Genre Paintings of Daily Life

Oil paintings portraying lively indoor scenes with figures engaged in various activities, emphasizing social interactions.

Men discussing by Willem Cornelisz Duyster, Oil on wood, circa 1633, 1599-1635, Russia, St. Petersburg, State Hermitage, 43, 5x45, 5

A physician examining a urine-flask. Oil painting by Gerard Thomas.

David Teniers / 'Música en la cocina', ca. 1633, Flemish School, Oil on panel, 31 cm x 55 cm, P01391. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Patricides, Each According to Their Own Nature’. Just as cats instinctively chase mice, so do these children playing war resemble their father, who is in the armed forces. The Bible on the lectern is more in keeping with his wife and the youngest child, who do not join in the fray. With this painting Bles may have meant to show that a harmonious family can include members with different dispositions, in which some children take after their father, and others their mother.

Interior with Soldiers and Women; Jacob Duck (Dutch, about 1600 - 1667); about 1650; Oil on panel; 42.9 × 61.6 cm (16 7,8 × 24 1,4 in.)

Gallant Company. Cavaliers and Ladies. Dating: 1633. Measurements: support: h 54.2 cm × w 68.4 cm; d 6.7 cm. Museum: Rijksmuseum, Amsterdam. Author: Pieter Codde (mentioned on object).

Men discussing by Willem Cornelisz Duyster, Oil on wood, circa 1633, 1599-1635, Russia, St. Petersburg, State Hermitage, 43, 5x45, 5

Steen, Jan Havicksz (n.1626 - D.1679), the small killer (main title), 1663. Wood oil. Petit Palais, Museum of Fine Arts of the City of Paris. The little boarder (main title) Questor child (old title

Company (Allegory of Five Senses). Herp, Willem van (1613/1614-1677), painter

fine arts, Wasmann, Friedrich (1805 - 1886), painting, ""Tiroler Weinstube"" (Tyrolean Wine Tavern),

Interior Of A Tavern David Teniers II (1610-1690 Flemish)

The Flight of False Dmitriy by Myasoedov, Grigori Grigoryevich (1834-1911) State Art Museum, Irkutsk Russia Oil on canvas Painting Genre,History

Elegant Figures with Instruments Seated at a Table and a Young Lady Singing in a Interior. Dirck Hals (1591-1656). Oil on panel. Signed and dated 1637. 43.5 x 69.5cm.

'In a Peasant's Room', 1870, (1965). Creator: Alexei Ivanovich Korzukhin.

Gambling; Dutch painter, unknown Dutch painter; XVII century (1600-00-00-1699-00-00);playing trik-traka, hats, women, Dutch painting, men, dog, genre scenes in the interior

'A Merry Company in an Interior (Genre Scene) (copy)'. Holland. Dimensions: 36x52 cm. Museum: State Hermitage, St. Petersburg. Author: Pieter Jacobsz Codde (after).

The man in the white hat, 1644-1645, by David Teniers II (1610-1690), oil on panel, 48x69 cm.

An Elegant Party Making Music by an Ornamental Lake. Dirk Hals (1591-1656). Oil on panel, 30 x 39cm.

The Distressed Poet, by William Hogarth, circa 1734-1736, Birmingham Museum & Art Gallery, England

Interior with a Woman Feeding a Parrot, Known as The Parrot Cage’. The wealth of motifs and humorous vignettes in Jan Steen’s paintings often overshadow his great artistic flair. Steen’s mastery lies both in his subtle colour combinations and in his rendering of different kinds of textures. The colour scheme of this painting is fairly drab and grey: only the clothing of the woman in the middle is rendered in delicate shades of violet and green.

Teasing a Sleeping Girl ca. 1760 Gaspare Traversi Italian Traversis career is poorly documented, but he was unquestionably the leading genre painter in eighteenth-century Naples. He translated the half-length narrative compositions of high Baroque painters such as Caravaggio into parodic images of the noble classes. Their emphatic naturalism and biting wit can be compared to the more famous English artist William Hogarth. In this characteristic example, an old man tickles a young girl who has fallen asleep with her box of keepsakes on her lap. The literal-minded humor and amused expressions of the surrounding household diffuse the latent eroticism of her limp body, parted lips, and closed eyelids.. Teasing a Sleeping Girl. Gaspare Traversi (Italian, Neapolitan, ca. 1722-1770). ca. 1760. Oil on canvas. Paintings

'Concert'. Holland, 1633. Dimensions: 35x48 cm. Museum: State Hermitage, St. Petersburg. Author: DIRCK VAN DELEN.

