Goya's Bullfighting Art

A group of powerful etchings depicting bullfighting scenes and social commentary, showcasing Goya's masterful use of light and shadow.

Francisco Goya (1746-1828). "Tauromachie -Pl. 6 -" Los Moros Hacen Otro Capeo in Plaza Con Su Albornoz -H 209 I1 ". Eau -tie and dry point. Museum of Fine Arts of the city of Paris, Petit Palais. Tauromachie - Pl. 6 - The Moors make another capeo in Plaza with its Bathrobe - H 209 I1 Arab, bull, burnous, bypass, dry point, etching, etching, figure, maure, moor, dry point, bull, turban, arab

Four men hunt a bull; Los Moros Establecidos and Espagña, Prescindiendo de Las Supersticies de en Alcorán, Adoptaron Esta Caza Y Arte, Y Lancean Un Toro and El Campo; Bullfighting; La Tauromaquia. Four men in Moorish clothing hunt a bull. One of the men has fallen from his horse.

Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes, plate 14 from Los Proverbios. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1815-1824. Dimensions: 211 x 324 mm (image); 245 x 358 mm (plate); 351 x 487 mm (sheet). Etching and aquatint printed in sepia ink on ivory wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Plate 43 from 'The Disasters of War' (Los Desastres de la Guerra): 'This too.' (Tambien esto.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 43 from 'The Disasters of War' (Los Desastres de la Guerra): 'This too.' (Tambien esto.) 381386 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 43 from 'The Disasters of War' (Los Desastres de la Guerra): 'This too.' (Tambien esto.), 1810 (published 1863), Etching, burnished aquatint and burnisher, Plate: 6 1/8 8 1/8 in. (15.5 20.6 cm) Sheet: 9 15/16 13 7/16 in. (25.2 34.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(43))

Tampoco (Nor Do These Either), pl. 10 from the series Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

They Do Not Know the Way, plate 70 from The Disasters of War Made 1815-1820 Spain. Etching, drypoint, burin and burnishing on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Etching and aquatint by Francisco Goya titled 'General Foquet,' part of Los Proverbios series, created around 1810-1815, depicting general folly.

Disasters of War: Pl., 3, The Same (Thing) , 1810-1813. Francisco de Goya (Spanish, 1746-1828), Real Academia. Etching and aquatint ; sheet: 24.4 x 33.3 cm (9 5/8 x 13 1/8 in.); platemark: 15.8 x 22.9 cm (6 1/4 x 9 in.); to borderline: 14.6 x 19.8 cm (5 3/4 x 7 13/16 in.).

Diana an endymion, 1772 - 1833 print Diana bends over the naked Endymion, which is sleeping on the floor. Next to him his arrow sleeve and a sleeping dog at his feet. On the right in the background a classic temple. paper etching Diana (Luna) visiting the sleeping Endymion

Francisco Goya (1746-1828). "Tauromachie -Pl. 6 -" Los Moros Hacen Otro Capeo in Plaza Con Su Albornoz -H 209 I1 ". Eau -tie and dry point. Museum of Fine Arts of the city of Paris, Petit Palais. Tauromachie - Pl. 6 - The Moors make another capeo in Plaza with its Bathrobe - H 209 I1 Arab, bull, burnous, bypass, dry point, etching, etching, figure, maure, moor, dry point, bull, turban, arab

Gustave Doré (1832-1883). "Train of pleasure for English tourists for the Paris exhibition. 6: Visit the sculpture exhibition. Schocking!. Bois, 1861. Museum of Fine Arts of the city of Paris, Petit Palais. Shock, exhibition, female naked, nudite, pleasure, modesty, Paris, statue, English tourist, train, visit, engraving

House in the landscape, Jan van de Kerkhove, after Frédéric van de Kerkhove, 1873 - 1881 print paper etching farm or solitary house in landscape

Rightly or wrongly, plate two from The Disasters of War 1812-1815 Spain. Etching, lavis, burin, drypoint, and burnishing on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Visser under a hood in a rowing boat, Willem Bastiaan Tholen, 1870 - 1914 print paper etching fisherman. rowing-boat, canoe, etc.

