Frescoes and Allegories

Elaborate ceiling frescoes and allegorical scenes depicting angels, virtues, and scenes from classical art, rich in colors and details.

Italy, Viani, Domenico Maria, Saint Filippo Benizi, Recto lower margin - handwritten in brown ink, Saint Filippo Benizi is carried to heaven by angels. Right three cherubs., print, prints, verso - stamped, Questo pittore stampe, height 369 mm, width 253 mm, Italian, 1668-12-11 - 1711-10-01, print maker, printmaker, 1678 - 1711, paper, papier, etching, etchings, Work conception, after own design by

Italy, Lazio, Rome, Centro Storico, church of Santa Maria delle Pace, fresco detail by Raphael.

Adam and Eve, the expulsion from paradise, painting on the facade, Saint Vincent de Paul church, Paris

Italy, Viani, Domenico Maria, Saint Filippo Benizi, Recto lower margin - handwritten in brown ink, Saint Filippo Benizi is carried to heaven by angels. Right three cherubs., print, prints, verso - stamped, Questo pittore stampe, height 369 mm, width 253 mm, Italian, 1668-12-11 - 1711-10-01, print maker, printmaker, 1678 - 1711, paper, papier, etching, etchings, Work conception, after own design by

Augsburg, Lotter, Johann Jacob, Bergmüller, Johann Georg, Sperling, Hieronymus, Allegory and three views of the body of a one-year-old boy, verso - stamped, Allegorical scene in which Prudence and Minerva protect Painting from Sloth and Envy. Middle: Fig. 2., print, book illustration, prints, etchings, height 316 mm, width 209 mm, German, 1695 - 1777, print maker, printmaker, 1723 - 1723, paper, engraving, engraving (printing process), etching, Work conception, 1688 - 1762, after a design by, Publication (Event), Publication, 1683 - 1738, publisher, granter of privilege

Weltenburg Abbey. Benedictine abbey. Celling fresco. Weltenburg. Germany.

Winged ephebes, central hall with frescoes by Domenico and Giuseppe Valeriani, Hunting residence (UNESCO World Heritage Site, 1997), by Filippo Juvarra (1678-1736), Stupinigi, Piedmont, Italy, 18th century.

Paul-Albert Baudouin (1844-1931). "The study and thermidor - Vault of the peristyle, interior garden, small palace". Fresco. 1909-1910. Museum of Fine Arts of the City of Paris, Petit Palais. 99859-3 Year 1900, beautiful time, painted decor, fresco, 20th XXth XX 20th 20th 20th century

Martyrdom of Cistercian Nuns in Vittavia, Poland, by Della Rovere Giovanni Mauro known as Fiammenghino, Della Rovere Giovan Battista known as Fiammenghino, 17th Century, fresco. Italy, Lombardy, Milan, Chiaravalle Abbey. Detail. Group of nuns chased on a balcony portico balustrade columns coffered ceiling white beige cream brown tones: hues.

Phaethn Asks for Apollo's Cart, by Tiepolo Giambattista, 1719 - 1720, 18th Century, fresco. Italy, Veneto, Massanzago, Padua, Villa Baglioni. Whole artwork. Painted architecture clouds Triumphal Chariot horse steed Phaeth'n clouds light blue: azure white.

DETALLE DE LOS FRESCOS DE LA BOVEDA - HISTORIA DEL TOISON DE ORO - 1699 - ALEGORIA DE LA MONARQUIA - BARROCO ITALIANO. Author: LUCA GIORDANO. Location: CASON DEL BUEN RETIRO-PINTURA. MADRID. SPAIN.

Caesar under the walls of Alexandria, by Felice Manassero, tapestry cartoon, anteroom, East apartment, Hunting residence (UNESCO World Heritage Site, 1997), by Filippo Juvarra (1678-1736), Stupinigi, Piedmont, Italy, 18th century.

ALEGORIA DE EUROPA - FRESCO - 1753. Author: GIOVANNI BATTISTA TIEPOLO. Location: RESIDENCIA DEL PRINCIPE OBISPO. WURZBURG. GERMANY.

