Goya's Disasters of War Etchings

Powerful etchings by Goya depicting the horrors of war. Dark tones and dynamic compositions capture human suffering and chaos, conveying a poignant narrative.

Woman in childbirth, Albert Besnard, 1886 - 1887 print France paper etching / drypoint pain. weeping. bed

Plate 15 from "The Disasters of War' (Los Desastres de la Guerra): 'And there is nothing to be done.' (Y no hai remedio.) 1810 ( published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 15 from "The Disasters of War' (Los Desastres de la Guerra): 'And there is nothing to be done.' (Y no hai remedio.) 371423

Plate 10 from "The Disasters of War' (Los Desastres de la Guerra): 'Nor do these.' (Tampoco.) 1810 Goya (Francisco de Goya y Lucientes) Spanish. Plate 10 from "The Disasters of War' (Los Desastres de la Guerra): 'Nor do these.' (Tampoco.). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1810. Etching, burin (proof impression before addition of caption). Prints

Etching and aquatint by Francisco Goya titled 'Disparative Furioso,' part of Los Proverbios series, created around 1810-1815, depicting scenes of cruel folly.

Furious foolishness; Disparate furioso; Solve disparates (the follies); Los Proverbios (the proverbs). A frightened man with a rocket moves towards a number of people and tramples another man. From a series of eighteen prints.

Francisco de Goya (1746-1828), had it the best (6), 1810-1820

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help.' (Y no hai remedio.) 1810 Goya (Francisco de Goya y Lucientes) Spanish At center, tied to a stake, a blindfolded Spanish man is about to be executed by French soldiers. Behind him, a squadron opens fire on other prisoners. The cycle culminates with the two corpses lying on the earth in the foreground. Goya condensed the three moments to advance the unfolding of the bound victims death by firing squad, a story narrated in the present tense. The intruding rifles create the impression of incidental observation. Goya etched this print on the back of the plate for Landscape (see 2015.539). Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help.' (Y no hai remedio.). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1810. Etching, drypoint, burin, burnisher. Prints

Woman in childbirth, Albert Besnard, 1886 - 1887 print France paper etching / drypoint pain. weeping. bed

Arabes d'Oran, 1833. Eugène Delacroix (French, 1798-1863). Etching;

Mementos of a Trip. Jules F. Jacquemart (French, 1837-1880); published by Alfred Cadart (French, 1828-1875). Date: 1862. Dimensions: 182 × 315 mm (image); 235 × 335 mm (plate); 322 × 494 mm (sheet). Etching, engraving and plate tone on off-white laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jules Ferdinand Jacquemart.

No se puede mirar (One Cant Look), Plate 26 from Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Francisco de Goya (Spanish, 1746-1828). It Always Happens (Siempre Sucede), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

Ni por esas. (Neither Do These.), pl. 11 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Será lo mismo (It Will Be the Same), Plate 21 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Francisco de Goya (1746-1828), they do not know where (70), 1810-1820

Las mugeres dan valor (The Women Give Courage), pl. 4 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Bien te se está (It Serves You Right), pl. 6 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Nadie nos ha visto (No One Has Seen Us), pl. 79 from the series Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

Farmers company with woman who shifts man, 1783 print paper 'motherly care', delousing. farm (building) - AA - civic architecture: inside

Le triomphe de la Mort: Les bouches inutiles , Victims, Alphonse Legros (1837-1911)

Etching and aquatint by Francisco José de Goya from 1810, first edition 1863, depicting a soldier or civilian reflecting guilt or punishment amid wartime events.

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Reconstructed from two fragments. Northern Netherlands paper engraving the meeting between Esau and Jacob

Departure. (IT)

Victime d'un incendie , Fires, Victims, Alphonse Legros (1837-1911)

Se aprovechan. (They Make Use of Them.), pl. 16 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Copper engraving by Schelte Adamsz. Bolswert depicting Peter denying Jesus, created between 1600 and 1659.