View of the Tiber at Tivoli, 1680 View of the Tiber river near Tivoli. A waterfall in the middle of the landscape. Tivoli left. In the lower margin two lines of text in Italian. The print is part of an album. after print by: Praagafter print by: Antwerppublisher: Rome paper engraving Rome. Tiber. Tivoli View of the Tiber river near Tivoli. A waterfall in the middle of the landscape. Tivoli left. In the lower margin two lines of text in Italian. The print is part of an album. after print by: Praagafter print by: Antwerppublisher: Rome paper engraving Rome. Tiber. Tivoli

Sandel anglad in someone boat to Styx, Célestin Franis Nigeuil, After Egènne Delacroix, 1856 - 1853 print Paris paper. rowing-boat, canoe, etc.. Dante. the poet Virgilius. Styx (river of Hades); 'Stige' (Ripa)

I deserved it /I deserved it; Board No. 29 from: The disasters of war The Disasters of War, ed. II, 1892 Goya, Francisco de (1746 1828)

Rightly or wrongly, plate two from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1812-1815. Dimensions: 139 x 196 mm (image); 152 x 206 mm (plate); 240 x 337 mm (sheet). Etching, lavis, burin, drypoint, and burnishing on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, USA.

Knight in Harness, Aat Verhoog, c. 1965 - c. 1980 print Figure in harness on horseback, at the top right two men who wear an injured or dead. paper etching

Death Giving Audience, from Capricci 1740-1750 Italy. Etching on paper . Giambattista Tiepolo

The Apocalyptic Riders, Julius Caesar Thaeter, German, 1804 - 1870, Peter von Cornelius, German, 1783 - 1867, Steel engraving on paper, The fore horsemen of the Apocalypse are seen descending on a group of people, who appear in attitudes of desperation. Unlettered, riders in outline only., Munich, Germany, 1849, Print, Print

Plate 24 from 'The Disasters of War' (Los Desastres de la Guerra): 'They can still be of use.' (Aun podrán servir.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 24 from 'The Disasters of War' (Los Desastres de la Guerra): 'They can still be of use.' (Aun podrán servir.) 381297 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 24 from 'The Disasters of War' (Los Desastres de la Guerra):' They can still be of use.' (Aun podrn servir), 1810 (published 1863), Etching and burnisher, Plate: 6 5/16 10 1/16 in. (16 25.5 cm) Sheet: 9 15/16 13 9/16 in. (25.2 34.4 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(24))

Hexentanz; Slevogt, Max (1868-1932); 1903 (1903-00-00-1903-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, witches (iconogr.), Modernism (style), dance, witch dance (iconogr.)

Weislingen Attacked by Goetz's Men 1836 France. Lithograph in black on white China paper laid down on white wove paper . Eugène Delacroix

Kwakzalver, William Unger, After Pieter Bodding van Laer, 1847 - 1889 print Germany paper. etching quack, charlatan, mountebank, 'saltimbanco'. parts of church exterior and annexes: campanile

Landscape with cow, pl.7 z: Zwölf Original-Ryrungen. Jubiläums-Ausgabe 1835-1885; Achenbach, Andreas (1815-1910), Kupferdruckerei der Königliche Kunst-Akademie (Düsseldorf; Printing house; 1819-1918), Schwan und SteiFensand (Düsseldorf; Graphic Information; Ca 1850-1900); 1885 (1885-00-00-1885-00-00);

Lot and his daughters and Suzanna and the elders, Honoré Coussin, After Raymond de Lafage, 1708 - 1779 print France paper etching Lot's daughters make their father drunk. the elders making advances towards Susanna

Les trois compagnons , Soldiers, War casualties, World War, 1914-1918. Théophile Alexandre Steinlen (1859-1923). Lithographs

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, The Deluge, from The LoggiaPaintings, Etching, one of a set of 32 prints, platemark: 15.5 × 19 cm (6 1/8 × 71/2in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Plate 21 from 'The Disasters of War' (Los Desastres de la Guerra): 'It will be the same.' (Será lo mismo.) Ca. 1810 ( published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 21 from 'The Disasters of War' (Los Desastres de la Guerra): 'It will be the same.' (Será lo mismo.) 381300 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 21 from 'The Disasters of War' (Los Desastres de la Guerra): 'It will be the same.' (Ser lo mismo), 1810 ( published 1863), Etching and burnished lavis, Plate: 5 11/16 8 11/16 in. (14.5 22 cm) Sheet: 9 15/16 13 1/2 in. (25.2 34.3 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(21))