Two sitting allegorical figures, Louis Fabritius Dubourg, After Bernard Picart, 1703 - 1775 drawing paper. chalk counterproof Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) (+ abstract concept represented by female figure). God's perfections. Forethought, Deliberation; 'Previdenza', 'Providenza' (Ripa) (+ abstract concept represented by female figure)

'Alexander the Great in the Workshop of Apelles'. Italy, 1792. Dimensions: 80,5x114 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE CADES.

Jacob's dream. Room of Heliodorus. Vatican Museum. Rome. Italy.

Greeting of Venus at Mount Olympus. Gran, Daniel (1694-1757), painter

Frieze with Arimaspe, by Unknown, 1st Century b.C. , painted stucco. Italy, Campania, Naples, National Archaeological Museum, From Pompeii, Villa of the Mysteries, oecus 11. Whole artwork..

Triumph of Hercules and the Four Seasons (Trionfo di Ercole e le Quattro Stagioni), by Giuseppe Maria Crespi known as lo Spagnuolo (or Spagnolo), 1691, 17th Century, fresco

SIENA Cathedral the Piccolomini IIbrary bas reIIef with the scene Expulsion from the Garden of Eden by Jacopo della Quefrcia Alinari

drawing Raphael from Windsor Castle, dancing and making music Bacchae, Charles Thurston Thompson, 1857.

The Virgin and Child with Saint John and Angels (The Manchester Madonna) by Buonarroti, Michelangelo (1475-1564)/ National Gallery, London/ c. 1497/ Italy, Florentine School/ Tempera on panel/ Renaissance/ 104,5x77/ Bible

Adoration by the shepherds. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 37 mm × w 68 mm. Museum: Rijksmuseum, Amsterdam.

Foolish 1503-1505 Giotto (ca. 1266-1337 Italian) Fresco Capella degli Scrovegni, Padua, Italy

Abduction of Helen. Deshays de Colleville, Jean-Baptiste-Henri (French, 1729-1765) (author of design) painter Charron, André-Charlemagne (French, fl.1754-1780) (workshop) weaver c. 1761-1770 Tapestry Dimensions: H 12'6" x W 20'2" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Beauvais Ownership History: French & Co. Inscriptions: Woven monogram in lower guard, right: fleur-de-lys A.C.C.BEAUVAIS Soldier leads Helen away from classical building towards small boat, men wait in boat, Helen's maids bring her belongings, Venus (Aphrodite) watches from sky; coat of arms at upper center (BRD) narrow band with string of oval beads French & Co. stock sheet missing from archive, 37236-a Weigert, French Tapestry (1962), 132 Related Works: Panels in set: GCPA 0243607-0243614

Italy, Campania, Caserta, interiors of the Royal Palace

Anderson, Domenico, Photo reproduction of fresco Venus and Jupiter by Raphael, Farnesina in Rome, photograph, foto, foto's, Venere e Giove di Raffaele (Farnesina), height mm, width mm, Italian, 1854 - 1939, photographer, 1857 - 1875, third quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Rococo style paintings on the ceiling of the Pilgrimage Church of Wies, UNESCO World Heritage Site, Steingaden, Bavaria, Germany, Europe

England, Middlesex, London, Kingston-upon-Thames, Hampton Court Palace, William III's Apartments, The King's Drawing Room, Ceiling Artwork

SODOMA, Giovanni Antonio Bazzi, also called Il (1477-1549). ITALY. SIENA. Abbey of Monte Oliveto Maggiore. Fresco painting placed in Chiostro Grande.'Come Benedetto scioglie uno contadino che era legato solo a guardarlo'. Detail. Renaissance art. Fresco.

Art detail from the Castel Sant'Angelo, a tall cylindrical building in Parco Adriano, Rome, Italy. It which was initially commissioned as a mausoleum by Roman Emperor Hadrian. The Castel was once the tallest building in Rome, and is now is used as a museum. Circa 2nd century AD.

Last Judgment and the Burying of the Dead. Dating: c. 1560 - c. 1570. Measurements: support: h 218 cm × w 190 cm. Museum: Rijksmuseum, Amsterdam. Author: Bernard van Orley (circle of).