Emile Bernard (1868-1941). Continuation of original etchings, in 1st state on Japan, for "the end of Satan. First state of etchings. N ° 30."-Here is the silver ". Eau-tie and aquatinte. 1935. Paris, Maison from Victor Hugo. 101109-10 Years thirty 1930 30, aquatinte, drawing, etching, man, illustration, litterrail, hanging, gallows, old man, volcano, volcano, volcano, volcano

Francisco de Goya (1746-1828), it happens (always) still as (8), 1810-1820

And this too, plate 45 from The Disasters of War 1812-1815 Spain. Etching, aquatint or lavis, drypoint and burin on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Plate 36 from 'Los Caprichos': A bad night (Mala noche.) 1881-86 Goya (Francisco de Goya y Lucientes) Spanish. Plate 36 from 'Los Caprichos': A bad night (Mala noche.) 380473 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 36 from 'Los Caprichos: A bad night (Mala noche.), 188186, Etching and burnished aquatint, Plate: 8 7/16 x 6 in. (21.5 x 15.2 cm) Sheet: 12 5/16 8 1/4 in. (31.3 21 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Grafton H. Pyne, 1951 (51.530.1(36))

There is No One to Help Them, plate 60 from The Disasters of War Made 1812-1815 Spain. Etching, burnished aquatint and burin on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Eugène Delacroix, Arabes d'Oran, 1833 Arabes d'Oran

Francisco de Goya (1746-1828), can you do more (33), 1810-1820

Untitled. 1801 - 1900. Cortazzo, Oreste, 1836-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Coastal face with Arab and European traders around a table, possibly in Japan, Anonymous, After Romeyn de Hooghe, 1668 - 1725 print paper etching head-gear: turban. merchant, salesman. merchant shipping, shipping trade. coast Japan

Print, Head of a Man on a Pyre at the Feet of a Magician and His Companions, plate 4 from the Scherzi di Fantasia; Designed by Giovanni Battista Tiepolo (Italian, 1692 - 1770); Italy; etching on cream laid paper; 22.6 x 18.5 cm (8 7/8 x 7 5/16 in.); 1931-67-57

Vision , Knights, Supernatural beings, Weber, Carl Maria von, 1786-1826. Oberon. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

No One Has Seen Us, plate 79 from Los Caprichos Made 1797-1799 Spain. Etching, burnished aquatint, and burin on white laid paper with title and number in pencil . Francisco José de Goya y Lucientes

Jean Louis Forain, The Miracle before the Blessed Sacrament (fourth plate), 1912 1913 The Miracle before the Blessed Sacrament (fourth plate)

The Agony in The Garden, Rembrandt van Rijn, c. 1652 print paper etching / drypoint Gethsemane, Mount of Olives, 'Oelberg' (Matthew 26:36-56; Mark 14:32-52; Luke 22:39-53; John 18:1-12)

La Lealtad (Loyalty), pl. 17 from the series Losproverbios. Artist: Francisco Goya, Spanish, 1746-1828

Francisco de Goya y Lucientes, And this, too., 1810-1820, etching and aquatint.

Faust et Méphistophèles galopant dans la nuit du Sabbat (Faust and Mephistopheles Galloping on the Night of the Witches Sabbath), from Johann Wolfgang von Goethes Faust. Artist: Eugène Delacroix, French, 1798-1863

This etching and aquatint by Goya from 1810, titled 'The Truth Died', is part of 'The Disasters of War' series, showing the consequences of war and the destruction of truth and morality.

Le triomphe de la Mort: Les bouches inutiles , Victims, Alphonse Legros (1837-1911)

The Discovery of Pulcinellas Grave. How can Pulcinellas grave be discovered? After all, Pulcinella is a stock character in the commedia dell arte, the improvised Italian theatre. As such he does not actually exist, yet he is nevertheless immortal. However, everything is possible in the world that sprang from Tiepolos mind, and so he lies buried here (right foreground). The bone and hourglass emphasize that Pulcinella is also just a human, who has died.

Fallen on a battlefield, Francisco de Goya, 1863 print This print is part of an album. Madrid paper etching putting out of action by killing. mass-grave. horrors of war Spain

Driving car with farmers, Reinier Craeyvanger, 1834 print A cart drawn by two horses, leaves a peasant stable. There are four people next to a men. One of them waves with a handkerchief. paper etching whip. farmers. barn. (farm) wagon, freight wagon, cart

Plate 4 from 'The Disasters of War' (Los Desastres de la Guerra): 'The women give courage. (Las mugeres dan valor'.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 4 from 'The Disasters of War' (Los Desastres de la Guerra): 'The women give courage. (Las mugeres dan valor'.) 380641 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 4 from 'The Disasters of War' (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor), 1810 (published 1863), Etching, burnished aquatint, lavis, drypoint and burnisher, Plate: 6 in. 8 1/16 in. (15.3 20.4 cm) Sheet: 9 15/16 13 7/16 in. (25.2 34.1 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(4))

Etching and aquatint from 1810 by Francisco Goya depicting the chaotic effects of war, illustrating disorder among civilians and landscapes.

