Genre Scenes and Historical Prints

Illustrates narrative scenes with hunters, dancers, and biblical references, showcasing life moments and moral tales through detailed engravings.

The Alchemist, c. 1558, Philips Galle; Artist: after Pieter Brueghel the Elder, Flemish, 1537 - 1612, 12 13/16 x 17 9/16 in. (32.54 x 44.61 cm) (image, trimmed within platemark)13 5/16 x 17 3/4 in. (33.81 x 45.09 cm) (sheet), Engraving, Netherlands, 16th century, It was typical in depictions of alchemists to include a scholar seated at a lectern. In this print, Brueghel inserts a figure on the right side that gestures out at the scene in front of him and draws the viewer's attention to the foolish behavior in his midst. The alchemist works in his makeshift lab as he tries to discover the philosopher's stone, a material that will turn base metals into gold and silver. He is assisted in his pursuits by a fool, who is shown squeezing air from a bellows onto coals in a brazier. The alchemist's wife sits behind the fool and displays her empty purse, a sign that her husband has squandered all that they had in his quest for the philosopher's stone.

Rome, unknown, Westerhout, Arnold van, Genoa, Wael, Jan Baptist de, Various genre scenes, Hunter drinks from fountain, recto bottom - handwritten in black ink, A hunter drinks water from a fountain. He is accompanied by his hunting dogs. A woman stands along the edge, with a bucket in her hands, and looks at the viewer. In the background a classical monument with rams' heads on the corners, on which a dedication in Latin., print, title print, prints, verso bottom - stamped, 17, height 88 mm, width 129 mm, Zuid-Nederlands, 1632-07-25 - 1669, print maker, printmaker, 1692 - 1725, paper, papier, etching, etchings, Publication (Event), Publication, 1651-02-21 - 1725-04-18, publisher, uitgever van privilege

Lost son wasted his inheritance, 1629 print The lost son wastes his inheritance among the ladies of light morals. He is entertained in a pleasure court with music and benevolent ladies. In the foreground he dances with a woman. There are playing cards on the floor and on the right a woman keeps the notch. In the background, after the money has run out, the lost son is chased out of the inn or the brothel. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. one pair dancing; man and woman dancing as a couple. private festivities, merry company - AA - in the open air, 'fíªte champíªtre'. pergola. tally

Hunter drinks from fountain; Various genre scenes. A hunter drinks water from a fountain. He is accompanied by his hunting dogs. A woman stands along the edge, with a bucket in the hands, and looks at the viewer. In the background a classic monument with on the corners of Ramskoppen, on which a command in Latin.

Frontispiece to "The Farmer's Return" March 1762 James Basire, the elder British. Frontispiece to "The Farmer's Return" 399372

Non -resistant servant brought before the king, 1585 print The merciless servant stands in an opening in front of the king's throne and must account for his behavior. His debts were abandoned by the king, but then he had put another servant in prison, because he in turn was a bit guilty. The king is angry because the servant does not show as he has shown pity. On the table books and an ink set. In the foreground a dog. Under the show a reference in Latin to the Bible text in mat. 18. The chapter number is incorrectly mentioned: 3 instead of 18. This print is part of an album. paper engraving the king reproaches his servant for his mercilessness and delivers him to the tormentors ~ parable of the unmerciful servant

The Birth of John the Baptist. Dated: 1576. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Man in a court while three murders are committed, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing administration of justice, trial. violent death by cleaving and striking weapons. violent death by poisoned cup

The Alchemist, c. 1558, Philips Galle; Artist: after Pieter Brueghel the Elder, Flemish, 1537 - 1612, 12 13/16 x 17 9/16 in. (32.54 x 44.61 cm) (image, trimmed within platemark)13 5/16 x 17 3/4 in. (33.81 x 45.09 cm) (sheet), Engraving, Netherlands, 16th century, It was typical in depictions of alchemists to include a scholar seated at a lectern. In this print, Brueghel inserts a figure on the right side that gestures out at the scene in front of him and draws the viewer's attention to the foolish behavior in his midst. The alchemist works in his makeshift lab as he tries to discover the philosopher's stone, a material that will turn base metals into gold and silver. He is assisted in his pursuits by a fool, who is shown squeezing air from a bellows onto coals in a brazier. The alchemist's wife sits behind the fool and displays her empty purse, a sign that her husband has squandered all that they had in his quest for the philosopher's stone.