Allegory of Arezzo; to the bottom, view of Florence. Date/Period: 1557 - 1558. Painting. Fresco. Height: 250 mm (9.84 in); Width: 210 mm (8.26 in). Author: Giorgio Vasari.

Ducal palace: frescoes, sassuolo, italy

Study for an Allegory with River God andPlenty. Artist: Unknown

Bartolomeo Passerotti / 'Holy Family, Accompanied by an Angel and Two Saints'. XVI century. Wash, Pencil, Pencil ground, Grey-brown ink on brown paper. Museum: Museo del Prado, Madrid, España.

Landscape with family of Satyrs'. Albrecht Altdorfer (1480-1538) German painter, engraver and architect: Danube School. Oil on panel.

Nuremberg, Weigel, Johann Christoph, Decker, Paul (I), Germany, Beger, Lorenz, Allerhand Arten Deck-Stucken vor Mahler und Stucator, Ceiling paintings, Ceiling painting with rocailles, female figures and putti, verso - stamped, In the sky birds with a rope on their legs. Above enthroned Justitia (Justice)., print, ornamental print, prints, ornamental prints, height 152 mm, width 214 mm, 1663 - 1735, print maker, printmaker, 1687 - 1725, paper, papier, etching, etchings, Work conception, 1677-12-27 - 1713-11-18, after a design by, Publication (Event), Publication, German, 1661-07-15 - 1726, publisher

Frieze depicting a scene of judgment, by Unknown artist, 25,1st Century, mural. Italy: Lazio: Rome: Palazzo Massimo alle Terme: Triclinio C parete sinistra secondo riquadro. Detail. Frieze judgment festoon

Frescoes in the Camera della Badessa at the Convent of St Paolo in Parma, by Allegri Antonio known as Correggio, 1519, 16th Century, fresco. Italy, Emilia Romagna, Parma, Monastery of San Paolo, Camera della Badessa. Detail. Frescoed ceiling vault pergola monochrome lunettes ovates tondi: tondos putti wreaths: festoons fruit babies naked: nude children green lunettes monochrome mythological figures ram's head.

Putti with Flower Garland, workshop of Gerard van Honthorst, c. 1650

Rome Representative of the Arts Elihu Vedder (American, 1836-1923). , 1894. Oil on canvas, 29 9/16 x 55 3/16 in. (75.1 x 140.1 cm). During the 1890s a new classicism in architecture led to the demand for large, decorative wall paintings that recalled the classical past. This is a finished study for a mural representing Rome that Elihu Vedder executed for the Walker Art Building on the campus of Bowdoin College, in Maine, where it joined panels symbolizing Athens, Venice, and Florence (key historical artistic centers) by three other artists. Using a traditional allegorical visual language, Vedder cast the central nude female figure as Naturethe primary inspiration of art. Flanking her are personifications of the elements of art (love, color, and form on the right and knowledge, thought, and soul on the left). American Art 1894

Frescoed squinch, 1715, by Sebastiano Galeotti (1676-ca 1746), Oratory of Santa Maria delle Grazie, Parma, Emilia-Romagna, Italy, 18th century.

Tunisia, Northern Tunisia, Bulla Regia, ruins of underground Roman-era villas, House of Amphitrite, mosaic of Venus

Italy, Tuscany, Pisa, Piazza dei Miracoli, Pisa Cathedral, detail of marble pulpit

Venus and Adonis. Date/Period: Second half of the 16th century. Painting. Oil on canvas Oil. Height: 1,828 mm (71.96 in); Width: 1,895 mm (74.60 in). Author: TITIAN.