The death of Dürer, 1966 - 1967 print Landscape with a few anthropomorphic creatures with a man in a harness on a horse in the foreground and a figure worn by two men on the right. paper. printing ink etching

Without commending himself either to God or the devil, plate 15 from Los Proverbios Made 1815-1824 Spain. Etching, burnished aquatint and lavis printed in sepia ink on ivory wove paper . Francisco José de Goya y Lucientes

On the beach , Beaches, Boats. Frank W. Benson (1862-1951). Prints and Drawings

Wilhelm Marstrand (1810-1873), "Per Paars 1. Book 1. Song. Avind at Aeolus, 1863

Plate 57 from 'The Disasters of War' (Los Desastres de la Guerra): 'The healthy and the sick.' (Sanos y enfermos.) 1811-12 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 57 from 'The Disasters of War' (Los Desastres de la Guerra): 'The healthy and the sick.' (Sanos y enfermos.) 381380 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 57 from 'The Disasters of War' (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos.), 181112 (published 1863), Etching, burnished aquatint, burin and burnisher, Plate: 6 1/8 8 1/8 in. (15.6 20.6 cm) Sheet: 9 15/16 13 7/16 in. (25.2 34.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(57))

Prudentia met jupiter on one Wolk, Michel DiGInny, After Simon Vouet, 1638 print Paris paper engraving / etching Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. (story of) Jupiter (Zeus). assemblies of the gods in the air, possibly on the clouds

Lying shooter, Félicien Rops, 1876 print paper etching / drypoint the soldier; the soldier's life. firearms

Untitled. Marcel Jean; French, 1900-1993. Date: 1935-1945. Dimensions: 115 × 150 mm (plate); 164 × 250 mm (sheet). Etching on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra): 'This is worse.' (Esto es peor.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 in. × 7 15/16 in. (15.3 × 20.2 cm)Sheet: 9 15/16 × 13 9/16 in. (25.3 × 34.4 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

Nicolas-Toussaint Charlet, Scene from the Thirty-Years War, c. 1830, lithograph on chine collé.

Religions et Religion , Poets, Angels. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Plate 10 from 'The Disasters of War' (Los Desastres de la Guerra): 'Nor do these either.' (Tampoco.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 10 from 'The Disasters of War' (Los Desastres de la Guerra): 'Nor do these either.' (Tampoco.) 381303 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 1746?1828 Bordeaux, Plate 10 from 'The Disasters of War' (Los Desastres de la Guerra):Nor do these either (Tampoco), 1810 (published 1863), Etching and burin, Plate: 5 13/16 ? 8 1/2 in. (14.8 ? 21.6 cm) Sheet: 9 15/16 ? 13 7/16 in. (25.2 ? 34.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(10))

Tambien esto. (This Too.), pl. 43 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Depicts 'And There Is No Remedy' from Goyas 'The Disasters of War', created with etching and aquatint around 1810, showing figures suffering and highlighting the helplessness caused by war.

Samuel Ireland, active 1760-died 1800, British, Doctors, Birds, Dog, Rat and Skeleton attending a Corpse.

Haymakers of Eragny Made 1891-1901 France. Lithograph in black on cream wove paper . Camille Pissarro

Plate 60 from 'The Disasters of War' (Los Desastres de la Guerra): 'There is no one to help them.' (No hay quien los socorra.) 1811-12 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 60 from 'The Disasters of War' (Los Desastres de la Guerra): 'There is no one to help them.' (No hay quien los socorra.) 361849

Persée et les soeurs des Gorgones. Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Gazette des Beaux-Arts (Paryż ; czasopismo, wydawnictwo ; 1859-2002), publishing house, Burne-Jones, Edward (1833-1898), painter

The Cid Campeador spearing another bull, plate eleven from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 216 x 315 mm (image); 250 x 352 mm (plate); 323 x 449 mm (sheet). Etching, burnished aquatint and burin on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Dronkaard and Zwijn, Johann Friedrich Gottlieb Unger, 1763 - 1804 print paper drunkard. pig

Reception of Mirabeau with Elisées Champs (IT)

Murió la verdad (Truth Has Died), Plate 79 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Return from toil, by John Sloan. Gift of the Wilmington society of Fine Arts, United States, 1965.