Mourning figures with a lying man. Draughtsman: Alexander Ver Huell. Dating: c. 1854 - c. 1887. Measurements: h 207 mm × w 199 mm. Museum: Rijksmuseum, Amsterdam.

L'abreuvoir (2nd plate) , Troughs, Horses, Alphonse Legros (1837-1911)

By theSea. Artist: Arthur B. Davies, American, 1862-1928

Two illustrations for a Spanish book (cutting plate): the image from the Nebuchadnezzar dream; Daniëls vision of the four animals.

Het laatste oordeel, blad A.A detail from the fresco 'The Last Judgment' by Michelangelo in the Sistine Chapel. Marked bottom left: A.

Plate 9 from 'The Disasters of War' (Los Desastres de la Guerra): 'They don't like to.' (No quieren.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/8 × 8 3/16 in. (15.5 × 20.8 cm)Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.2 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

The convention makers. British Cartoon Prints Collection . Britannia,1770-1780. , International relations,1770-1780. , Treaties,1770-1780. , Falkland Islands,History.

Les errants , Walking. Théophile Alexandre Steinlen (1859-1923). Lithographs

General Foolishness, Francisco de Goya, 1864 print A group of special figures. On the right a woman with four cats, which she seems to hand over to the kneeling man for her. From a series of eighteen prints. print maker: Spainpublisher: Madrid paper etching the (nude) human figure; 'Corpo humano' (Ripa) (+ more than eight persons). cat

Francisco de Goya (1746-1828), results (72), 1810-1820

GOYA Y LUCIENTES, Francisco de (1746-1828). Neither do they. 1810-1812. Plate 10 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

A Woman with her Arms in Chains and Four Other Figures, from Capricci. Giambattista Tiepolo; Italian, 1696-1770. Date: 1740-1750. Dimensions: 137 x 175 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Francisco Goya from 1815-1820 showing confused figures during war, illustrating disorientation, suffering, and movement on paper.

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, Artist: Raphael, Italian, 1483-1520, Lot with His Wife and Daughters Leaving Sodom, from The LoggiaPaintings, Etching, one of a set of 32 prints, platemark: 14.8 × 18 cm (5 13/16 × 71/16in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Moses Receiving the Tablets of the Law, from The LoggiaPaintings. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

Draft horses at the Seine in Paris, Pieter Dupont, c. 1898 - c. 1899 print Under the front horse through view of three horses that are tense in front of a cart. On the right is a steam hen crane in the Seine. At the top left a bridge over the Seine and a tugboat that pulls a tow. Paris paper etching horse. bridge in city across river, canal, etc. His. Paris

Seated Man in 17th CenturyDress. Artist: Unknown

Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669, The Flight into Egypt: SmallPlate, Etching, sheet: 9 × 6.2 cm (3 9/16 × 2 7/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Orphée et Eurydice. Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence); Designed by Jean Desmarets de Saint-Sorlin (French, 1595-1676). Dedicatee: Made for Louis XIV, King of France (French, Saint-Germain-en-Laye 1638-1715 Versailles). Patron: Commissioned by Cardinal Jules Mazarin (Italian, Piscina 1602-1661 Vincennes). Publisher: Published by Henri Le Gras (French). Series/Portfolio: Jeu de la Mythologie. Date: 1644. Museum: Metropolitan Museum of Art, New York, USA.

Arounding musicians, Adriaen van Ostade, 1652 - 1656 print Two musicians, a flute player and a little boy with a drum, stand in front of a house where some spectators have gathered. A few children are coming. paper etching vocal music, singing. child

Francisco José de Goya y Lucientes (1746-1828). "Los disparate - disparate funeral - funeral disparate". Museum of Fine Arts of the City of Paris, Petit Palais. 34956-7 CADAVRE, DEFUNT, FUNEBRE SIGRATE, MONSTER MUST, VART, ROYANTES DES DES TENBERES

Depicts 'Old and New Year' by Rudolf Jettmar in 1899 using etching and aquatint, showing the transition between years.

Barque en péril , Bodies of water, Boats, Alphonse Legros (1837-1911)

Todo va revuelto.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Monks

Plate 45 from 'The Disasters of War' (Los Desastres de la Guerra): 'And this too.' (Y esto tambien.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 45 from 'The Disasters of War' (Los Desastres de la Guerra): 'And this too.' (Y esto tambien.). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1810 (published 1863). Etching, aquatint, drypoint, burin. Prints

Auguste Lepère, Burial in the Vendeen Marsh (Un enterrement dans le marais Vendeen), 1901 Burial in the Vendeen Marsh (Un enterrement dans le marais Vendeen)

Francisco de Goya y Lucientes / 'Folly of poverty'. 1815 - 1819. Etching, Aquatint, Burnisher, Burin, Drypoint on wove paper. Museum: Museo del Prado, Madrid, España.

