Furniture Design Drawings

Architectural designs and drawings for decorative furniture, featuring intricate details and a blend of styles from different eras.

Two tables, Midart, 1839 - 1885 print Two tables in the Louis XIII style. Print from 253rd Livraison. paper table

Design for a bed. Design for back wall, front and side view of a crib awarded by women's busts.

Böhmer Franz (1907-1943), Reich Ministry of Food and Agriculture in Berlin-Mitte (1938-1938): Reception room eG Hohe armchair 1:10. Colored pencil over a break on paper, 41.5 x 33.6 cm (including scan edges)

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Dupin, Nicolas, 5e Cahier, Baths, Baignoire vue de face à la Dauphine, Bath with dolphins and medallion, An ornamented bath with a mask, two dolphins, a round medallion with three putti and a vase. Print number 25., print, ornamental print, prints, ornamental prints, height 201 mm, width 329 mm, French, 1753, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Drawing, Mechanically-Operated Cylinder-Top Secretary Desk; Germany; pen and black ink, brush and watercolor on paper; 37.7 x 31.8 cm (14 13/16 x 12 1/2 in.)

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (06.04.1887): Rome: Organ stands and singer tempore of the Sistine chapel (views). Tusche watercolor on paper, 30.7 x 42.4 cm (including scan edges)

Chair sketch and decorative hinge; Ruszczyc, Ferdynand (1870-1936); 1910 (1910-00-00-1910-00-00);Partage Plus, Doors (archite.

Bookcase, Zamor, After Victor Joseph Quétin, 1832 - 1877 print A bookcase in the Louis XVI style. Print from 14th Livraison. paper bookcase, with doors

Gilbert Sackerman, Mirror, c 1937 Mirror

Design for Gray and Pink Curtains with Pink Fringes and a PInk and Gold Pediment. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 12 3/8 in. (21.8 x 31.4 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Chair with Turned Front Legs early 19th century Anonymous, British, 19th century British. Design for a Chair with Turned Front Legs 386822

Warszawa. Fotel mahoniowy z 2 połowy XIX wieku z wyposażenia Pałacu Belwederskiego w 1915 roku - widoki z przodu, z góry i z boku w skali 1:5. Kotarbiński, Mieczysław (1890-1943), draughtsman, cartoonist

Buffet cabinet in the Hendrik II style, Anonymous, After Victor Joseph Quétin, in Or Before 1878 - in or after 1904 print Number 3635. Print from 79th Livraison. paper cupboard

Design for Plain Cassone, A.N. Davenport Co., Pen and black ink on thin cream laid paper, 1900-05, furniture, Drawing, Drawing

Red and gilt lacquer double chest of drawers. Property of Viscountess Wolseley.. Foley, Edwin, d. 1912. Foley, Edwin, d. 1912. Prints, Drawings, Paintings. 1910 - 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Furniture , History, England, clothes chests , England

Print (France)

Mold. Dated: 1937. Dimensions: overall: 35.5 x 28 cm (14 x 11 in.). Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Wilkes.

High-boy. Dated: c. 1937. Dimensions: overall: 35.2 x 24.7 cm (13 7/8 x 9 3/4 in.) Original IAD Object: 86"high; 40"wide; 21"deep. Medium: watercolor, colored pencil, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Randolph F. Miller.

Gustav garlic (1833-1916), unknown villa: cut off. Pencil, ink watercolor on transparent, 43.1 x 54 cm (including scan edges)

Trivet. Dated: c. 1939. Dimensions: overall: 35.6 x 26.5 cm (14 x 10 7/16 in.) Original IAD Object: 5 7/8" long; 4 3/8" wide; 1 1/4" high. Medium: watercolor, pen and ink, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: William Ludwig.

Drawing, Design for Armchair and Stool; Designed by Jean Démosthène Dugourc (French, 1749-1825); Attributed to Georges Jacob (French, 1739-1814), Henri Jacob (1753-1824); France; brush and watercolor, pen and black ink, graphite on white laid paper. ruled borders in pen and black ink.; Sheet: 21.5 x 34.3 cm (8 7/16 x 13 1/2 in.) matted with -134B Mat: 55.9 x 40.6 cm (22 x 16 in.)