Twelfth Night, Steen, Jan

Peasants Dancing in a Barn. Dating: 1655 - 1683. Measurements: h 46 cm × w 38 cm; d 5.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Nicolaes Pietersz. Berchem.

Esther, Ahasuerus, and Haman, c. 1668. Jan Steen (Dutch, 1626-1679). Oil on canvas; framed: 96.5 x 119.5 x 11 cm (38 x 47 1/16 x 4 5/16 in.); unframed: 70 x 93 cm (27 9/16 x 36 5/8 in.).

The New World, 1756, by Pietro Longhi (1701-1785). Oil on canvas, 62x50.5 cm.

The Spendthrift or the Wasteful Woman, act III, scene V, from the Play by Thomas Asselijn, Joanna and the Polish Jewish Traders, Cornelis Troost, 1741

'Gipsies Listening to the Prophecies of a Young Fortune-Teller'. France, 1848. Dimensions: 104x78 cm. Museum: State Hermitage, St. Petersburg. Author: Narcisse Virgile Diaz de la Peña.

Kortegaarde, Cornelis Troost, 1747

To Visit the Sick. Date/Period: Ca. 1640. Painting. Height: 990 mm (38.97 in); Width: 1,520 mm (59.84 in). Author: CORNELIS DE WAEL.

Glass of wine. Löffler, Leopold (1827-1898), painter

'The Skaters': Peasants in an Interior. 'De schaatsenrijders': boerengezelschap in interieur. Dating: 1650. Measurements: h 44 cm × w 35.5 cm; h 60.5 cm × w 52.2 cm × t 8.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Adriaen van Ostade.

Merrymakers in an Inn. Adriaen van Ostade; Dutch, 1610-1685. Date: 1674. Dimensions: 18 3/8 × 16 1/8 in. (46.7 × 41 cm). Oil on panel. Origin: Holland. Museum: The Chicago Art Institute, USA.

Dice Players Preti, Mattia (1613 1699)

fine arts, Terborch, Gerard (1617 - 1681), painting, ""The Letter"", oil on wood panel, 46 x 46 cm, circa 1655, Alte Pinakothek, Munich,

School of Bartolomeo Passerotti (1529-1592), Anatomy Lesson for Artists.

Peasants Celebrating Twelfth Night. Dated: 1635. Dimensions: overall: 47.2 x 69.9 cm (18 9/16 x 27 1/2 in.) framed: 67.3 x 90.2 cm (26 1/2 x 35 1/2 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: DAVID TENIERS THE YOUNGER.

Presentation of Gifts, ca. 1630. Oil on panel. Painting completed in the workshop of the Flemish painter Pieter Brueghel the Younger (1564-1638). It is part of a series of six works on peasant weddings. Newlyweds often received household objects as gifts, such as jugs, bowls, baskets, or a spinning wheel. The crib was the traditional gift, signifying the community's expectations for marriage and offspring. Kadriorg Art Museum. Tallinn, Estonia. On loan, from Art Museum of Estonia (Eesti Kunstimuuseum), Tallinn.

The Egg Dance, Pieter Aertsen, 1552 painting The egg dance. Interior of a farmhouse with different people in front of a fireplace and at a table. On the right a dancing young man, on the left a drinking man with a jug. A bagpipe player by the fireplace. Antwerp panel. oil paint (paint) festivities (+ games of skill ~ festive activities). man dancing alone. interior of the house

Scene in a tavern. Helmont, Mattheus van (1623- post 1678), painter

Men playing chess in a cafZ, Vienna, Austria, engraving, 19th century

'Bean King'. Flanders, Circa 1638. Dimensions: 160x213 cm. Museum: State Hermitage, St. Petersburg. Author: JACOB JORDAENS.

