Grand Architectural Landscapes

Impressive paintings of historical structures, gardens, and arenas, featuring detailed architectural elements and scenic views.

Italy, Rome, The Campo Vaccino, by Antonio Joli, oil on canvas, (1700-1777), England, London, Christie's Images

Francesco Guardi; Italian; Venice 1712-1793 Venice; The Antechamber of the Sala del Maggior; Consiglio; ca.1765-68; Oil on canvas.

Italian Landscape with three Women in the foreground. Decoration for a Room in the House of Jacob de Flines in Amsterdam (series title). Dating: c. 1687. Measurements: h 290 cm; w 212 cm; d 7.5 cm; w 51 kg. Museum: Rijksmuseum, Amsterdam. Author: Gerard de Lairesse. JOHANNES GLAUBER.

Roman fresco depicting a mythological landscape. Cubiculum of the Village of Agrippa Postumus. 20 BC-10 AD. Third Pompeian Style. Boscotrecase, near Pompeii. National Archaeological Museum. Naples. Italy.

ARTE BARROCO. ESPAÑA. "MILAGRO DE LA VIRGEN DE ATOCHA EN LAS OBRAS DE CONSTRUCCION DE LA CASA DE LA VILLA". Pintura anónima realizada hacia el año 1656, donde se representa el Madrid del S. XVII. Museo Municipal. Madrid.

Stage design for the opera Romeo et Juliette by Ch. Gounod by Kozlinsky, Vladimir Ivanovich (1891-1967)/ State Central M. Glinka Museum of Music, Moscow/ 1941/ Russia/ Oil on cardboard/ Theatrical scenic painting/ 60x70/ Opera, Ballet, Theatre

Saint Mark's Square at Venice. 18th c. Anonymous. Venetian school. Oil on canvas. FRANCE. FRANCHE-COMTƒ. DOUBS. Besanon. Museum of Fine Arts and Archaeology.

Luis Paret y Alcázar / 'The Botanical Garden seen from the Paseo del Prado', ca. 1790, Spanish School, Oil on panel, 58 cm x 88 cm, P07661. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Games, a pool table, 1751-1752, by Giuseppe Zocchi (1711-17 - 1767), oil on canvas.

Bath of Bathsheba with Cardinal Albert of Brandenburg to right

Forum from W. watercolor and pencil on paper. Date: 1900. Museum: Smithsonian American Art Museum.

View of Vienna from the Belvedere, by Bellotto Bernardo, 1759 - 1760, 18th Century, oil on canvas. Austria, Wien, Kunsthistorisches Museum. Detail. Garden Belvedere small figures promenade fountains avenues building church convent dome city Vienna.

An Island in the Lagoon with a Gateway and a Church, Canaletto (Giovanni Antonio Canal), Italian, 1697-1768, 1743-44, Oil on canvas, Made in Venice, Veneto, Italy, Europe, Paintings, 20 1/8 x 27 in. (51.1 x 68.6 cm)

The Entry of the French Ambassador into Venice in 1706. The Entry of the French Ambassador in Venice in 1706. The ceremonial entry of Henri-Charles Arnauld de Pomponne, known as the Abbé de Pomponne, into Venice as French ambassador on 10th May 1706. Dating: 1706 - 1708. Measurements: h 130 cm × w 260 cm × d 9.5 cm. Museum: Rijksmuseum, Amsterdam. Author: LUCA CARLEVARIJS.

San Giorgio in Velabro in Rome. Dating: 1820. Measurements: h 99.5 cm × w 75.9 cm × t 4.1 cm. Museum: Rijksmuseum, Amsterdam. Author: Antonie Sminck Pitloo.

The Largo San Ferdinando, Naples, at Carnival Time with the Royal Carriage Approaching the Palazzo Reale. Antonio Joli (1700-1777). Oil on canvas. 49.5 x 76.2cm.

Giovanni Paolo Panini; Italian; Piacenza 1691-1765 Rome; Modern Rome; 1757; Oil on canvas.