Design for Red Fringed and Tasseled Curtains with a Gold Pelmet. Artist: Anonymous, British, 19th century. Dimensions: sheet: 9 7/16 x 11 15/16 in. (24 x 30.3 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Bichard, Jean-Baptiste, 28e Cahier, Corner cabinets and bookcases, Petites Bibliotheques Ambulantes, Two bookcases, verso - stamped, Two ornamented bookcases. Print number 168., print, ornamental print, prints, ornamental prints, height 202 mm, width 325 mm, 1722 - 1769, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Two bookcases with flower motifs and Leeuwenkop, Jean -Baptiste Bichard, After Just Nathan François Boucher, 1772 - 1779 print Two bookcases, on the left with floral motifs, on the right with a lion's head. Print number 167. Paris paper etching / engraving bookshelves. flowers ~ ornament. lion's head ~ ornament

Drawing, Design for a Cabinet in the "Boulle" Style; Designed by Pagny (France); France; brush and black ink, wash, yellow gouache, brown watercolor, graphite on heavy white paper; 25.3 x 39.2 cm (10 x 15 15/16 in)

Drawing, mantlepiece design; Designed by Gustav Von Rehn; 1944-25-8

Console table, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, Slightly curved. Supported by two pillars with lion's feet, upon a base. Above shaped like an entablature, with two birds symmetrically beside a central motif, and rinceaux. Usual background., Rome, Italy, ca. 1795, furniture, Drawing, Drawing

Design for a sideboard, draughtsman: Carel Adolph Lion Cachet, , 1874 - 1945, paper, brush, pen, h 253 mm × w 339 mm

Schadow Friedrich Gottlieb (1761-1831), furniture, ovens, facilities (05.10.1808): chairs. Tusche watercolor on paper, 15.9 x 18.4 cm (including scan edges) Schadow Friedrich Gottlieb (1761-1831): Möbel, Öfen, Einrichtungen

Print (France); Print Maker: Pierre Claude Delagardette (French, 1745 - 1792)

Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies. Pencil, ink, mounted in album, 47.8 x 29.6 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Scheppig Carl (1803-1885), sarcophagus from Girgenti, now in the Museum of Palermo (1834): Details. Tusche watercolor on the box, 23.1 x 32 cm (including scan edges) Scheppig Carl (1803-1885): Sarkophag aus Girgenti, jetzt im Museum von Palermo

Design for a coffee table, anonymous, c. 1825 - c. 1839 drawing Design for a coffee table with sculpted foot in mahogany and with a round marble top. The leaf on the back numbered: 55, the opposite sheet with information about the furniture depicted: 55 bis. Part of an album with 80 sheets with drawings and a print of veneered and lacquered furniture, as well as seating furniture. Paris (possibly) paper. ink. watercolor (paint). pencil pen / brush table (+ wood and other phytogenic material). furniture to put things on (+ stone)

Drawing, Chair; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash off-white laid paper; Image: 23.2 x 16.3 cm (9 1/8 x 6 7/16 in.)

A Renaissance-style artwork by Albert Schindler created with watercolor and pencil, showing architectural elements and figures.

Tende binate, Vis a vis con biblioteca, L'addobbatore moderno, ossia, Raccolta di 300 tavole rappresentanti oggetti d'arti e manifatture desunte dalle più recenti mode originali e straniere, Cima, Giuseppe, Regazzoni, Giocondo, Engraving with watercolor, 1843-1844, Plate 21, Classe A; Tappezzieri; running title: L'addobbatore moderno.

Warszawa. Szafa jesionowa inkrustowana ze zbiorów pałacu Belwederskiego w 1915 roku - widok z przodu i z boku w skali 1:10. Małachowski, Jan (1886-1917), draughtsman, cartoonist

Pa. German Chair. Dated: 1937. Dimensions: overall: 45.9 x 36 cm (18 1/16 x 14 3/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edward L. Loper.

