III and Maria II to King and Queen of Great Brittany and Vrankryk and Yrlant, etc. II part .. Willem III lives as king a seat from parliament, 28 February 1689. The King right in royal robe sitting on his throne. Plate L in the 'Engeants stage' series over the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French.

The masked ball / n ° 2 (registered title) | XII Lithographic drawings for 1833 (IFF p.6-7) (Title of the whole)

The death of William Pitt, Lord Chatham, in the Upper Chamber of the Palace of Westminster, 1778. Engraving by J. Rogers after J. Copley, 1779.

Mayor Hendrik Danielsz. Hooft negotiates with the bourgeoisie, Noah van der Meer (II), after Geerlig Grindmoed, 1787 - 1789 print Mayor Hendrik Danielsz. Hooft is negotiating with the bourgeoisie about the Rhinegraaf of Salm in the Town Hall on 26 February 1787. The mayor stands on an elevation in front of the door of his room and addresses the crowd. Amsterdam paper etching mayor, burgomaster. crowd, mob. negotiations, conference ~ diplomacy Town hall

Exhibition Room, Somerset House January 1, 1808 Designed and etched by Thomas Rowlandson British Founded in 1768, London's Royal Academy mounted exhibitions every summer from 1769. Recent works by the academicians were given pride of place and supplemented by submissions by non-members. In 1780, the institution moved from cramped quarters on Piccadilly into custom built galleries in Somerset House on the Strand. The Great Room of these new galleries is shown here densely hung from floor to ceiling. Visitors were admitted for a shilling and flocked to inspect the art and enjoy the views of London society. Pugin and Rowlandson's print was published in 1808.. Exhibition Room, Somerset House. Microcosm of London, pl. 2. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). January 1, 1808. Hand-colored etching and aquatint. Prints

Print, Covent Garden Theatre, Interior; Designed by J. Bluck (active 1791-1819); After A.W.N. Pugin (English, 1812-1852), Thomas Rowlandson (British, 1756-1827); Published by Ackermanns; England; colored aquatint

Hall of Physics in Felix Meritis, 1789; Hall of Physics in the building of the SOUNGYË Felix Meritis within Amsterdam / Salle de Phijsique (...); Four rooms in Felix Meritis. Demonstration of the electrical machine in the hall of physics in the building of society Felix Meritis in Amsterdam, initiated in 1789.

Feast to unveil the statue of Rembrandt Harmensz. van Rijn on the Rembrandtplein in Amsterdam on 27 May 1852, monument, statue, Rembrandtplein, Rembrandt van Rijn, Popko van Groningen (mentioned on object), Netherlands, 1852, paper, letterpress printing, h 100 mm × w 151 mm

Balzaal, Jan Evert Grave, 1769 - 1805 print A ballroom. Ladies and gentlemen are sitting against the walls. A dancing couple in the middle of the departure. The orchestra left above the door. Amsterdam paper etching / engraving ball, formal dance. communal rooms. large group of musicians, orchestra

Opening of the States General in Versailles, Pietro Antonio Martini, after François Marie Isidore Quevero, 1789 print paper etching / engraving

Performance of the Gijsbrecht van Aemstel in Schouwburg in Amsterdam, ca. 1810-1813, 1824 - 1825 View of the interior of the Amsterdam Schouwburg on the Leidseplein where a performance of Vondel's play 'Gijsbrecht van Aemstel', ca. 1810-1813 takes place. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. Amsterdam paper etching / engraving Schouwburg Leidseplein (1774-1890) View of the interior of the Amsterdam Schouwburg on the Leidseplein where a performance of Vondel's play 'Gijsbrecht van Aemstel', ca. 1810-1813 takes place. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. Amsterdam paper etching / engraving Schouwburg Leidseplein (1774-1890)

Carnavalet Museum, Collection Drawings

James Fittler, 1758-1835, British, The House of Commons. Engraving.

ESTAMPA DE UNA REPRESENTACION EN VERSALLES DE "EL ENFERMO IMAGINARIO"- 1674. Author: JEAN BAPTISTE POQUELIN MOLIERE (1622-1673). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

'Exhibition of the Royal Academy. - Private View', c1844. Creator: William Radclyffe.

Solenal banquet / in the large palace room.