Jacob gets the paternal blessing of Isaac, Cornelis Cort, Julius Goltzius, after 1563 - before c. 1601.

Centrally in a cartouche an image of domestic activities. In the foreground, wood is being brought in for the fireplace. An old man warms himself at a brazier, while a youth stirs the fire with a bellows. A woman is engaged in sewing. In the background, several men are playing a card game. In the corners outside the cartouche four personifications of the winter season. The print has a Latin caption and is part of a series on the four seasons., Winter Hiems , print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, (mentioned on object), print maker: Antwerp, Florence, publisher: Antwerp, c. 1578 - c. 1582, paper, engraving, w 306 mm × h 220 mm

A man is tortured on a complicated device combining a rack, pulley and weights and lifted up in front of the inquisitor and his scribe, Historic, digitally restored reproduction from a 19th century original

The Archangel Raphael shakes hands with the blind Tobit. Next to him stands Anna. Tobias looks on. At his feet is his dog. At the back right, Tobit is handing Tobias a document. Through the window, the archangel and Tobias can be seen setting out together. Below in the margin, a one-line caption in Latin from Tobit 5. Farewell to Tobit and Anna Story of Tobias , print maker: anonymous, print maker: Cornelis Cort, (attributed to), Maarten van Heemskerck, print maker: Low Countries, publisher: Antwerp, publisher: Antwerp, 1556 - 1633, paper, engraving, h 195 mm × w 243 mm

Hans Holbein the Younger, Rich Man Rich Man

The month of December, warm by the fire, ca. 1600, 1650 - 1675 print Round show with the month of December. An old man warms himself by the fire of a fireplace, a boy blows the fire, ca. 1600. With the sign of the Capricorn. With edge in Latin. Print no. 12 in the series of the twelve months of the year depicted in scenes from folk life. Low Countries paper engraving December and its 'labours'. Sagittarius (zodiacal sign of November). warming oneself at a fire (or hearth, stove, fire-pan, brazier) Low Countries

Louis XIII (king of France), Paris, Leblond, Jean (I), Bosse, Abraham, Zeven werken van Barmhartigheid, Les sept oeuvres de miséricorde, Vestir les Nuds., Kleren van de naakten, verso - gestempeld, In an open vestibule with columns a married couple gives orders to provide the poor with clothing. On the left a servant at a chest with clothes. In the middle a young man sits on a chair putting on a stocking. Behind him a servant with a pile of men's hats. On the right a group of beggars in rags. Four columns of four lines French caption in the margin., print, engraving, prints, engravings, A Bosse inv. et fc., bottom center in representation - engraved, le Blond excud, bottom center in margin - engraved, avec Privil.ege du Roy, Vestir les Nuds, bottom center - engraved, Par un effet assez connu...Prenant pitié de ton semblable., height 263 mm, width 329 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1640 - 1642, paper, papier, etching, etchings, engraving (printing process), Work

Woodcut by Lucas Cranach the Elder from around 1512 depicting the martyrdom of Saint John, showing figure, gesture, instruments, and composition.

Punishment. J. S. Mauri, and Couroux of his father (IT)

Women worship an image, Anonymous, Jörg Breu (I) (Possible), 1490 - 1537 print Print is part of an album. paper letterpress printing Heasy; 'Heia' (tab)

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King Scheldt the merciless servant his debts, 1585 print A servant kneels for his king and begs him to be patient with him, so that he still has some time to pay his fault of ten thousand talents. Two creditors point to the man. The king, sitting behind a table, gets pity and scolds him his fault. Under the performance a reference in Latin to the Bible text. This print is part of an album. paper engraving the unmerciful servant: the king forgives him his debts ~ parable of Christ (Matthew 18:23-35)

Allegorical show with doctor, pharmacist and Asclepius in Pharmacy, Jan Caspar Philips, 1766 print A scholar or doctor is writing behind a table. A pharmacist on his right suits him a paper. Behind him is Asclepius with Esculaap. Putti sitting and standing in front of the table with a distillation device with plants used for whole art. In the background a pharmacy with pots, bottles, books, a skeleton, a bust of Hippocrates and a portrait medallion from Galenus. In the background a glimpse to animals in a landscape around Mount Parnassus. paper engraving / etching physician, doctor. pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist. (story of) Aesculapius (Asclepius). pharmacy, pharmaceutics

