Furniture Design and Ornamentation

Elegant etchings of intricate furniture designs, including table feet and decorative sideboards, showcasing ornate details and artistic craftsmanship.

Parijs, Mariette, Pierre (II), Frankrijk, Marot, Jean (I), Tombeaux ou Mausolées, Tombstone of a general, Paris, France, The coffin is placed on a high pedestal, on top of which is the statue of a Roman general., print, engraving, ornamental print, prints, engravings, ornamental prints, height 210 mm, width 125 mm, frans, 1619 - 1679-12-15, print maker, printmaker, 1629 - 1716, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, fourth quarter 17th century, vier kwart 17e eeuw, first quarter 18th century, eerste kwart 18e eeuw, paper, papier, engraving (drukprocedé), Work conception, french, after own design of, Publication (Event), Publication, 1634 - 1716, publisher

Collection of planks of furniture: two feet of tables. Sixth table foot board of a suite of 8 Jacques Androuet du Cillece (1515-1584). Collection of furniture planks: two feet of tables. Sixth table footboard of a suite of 8. Etching. 1575.

Credens Met Spiegel, Georg Lichtensteger, after Johann Jakob Schübler, in Or after 1724 print An ornamented credit or coffee table with crockery stands for a window. The furniture has on the left and right candlesticks and three vases at the top. In the lower margin a seven -line German text. Augsburg paper etching / engraving shelves, rack, sideboard. (dinner-)service displayed on sideboard

Collection of planks of furniture: two feet of tables. Seventh table footboard of a suite of 8 Jacques Androuet du Cillece (1515-1584). Collection of furniture planks: two feet of tables. Seventh table footboard of a suite of 8. Etching. 1575.

Design for a chimney with a mirror and two sitting figures with candelabers, Jean Berain (Le Vieux), c. 1700 - c. 1705 Paris paper. chalk. graphite (mineral). ink pen / brush

Design for Tabernacle, from 'Tabernacles', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1660, Print, Print

Parijs, Mariette, Pierre (II), Frankrijk, Marot, Jean (I), Tombeaux ou Mausolées, Tombstone of a general, Paris, France, The coffin is placed on a high pedestal, on top of which is the statue of a Roman general., print, engraving, ornamental print, prints, engravings, ornamental prints, height 210 mm, width 125 mm, frans, 1619 - 1679-12-15, print maker, printmaker, 1629 - 1716, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, fourth quarter 17th century, vier kwart 17e eeuw, first quarter 18th century, eerste kwart 18e eeuw, paper, papier, engraving (drukprocedé), Work conception, french, after own design of, Publication (Event), Publication, 1634 - 1716, publisher

Honor gates at the entry of Willem V in Veere (no. IV), 1766, 1766 - 1767 print De Erpoort founded at the Haven in Veere. At the top monograms of the VOC and the WIC and a performance by Willem V with Neptune. Part of a group of 10 plates of the decorations in Veere on the occasion of the inauguration of Stadholder Willem V as Markgraaf van Veere, 28 May 1766. Numbered at the top right: No. Iv. Northern Netherlands paper etching / engraving triumphal arch Veere

Drawing, The Elevation of an Altar Retable and The Plan for an Altar Retable; Italy; black chalk, pen and black ink, brush and grey and black watercolors on laid paper.

Curgot Met Vaas, Fedht, Afterher Charles deport deporttond, 1771 print An ornamented firebok with a vase with figures and a garland. Paris paper etching / engraving andiron, fire-dog. vase ~ ornament

Edward Pierce, c.1630-1695, British, The Diana Fountain, Bushy Park: Original Design, undated. Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper.