Left side. Above at left, the frame has below the shape of a fluted bowl; above are cornices. The leg is a winged chimera; her mouth supports a festoon, hanging toward the center below. Center at right: the leg is a post with an oval medallion above. Around it are wound the bodies of two snakes with heads turned outside, supporting festoons. Frame and top form cornices of an entablature. Below at left: an entablature is supported by winged chimerae supporting festoons with wings and neck. Below at right: the leg is a gaine with a head above. Between the legs is a bowl supported by the wings and head of birds, sitting, turned toward the center and having a shaft consisting of a star upon a pedestal, above a round foot. Usual background. Date: ca. 1790. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Print, The Gentleman's and Cabinet-Maker's Director; Designed by Thomas Chippendale (1718 - 1779); England; etching on off-white laid paper

Side of the antependium of the altar in the Basilica di SantAmbrogio, Milan. It is a bas-relief formed of sheets of gold. Lato del Paliotto della Basilica di S. Ambrogio. Handcoloured copperplate engraving by Pietro Giarre from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1844.

Table, Midart, 1839 - 1885 print A Renaissance table. Print from 230th Livraison. paper table

Design for an armchair, c. 1840 France paper. graphite (mineral) armchair, seat

The two-winged iron railing has on top an escutcheon. It is bordered by two fluted columns, without capitals, supporting statues, and by short pieces of the wall in the same height as the columns, without horizontal tallies. In front of them are crouching lions, upon pedestals, with the heads turned toward the entrance. Laterally are short pieces of the lower wall. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1789. Museum: Cooper Hewitt, Smithsonian Design Museum.

Liard M., role models of the artistry in the style of the 18th century, Berlin (without dat.): Perspective views, cross -section. Stitch on paper, 34.1 x 51.7 cm (including scan edges)

Design: Camera Obscura, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Louis-Jaques Goussier (French, 1722-1799); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fasada Koszar Koronnych. Knusman, Daniel (Warszawa ; zakład litograficzny ; 1821-1826), lithography atelier, Schmidtner, Leonhard (1799-1873), graphic artist

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set 387295

Cabinet of modes or new modes, February 1, 1786, pl. III, A.B. Duhamel (Possible), 1786 Rustbed of 'Causeuse'. Paris paper engraving Rustbed of 'Causeuse'. Paris paper engraving

Wing Chair. Dated: 1936. Dimensions: overall: 29.6 x 22.8 cm (11 5/8 x 9 in.) Original IAD Object: none given. Medium: watercolor, gouache, colored pencil, graphite, andpen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: M. Rosenshield-von-Paulin.

Drawing-room window curtains, Regency style. Ornate gilt carving over a fringed pelmet, heavy drapes tied with tassels. Handcoloured copperplate engraving from George Smiths The Cabinet-Maker and Upholsterers Guide, Jones and Co., London, 1828. George Smith was upholsterer and furniture draughtsman to his Majesty (the Prince of Wales, later King George IV), circa 1786-1826.

Jacques Callot (1592-1635). "Voyage to the Holy Land, thirty-eighth board. Lieure 351. Eau-tie and chisel. 1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99609-26 Chisel, etching, engraving

Reproduction of a print with designs for six seats and three crutches by Crispijn van de Passe (II), Anonymous, After Crispijn van de Passe (II), After Willem Silvius, c. 1876 - in or before 1881 photomechanical print Antwerpafter design by: Amsterdam paper photolithography chair

Drawing, Design for Sideboard- Like Cabinet; Designed by A.N. Davenport Co.; pen and black ink on thin cream paper; 20.0 x 22.2 cm (7 7/8 x 8 3/4 in. )

Design for a Jardiniere. Artist: Anonymous, French, 19th century. Dimensions: sheet: 11 1/4 x 18 3/16 in. (28.6 x 46.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for Export Furniture ca. 1800 Anonymous, Chinese, 19th century Chinese. Design for Export Furniture 387078

Lesueur, Jacques-Philippe (n.1757-D.1830-12-04), March, decoration for the Château des Tuileries. (Dummy title). Carnavalet museum, history of Paris.