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, book illustration, prints, engravings, Arrest of Augustijn de Backer in his bakery, 1556, verso - stamped, 66, Augustijn a Ao 1556, height 115 mm, width 143 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publicatie, publisher, uitgever, - 1693-06-26

Cartoon on the peace concluded in Paris ending the Ketel War, the disputes between the Netherlands and the Austrian Emperor Joseph II, 8 November 1785 In a room, the Austrian emperor and the French king Louis XVI divide a Dutch cheese Frederick of Prussia enters the room and also wants to partake of the cheese The Elector of Cologne sweeps the crumbs from the table On the wall a wall map of the Scheldt and the city of Antwerp where the incident with the imperial brig took place In the caption an explanation of the scene in German and French On the reverse, a faint counterprint of the same representation, Cartoon on the Treaty of Fontainebleau, 1785, print maker: anonymous, Germany, 1785 - 1786, paper, etching, engraving, h 296 mm × w 196 mm

The lost son receives his legacy; Allegory of the lost son. One of series of six. Father (Father) seated at the table under Baldakijn, son (Filius Prodigus) opposite him with money pouch. In background departure from son, accompanied by conscience (conscientia).

Woodcut by Leonhard Beck from 1517 depicting Figure 73 of 'Theuerdank', showing a two-divided room with Theuerdank in one chamber and a fire burning in the adjacent room.

Jacques Callot (1592-1635). "Notre-Dame de l'Annonciade de Florence miracles", "Gioanni". Twenty-fifth number of a suite of 42 pieces (Lieure 102, Meaume 284). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99595-25 Burin, Gravure

Esau sells his first birthright to Jakob, 1646 print Esau has returned hunger from hunting. His hunting dogs are next to him. He sells his first -birth law to his younger brother Jakob for a plate of lentils that he already has in his hands. Jakob and Rebekka are sitting at the table. Under the performance a reference in Latin to the Bible text in Gen. 25. This print is part of an album. paper engraving Esau, returning hungry from the hunt, sells his first birthright to Jacob for a pottage of lentils

House of the foreigners, David Custos, 1625 - 1629 print print maker: Venicepublisher: Italy paper engraving sheltering strangers, 'hospes colligitur' ~ one of the (seven) Acts of Mercy

. Print left of the number numbered: 13.

The Hen-Pecked Husband Peeter van der Borcht Netherlandish. The Hen-Pecked Husband 348420

Cornelis Massys (1512-1570), two market books at hosts house, 1508-1584

Man at Oorarts and Peter who cuts the ear of Malchus, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing Peter draws his sword and cuts off Malchus' ear

Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Cort, Cornelis, Netherlands, Story of Tobias, Farewell to Tobit and Anna, recto top right - handwritten in brown ink, The archangel Raphael shakes hands with the blind Tobit. Next to him stands Anna. Tobias looks on. His dog stands at his feet. In the background on the right, Tobit hands Tobias a document. Through the window we see the archangel and Tobias setting off together. At the bottom in the margin is a one-line caption in Latin from Tobit 5., print, prints, verso middle bottom - stamped, 23, height 194 mm, width 242 mm, print maker, printmaker, 1556 - 1556, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1533 - 1578, Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Zuid-Nederlands, 1518 - 1570-03-10, publisher

Joseph in prison with the bakery and the donor; History of Joseph. Joseph is in prison, chained to a stone. Opposite him sitting the bakery and the donor that tells him their dreams. The dreams have been displayed on the left. Under the show a line is a line of text in Latin, lower right: 5. The print is part of a series of prints about the life of Joseph.

During the siege of La Rochelle, the widow of Prosui is brought a bag of grain by a stranger, 1628, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet). bringing gifts; exchanging gifts La Rochelle

Ulft, Jacob van der, Netherlands, Bos, Anthonie van den, Scholar in study, verso - stamped, A scholar sits at a writing desk in his study and receives three men. On the floor next to the table is a globe and a violin. Against the wall is a bookcase. On the bookcase is a second globe., print, prints, height 97 mm, width 70 mm, 1763 - 1838-01-01, print maker, printmaker, 1778 - 1838, paper, papier, etching, etchings, aquatint, print drawing, Noord-Nederlands, 1627-03-26 - 1689-11-18, intermediary draughtsman

56. de Sirusein; Luken, Caspar (1672-1709), Luken, Jan (1649-1712); 1694 (1694-00-00-1694-00-00);

Jozef declares dreams in prison; History of Joseph. Joseph is in prison with the bakery and the gentleman of the Pharaoh. Joseph explains their dreams.