Chamber of the authorized representatives of the Allies in the house Ter Nieuburch in Rijswijk, 1697; The Kaemer Alwaer the Sugarghtighden of all the Hooge Allied Vergaederen / La Chambre Ou S'Assemblent Les Plenipotentaires des Hauts Alliez; Series of fifteen prints about the house Ter Nieuburch in Rijswijk and the peace negotiations, 1697; Le Chteau Roial De Ryswick Appelle De Neubourg AVEC Les Differens Apartenens Ou Se Tiennent Les Conference De La Paix Generale / The Koninglyke Castle to Ryswyck, Names Nieuwburg, with all the Selfs rooms and pleasants, in BYSonder, since the conference of the general sweetheart Held, & c .. The Chamber of the Plenipotentiaries of the Allies in the house Ter Nieubch in Rijswijk. A group of men sat in a circle. In the caption the two titles in French and Dutch. Part (print 11) of the series of fifteen prints over the house Ter Nieubch in Rijswijk and the peace negotiations held there uncovering in the peace of Rijswijk on September 20, 1697.

A session at the Valentin Club (IT)

Mayor Hendrik Hooft Danielsz is negotiating with the bourgeoisie, 1787, Noah van der Meer (II), After Geerlig Groepmoed, 1787 print The Amsterdam mayor Hendrik Danielsz. Hooft is negotiating with the bourgeoisie about the disposal of the Rhinegraaf of Salm, 26 February 1787. Hooft speaks in front of the entrance of the mayor's room in the town hall the compiled citizens. print maker: Northern Netherlandsafter drawing by: Amsterdam paper etching / engraving person addressing a group, orator. crowd, mob. mayor, burgomaster Citizen

Joseph Constantine Stadler, active 1780-1812, British, Lloyd's Subscription Room. Colored aquatint.

Mayor Hendrik Hooft Danielsz is negotiating with the bourgeoisie, 1787, Noah van der Meer (II), After Geerlig Groepmoed, 1787 print The Amsterdam mayor Hendrik Danielsz. Hooft is negotiating with the bourgeoisie about the disposal of the Rhinegraaf of Salm, 26 February 1787. Hooft speaks in front of the entrance of the mayor's room in the town hall the compiled citizens. print maker: Northern Netherlandsafter drawing by: Amsterdam paper etching / engraving person addressing a group, orator. mayor, burgomaster. crowd, mob Citizen

Dutch merchants hand princess Anna a complaint about the English attacks, 1758. Draughtsman: Simon Fokke. Dating: 1758. Place: Northern Netherlands. Measurements: h 168 mm × w 237 mm. Museum: Rijksmuseum, Amsterdam.

Exposition au Salon du Louvre en 1787. Artist: Pietro Antonio Martini (Italian, Trescali 1738-1797 Parma); After Johann Heinrich Ramberg (German, Hanover 1763-1840 Hanover). Dimensions: image: 12 11/16 x 19 5/16 in. (32.2 x 49.1 cm)sheet: 14 x 19 3/4 in. (35.6 x 50.2 cm). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.

The marriage of Napoleon and Marie Louise

French Revolution (1789-1799). National Assembly on 4 and 5 August, 1789. Engraving of the time.

Historic drawing, 19th century, scene from the history of France, view of the former Palace of Industry of the World Exhibition in Paris in 1855, with Giampietro Campana's collection, 1808 - 1880, an Italian art collector, 1862

Session House, Clerkenwell June 1, 1809 Designed and etched by Thomas Rowlandson. Session House, Clerkenwell. Microcosm of London, pl. 70. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). June 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Room of Physics in Felix Meritis, 1789, Reinier Vinkeles (I), after Pieter Pietersz. Barbiers, After Jacques Kuyper, 1801 print Demonstration of the electrification machine in the hall of physics in the building of the Felix Meritis Maatschappij in Amsterdam, inaugurated in 1789. paper etching / engraving physics. learned society, academy of sciences Happy merits

Rijn, Rembrandt van, Medea: or the marriage of Jason and Creüsa, verso lower left, print, prints, Rembrandt f. 1648, lower right, four-line verse, verso lower center, height 240 mm, width 176 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1648, second quarter 17th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, Northern Netherlands, after own design by

Comforts of Bath: The Ball. Date/Period: 1798. Genre subject. Watercolor with pen and black and gray ink on medium, slightly textured, beige, wove paper; border: blued white, medium, slightly textured, laid paper; with gray and peach wash lines on mount. Height: 144 mm (5.66 in); Width: 210 mm (8.26 in). Author: Thomas Rowlandson.

No. 125 / First meeting of the National Institute. / The 15 Germinal, the 4th of the Republic. (IT)

Sitting of the bearing house with Queen Anna on the throne, 1702. Sitting of the bearing house with queen Anna on the throne, probably at her throne in 1702. On the right the queen on the throne towards the members of the lower house and the clerks. All walls covered with tapestries. Above a cartouche with an image entitled: the high and lower Huys from England. On either side of this allegorical figures with the weapons of England. At the bottom of two small scenes from the life of Queen Anna. The declaration of the figures and letters in the performances is missing.