Tomm puts fakkels in vaas, Claude Antoine Litret de Montigny, After Jean Charles Delafosse, 1771 print A tomb with a buccanium, torches and a vase on a pedestal. Paris paper etching / engraving grave, tomb. torch. vase ~ ornament

Deur en Panelen puts Vaas, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print Wall decoration with a door with tendrils and panels on either side. At the top a panel with flowers in a vase and garlands. Print number 127. Paris paper. paper etching / engraving panelling. door. flowers in a vase

Kandelaber, Giovanni Battista Piranesi, 1778 print A marble candelabria with representations of goddesses on the base. Assignment in the end margin. paper etching Chandelier, a candlestick

Print, Design for Tabernacle, from "Tabernacles"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 33.5 × 21.6 cm (13 3/16 × 8 1/2 in.)

Elevation of Pedestal and Bottom of a Crucifix, Black chalk, pen, ink, sepia wash on paper, Pedestal in architectural forms, with brackets as capitals of pilasters. The Holy Trinity is sketched in the panel. A capital upsidedown serves as a base of the cross, over the foot of which a sphere is shown. A snake is wound around the bottom part with his head before the capital., France and Italy, ca. 1770, interiors, Drawing, Drawing

Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault. Artist: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris); Pierre Firens I (Flemish, Antwerp 1580-1638 Paris); After Abraham Bosse (French, Tours 1602/1604-1676 Paris). Author: Jean-Baptiste de Machault (French, 17th century). Dimensions: Sheet: 11 7/8 × 8 3/4 in. (30.1 × 22.3 cm)Plate: 11 1/8 × 8 in. (28.2 × 20.3 cm). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

Honor gates at the entry of Willem V in Veere (no. VIII), 1766, 1766 - 1767 print The back of the honorary gate on the Markt in Veere. Part of a group of 10 plates of the decorations in Veere on the occasion of the inauguration of Stadholder Willem V as Markgraaf van Veere, 28 May 1766. Numbered at the top right: No. VIII. Northern Netherlands paper etching / engraving triumphal arch Veere

National gift donated to Princess Marie at her marriage in 1871; Image of the National Gift donated to H.K.H. Marie Prinses von Wied. Manufactured in the Utrecht factory of silverware. A bible decorated with silverware standing on a wooden standard. The national gift donated to Princess Marie at her marriage on July 18, 1871 with the prince Willem Adolf van Wied. Within a picture frame of leaf refints, flowers and torches.

Design for Mantlepiece late 19th century Antonio Francisco Baeta Portuguese. Design for Mantlepiece 365864

Drawing, Design for a Sepulcher Monument; Italy; pen and ink, brush and wash on paper

Chimney mantle with a performance by Boreas that kidnaps Oreithyia, Anonymous, Gerrit de Grendel, 1704 - 1762 print Design for a chimney with a performance by Boreas that kidnaps Oreithyia. The mantelpiece is decorated with rocaille neatrements, volutes and fruits. after design by: Middelburgpublisher: Augsburg paper engraving chimney. Boreas abducting Orithyia. rocaille ornament

Abruzzo Pescara Penne S. Domenico4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (13-17th century), sculpture. Also views of Piazza Luca da Penne German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Erepoort at the Grote Brug, 1751; First type by De Groote Brug in Vere. The honorary port placed at the large bridge. On the arc portraits of Stadholder William IV and its predecessors, with statues of religion and freedom. Part of the illustrations of the festive inauguration of Stadholder William IV as a Markgraaf van Veere on June 1, 1751. Numbered at the top right: 3.

Design for a Hanging Sacristy Cupboard, Pen and ink on paper, Elevation of a hanging cabinet. Scrolling corbels below. The left side decorated with bellflowers and capped with a small vase. Crowned crest with the Chi-Rho christogram., Italy, ca. 1800, religion, Drawing, Drawing

Pulpit with angels, 1790 print Front view and map of a pulpit. The tub of the pulpit is decorated with two winged angel heads and a nude child with garlands. The pulpit is closed with a sounding board with an image of a book surrounded by clouds, a jet wreath and winged angel heads. A German text at the bottom of the print. This print is part of a series. Warrior paper engraving pulpit, ambo, chancel. cherubs, i.e. children's heads with wings. child (+ nude human being). angel(s) with book(-scroll) or banderole