Strasbourg, Heyden, Jacob van der, Pugillus facetiarum iconographicarum in studiosorum, Foolish man is relieved of the fool growing from his head by the barber, Numbered lower right: 26. With caption in German., print, prent, prints, prenten, height 93 mm, width 136 mm, Southern Netherlands (before 1775), 1573 - 1645, print maker, printmaker, 1608 - 1608, paper, engraving, engraving (printing process)

The Wife-Beater. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 3/16 × 13 1/8 in. (25.8 × 33.3 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1633. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE.

The Academy of BaccioBandinelli. Engraver: Enea Vico, Italian, 1523-1567 After: Baccio Bandinelli, Italian, 1488-1560

A Family Saying Grace. Artist: Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Dimensions: Plate: 15 1/2 × 20 in. (39.3 × 50.8 cm)Sheet: 16 1/2 × 20 9/16 in. (41.9 × 52.3 cm). Date: 1609. Museum: Metropolitan Museum of Art, New York, USA. Author: Claes Jansz. Visscher.

Episode in "The Knight of the Burning Pestle": a man with a barber's bowl beneath his chin is about to be clubbed by a knight in armour; a man stands immediately behind him, to the left is a seated couple, to the right a man who has been knocked down, and in the foreground the audience looks on. Etching by C. Grignion after M. Rooker.

Netherlands, unknown, Scenes from the life of Saint Boniface, plates XI and XII, ca. 672-754, plates XI and XII. Boniface as bishop. Seventh print in a series of prints about the life of Saint Boniface, consisting of a large image of the saint followed by 8 plates, each with two smaller numbered images below each other., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 124 mm, width 75 mm, print maker, prentmaker, 1640 - 1659, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etsen

Apollo overhandigt een nieuwjaarsgeschenk; Titelpagina voor: Anoniem. Apollo's nieuwe-jaers-gift. Aen het bekoorlyke Hollandsche jufferschap, 1742.On the right is the personification of singing art in the form of a woman with bare breasts and a winch. There is an open book on her lap. She looks up to Apollo flying on a cloud in her direction. He holds a cornucopia, filled with paper and some loose sheets. The rest of the company faces smoking and drinking. At the front left, Momus tries to be different pages. He is wearing donkey ears.

Amsterdam, Jonghe, Clement de, Waes, Aert van, The five senses, Face, verso - stamped, An old woman examines a man's hair for lice. Below the image a two-line verse in Dutch. The print is part of a series of five prints with the five senses., print, engraving, prints, engravings, height 204 mm, width 145 mm, print maker, printmaker, 1640 - 1670, paper, etching, etchings, Northern Netherlands, 1620 - 1664, Publication (Event), Publication, 1624 - 1677, publisher

Geelgieter De Geelgieter (title on object) The Menselyk Bedryf (series title), handicrafts, metal, Caspar Luyken, Amsterdam, 1694, paper, etching, h 139 mm × w 80 mm

The festive house, approx. 1600; Domus Laetitiae. The festive house, approx. 1600. Interior of an inn where a well-did company entertained with parties, food, drinks and liberal. On the right a sleeping man between wine barrels, behind it a peeing and surrendering man. With caption of 3 times 2 lines in Latin.

Feeling, anonymous, 1600 - 1670 print A man is tied to a chair, while a man with a tongs pulls one of his teeth. Under the show a two -way verse in Dutch. The print is part of a series of five prints with the five senses. Netherlands paper etching feeling (one of the five senses). (barber as) dentist

Two representations of seeded magic at a woman named Dirkje Gerrits in Haarlem, 1617; Changed to Derry from a woman, in the Moorine alley to Haarlem. Two representations of seeded magic at a woman named Dirkje Gerrits in Haarlem, 1617. Above the woman tries to jump out through the window. Below is a group of people around a woman lying on the floor with a warped body.

Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butler's Hudibras, Plate 6) 1725-68 William Hogarth British. Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butler's Hudibras, Plate 6) 401179

The wine and beer bars.