Print, A Serpent Burning on an Altar, plate 2 from the Scherzi di Fantasia; Designed by Giovanni Battista Tiepolo (Italian, 1692 - 1770); Italy; etching on laid paper; 22.3 x 17.9 cm (8 3/4 x 7 1/16 in.); 1931-67-62-b

Mourning figures at a horizontal man. The man is on the floor and may be dying, since around him three crying figures, possibly family members, standing and sitting. In addition to these figures there is one man. He has beaten the poor and looks down on the lying man. Drawing on leaf 25 of an album with 35 drawings.

Saul at the Witch of Endor, Edouard Hamman, 1843 print paper etching the ghost of Samuel appears to the witch of Endor; Saul falls prostrate to the ground

Dichter, Jusepe de Ribera (attributed to), 1620 - 1621 print A poet with a laurel wreath, leaning against a stone block Naples paper etching writer, poet, author

Le Triomphe de la Mort: Apres le Combat (The Triumph of Death; After theCombat). Artist: Alphonse Legros, French, 1837-1911

Algun partido saca (He Gets Something Out of It), Plate 40 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

The Same Elsewhere, plate 23 from The Disasters of War 1810-1812 Spain. Etching, lavis, drypoint and burin on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

He Smothers Her, plate thirteen from Othello Made 1844 France. Etching and engraving on ivory China paper, laid down on cream wove paper . Théodore Chassériau

Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor) Goya (Francisco de Goya y Lucientes) Spanish 1810 (published 1863)

Etching and aquatint from 1810 by Goya depicting the beds of death, showing corpses, suffering, and human mortality during wartime in 'The Disasters of War'.

Young Joseph stands in the center and looks at the ground, in front of him a man sits on a stone. Behind Joseph is a man on horseback handing money to one of Joseph's brothers, the other brothers stand by, Joseph sold by his brothers, print maker: Constantijn à Renesse, (mentioned on object), Constantijn à Renesse, (mentioned on object), Netherlands, 1653, paper, etching, h 245 mm × w 356 mm

Peasant with a Wheelbarrow Made 1855 France. Etching and drypoint on cream Japanese paper . Jean François Millet

Francisco de Goya, El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), in or before 1816 El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)

Eva Met Kaïn an Abel, Anonymous, After Jan Saenredam, After Abraham Bloemaert, After Hendrick Goltzius, 1611 - 1650 print Eva is sitting under a tree with a spider skirt. Cain and Abel bend over pumpkins or gourds. In the foreground a monkey. Netherlands paper engraving the labours of Adam and Eve; infancy of Cain and Abel (Genesis 4:1-2)

Pedro Romera Martínez Doodt Een Stier, Francisco de Goya, 1876 print The bull fighter (Torero) Pedro Romera Martínez in the Arena, standing opposite the bull. A cape in his left hand, his sword extended towards the animal. Numbered at the top right: 30. print maker: Spainpublisher: Paris paper etching Bullfight

Shipwalking holds itself to a pole along the bank, Guillaume Joseph Vertommen, 1825 - 1863 print paper etching drowning, shipwrecked person. adult man. full moon

Tuba mirum spargens sonum... , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Standing woman with sitting soldier and slave; Capricci. .

Francisco de Goya y Lucientes / 'What horror for revenge ( Album C, 32)'. 1808 - 1814. Wash, Brush, Bistre on laid paper. Museum: Museo del Prado, Madrid, España.

Habitants of Arkhangelsk, Aa, Pieter van der (1659-1733)

Death of Matamore; La Mort de Matamore. Illustration with the death of Matamore, one of the characters from the Capitaine Fracasse story from Theophile Gaultier. Sufficient against a tree is the dead body of Matamore extinguished under the snow. In the dark a group of three men, Tyran, Blazius and Sigognac approaching a lantern that illuminates the path for them.

Hard is the step! /Its a Hard Step!; Board No. 14 from: The disasters of war The Disasters of War, ed. II, 1892 Goya, Francisco de (1746 1828)

No quieren sic (They Don’t Like It), pl. 9 from Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

The Horrors of War: What Madness!. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

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