Pictures of the time of 1855, greeting of the king of sardines at the station of Lyon on November 23, France / Bilder aus der Zeit von 1855, Begrüßung des Sardinenkönigs auf dem Bahnhof von Lyon am 23. November, Frankreich, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

Gineceo still image. Reconstructions. 1823 - 1838. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Mural painting and decoration, Domestic life , Greece , To 499, Architectural decorations & ornaments , Greece, Women , Greece , To 499, Architecture , Greece, Gynaecea, Interiors , Greece , To 499

the Malkasten of Duesseldorf, Germany, a group of artists, founded in 1848 / der Malkasten in Düsseldorf, Deutschland, eine 1848 gegründete Künstlergruppe, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

ALFONSO XII. REY DE ESPAÑA. MADRID 1857 - 1885. " PRESENTACION DE LA RECIEN NACIDA INFANTA MARIA TERESA AL CUERPO DIPLOMATICO Y AUTORIDADES " , MADRID 1882. GRABADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA.

Theatrical reflection, or a peep at the looking glass curtain at the Royal Coburg Theatre. British Cartoon Prints Collection . Old Vic Theatre (London, England),1820-1830. , Theaters,England,London,1820-1830. , Audiences,England,London,1820-1830. , Reflections,1820-1830. , Mirrors,1820-1830. , Juggling,England,London,1820-1830. , Magicians,1820-1830.

Reception LL. MM. at the Palais de l'Industrie, by Prince Napoleon and the Commission of the Exhibition. Paris, France, Exposition universelle. An international Exhibition held on the Champs-Elysees in 1855, consisting of an industrial and an beaux Arts exposition. Engraving

Netherlands, Wounded by the French Murder Rifle, Visit of the Queen to the Wounded Prince of Orange, 1815, verso - stamped, Queen Wilhelmina of Prussia visits her son Willem Frederik George, Prince of Orange, in Brussels, who was wounded during the Battle of Waterloo on 18 June 1815. In the caption a four-line verse. See also pendant., print, prints, Frederik Muller Historieplaten, height 277 mm, width 378 mm, print maker, printmaker, 1815 - 1815, paper, aquatint, etching, hand colouring

Vauxhall Garden, London, by Thomas Rowlandson, 1784, England 18th century. Watercolour.

THE HANDEL FESTIVAL AT THE CRYSTAL PALACE

Social gathering in Kremlin by Mikhail Ivanovich Makhaev, Etching, 1790s, 1718-1770, Russia, Moscow, State History Museum,

Communication of General Pardon, 1570, 1570 print Annual Pardon, July 16, 1570. On a scaffolding for the Antwerp town hall, Alva allows Alva to read the general pardon. At the top, Alva sits on a throne, on the stairs underneath are soldiers. With caption of 8 lines in German. Numbered: 18. The print is part of an album. Cologne paper etching granting mercy; free pardon Town hall

Napoleon and Marie Louise at the Town Hall, by Moreau the Younger. (IT)

Austria, 19th century. Anton Zampis (1820-1883), An Evening at Vienna Public Gardens, 1845, detail.

French colonial products, Universal Exhibition in Paris, France, illustration from L'Illustration, Journal Universel, No 650, Volume XXVI, August 11, 1855.

CARLOS IV. REY DE ESPAÑA. 1748-1819 " UN BESAMANOS EN EL REAL PALACIO DE MADRID REINANDO CARLOS IV " AÑO 1804 GRABADO COLOREADO DE LA "ILUSTRACION ESPAÑOLA Y AMERICANA". S/XIX.

T. Prattent, active 1751, A View of the Court sitting on Trail of Lord Melville in Westminster Hall, undated. Engraving.

English dandies and ladies at an art exhibition, 1820. Tom and Jerry at the Exhibition of Pictures at the Royal Academy. A Shilling Well Laid Out. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce Egan's Life in London, Sherwood, Jones, London, 1823.