Royal Portugese Funeral Monument (possibly part of a funeral book) late 17th-early 18th century Michel Bouteux. Royal Portugese Funeral Monument (possibly part of a funeral book). Michel Bouteux (French, active 17th century). late 17th-early 18th century. Etching. Prints

Erepoort at the Grote Brug, 1751, 1751 print The honorary gate placed at the Grote Brug. On the arch portraits of Stadholder William IV and his predecessors, with statues of religion and freedom. Part of the illustrations of the festive inauguration of Stadholder William IV as Markgraaf van Veere on 1 June 1751. Numbered at the top right: 3. print maker: Northern Netherlandsafter design by: Veere paper etching / engraving triumphal arch Veere

Pedestal with image of standing woman; Piedestal pour figure and pied; Footpoints; 38th Cahier. A pedestal with lion's head and garlands with a picture of a standing woman with a shield. Print number 223.

Below are moldings of an entablature. The pedestal stands upon a base, the upper part of which is a concave frieze. It is decorated with a fifteen- pointed star and with fleurs-de-lys around the corners. The front panel of the pedestal has a fleur-de-lys, in an oval frame formed by two branches. Colored background. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1780-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.

Deuromlijsting Met putto, Anonymous, after Franz Xaver Habermann, 1750 - 1760 print Door frame with rocaille ornaments, leaf motifs, on the left a vase with flowers, a bust on the right and a winged putto and a cartouche upstairs. Publishing number 298. Augsburg paper etching / engraving Door. Cupids: 'Amores', 'Amoretti', 'Putti'. ornament ~ cartouche

Decorative pattern of the pulceau fountain. (IT)

Print, Ornament Panel with Rocaille Fountain, pl. 21 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Engraved by Laureolli; Published by Gabriel Huquier (French, 1695-1772); France; etching on off-white laid paper; 11.5 x 21.2 cm (4 1/2 x 8 3/8 in.)

Ornamented fireplace with flower basket, 1726 - 1741 print Fireplace with rocaille ornaments and flower basket on the right. Nuremberg paper etching / engraving open hearth, fire-place. rocaille ornament. cut flowers; nosegay, bunch of flowers

Design for a Tabernacle, Plate 3 from the series 'Tabernacle' Printed ca. 1750-56 Franz Xavier Habermann Ornament print with a design for a tabernacle in frontal elevation. The tabernacle is built up out of C-volutes and is decorated with rocaille ornaments. The structure has a deep central niche, and is crowned by a baldachin of rocaille ornaments. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Tabernacle, Plate 3 from the series 'Tabernacle'. Franz Xavier Habermann (German, 1721-1796). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Augsburg, Hertel, Johann Georg (II), Hauer, Johann Thomas, Fountains, Fountain with putti, verso - stamped, Design for a fountain with three extensions in the form of lions' heads. Three putti with garlands, two sea creatures and a fountain crown the whole. Publisher number 392., print, ornamental print, prints, ornamental prints, height 230 mm, width 158 mm, print maker, printmaker, 1770 - 1800, paper, papier, etching, etchings, engraving, engraving (printing process), Hungarian, 1748 - 1820, intermediary draughtsman, after a drawing by, Publication (Event), Publication, German, 1701 - 1800, publisher

Plan et elevation des plus beaux confessionnaux de Paris, tres fidelemant mesure. Dated: published 1688. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jean Le Blond.