Refusing the Glass possibly by Ludolf de Jongh; Oil on Canvas; Dutch School; 17th Century. The painting has also been attributed to Hendrik Van Der Burch.

Feast; Horans, Jan Josef, I (1682-1759); 1. PO. 18th century (1700-00-00-1760-00-00);Architecture, Flemish painting, sculpture, genre scenes in the interior, feast

Jan Havickszoon Steen (1626-1679). Dutch painter. The Revellers, 1660. Detail. The State Hermitage Museum. Saint Petersburg. Russia.

Cottager's Hospitality to Travellers of The Coach Broke Down, James Pollard, 1792-1867, British, 1819, Watercolor over etched outline, and pen and black ink on moderately thick, moderately textured, blued white, wove paper, Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm), beams (structural elements), bird, birdcage (container), bonnets (hats), boots, candle, candlestick, children, clothesline, coachmen, coats, cottage, curtain, dishes, dog (animal), door, doorway, dresses, evening, fainting, fireplace, floor-tile, genre subject, gloves, hats, hearth, horseshoe (animal equipment), interior, jars, kneeling, lantern (lighting device), men, rope, scarves (costume accessories), shelf, shoes (footwear), socks, standing, table, tea kettle, travellers, umbrella, winter, women

Death and the Lover, Camprobín, Pedro de, 1633.

The Venetian Charlatan by Tiepolo, Giandomenico (1727-1804) / Museo del Prado, Madrid / ca 1764-1765 / Italy, Venetian School / Oil on canvas / Genre / 34x58,1

Louis XIV Visit To Gobelins Factory, Oct. 15, 1667 Artist Unknown (French)

Women preparing food by Joachim Beuckelaer, Oil on canvas, 1569, circa 1533-1574, Great Britain, London, National Gallery, 158x216

EL MAESTRO DORMIDO - SIGLO XIX - NEOCLASICISMO/ROMANTICISMO ALEMAN. Author: ANONIMO ALEMAN. Location: PRIVATE COLLECTION.

Luis Paret y Alcazar (1746-1799). Spanish painter. The Shop of Geniani, 1772. Lazaro Galdiano Museum. Madrid. Spain.

Jean-Jacques HAUER (1751-1829). "Louis XVII separated from his mother on July 3, 1793". Oil on canvas, 1795. Paris, Carnavalet museum. 27303-8 Scarf, temple enclosure, canvas oil, IIIEM III 3rd 3 arrondissement, phrygian, prison, French revolution, revolutionary, tricolor, cap, screen

Lillans sista bädd ('The last bed of The Little One'). Date/Period: 1858. Painting. Width: 98 cm. Height: 77 cm. Author: AMALIA LINDEGREN.

JORDAENS, Jacob (1593-1678). The King Drinks. 1640. Flemish art. Oil on canvas. BELGIUM. WALLONIA. HAINAUT. Tournai. Fine Arts Museum.

France - 16th century - French School. Hunting with the Dukes of Burgundy. Detail of guests at table

The five senses, The feeling, Jan Miense Molenaer, 1637

Merry Company on a Terrace. Artist: Jan Steen (Dutch, Leiden 1626-1679 Leiden). Dimensions: 55 1/2 x 51 3/4 in. (141 x 131.4 cm). Date: ca. 1670.In this late painting of about 1673-75, Steen casts himself as the inebriated innkeeper on the left. The artist's second wife, Maria, probably modeled for the provocatively posed hostess (she wears an apron) in the center. Her glass and the fat man's jug are sexually suggestive, but the woman's familiarity with the young musician and the shape of his cittern suggest that he has more to offer her. The overdressed boy serves as a marginal remark about the adults' behavior: a bridled horse and a whip usually stand for Temperance, but not when hitched to a spoiled brat and his indignant dog. The man with a sausage pinned to his hat is Hans Wurst, a fool familiar from the comic stage. Steen wittily blends symbols and themes (for example, child-rearing and the Garden of Love) into an original creation, quite as the picture's style seems to blend oil

Inn with Trictrac Players, Egbert van Heemskerck (I), 1669

The Village School, Braekeleer, Ferdinand de, the Elder (1792-1883)

fine arts, Sevilla, Juan de (1643 - 1695), painting, ""The Rich Man and the Beggar Lazarus"" (""El Epulon y el Pobre Lazaro""), Prado, Madrid,

Scene by a stand with vegetables. Lambrechts, Jan Baptist (1680- post 1731), painter

Prince Maurits Receiving a Russian Delegation in 1614. Prince Maurits van Oranje receives a delegation from Russia in 1614. On the left the Dutch at the table for a fireplace, on the right the Russian delegates. Painting manufactured for 'The historic gallery of Arti et amicitiae'.