Deceived father / man fallen out of bed, Two representations of lottery spells, each with its own number. Above n. 1512: a representation in a round list of a man who cradles a child's bed with a cord. That the child is not his, is made clear in the background, where his wife has a relationship with another man. Under n. 1514: a representation in an octagonal frame of a bedroom, with a man who has fallen out of bed and gets his room pot over him. The print has a page number on the top right, chamber-pot, bed, falling, with the unwanted third party, father-love, cradle, crib, Jan Goeree (mentioned on object), 1705, paper, engraving, w 82 mm × h 140 mm

Men with different professions; Everyone his; Cuique Suum Studium. Four men practiced different professions in a city. Left For an artist paints a winged monster with a woman's head and a lion's body. Under the monster are the first two words of the Latin saying: Pictigrubus Atque Poetis Quidlibet Audendi Semper Fuit Aequa Potestas. Next to him writes a poet with a laurel wreath at a table. A doctor looks in a urinal behind the poet. In the distance a farrier is working. Verso a text sheet.

The month of January: the celebration of the Epiphany. Top right the sign of the zodiac associated with the month of January: Aquarius. The print is framed with a border inscription in Latin referring to Janus, the god of the new year. Copy in mirror image after the print with the same name by Crispijn van de Passe (I), January: Epiphany The twelve months of the year depicted in scenes from popular life (series title) Schemata XII. Mensium (...) (series title), print maker: anonymous, Crispijn van de Passe (I), Maerten de Vos, unknown, 1574 - 1687, paper, engraving, h 118 mm × w 120 mm

Illustration No. 9 (from 12) to the drama of William Shakespeare Henry IV, posted in Goettinger Taschen Calender vom Jahre 1786, Bey Joh. Chr. Dietrich. Chodowiecki, Daniel Nikolaus (1726 1801)

Is someone rejected with the boulder, which comes from here I cut out, probatum or no contribution. The cobblestone heals a wife of stupidity by cutting a boulder out of her forehead. Left through the door a man with a boulder is brought into his forehead. Under the show a verse line.

Drinking gelag, Romeyn de Hooghe, 1655 - 1708 print Two men drink and eat abundantly. On the right an image of a putto with vines and glass. At the back left a servant with a bowl of oysters. Number four from series Capricci. Netherlands paper etching / engraving eating and drinking

Wael, Cornelis de, Italian craftsmen and sellers, Sellers of snacks, verso lower left - stamped, A man and a woman sell food (pancakes) to customers from their stall. Another seller offers his goods in a basket hanging around his neck. In the margin a caption in Latin., print, prent, prints, prenten, height 88 mm, width 126 mm, Work conception, Zuid-Nederlands, 1592-09-07 - 1667-04-21, after a design by, 1613 - 1667, paper, papier, engraving, engraving (printing process), print maker, printmaker

Sword above a table with rulers, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing hacking and thrusting weapons: sword

Sultana at Her Toilet. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 2 13/16 × 5 3/16 in. (7.1 × 13.2 cm). Series/Portfolio: Customs and Traditions of the Turks(Moers et Usages des Turcs). Date: 1746-47. Museum: Metropolitan Museum of Art, New York, USA.

Man sweeps axle towards a burning fireplace; The Asveeger.

Collecting taxes ()., Anonymous, After Bernard Picart, 1704 print paper etching / engraving dealing in money. dealing in money

Coxie, Michiel (I), Italy, Veneziano, Agostino, Bathing Psyche, verso - stamped, Psyche sitting on the edge of a bath, surrounded by three nymphs who are invisible to her. On the right a view of Psyche lying in her bed., print, prent, prints, height 210 mm, width 246 mm, Italian, 1490 - 1536, print maker, printmaker, 1500 - 1536, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1499 - 1592-03-10

Three drinking and pipe smoking farmers, anonymous, After Adriaen van Ostade, 1700 - 1799 print Three farmers at a wooden table: one is standing with a large glass in the hand, the second is on a barrel and smokes pipe, the third stops his pipe. (Copy to Van Ostade, B. 13) paper etching pipe ~ tobacco

Two men on the edge of a bed and an old man with rosary, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing doctrine on original sin, and Redemption. education

England. Dated: 1756. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

Narrensnijder, Heinrich Wirich (Possibly), 1575 - 1600 print Satire on foolishness. A narrow cutter is in a departure, dressed in overcoat with bontrand and top hat on. In his right hand he has a knife, with his left hand he holds the ear of a young man who sits in front of him in a chair. A small nark appears from his sleeve. On the ground is his hat with a wide edge, on which a few fools are crawling. Behind the narrow cutter a lady who points with a finger at her forehead. On a shelf in the departure are pharmacist spots with inscriptions such as demut, Arbeitsamkeit etc. paper etching / engraving court jester, court fool. barber; surgeon. other 'operations'