Panels with horns of abundance, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print A wall with panels, decorated with tendrils, flower motifs and two horns of abundance at the top. Print number 146. Paris paper etching / engraving panelling. 'Cornucopia', Horn of Plenty

Vaas met guirlandes, in or after 1771 print An ornamented vase with garlands. Publishing number 374. Germany paper etching / engraving vase ~ ornament

Praalgraf van Egbert Bartolomeusz Kortenaer, Langenhuysen, David Moens, 1829 - in or after 1906 print The grave has the shape of a temple with a sculpture to the body of Kortenaer. Above him banners, trumpets a uniform and a coat of arms. Numbered at the top right: Plate XIV. The Hague paper grave, tomb. mausoleum

Heater in Nis; Wall decorations; 19ME Livre t Livre de Decorations de Lambris. An ornamented heater with putti in a semicircular niche, on both sides of panels.

Drawing, Project for a Mace; Designed by Vincenzo Belli (Italian, 1710 - 1787); Italy & Germany; graphite, pen and ink on two pieces of paper pasted together vertically

Gondi, Albert Duc de Retz Marquis de Belle-Isle.

Tripod with ouroborus and vase with putti; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. Sheet with two performances of an antique tripod and a vase. Left: An antique tripod with a Ouroborus, masks and a garland. A top view on the right. Text above and under show. Right: an antique vase with putti and garlands. Text and explanation letters above show. Assignment in undermarge.

Zaar Carl (1849-1924), window and door fittings (06.1878): View. Pencil watercolor on the box, 36.3 x 25.4 cm (including scan edges) Zaar Carl (1849-1924): Fenster- und Türbeschläge

Japan, Jean Charles Delafosse, 1768 - 1771 print An ornamented table with garlands and flower motifs. Above it a book, a medallion with a Japanese god, a horn of abundance and a rectangular list of a pomegranate, an elephant, a goat, a cross and a lamb stabbed with swords. Print number 56. Paris paper etching / engraving table. Japan

Design for Table, Plate 1 from, 'Six Tables Grecques & Pendules', Juste-Nathan Boucher, French, 1736 - 1782, Etching on paper, A fluted column flanked by two female gaines forms the support. An urn on top. Framing lines at right and in part of the top., France, ca. 1780, Print, Print

Kriegshaber, Fietta & Comp., Reciting new art, Pulpits, Pulpit with the Lamb and the book with the seven seals, verso - stamped, Front view and plan of a pulpit with iron stair railings. The bowl of the pulpit is decorated with an image of Christ carrying the cross. Above it is an image of the Holy Spirit in the form of a dove in a halo. The pulpit is closed off with a sounding board decorated with a cross and the Lamb on the book with the seven seals. In the lower margin a German text., print, ornament print, prints, ornament prints, height 279 mm, width 194 mm, print maker, printmaker, 1790 - 1790, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

Pulpit with the stones dining; Church furniture; Ouvrages The Menuiserie d'Eglise. Design, side view and map of an ornamented pulpit. On the tub two winged angel heads and clouds, above a pigeon in beams as a symbol of the Holy Spirit on the sounding board. Bazuinen, the stone tablets, clouds and rays wreaths on the award of the pulpit. Publisher number 40.

French crown, Paris, Chéreau, Jacques-François, Lalonde, Richard de, Foin, Augustin, Q Cahier de Feux, Cartels de Pendules, Baromtétres, Two firegoats, verso - stamped, An ornamented firegoat on lion's legs with garlands and a lyre. Below an ornamented fire-dog with garlands, two balls and a vase with fire., print, image, ornamental print, prints, images, ornamental prints, height 343 mm, width 218 mm, 1726 - 1759, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Three Column Capitals Artist's working dates 1740-1778 Italy. Pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper . Giovanni Battista Piranesi

Pulpit with Lamb of God, Emanuel Eichel, After Jeremias Wachsmuth, 1727 - 1771 print A pulpit with rocaille ornaments, crowned with the Lamb of God with a cross and a banner. Publishing number 122. Augsburg paper etching / engraving pulpit, ambo, chancel. rocaille ornament. lamb bearing cross or banner, 'Agnus Dei' ~ symbol of Christ

ONDERBOEZEM puts WAPENTROFEE; Various fireplace designs at the royal. ITU TWEEDE Editie.