Stierenvechter Met Banderilla, Francisco de Goya, 1876 print A bullfighter (Torero) with a banderilla in his hand. Numbered at the top right: 7. print maker: Spainpublisher: Paris paper etching bullfight. bull-fighter, toreador. bull. head-gear: turban

An aquatint by Goya from 1816 depicting the bullfighter Martincho planting banderillas during a bullfight in the arena.

Another madness of his in the same ring, plate 19 from The Art of Bullfighting Made 1815 Spain. Etching, burnished aquatint, drypoint and burin on ivory laid paper . Francisco José de Goya y Lucientes

Farándula de charlatanes. (Charlatans Show.), pl. 75 from the series Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Still life with falling and broken objects, Willem Bastiaan Tholen, 1870 - 1931 print paper etching still life of miscellaneous objects. 'Vanitas' still life. breaking something (household accident)

Square figure and a Sado in Buitenzorg, Willem Witsen, c. 1921 print Amsterdam paper squatting, crouching figure. two-wheeled, animal-drawn vehicle Outdoor care

Throwing Dice Before the Cross, plate six from Sechs Lithographien zum Neuen Testament. Max Beckmann (German, 1884-1950); printed by W. Glückselig, Druckerei Hermann Birkholz (German); published by E. W. Tieffenbach (German). Date: 1910-1911. Dimensions: 294 x 240 mm (plate); 542 x 392 mm (sheet). Etching on ivory Japanese paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Vagabonds 1896 France. Lithograph in black on cream laid paper . Camille Pissarro

Francisco de Goya (1746-1828), by Ekviperer GIS (16), 1810-1820

Peintre en plein air. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Bracquemond, Félix (1833-1914), draughtsman, cartoonist

Plate 76 from 'The Disasters of War' (Los Desastres de la Guerra): 'The carnivorous vulture.' (El buitre carnívoro.) 1814-15 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 76 from 'The Disasters of War' (Los Desastres de la Guerra): 'The carnivorous vulture.' (El buitre carnívoro.) 381421 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 76 from 'The Disasters of War' (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnvoro.), after 181415 (published 1863), Etching, drypoint(), burin and burnisher, Plate: 6 13/16 8 11/16 in. (17.3 22 cm) Sheet: 9 15/16 13 1/2 in. (25.2 34.3 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(76))

Artist: Guiz, American, A Scene ofRomance, pen and brown ink, 15.2 × 22.5 cm (6 × 8 7/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

After Albrecht Dürer, Knight, Death and the Devil, 18th century, etching and engraving on laid paper.

(). Orientale ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Another madness of his in the same ring, plate 19 of 'The Art of Bullfighting' - 1815-16 - 24,7x35,5 cm - etching, burnished aquatint, drypoint and burin. Author: FRANCISCO DE GOYA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. MARTINCHO BASSON FRANCISCO. BASSON FRANCISCO ANTONIO.

Still life with skulls and a mask, James Ensor, 1888 print paper etching death's head, skull (symbol of Death). 'Vanitas' still life

Farándula de charlatanes (Charlatans Show), Plate 75 from Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

48./mr.lacelass is thrown to the Seine by the Pension Master. (Registered title (letter)) | History of Mr. Lamelasse. (Title of all)

Kwakzalver, William Unger, After Pieter Bodding van Laer, 1847 - 1889 print Germany paper. etching quack, charlatan, mountebank, 'saltimbanco'. parts of church exterior and annexes: campanile

They Play Another with the Cape in an Enclosure, plate four from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1814-1816. Dimensions: 202 x 306 mm (image); 247 x 355 mm (plate); 322 x 446 mm (sheet). Etching, burnished aquatint, drypoint and burin on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting Made 1814-1816 Spain. Etching, burnished aquatint and drypoint on ivory laid paper . Francisco José de Goya y Lucientes

Arab Watching the Body of his Friend Made 1879 Spain. Etching and drypoint on paper . Mariano Fortuny y Marsal