Saint Barbara being chased through the woods, Christ-Vine and the Legend of Saint Barbara, 1524, by Lorenzo Lotto (ca 1480 - 1556), fresco. Detail. Villa Suardi, Suardi Chapel, Trescore Balneario, Italy.

Jupiter strikes a monarch on the crown in his palace' by Nicola bertuzzi, 1777.

Celebration of the fraternity at the Arc de Triomphe in Paris April 20, 1848, painting by Jean-Jacques Champin (1810-1860). France, 19th century.

View of Campo San Zanipolo with the Temporary Platform Erected for the Visit of Pope Pius VI Made 1782 Italy. A study for one of a set of four paintings commissioned by the Venetian Republic to commemorate Pope Pius Vís state visit to Venice in 1782, this drawing is associated with the blessing the Pope conferred upon its citizens. Francesco Guardiíssketch is an accurate rendering of the monuments and architecture in the Campo San Giovanni e Paolo square, including the temporary benediction platform and its access ramps in front of the Scuoladi San Marco, seen in the left background.Guardi achieved his atmospheric effects by carefully modulating the wash against untreated areas of paper, resulting in a sense of flickering shadows and reflected sunlight.. Pen and brown ink and brush and brown wash, with traces of black chalk, on ivory laid paper . Francesco Guardi

'Interior of a Gothic Church'. Flanders, 1636. Dimensions: 45x58 cm. Museum: State Hermitage, St. Petersburg. Author: FRANS FRANCKEN III. Peeter Neeffs I.

fine arts, Spitzweg, Carl (1808 - 1885), painting, girl on steps, private collection,

Church in Winter Palace by Timofei Alexeyevich Vasilyev, oil on canvas, 1829, 1783-1838, Russia, St. Petersburg, State Hermitage, 146x108

INTERIOR DE LA CATEDRAL DE AMBERES - SIGLO XVII - OLEO/TABLA - 38 x 63 cm - NP 2726 - ESCUELA FLAMENCA. Author: PIETER NEEFS EL VIEJO y FRANCKEN FRANS II. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

View of the Loggetta of Sansovino, Venice, Luca Carlevarijs (1663-1730), oil on canvas, Italy 18th century, 57x43 cm.

Paris (1st arr.), France The meal at Simon Le Pharisien de Véronèse, Louvre museum , (French - Paris ( Ier arr. ) , France Le Repas chez Simon le Pharisien de Véronèse , musée du Louvre). Museum, Christianity, Painting, Religion , Art, France, Paris, Louvre museum: meal at Simon Le Pharisien (Véronèse) Salon Carré

Louis XV Square Louis-Nicolas van Blarenberghe (attributed to, 1716-1794). Louis XV Square. Drawing.

The large arm of the Pont-Neuf and the Samaritan pump, around 1800 ". Oil on canvas. Paris, Carnavalet museum. 39463-17 Arrondissement I, concierge, consulate, canvas oil, 1st 1, pump, samaritaine, seine, bridge

An Imaginary Theatre Set, (1950). Cecil Beaton (1904-1980). Watercolour and bodycolour heightened with white. 41.3 x 52.1cm.

STRADANO, Giovanni (1523-1605). Mercato Vecchio Square. 1555. Flemish art. Fresco. ITALY. TUSCANY. Florence. Palazzo Vecchio (Old Palace).

La Place de la Concorde. Vicente de Paredes (19th century). Oil on board. 74.3 x 94cm.

Luis Paret y Alcázar / 'Fernando VII is sworn in as Prince of Asturias', 1791, Spanish School, Oil on canvas, 237 cm x 159 cm, P01045. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Italy, 19th century. Rome, Vatican city, St. Peter's Square. Painting.

'Saint Peter's Basilica, Rome', ca. 1630, Oil on canvas, 168 cm x 220 cm, P00510. Author: VIVIANO CODAZZI. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

CARRO DEL AGUA-MASCARA FABRICA DE TABACOS-EXALTACION POR FERNANDO VI-DET CARRO(CONJ 120114). Author: DOMINGO MARTINEZ (1688-1749). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN.