Monument to John Smith Esq. Westmonasterium, or, the history and antiquities of the abbey church of St. Peters Westminster: containing an account of its ancient and modern building, Cole, James, engraver, Dart, John, d. 1730, Engraving, between 1723 and 1727

Drawing (Italy)

Relief with the weapon of Vatican City, a garland and a mask head, c. 1875 - c. 1900 photograph Italy cardboard. photographic support albumen print coat of arms (symbol of sovereignty). insignia of the pope, e.g. tiara. ornament ~ festoon, garland. sculpture (+ relief ~ sculpture) Italy

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Francis Musters, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Altaar, Anonymous, after Franz Xaver Habermann, 1740 - 1745 print Design and map of altar with rocaille ornaments. Publishing number 49. Augsburg paper engraving Altar. Rocaille Ornament

Fragments of architectural: capitals, fragments of frieze and cornices; Piranesi, Francesco (1758-1810); 1780 (1780-00-00-1780-00-00);

N.N.: Grave monument for Wilhelm Stier on the Schöneberg cemetery and plaque for the building academy, Berlin. Competitions April 1857 and April 1858

Proscenium and Plan for a Stage, Pen and ink, brush and sepia wash on paper, Two designs, one showing the stage and its architectural frame and the way the wings are set; the other drawing gives ground plan indicating setting of wings., Italy, 1725-50, architecture, Drawing, Drawing

Buffet cupboard, Léon Laroche, 1885 - 1895 print A Renaissance buffet cupboard. Print from 317th Livraison. paper furniture for storage

Netherlands, Grafreliëfs, Four grave reliefs with drapery and (god) figures. Numbered top right VII., print, prints, ornamental prints, height 355 mm, width 273 mm, print maker, printmaker, 1820 - 1860, 19th century, 19e eeuw, paper, papier, chalk lithograph

Rookvat with Merminden, Unknown, After Juste Nathan François Boucher, 1752 - 1782 print Two mermaids are on a tablet on either side of a smoking vessel, underneath a pedestal with three heads and arabesks. Paris paper etching ornament ~ arabesque. merman - AA - mermaid, siren. incense-burner ~ scents, perfumes. pedestal of a piece of sculpture (perhaps in the form of a herm)

Design for a garden bench, Anonymous, After Gerrit de Grendel, 1709 - 1762 print Design for a garden bench with a putto on either side and in the middle. The middle putto wears a basket with flowers above the head. The garden bench is decorated with rocaille turret. after design by: Middelburgpublisher: Augsburg paper engraving garden ornaments. cupids: 'amores', 'amoretti', 'putti'. rocaille ornament

Unknown architect, presidential bell. Monthly competition December 1874 (12,1874): View. Pencil watercolored and white heighted on the cardboard, 44.6 x 30.2 cm (including scan edges) N.N. : Präsidentenglocke. Monatskonkurrenz Dezember 1874

Mirror with birds; Wall mirrors with tables. Design for a wall mirror with table, decorated with garlands, two birds and flowers. Left and right a wall with panels. Publisher number XXIV.

Ornamental vase awarded with a broken tympanum, Anonymous, 1700 - 1800 drawing Ornamental vase, the top of which is crowned as an architecture with a broken tympanum, in which an eagle is set up. paper. pencil. watercolor (paint) brush containers. garden vase

Official office; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. Sheet with two performances of an ornamental chair (office seat) with dogs like legs. Two times a front view of the same chair. Left: There is a footstool in front of the seat. Under both shows an explanatory list of letters.

Belding project in "British order" by Carlton House at Pall Mall in London; Cunny, Domenico (1727-1803), Adam, James (1732-1794); 1775 (1775-00-00-1778-00-00);

Design for an urn on a stand, John Nash, 1752 - 1835, Graphite on white laid paper, Elevation of an urn on a stand, ruled border line in black gouache recto and verso., England, 1815 or later, ornament, Drawing, Drawing

Candelaber; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. A candelabé with two sculptures from Putti next to it.