Design for Pink Curtains and White Inner Curtains, with a Gold, White and Pink Pediment early 19th century Anonymous, British, 19th century British. Design for Pink Curtains and White Inner Curtains, with a Gold, White and Pink Pediment 386974

Door with Curtains, Anonymous, 1832 - 1877 print A door with draped curtains. Print from 17th Livraison. paper door. hangings and drapery

Drawing, Two Chairs and a Table; Designed by Jean Démosthène Dugourc (French, 1749-1825); Attributed to Georges Jacob (French, 1739-1814), Henri Jacob (1753-1824); Attributions: Richard de Lalonde (French, active 1780-96); France; brush and watercolor, pen and black ink, graphite on white laid paper; 21.4 x 34 cm (8 7/16 x 13 3/8 in.)

Victor Aleksandrovic Schröter (1839-1901): Theater ceiling. Monthly competition July 1860

Zamek Ujazdowski jako lazaret wojskowy. Knusman, Daniel (Warszawa ; zakład litograficzny ; 1821-1826), lithography atelier, Schmidtner, Leonhard (1799-1873), graphic artist

Chair. Dated: c. 1936. Dimensions: overall: 35.2 x 24.4 cm (13 7/8 x 9 5/8 in.) Original IAD Object: 35"high, 16"wide, 15 1/2" deep. Medium: watercolor, gouache, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Florence Huston.

Design for a clock, Lefebvre Manufactory, Tournai, Brush and yellow, red, brown, watercolor, pen and black ink, graphite on cream laid paper, Base, supported by claw feet, its front panel decorated with four putti, two with a bow and arrow. Clock dial above at left incased in the front of a table with cloth. A lyre stands on top of table. At right, a seated woman in classical dress, her arm outstretched, holding a book., Belgium, 1800-1825, timepieces & measuring devices, Drawing, Drawing

Den Haag, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Exhibition of the Citadel monuments, Cartoon about the hideous designs for a monument for the Dutch who died at the Citadel of Antwerp, 1873, The Hague, Cartoon about the hideous designs for a monument for the Dutch who died defending the Citadel of Antwerp (1832). The Citadel monument was later erected in the cemetery at Ginneken. Plate published in the weekly De Nederlandsche Spectator, no. 10, 1873., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 300 mm, width 425 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1873 - 1873, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

Design for Writing Table No. 6, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900-05, furniture, Drawing, Drawing

Design for Rectangular Writing Table No. 4 with Bust and Double Lamp Atop, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900-05, furniture, Drawing, Drawing

Portable organ and extremely rare Bible regal (harmonium). Chromolithograph from an illustration by William Gibb from A.J. Hipkins' "Musical Instruments, Historic, Rare and Unique," Adam and Charles Black, Edinburgh, 1888. Alfred James Hipkins (1826-1903) was an English musicologist who specialized in the history of the pianoforte and other instruments. William Gibb was a master illustrator and chromolithographer and illustrated "The Royal House of Stuart" (1890), "Naval and Military Trophies" (1896), and others.

Curtains for a Gothic room. Ornate pelmet of gold-frnged fabric, heavy blue curtains and transparent lace curtains across a bay window. Handcoloured copperplate engraving from George Smiths The Cabinet-Maker and Upholsterers Guide, Jones and Co., London, 1828. George Smith was upholsterer and furniture draughtsman to his Majesty (the Prince of Wales, later King George IV), circa 1786-1826.

Arm Chair. Dated: 1935/1942. Dimensions: overall: 21.6 x 28.5 cm (8 1/2 x 11 1/4 in.). Medium: pen and ink and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Elizabeth Curtis.

Drawing, Design for Library Table "A" of Oak with Solid Scrolled and Carved Sides; Designed by A.N. Davenport Co.; graphite on thin cream paper

Drawing, Design for Large Table with Florettes on Legs; Designed by A.N. Davenport Co.

Delafosse J. C. (1734-1789), role models of the artistry in the style of the 18th century, Berlin (without date): Views. Stitch on paper, 33.9 x 51.6 cm (including scan edges)

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