Interior of the Oude Kerk in Delft from the Choir toward the Portal. Dating: 1660 - 1690. Measurements: h 62.5 cm × w 52 cm; d 6.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Cornelis de Man (attributed to). Hendrick Cornelisz. van Vliet (rejected attribution).

St Ursula Shrine, Departure from Basle', Detail, 1489, Artist: Hans Memling. Hans Memling was the leading artist in Bruges. His work is strongly influenced by Rogier van der Weyden.

Roman fresco depicting Ulysses carrying the Palladium (statue of Athena) that he has stolen from the temple. 1st century AD. Triclinium. House of the Actors or the Mimes. Pompeii. National Archaeological Museum. Naples. Italy.

LA MATANZA DE LOS ABENCERRAJES - 1871 - O/L - 73x53 - ECLECTICISMO ESPAÑOL. Author: MARIANO FORTUNY. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Roman fresco depicting a panorama of a port, usually identified with that of Pozzuoli. Second half of the 1st century AD. From Stabiae. National Archaeological Museum. Naples. Italy.

Giovanni Paolo Panini (1691-1765). Italian painter. The output of the Duke of Choiseul (1719-1785) of St. Peter's Square in Rome, 1754. Gemaldegalerie. Berlin. Germany.

Riot at the amphitheater, from Italy, Campania, Pompeii, painting on plaster, 55-79 B.C.

The destruction of Sodom and Gomorrah, by Jules-Joseph-Augustin Laurens (1825-1901).

Belshazzar's Feast, from Illustrations of the Bible. John Martin; English, 1789-1854. Date: 1835. Dimensions: 190 × 290 mm (image); 268 × 357 mm (plate); 329 × 416 mm (sheet). Mezzotint with etching in black on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Ruins of a Temple, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wovve paper, Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)

Edinburgh from the Castle, David Roberts, 1796-1864, British, 1847, Oil on canvas, Support (PTG): 48 x 84 inches (121.9 x 213.4 cm), animal, army, cannon, castle, church, city, cityscape, dog (animal), feathers, hats, hills, kilt, royal, sea, soldiers, steeple, town, view, water, Edinburgh, Edinburgh castle, Scotland, St Giles' Cathedral, United Kingdom

View of the grandmother of the church. Bawona in Haarlem; Saenredam, Pieter Jansz. (1597-1665); 1635 (1635-00-00-1635-00-00);Haarl (Netherlands), church of St. Bawona (Haarl), Polish National Museum (Rapperswil - 1870-1927) - collections, Polish Army Museum (Warsaw - 1920-) - collection, Dutch painting, genre scenes, genre scenes in the interior, architecture views, interior views, interiors, interiors churches

'Anthrophomorphic Landscape', c1613-1650. Artist: Matthaus Merian

Demolition of the Bastille Pierre-Antoine Demachy (1723-1807). "Demolition of the Bastille, July 17, 1789". Oil on wood.

Set design sketch for Don Giovanni or the rake punish'd

fine arts, Gaertner, Eduard, (1801 - 1877), painting, ""Auf der Burg Karlstein bei Prag"", (""at Karlstein castle near Prague""), 1857, Folkwand Museum, Essen,

Detail from a fresco by Leone Ghezzi (1674-1755) in the Winter Hall at Villa Falconieri La Rufina, Frascati. Italy, 17th century.

St Ursula Shrine, Departure from Cologne', Detail, 1489, Artist: Hans Memling. Hans Memling was the leading artist in Bruges. His work is strongly influenced by Rogier van der Weyden.