Design for a front door, Anonymous, Gerrit de Grendel, 1708 - 1756 print Design for a front door with a representation of faith, sitting on a cloud, with an incense vessel around her, the papal tiara, crosses, a Bible and a miscarriage. The reports are dead under her feet. The door is decorated with leaf ornaments, dragons, mask and sneaky figures. In the middle of a scale. Print number 205. after design by: Middelburgpublisher: Augsburg paper engraving Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. mask, mascaron ~ ornament. ornament derived from animal forms. dragon

Bovenlicht (Vermoedelijk) Van Het Tuileries Tuileries Palais; Ministry of State. Motif of the transom; Louvre Palace and Tuileries. .

An ornate vase on a large and elaborate pedestal bearing an epitaph to Christoffel van Brants. Etching with engraving by J. Schynvoet, c. 1701, after S. Schynvoet.

Rome, Piranesi, Giovanni Battista, Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegn. ed incisi dal cav. Gio. Batta Piranesi, Vases, candlesticks, gravestones, sarcophagi, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi, Candelaber, verso - stamped, A marble candelabrum with representations of goddesses on the base. Dedication in bottom margin., print, prints, height 683 mm, width 440 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1778 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Caltnadel print by Meister von 1515 depicting an entablature and an altar, created in the first third of the 16th century.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Altars, Altar with putti, verso - stamped, Altar with rocaille ornaments and two winged putti. Publisher number 300., print, ornamental print, prints, ornamental prints, height 319 mm, width 201 mm, print maker, printmaker, 1740 - 1745, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Drawing, Designs for a Capital, Sarcophagus, and Relief; Designed by Romolo Achille Liverani (Italian, 1809 - 1872); Italy; pen and black ink, brush and bistre, gray watercolor, graphite on paper

Design for a Monument to the Three Wives of the First Earl of Guilford, at Wroxton, Oxfordshire. Artist: Joseph Wilton (British, London 1722-1803 London). Dimensions: sheet: 10 x 9 in. (25.4 x 22.9 cm). Date: 1783. Museum: Metropolitan Museum of Art, New York, USA.

Scale Rendering of a Composite Order Capital, Giocondo Albertolli, (Italian, born Switzerland, 1742-1839), Pen and black ink, brush and gray wash, graphite on cream paper, Neoclassical ornamental design for a capital at the top of a column. Above: elevation of a capital of the composite order; below: plan of capital, with alternate suggestions., Italy, 1770-90, architecture, Drawing, Drawing

Stöckhardt Heinrich (1842-1920), Monumentalbrunnen, Erfurt. (From: Atlas to the magazine for Building, ed. V. Ministry of Public Work, Jg. 40, 1890) (1890-1890): floor plan, view. Pressure on paper, 45.9 x 29.7 cm (including scan edges) Stöckhardt Heinrich (1842-1920): Monumentalbrunnen, Erfurt. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. Ministerium der öffentlichen Arbeiten, Jg. 40, 1890)

Four railings. Four railings with leaf motifs. Print number 42.

French Crown, Paris, Chéreau, Jacques-François, Forty, Jean François, Colinet, A., Oeuvres de Sculptures en Bronze, Contenant Girandoles, Flambeaux, Feux, A Notebook of six Girandoles for the use of Orfévres and Founders, Girandole with bird heads, verso - stamped, An ornamented two-armed girandole on goat legs with tendrils and bird heads., print, ornamental print, prints, ornamental prints, height 265 mm, width 195 mm, print maker, printmaker, 1775 - 1790, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, issuer, grantor of privilege

Kruisvenster; For an ice cream; 50th Cayer models for trimmers for the use of Apartemen; Fifth volume, elementary collection of architecture (...). Een Kruisvenster Met Bladmotieven in Aan of Bovenzijde Een Rocaille Schild Met Garlands in Een Lijst Met Acanthusbraderen. Prentnummer 299.