Francisco de Goya y Lucientes / 'The Soldier and the Lady', 1779, Spanish School, Oil on canvas, 259 cm x 100 cm, P00781. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Game of Chess, Leyden, Lucas Van

Planning the Meal. Alexis van Hamme (1818-1875). Oil on panel. Signed and dated 1863. 73 x 56.8cm.

Interior with a medical practitioner, a woman holding a flask, and five other people. Oil painting in manner of Balthasar van den Bossche.

The Experts. Artist: Alexandre-Gabriel Decamps (French, Paris 1803-1860 Fontainebleau). Dimensions: 18 1/4 x 25 1/4 in. (46.4 x 64.1 cm). Date: 1837.In this satirical work, first exhibited at the Paris Salon of 1839, elegantly dressed "experts" examine a landscape in the style of the seventeenth-century painter Nicolas Poussin. Decamps's generation, including such figures as Thodore Rousseau and Jules Dupr, sought to challenge the prevailing view that the art of the past should dictate contemporary taste.Scenes in which monkeys are engaged in human activities--singeries in French--are part of a tradition that can be traced to Antiquity. Museum: Metropolitan Museum of Art, New York, USA.

Vänner Friends. Date/Period: 1900 - 1907. Painting. Oil on canvas. Height: 2,040 mm (80.31 in); Width: 2,600 mm (102.36 in). Author: HANNA PAULI.

The Governors of the Kloveniersdoelen; Oil on canvas; 1642 Govert Flinck; Dutch; 1615 - 1660 Rijksmuseone; Amsterdam; on loan from the city of Amsterdam

Queen Elizabeth 1st dancing at court in a traditional tudor court scene c1575

Merry Company, Buytewech, Willem Pietersz.

Joachim Beuckelaer / 'Christ at home with Martha and Mary', 1568, Flemish School, Oil on panel, 126 cm x 243 cm, P06972. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Interior of an Academy: The Critics, William Stewart, active 1847-1856, British, 1848, Oil on canvas, Support (PTG): 32 x 24 1/2 inches (81.3 x 62.2 cm), academy, ancient, art, boys, busts, casts, coats, crates, critics, dog (animal), drawing, education, frieze (entablature component), Greek, interior, paint box, painting (visual work), paints, palette, Parthenon, plaster, plaster casts, Roman, school, sketchbook, sketches, sketching, statues, students, tables, trousers, wrestlers

The Happy Couple. Luigi Bechi (1830-1919). Oil on canvas. 83.8 x 118.2cm

Breakfast, Karel Slabbaert, 1640 - 1654 painting The breakfast. Interior with an old woman who cuts bread for two children. On the right a table with bread, cheese and a piece of meat in a basket. On the ground is a book, a chair with lace bobbins on the left. There is a large framed print on the wall, a map or map. panel. oil paint (paint) breakfast. prayer at table, saying grace

Robert Smirke, 1752-1845, British, One from Illustrations to Shakespeare.

Family scene in an interior. Niedermann, Johann (1759-1833), painter

Merrymakers in an Inn 1674 Holland. Over the course of a long and successful career, Adriaen van Ostade specialized in peasant subjects, his treatment of this theme mirroring the general evolution of Dutch painting in the 17th century. In his earlier works, he took a satirical approach to his subject, using a monochrome tonality and visible brushstrokes. The clear, relatively bright colors and fine brushwork of this late painting are in keeping with the refined taste of the later 17th century. Similarly, the rustic figures depicted here, while vividly characterized, are quite decorous in their enjoyment of village pleasures.. Oil on panel . Adriaen van Ostade

Interior of an Academy: The Critics. Date/Period: 1848. Painting. Oil on canvas. Height: 813 mm (32 in); Width: 622 mm (24.48 in). Author: William Stewart.