Study for Royal Chapel, Whitehall, in Micocosm of London 1807-1810 England. Pen and ink and watercolor on paper . Augustus Charles Pugin

The Long Room, Custom House (Microcosm of London, plate 28). Artist: Designed and etched by Thomas Rowlandson (British, London 1757-1827 London); Designed and etched by Auguste Charles Pugin (British (born France), Paris 1768/69-1832 London); Aquatint by John Hill (American (born England), London 1770-1850 Clarksville, New York). Dimensions: Sheet: 9 9/16 × 11 5/8 in. (24.3 × 29.6 cm)Plate: 9 1/8 × 11 in. (23.1 × 28 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Microcosm of London. Date: July 1, 1808. Museum: Metropolitan Museum of Art, New York, USA. Author: Designed and etched by Thomas Rowlandson. Designed and etched by Auguste Charles Pugin. Aquatint by John Hill.

Amsterdam, Het Nieuws van den Dag, Netherlands, Emrik & Binger, Memory of Amsterdam in 1883, View of the Main Gallery, Main Gallery at the World Exhibition in Amsterdam, 1883, View of the main gallery of the World Exhibition on the Museumplein in Amsterdam. Part of a group of sixteen plates and a map of the World Exhibition in Amsterdam from 1 May to 1 October 1883. Published by Het Nieuws van den Dag., print, prints, Frederik Muller Historieplaten, height 180 mm, width 117 mm, print maker, printmaker, 1883 - 1883, paper, papier, chromolithografie, printer, drukker, Publication (Event), Publicatie, publisher

Remy, Caillet institution, rue de la Cité, in 1845. (Faithful title). Carnavalet museum, history of Paris.

Princess Anna takes a seat in the meeting of the States General, 1752, 1819 - 1821 print Princess Anna van Hannover takes a seat as governor of Prince Willem v in the meeting of the States General, December 21, 1752. Northern Netherlands paper etching / engraving Lower House, Parliament, Chamber

Reichstag van Augsburg, 1530. Reichstag van Augsburg, 25 June 1530. View of the room with all those present, left Charles V on his throne. Without the statement of the numbers.

Distribution of the American Art Union Prizes, at the Tabernacle, Broadway, December 24, 1847 1847 Davignon American. Distribution of the American Art Union Prizes, at the Tabernacle, Broadway, December 24, 1847 381078 Artist: Davignon, American, 19th century, Artist: After Tompkins Harrison Matteson, American, Peterboro, New York 18131884 Sherburne, New York, Lithographer: Sarony & Major, New York, NY, Publisher: Published New York by John P. Ridner, American, 19th century, Distribution of the American Art Union Prizes, at the Tabernacle, Broadway, December 24, 1847, 1847, Lithograph with tint stone, image: 15 3/4 x 21 5/8 in. (40 x 54.9 cm) sheet: 24 x 29 7/8 in. (61 x 75.9 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.1056)

Napoleon crowned Emperor / (2 December 1804) (IT)

French Revolution. Night of 4 August 1789. Session of the Constituent Assembly during which the feudal system was abolished in France, definitively abolishing the rights and privileges of the nobility and the clergy. It took place in the hall of the Hotel des Menus-Plaisirs in Versailles. Renunciation of privileges. Drawing by Hippolyte de la Charlerie. Engraving by Pannemaker. ""History of the French Revolution"". Volume I, 1876.

Lloyds Subscription Room, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and watercolor on paper, Double hall, with high backed benches and tables along the walls. A high railing in the foreground, with men reading and talking. Title, artists', and publisher's names below., Europe, London, England, 1808, Print, Print

Banquet gives the city hotel on June 14, 1856 in honor of the birth of Prince Imperial Jules Worms (1832-1924). Banquet given to the City Hall on June 14, 1856 in honor of the birth of the imperial prince. Drawing.

Meeting of the French Academy of 23 April 1868, reception by Mr Jules Favre, Historical, digitally restored reproduction of a 19th century original, exact original date unknown

John Sainsbury sitting in his museum of Napoleon Bonaparte and the Napoleonic wars. Lithograph.

Interior of the Small Theatre or Odeon, Pompeii VIII.7.19. The audience in the roofed theater watches a performance by actors, chorus, musicians and dancers. Chromolithograph by Dietrich after an illustration by C. Gel from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii: Essaies et Restaurations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

Astley's Amphitheatre January 1, 1808 Designed and etched by Thomas Rowlandson. Astley's Amphitheatre. Microcosm of London, pl. 4. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). January 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Quae Genus Committed, with a Riotous Dancing Party, to the Watch-House, from "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax" November 1, 1821 Thomas Rowlandson. Quae Genus Committed, with a Riotous Dancing Party, to the Watch-House, from "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax". "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax". Thomas Rowlandson (British, London 1757-1827 London). November 1, 1821. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Exhibition space of Jean Baptiste Isabey in London, William James Bennett, After Jean Baptiste Isabey, 1820 print paper etching exhibition ~ art Pall Mall

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