The world is full of the spirit of the Lord (Wisdom of Solomon 1:7) ca. 1570-72 Anonymous, Netherlandish, 16th century. The world is full of the spirit of the Lord (Wisdom of Solomon 1:7). Anonymous, Netherlandish, 16th century. ca. 1570-72. Etching. Prints

A house full of party mum, Nicolaes de Bruyn, after Maerten de Vos, 1581 - 1656 print Imagination of one of the wisdom according to the book Preacher (no. 7). In an interior there is a partying and sexual group of men and women at a table that is full of delicacies and drinks. According to preacher, they behave foolish because they are pleased in a house full of pleasure. In the margin under a verse with six lines of Latin. Netherlands paper engraving private festivities, merry company. courting. drunkenness

60. de Papiermaaker; Luken, Caspar (1672-1709), Luken, Jan (1649-1712); 1694 (1694-00-00-1694-00-00);

Autumn, Julius Goltzius, After Maerten de Vos, 1575 - 1595 print Centrally the slaughter of pigs and smoking and brining the meat. In the background the grape picking and making and tons of wine. Men, women and children pick and squeeze grapes. The wine is then poured into tons and brought away. The print has a Latin caption and is part of a series with the four seasons the subject. Antwerp paper engraving autumn, fall, 'Autumnus'; 'Autunno' (Ripa). autumn ~ human activities (the four seasons of the year)

Amsterdam, Visscher, Claes Jansz. (II), Antwerp, Borcht, Pieter van der (I), Apenspel, Apenschool, verso middle bottom - stamped, A 16th-century school. Schoolroom with monkeys as teachers and pupils. Some monkeys are punished with a rod, others read and write sitting on wooden benches. With a 2-line caption in Latin., print, prints, Frederik Muller Historieplaten, height 241 mm, width 304 mm, Southern Netherlands, 1545 - 1608, print maker, printmaker, 1597 - 1608, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

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Jupiter and Mercury in the house of Philemon and Baucis. Jupiter and Mercury sit at the table in the house of the Elderly Couple Philemon and Baucis. Philemon gives Jupiter wine. Baucis tries to take a fleeing goose but Mercury stops her and gives himself to recognize the old woman.

Allegory at the birth of the Prince of Orange, 1748; Dutch Erfprince Count of Buren Gebr. on March 8, 1748. Allegory on the birth of Willem V, De Graaf van Buren, Prince of Orange, March 8, 1748. Interior with the left freedom and wisdom, right the love on the throne, centrally two putti with an emblem with the Orange tree. In the caption in the plate the declaration of the figures 1-9.

The Thin Kitchen. Dated: in or after 1563. Dimensions: sheet (trimmed to plate mark): 22.4 x 28.9 cm (8 13/16 x 11 3/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Joan Galle after Pieter Bruegel the Elder.

Marcantonio Raimondi (Italian, ca. 1470/1482 - 1527/1534). Vulcan, Venus, and Cupid, ca. 1505-1508. Engraving on laid paper. Plate: 257 mm x 203 mm (10.12 in. x 7.99 in.). Only state.

Jacques Callot, Plundering a Large Farmhouse, c 1633 Plundering a Large Farmhouse

The money weighers and Death, Jacob de Gheyn II, 1593-1597

Credulity, Superstition, and Fanaticism March 15, 1762 William Hogarth British. Credulity, Superstition, and Fanaticism 400102

Pest among the Trojans on Crete and Dream Van Aeneas, Marcantonio Raimondi, After Rafaël, 1515 - 1516 print In an interior, a man in bed is taken care of by two women. A man with a torch collects the dead cattle from a sheep herd by a lying cow. Besides, men and women mourn from the deceased and turn away from the victims. On the foot of a column with breastpiece is a text: Linquebant Dulces Animas, Auto Aegra Trahebant Corp. On the left fall through a window slightly in which the text Effigies Sacrae Divom Phrigi appears. paper engraving stay of Aeneas on Crete: a pestilence ravages the Trojans

Lawyer, Caspar Luyken, After Jan Luyken, 1694 print Amsterdam paper etching lawyer, attorney at law