Italy - Friuli Venezia Giulia Region - Passariano (Udine province) - Villa Manin. Francesco Fontebasso (1707-1769), Adam and Eve. Monochrome fresco

The Dream. (Allegory of human life) After Michelangelo, Allori, Alessandro (1535-1607)

Austria, Styria, frescos on the ceiling of Schloss Kirchberg

The Triumph of the Word of God, from the Series Triumph of the Catholic Church (Oil Sketch for a Painting of the same subject). Artist: Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 10 1/2 × 15 5/16 in. (26.7 × 38.9 cm). Date: ca.1615-1620.Oil sketch showing part of a procession. In the center, a horse-drawn wood chariot is depicted which has been adorned with a crucifix. Three allegorical figure groups are placed on top of the chariot consisting of a man sacrificing a child, the female personification of Faith, and the female personification of Charity. Four figures are depicted in front of the chariot, from left to right a woman representing 'Ratio', a man personifying 'Sacred Scripture' and a female and child. Three more figures, possibly the Magi () are walking right behind the chariot. Five angels are depicted in the sky above, several of which hold up banderoles with text. Various inscriptions have been incorporated in the sketch, but not all are

LA INMACULADA 1632- 0/L- DETALLE DE QUERUBINES A LOS PIES DE LA VIRGEN. Author: FRANCISCO DE ZURBARAN. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Detail from the Battistero di San Giovanni (Florence Baptistery). The baptistery Considered a minor basilica, and is a religious building in Florence, Italy. It is in the Florentine Romanesque style, and was built between 1059 and 1128, making it one of the oldest buildings in the city. 3 sets of bronze doors with relief sculptures are on the exterior. The south doors created by Andrea Pisano, and the east and north doors by Lorenzo Ghiberti. This set of doors is known as 'The Gates of Paradise', and features scenes from the bible in bronze relief.

Das Fest der Götter, Orgie, Gemälde von Jean-Baptiste Cariven 1843 bis 1904, französischer Maler, Reproduktion eines Gemäldes aus dem 19. Jahrhundert, digital restauriert, historisch

Paris - Annex Office Building, United States photographs Related to Embassies, Consulates, and Other Overseas Buildings

The area at the foot of the Grand Staircase at Petworth House in West Sussex, United Kingdom. Petworth is a late 17th-century Grade I listed country house, rebuilt in 1688 by Charles Seymour, 6th Duke of Somerset, and altered in the 1870s to the design of the architect Anthony Salvin. Petworth is famous for its extensive art collection which include severals painting by Turner, Gainsborough and Titian. It also has an expansive deer park, landscaped by Capability Brown.

The Creation of Adam andEve. Artist: Master of Apollo and Daphne, Italian, Florence, ca. 1480-1510

Ceremonial scene with Abundance and Piping Pan 1765-66 Adam Partnership British The painting comes from the Long Gallery at Croome Court, the decoration of which had been commissioned from Robert Adam by the sixth earl of Coventry and substantially completed in 1765. Sefferin Alken was the maker of the original frame (see 60.50b), which the Museum does not exhibit; his bill dates to August of that same year and the chiaroscuro must be more or less contemporaneous. It was acquired to hang over the mantel in the Lansdowne Room, surrounded by a slightly enlarged but original molding which, curiously enough, had been left empty. While the subject is in the antique taste, only Abundance, crowned with a wreath and supporting a cornucopia, and the piping Pan behind her can be identified.. Ceremonial scene with Abundance and Piping Pan 202391

Window detail at St. Chads Church, Farndon, Cheshire, 20th century. Artist: CM Dixon.

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. The left hand of the Archangel Gabriel holding a bunch of white butterflowers: ranunculus (on the left side of the throne) flowers white red light blue: azure green brown hues: shades.

The Approach to the Celestial City, 1840-1860. By: S. Mayson

Degas, Edgar (1834-1917) National Gallery, London Painting 117,2x77,5 Genre Miss La La at the Cirque Fernando

Music and dance. Sketch for the Paris City Hall Fair L�on Glaize (1842-1931). Music and dance. Sketch for the Arts Fair of the Paris City Hall. oil on canvas. 1890. Museum of Fine Arts in the city of Paris, small palace.

The Meeting at the Golden Gate, Fra Filippo Lippi, circa 1440-1445,

Maecenas presenting Liberal Arts to Augustus, Tiepolo, 1743. ITALY.

