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Formal Portraiture of Nobility

Copper engravings of aristocratic figures, capturing detailed facial features and formal attire. The prints depict historical personalities with precision.

This copper engraving by Jan van de Velde II, created in 1621 and 1627, presents portraits of Jan van de Velde the Elder and Pieter Verdonck, demonstrating the artist's skill in portraiture.
This copper engraving by Jan van de Velde II, created in 1621 and 1627, presents portraits of Jan van de Velde the Elder and Pieter Verdonck, demonstrating the artist's skill in portraiture.
126 assets in this story
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Copper engraving and etching by Lucas Vorsterman depicting a portrait of Franciscus Costerus, showing facial features, attire, and compositional arrangement, produced between 1610 and 1675.
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An etching by Costantino Cumano titled 'Portrait Rembrandt Harmensz van Rijn; Men's Portraits', created between 1720 and 1803, depicting men's portraits.
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Etching by Wenzel Hollar depicting male portraits, created between 1627 and 1677, showing facial characteristics, attire, and expressions.
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Monument to Joseph Petzval in The University of Vienna; Petzval monument in the arcades of Vienna University. .
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Group picture.
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Copper engravings by Jan Wierix depicting male portraits, created between 1569 and 1620.
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Copper engravings by Claude Mellan between 1620 and 1688 depicting individual portraits.
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Etching by Chodowiecki from 1775 showing Lavater's physiognomic fragments, including heads, faces, and studies of expression and form.
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Picture photography: Ignacy Jasi Ski (1833-1878), "Ob kana" ("Poland"), 1861 (); In: Album of Ignacy Jasi Skiego, photo photography: Ignacy Jasi Skki (1833-1878), "Wygadznia", 1869; In: Album of Ignacy Jasi around 1900 (1890-00-00-1910-00-00), around 1869 (1869-00-00-1880-00-00);
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Etching by Ignace Joseph de Claussin depicting a portrait of the Dutch painter Rembrandt van Rijn, executed between 1805 and 1844.
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Etching by Georg Leopold Hertel depicting a man writing and Rembrandt with Saskia in the parable of the lost son, produced around 1777, showing biblical and narrative figures.
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Photo production of a painting, representing a portrait of John Burns. .
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Self-portraits by Wallerand Vaillant, created between 1660 and 1675, showing the artist in different poses and expressions using engraving and etching techniques.
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The Madame B Album Made 1870-1879 France. Albumen prints with watercolors (in album) . Marie-Blanche Hennelle Fournier
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Saint-Mémin Collection of Portraits, Group 37, 1802-1808, Portfolio Title, Saint-Mémin Collection of Portraits, fifteen mezzotints with engraving mounted to brown wove paper, image (overall): 24.13 × 34.29 cm (9 1/2 × 13 1/2 in.), mount: 29.21 × 40.64 cm (11 1/2 × 16 in.), Charles B. J. Févret de Saint-Mémin (artist) French, 1770 - 1852
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The Madame B Album Made 1870-1879 France. Albumen prints with watercolor (in album) . Marie-Blanche Hennelle Fournier
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Photo production of the sculpture "Quatre Yeux Seulement". The sculpture shows a combination of faces of Napoleon III, Wilhelm I and Otto von Bismarck. Part of photo album with 123 Cartes-de-visite by members of European royal houses, politicians and well-known people.
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ASSEBURG, Ferdinandine Adolfine Countess.
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Osman, Prince of Turkey.
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Saint-Mémin Collection of Portraits, Group 33, 1803-1806, Portfolio Title, Saint-Mémin Collection of Portraits, fifteen mezzotints with engraving mounted to brown wove paper, image (overall): 23.97 × 34.13 cm (9 7/16 × 13 7/16 in.), mount: 29.21 × 40.64 cm (11 1/2 × 16 in.), Charles B. J. Févret de Saint-Mémin (artist) French, 1770 - 1852
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Etching by Georg Friedrich Schmidt, 1763, depicting a young woman with detailed facial features, expression, and period attire.
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George Washington. Prints. 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Washington, George, 1732-1799
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Balthasar Jenichen's etching series 'Dukes and Electors of Saxony' (1563-1621) presents portraits of Saxon rulers, showcasing their attire and heraldic symbols. The works reflect the political and cultural landscape of the time.
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Etching by Francesco Bartolozzi from 1792 depicting the title page and vignette of the Court of Henry VIII, based on original drawings by Hans Holbein, showing portraits and figures.