Remnants of the Curia Hostilia in Rome; Dimostrazione in Grande di Alcune delle Parti del Prim 'Ordine del Serraglio delle Fiere Fabbricato da Domiziano; Archaeological finds in and around Rome; Le Antichità Romane. Remnants and details of stones of the Curia Hostilia in Rome (identified as the menagerie of Emperor Domitianus). Title middle up. Numbered top left: Tom. IV. Numbered at the top right: LV. Explanatory list of letters in undermarge.

Design for a Fountain. Artist: Anonymous, French, 18th century. Dimensions: sheet: 12 3/16 x 9 3/16 in. (31 x 23.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Artist: Johann Christoph Hafner, German, 1668-1754, After: Jean Bérain, French, 1640-1711, Sheet from Commodes etLustres, Etching, sheet: 32.2 × 27.1 cm (12 11/16 × 10 11/16in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

Subscribe, Cornelis Danckerts (I), After Pieter Jansz. Post, c. 1675 - c. 1686 print Side uprising and the front. The tablet is based on collar stones. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Amsterdam paper etching chimney-piece, mantelpiece

Schouw with chandelier, the Saint -Morien, After Richard de Lalonde, 1784 - 1785 print An ornamented fireplace with a four -armed chandelier. At the top a bird with garlands. Two smoking vessels and Corinthian columns with vases with flowers on either side of the fireplace. Paris paper etching / engraving open hearth, fire-place. chandelier, candelabrum

Ornament for the Intersec, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Lodheijk xv, Jean Charles deptussle, 1868 - 1771 print A monument with columns and a triangular pediment with the all -seeing eye. Between the columns an oval medallion with a base with a crown and half a column with an eagle. Above the fronton flags, a bundle of spears, floor plans, swords with laurel wreaths, a cross and a list of a head and a scale. Print number 26. Paris paper etching / engraving monument, statue

Unknown architect, fallen in Erfurt. Monthly competition in July 1874 (07.1874): Riss side view; Scale bar. Ink on cardboard, 59.3 x 46.1 cm (including scan edges) N.N. : Gefallenendenkmal, Erfurt. Monatskonkurrenz Juli 1874

Graf monument with the weapon of Bentinck, Willem Bilderdijk (Possible), 1781 print Graf monument with a blank field in the middle, above which a weapon trophy with a harness and ship attributes behind which a truncated column rises to which the weapon of Bentinck is attached, covered by a ship's crown. Entirely at the bottom of a laurel wreath and an extinct torch. Possibly in relation to the death of Wolter Jan Gerrit Baron Bentinck in 1781. Northern Netherlands paper etching / engraving grave-building, monumental tomb

Drawing, Design for an Elevation and Plan of a Doorway Leading into a Park; Designed by Filippo Marchionni (Italian, 1732-1805); Italy; graphite, pen and black ink, brush and gray watercolor on laid paper

Buffet cupboard, Chanat, 1895 - 1935 print A Renaissance buffet cupboard, intended for a dining room. Print from 346th number (Livraison). paper furniture for storage

Magnificent Catafalque in Honor of John III, King of Poland. Dimensions: overall: 51.6 x 33.8 cm (20 5/16 x 13 5/16 in.). Medium: pen and brown and gray inks with gray wash over graphite on laid paper; laid down. Museum: National Gallery of Art, Washington DC. Author: ALESSANDRO GALLI BIBIENA.

Engel met vazen; VIme Cahier d'Arabesques; Nouvelle Collection D'Arabesques, Propres A La Décoration Des Apartemens.An angel with vases in her hands surrounded by garlands and draperies. The angel is on a pedestal of Arabesken.

ornamentprent, Jacques Androuet, 1561 Part of 'Seconde Livre d'ArchitectVre' (1561): 64 etchings with ornamented architecture parts. paper etching architectural design or model

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