Ezekiel C.1510 Michelangelo Buonarroti (1475-1564 Florentine) Sistine Chapel, Vatican, Rome

Virtue, overdoor fresco, 1901-1902, by Mario Chiodo Grandi (1872-1937), Wedding hall, Villa Ottolini Tosi, Busto Arsizio, Lombardy. Italy, 20th century.

Santa maria delle grazie church: fresco by gaudenzio ferrari from 1513, varallo sesia, Italy

Pietro Facchetti (Copy after Raphael (Raffaello Sanzio)) / 'The Moon. Diana with the Sign of Cancer'. XVI century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Lazio Roma Castel Fusano Castello Chigi0. Hutzel, Max 1960-1990 Architecture: exterior views of the castle and interior views of entrance hall and main salon. Detailed shots of: maps, salon fresco cycle of New Testament, allegorical and mythological scenes, chapel altarpiece, and other works all by Pietro da Cortona. 3 marble busts. Antiquities: Roman sarcophagus in garden Object Notes: 4 negatives of an ancient Roman statue in a niche (of a goddess missing head and arms) that are catalogued with Castello Chigi may be misidentified. General Notes: Hutzel made 2 separate photo campaigns in Castel Fusano; new numbers have been assigned to the photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

ALTAR DE LA RAZA - ANTIGUA CAPILLA MAYOR DE LA IGLESIA DEL CONVENTO DE SAN TELMO - 1929-1934 - OLEO Y ORO SOBRE LIENZO - 10 X 20 m. Author: SERT JOSE MARIA. Location: MUSEO DE SAN TELMO. DONOSTI-SAN SEBASTIAN. Guipuzcoa. SPAIN.

Sacristy of St. Giovanni Carbonara by Giorgio Vasari (1511-1574) and Cristofano Gherardi (1508-1556). From left to right. Adam, Jerome, John the Evangelist, St. Luke. National Museum of Capodimonte. Naples. Italy.

Franciszek Smuglewicz (1745-1807). Polish-Lithuanian painter. Sophonisbe gets the letter and poison from her husband. Vilnius Picture Gallery. Lithuania.

Rocky landscape with little temples, statue, fisherman and ibis. Ekklesiasterion. Temple of Isis. Pompeii. Italy. National Archaeological Museum, Naples. Italy.

Lazio Roma Riofreddo Oratorio dell'Annunziata5. Hutzel, Max 1960-1990 Two exterior views of romanesque church, and three interior views of nave and altar. Remaining views of frescoes. General Notes: There are three color prints and matching negatives assigned H-numbers 34, 35, 36. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Léon Bonnat (1833-1922). Allegory of justice, sketch for the Paris courthouse. Oil on canvas. 1866. Museum of Fine Arts of the City of Paris, Petit Palais. Allegory, Epee, sketch, woman, justice, justice palace, allegorical character, oil on canvas

'The Recovery of Bahia in 1625' (detail), 1634-1635, Spanish School, Oil on canvas, P00885. Author: FRAY JUAN BAUTISTA MAINO (1581-1649). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Paris. Gallery of the holidays.

Interior of Catherine Palace, a Rococo palace located in the town of Tsarskoye Selo.

Adventures of Ulysses, detail, Apollonio di Giovanni, circa 1440, Art Institute of Chicago, Chicago, Illinois, USA, North America,

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Apollo and the Muses, 1789. Colored engraving.

Usa, California, Los Angeles, 'Dean Cornwell Mural Depicting The Founding Of Los Angeles, La Central Library'

José de Madrazo y Agudo / 'La felicidad eterna', ca. 1813, Spanish School, Canvas, 64 cm x 55 cm, P07977. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Red-figured pelike, hetairai and Eros British museum, London, England, Great Britain.

Allegory of Good Government, by Lorenzetti Ambrogio, 1338 - 1340, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala della Pace. Detail. A warrior carrying: holding a palm and a sword is crowned by the Angel of Distributive Justice.