Buys, Jacobus, Northern Netherlands, Bogerts, Cornelis, Vinkeles, Reinier (I), Fighting with Orangists in Voorburg, 1787, verso - stamped, Fighting with some Orangists in an inn in Voorburg, October 8, 1787., print, prints, Frederik Muller Historieplaten, height 111 mm, width 75 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1787 - 1795, paper, papier, etching, engraving, engraving (printing process), 1745 - 1817-02-03, 1724-11-19 - 1801-04-07, intermediary draughtsman

Parable of the rich fool, Anonymous, after Ambrosius Francken (I), 1643 print A rich man has even larger barns built for his riches and his grain. He is sitting at the table among his money. There is a Stokbeurs in the open chest. Under the show a reference in Latin to the Bible text in Luc. 12:16 And to the continuation of the story: The rich man will die at night. Amsterdam paper engraving the rich fool, whose death comes when he has saved all his money to build new barns (Luke 12:16-21). purse, money-bag

Woman changes a child. Interior of a bedroom in which a woman changes a child in the cradle. On the versous letterpress in Dutch.

Léonard Gaultier, Les Festes du mois de Octobre (October Saint Luke), 1603 Les Festes du mois de Octobre (October: Saint Luke)

The Alchemist. Artist: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp); Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels). Dimensions: sheet (irreg cut to plate line and within it): 13 3/16 x 17 11/16 in. (33.5 x 44.9 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: after 1558. Museum: Metropolitan Museum of Art, New York, USA.

Officia M.T.C. Von den tugentsamen ämptern 1531 Written by Marcus Tullius Cicero Roman. Officia M.T.C. Von den tugentsamen ämptern 338762

Judge, Caspar Luyken, 1711 print Print to the left of the fresh numbered: 53. In the top right corner marked: G. paper etching magistracy, judges

Vatican City, Papal court, Rome, Paolo, Giovanni Antonio de, Tempesta, Antonio, Imagini di moltes vergini Rom nel martirio, Roman martyrs, H. Palagia and H. Ripisma, verso - stamped, H. Palagia and H. Ripisma are quartered., print, prints, height 73 mm, width 114 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, etching, Publication (Event), Publication, publisher, grantor of privilege

A Satyr Visiting a Peasant Family. Dated: 1739. Dimensions: plate: 21 x 27.4 cm (8 1/4 x 10 13/16 in.) sheet: 21.6 x 28.1 cm (8 1/2 x 11 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christian Wilhelm Ernst Dietrich.

Test of the frogs, Caspar Luyken, 1698 print Amsterdam paper etching the plague of frogs: Aaron stretches out his hand over the water of Egypt; frogs come out and cover the land

Consequences of the waste in marriage, Gillis van Breen, After Karel van Mander (I), 1595 - 1605 print A man and a woman with two children are sitting in a poor room only illuminated by an oil lamp. The children cry and the parents also erase the tears from their faces. The man keeps his empty stock exchange as a sign that the money is used up. The performance shows, as the verse explains, which is the result of an extravagant life 'Pannetgen Magher'. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving the poor. poor kitchen. the rich

Joannes Coaxa has his borrowed money, Caspar Luyken, 1704 print Nuremberg paper etching / letterpress printing counting, calculating. coin. old man

A family at a table, print maker: Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys II, 1711

In a vast hilly landscape, villagers are engaged in activities related to the months of September, October and November: in the foreground cattle are slaughtered, in the background people are harvesting and cutting wood. Below the image the title with two lines in Latin on either side. Print from a series of four prints depicting the four seasons, two after Hans Bol and two after Pieter Brueghel I., Autumn Autumn The four seasons (series title), print maker: Pieter van der Heyden, Hans Bol, (mentioned on object), Antwerp, in or after 1570, paper, engraving, h 226 mm × w 285 mm

. Two prints on one leaf in oval. On the left an interior with Jacob, sitting on a chair, and his sons. In the pockets with choirs they discover bags with money (Gen. 42-35). On the right an interior with Joseph who makes himself known to his brothers (Gen. 45-3). In the margins caption in Dutch. Eleventh and twelfth print (11 and 12) from a series of twelve with scenes from the life of Joseph.

Father reproduces his children, Vincent Laurensz. van der Vinne (II), 1714 print In an interior, a father reproduces his children. On the floor are torn tree branches. Through the door in the background you can see how other children also pull branches of trees. Senseliest on punishing their own children for the benefit of virtue, even if other children do the same. Haarlem paper etching / engraving correction of naughty children

Education of children, Hendrick Goltzius, 1578.

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