Regents of the Aalmoezeniersweeshuis Orphanage in Amsterdam, 1729, Cornelis Troost, 1729 painting The regents of the Aalmoezeniersweeshuis in Amsterdam in 1729. Preliminary study for the Group Portrait (SK-C-87). The regents sitting and standing around a table, on the left in the foreground is an orphan boy with a sheet of paper in the hand. canvas. oil paint (paint) historical persons. board, esp. governors, trustees, etc. (Dutch: 'regenten'). orphanage Almsian orphanage

Festive Gathering at Night, manner of Louis de Caullery, 1600 - 1620

Joseph Interprets the Dreams of the Baker and the Butler, Jan Victors, 1648 painting Joseph explains the baker and the donor their dreams. In prison, Joseph is sitting on the left on a stone staircase, the bakery and the donor are chained on the floor on the right. canvas. oil paint (paint) Joseph interpreting the dreams of the butler and the baker (the two dreams combined)

Jan Havicksz. Steen (Leiden, 1626-1679). Tavern Scene (ca. 1661 - 1665). Oil on canvas. 44.3 x 36.8 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

I want to smoke tobacco in the inn; Broouwer, Adriaen (1605 cars 1606-1638); 1627-1630 (1627-00-00-1630-00-00);Strauss, Max (1869-1927) - collection, Strauss, Max (collector - 1869-1927), peasants, taverns, Flemish painting, Dutch painting, recovered war losses, smoking, drunkers, genre scenes, generic scenes in the interior, scenes in the inn, interior, purchase (provenance)

Le Benedicite, 1861, by Charles de Groux (1825-1870), oil on canvas, 80x154 cm.

fine arts, Teniers, David the Younger (1610 - 1690), painting, ""Le Roi Boit"" (The King is Drinking), oil on copper, 1690, Prado, Madrid,

'A Merry Company in an Interior (Genre Scene)'. Holland, 1636. Dimensions: 53x64 cm. Museum: State Hermitage, St. Petersburg. Author: Pieter Jacobsz Codde (workshop).

A gentleman's toilet ("La petite toilette"). Oil painting after Jean-Michel Moreau le jeune.

Poultry Yard, Steen, Jan

The Peasant's Meal - 1642 - 97x122 cm - oil on canvas - French Baroque. Author: LOUIS LE NAIN (1593-1698). Location: LOUVRE MUSEUM-PAINTINGS. France.

Models in a workshop during the absence of the painter Auguste Dutuit (1812-1902). Models in a workshop during the absence of the painter. Oil on canvas, 1869.

In the school by Popov, Andrei Andreyevich (1832-1896)/ State Tretyakov Gallery, Moscow/ 1854/ Russia/ Oil on canvas/ Academic art/ 45,8x54,8/ Genre

Tavern Scene, Artist Unknown 17th Century

Falstaff and the recruits, from "Henry IV, Part II", John Cawse, 1779-1862, British

The Drunken Couple. A man and woman are so drunk that they are unaware they are being robbed. Their foolishness is underscored by the print on the partition. It depicts an owl, considered a stupid creature in the 17th century. After all, it could not see by day, not even with a candle or eyeglasses. The drunken couple is thus just as blind as the owl, a message that survives in the English idiom blind as a bat’.

A concert, attributed to Ambrosius Benson (1495-1550). Chateau de Blois, France.

Fires of St. Martin, by Marten Van Cleve , Rubenshuis, Antwerp, Belgium, Europe

Georges de La Tour (1593-1652). French Baroque painter. The Cheat with the Ace of Diamonds, ca.1635. Louvre Museum. Paris. France.

De Soldaat en het Lachende Meisje / Officer and Laughing Girl. Date/Period: Ca. 1657. Painting. Oil on canvas. Height: 50.5 cm (19.8 in); Width: 46 cm (18.1 in). Author: JOHANNES VERMEER.

Giandomenico Tiepolo / 'The New World', ca. 1765, Italian School, Oil on canvas, 34 cm x 58,3 cm, P07805. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

of 2