King Gambrinus raising a toast with a mug of beer and two esquires handing him the mugs. In tondi on both sides putti in hops; verso: Architectural detail. Thoma, Hans (1839-1924), draughtsman, cartoonist

Sew, Louis-Charles Auguste. "Scenes from Notre-Dame de Paris". Polyptych oil on canvas except for the Victor Hugo medallion painted on wood in a carved and golden wooden frame inspired by "cathedral" sets. 1833. Paris, house of Victor Hugo. 123534-15

Painting, Palazzo Ducale, Parma, Emilia-Romagna, Italy, Europe

Part (bottom left) of a ceiling painting with the main performance Diana and her cozets, Gerard de Lairesse, c. 1676 - c. 1682 painting. ceiling painting Part (bottom left) of a ceiling painting of five parts with the main performance Diana and her cozordies, painted for the 'Grote Zaal' of Paleis Soestdijk. canvas. oil paint (paint) painting (story of) Diana (Artemis) Soestdijk Palace

Amorini at play (one of a pair). Artist: Manner of Piat Joseph Sauvage (Flemish, Tournai 1744-1818 Tournai). Culture: French. Dimensions: Overall: 21 3/4 × 33 7/8 in. (55.2 × 86 cm). Date: 1770-90.One of a pair with 07.225.315a. Museum: Metropolitan Museum of Art, New York, USA.

Halls of mirrors, Ducezio Palace, Noto, UNESCO, Noto Valley, Sicily, Italy

Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale ca. 50-40 B.C. Roman Man and woman seated side by side: from the grand triclinium. The ruler is shown in conventional heroic nudity, while his wife appears pensive, as brides were often represented in ancient art.The Villa of P. Fannius Synistor at Boscoreale: A Virtual Tour. Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale 247010

Stories of St Barbara, by Lotto Lorenzo, 1524, 16th Century, fresco. Italy: Lombardy: Bergamo: Trescore: Suardi Oratory. Detail. Stories of St Barbara at the foot of the tower mantle/cloak light blue/azure orange white hat headdress/headgear

Beheading of St Maurilius, by Karcher Giovanni, 1553, 16th Century, arazzo tessuto a Ferrara. Italy, Emilia Romagna, Ferrara, Cathedral Museum. Detail. Maurilius beheaded decapitated death dead grass leaves blood tied hands stones inscription date 1553 feet executioner hangman green dark: brown shades white drapery.

Musical Group on a Balcony; Gerrit van Honthorst, Dutch, 1590 - 1656; 1622; Oil on panel; Unframed: 308.9 x 114 cm (121 5/8 x 44 7/8 in.)

Allegorical figure, ceiling fresco, by Felice Giani (1758-1823), Town Hall, Forli, Emilia-Romagna. Detail. Italy, 19th century.

The Sibylla Samia, by Lotto Lorenzo, 1524, 16th Century, fresco. Italy: Lombardy: Bergamo: Trescore: Suardi Oratory. Detail. Sibylla Samia book orange withe blue veil dress bow

Talk of Women (painter), by Unknown, 41 - 62, 1st Century, painted stucco. Italy, Campania, Naples, National Archaeological Museum, from Pompeii. Whole artwork. Women paintress: female painter painting.

Ducal palace: frescoes, sassuolo, italy

Roman fresco depicting Eros carried by Peitho, the persuasion, before Anteros and Venus. 1st century AD. House of Punished Love. Pompeii. National Archaeological Museum. Naples. Italy.

Pieter Coecke van Aelst (1502-1550). Flemish painter and engraver. Altarpiece featuring scenes from the life of Christ and Mary: The Annunciation, the Nativity, the Baptism of Jesus,Christ Bound to the Column, Pentecost, the Assumption of the Virgin and the Way to Calvary, the Crucifixion and the Resurrection of Christ. Oil on board, ca. 1525-1528. From the Chapel of the Castle of Escalona, province of Toledo, Spain. Museum of Santa Cruz. Toledo. Spain. Author: Pieter Coecke van Aelst (1502-1550). Flemish painter.

Jan Provost (1465-1529). Flemish painter. Tryptich of Our Lady of Mercy, 1512-1515. Left panel: St. Sebastian; central panel: Our Lady of Mercy with King Manuel I and Queen Mary at her feet; right panel: St. Christopher. Oil on wood. National Museum of Ancient Art. Lisbon, Portugal.

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