Achill Wütet Im Skamander, Bd.7, Gesang XXI Vers 20; Slevogt, Max (1868-1932), Langen, Albert (1869-1909), Albert Langen-Verlag (Munich; Publisher; 1894-1932); 1907 (1907-00-00-1907-00-00);Achilles (Mitol.), Grecja, Homer (fl. Ca 850 a.c.). Iliada, Royal Prussian Academy of Arts and Mechanical Sciences (Berlin - 1696-1949). Library - Kolekcja, Partage Plus, Skamander (Turcja - Rzeka), Voss, Johann Heinrich (1751-1826). Ilias, Literatura, Modernizm (Styl), Trojańska Wojna

Christ Bearing the Cross (Kreuztragung). Dated: 1916. Dimensions: plate: 23.6 x 34 cm (9 5/16 x 13 3/8 in.) sheet: 35.7 x 50.4 cm (14 1/16 x 19 13/16 in.). Medium: drypoint in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Así sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Lying woman with chickens, Cornelis Bloemaert (II), After Abraham Bloemaert, 1700 - 1800 print A woman is resting with a basket and two chickens next to her. Utrecht paper engraving Pastoral, Arcadian Scenes

Les fagottiers , Laborers, Fuelwood gathering, Alphonse Legros (1837-1911)

Strange Devotion!, plate 66 from The Disasters of War Made 1815-1820 Spain. By depicting a skeleton in a glass coffin, possibly a reference to the Snow White fairy tale, Goya questioned the continued relevance of relics in the Roman Catholic faith. While the bowed heads of onlookers suggest that the box contains the body of an important saint, the donkey carrying it is one of Goyaís favorite embodiments of folly, underscoring the artistís satirical intent.. Etching and burnished aquatint or lavis on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Etching by Bartolomeo Pinelli from 1817 showing Romes historical cityscape, streets, buildings, landmarks, and people engaged in daily life and events.

Ten miners on their way to work, Karl Meunier, After Constantin Emile Meunier, 1874 - 1894 print paper etching miner

Marché aux Chevaux (Environs dAlger) [Horse Market (Near Algiers). Artist: Albert Besnard, French, 1849-1934

Etudes de Genre (II).. Artist: Paul Gavarni, French, 1804-1866

Etching and aquatint by Francisco José de Goya from 1810, first edition 1863, depicting repeated scenes of war, showing soldiers, civilians, and ongoing destruction.

The Death of Abel, from Illustrations of the Bible 1831 England. Mezzotint in black on ivory wove paper . John Martin

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

At the Wall of the Federationists. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1894. Dimensions: 339 × 315 mm (image); 549 × 381 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Nor do these, plate eleven from The Disasters of War 1810-1815 Spain. Etching, lavis, drypoint and burin on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

'The horse abductor' from the 'Disparates' (Follies / Irrationalities) ca. 1815-19 (published 1864) Goya (Francisco de Goya y Lucientes) Spanish From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.. 'The horse abductor' from the 'Disparates' (Follies / Irrationalities) 384323

The Horrors of War: Rabble. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Wounded Soldier (Autumn 1916, Bapaume), from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 197 x 290 mm (plate); 475 x 353 mm (sheet). Etching and aquatint, with open bite, on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

GOYA Y LUCIENTES, Francisco de (1746-1828). The Disasters of War. With Reason, or Without. 1810-1820. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Amoureux sur un banc , Couples, Hugging, Benches, Night. Théophile Alexandre Steinlen (1859-1923). Lithographs

Vergewaltigt, Blatt II Aus Dem Zyklus: Bauernkrieg; Kollwitz, Käthe (1867-1945); 1907 (p Yta); 1908 (edition) (1907-00-00-1907-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, rape, women, village, peasant war (1522-1525), wars, death

Ravages of war, plate 30 from The Disasters of War 1810-1811 Spain. Etching, drypoint, burin, and burnishing on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

'The Exhortations' from the 'Disparates' (Follies / Irrationalities) ca. 1815-19 (published 1864) Goya (Francisco de Goya y Lucientes) Spanish From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios. 'The Exhortations' from the 'Disparates' (Follies / Irrationalities) 397503

Gray feather and red chalk drawing on brownish paper by Francesco la Marra depicting a landscape with sheep, showing the same scene in reverse orientation.

Evacuees from Verdun, plate thirty from Actualités Published 1916 France. Lithograph in dark brown on cream wove paper . Théophile-Alexandre Pierre Steinlen

Der barmherzige Samariter. Liebermann, Max (1847-1935), graphic artist, Cassirer, Paul (1871-1926), publisher

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