Krönungsfeier von Napoleon I. in Paris, Frankreich, 16. Dezember 1804 / Coronation fete of Napoleon I in Paris France 16 December 1804 From the book Wondeful Balloon Ascents or The Conquest of the Skies published c 1870, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,

Introduction to Warsaw prisoners and banners won in the battles of Wawrem and Dębea Wielki 2.IV.1831; Zaleski, Marcin (1796-1877); 1831 (1831-00-00-1831-00-00);Adam (1856-1910)-collection, Daniel (-)-collections, Lesser, Oderfeld, Pontoon Bridge (Warsaw), November Uprising (1830-1831), historical scenes, urban views, purchase (provenance), soldiers

Paolo-Antonio Brunetti (1723-1783). Wall painting of "The staircase of the Hôtel de Luynes. Characters in an architecture setting", 1748. Paris, Musée Carnavalet. 23704-19 Decor Architecture, Staircase, Hotel Luynes, Murale, Character

Juliet and her Nurse, JMW Turner, 1836,

The new Sensa Fair in Piazza San Marco (Saint Mark's Square), in Venice, by Gabriel Bella (1730-1799). Oil on canvas, 95x147.5.

Venetian Capriccio With a Body Being Exhumed and a Franciscan Monk in Attendance, 1700-1729. Marco Ricci. The term 'Capriccio' refers to landscape or architectural compositions that combine real elements such as recognisable buildings or monuments with elements of fantasy or imagination.

AVRIAL, JOSE MARIA. PINTOR ESPAÑOL. MADRID 1807 - 1891. " COSTANILLA DE SAN ANDRES . MADRID ". MADRID PINTADO. MUSEO DE BELLAS ARTES. VALENCIA. SFGP / © KORPA.

View of Florence from the Boboli Gardens, ca 1834, by Jean-Baptiste-Camille Corot (1796-1875), oil on canvas, 51x73 cm.

Construction of the Tower of Babel Hendrick van Cleve III (1525-1589 Belgian) Rijksmuseum, Amsterdam

View of the Versailles Gardens, by Jean Cotelle, France 17th Century.

18th century Illustration showing the Grand Cafe d'alexandre, in Paris with wealthy Parisiens enjoying leisure time. 1780

Peru. Cusco city. The Archbishop Palace. Paintings of Diego Quispe Tito. Zodiac series.

Spanish civil war: Demolition of the Statue of Philip III

The Deposition from the Cross or the Altarpiece of the Holy Trinity, ca 1432, by Giovanni da Fiesole known as Fra Angelico (1400-ca 1455), tempera on wood, 176x185 cm. Detail.

Inside the Colosseum 1818-1828 Germany. Oil on canvas . Franz Ludwig Catel

'Street Scene', c1826, (1923). Artist: Richard Parkes Bonington.

TERREMOTO DETENIDO POR S FRANCISCO DE PAULA-HACIA 1700-. Author: LUCAS VALDES (1661-1725). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. San Francisco de Paula.

Coffee House in Tophane by Jivanian, Megerdich (1848-1906) / Pera Museum, Istanbul / Orientalism / Second Half of the 19th cen. / Armenia / Oil on canvas / Architecture, Interior,Genre / 96x133

A Market Scene in Venice, Charles Bentley, 1806-1854, British, undated, Watercolor, pen and brown ink, and scraping on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 × 10 1/4 inches (19.1 × 26 cm), Venice

The Wedding in Kukavka Village by Tropinin, Vasili Andreyevich (1776-1857) State Tretyakov Gallery, Moscow 1810s Oil on canvas 32x42,5 Russia Romanticism Landscape,Genre Painting

Milan, Italy. La Scala Opera. Inside view. Drawing after its restoration in 1830.

Charles III Dining before the Court, painting by Luis Paret y Alcazar (1746-1799), oil on canvas. Spain, 18th century.

ULFT, Jacob van der (1627-1689). Damm Square in Amsterdam. 1659. Oil on canvas. FRANCE. PICARDY. OISE. Chantilly. MusŽe CondŽ (CondŽ Museum).

Frieze, Block-printed and stenciled on machine-made paper, Cloister or open courtyard seen in deep perspective. Grisaille arcade and portical, with figures in sixteenth century costume. Landscape seen in distance through colonnade. Brush strokes are evident in some of the pigments. Sky is shaded from orange-pink up to blue. Horizontal rectangle., France, 1835-45, Wallcoverings, Frieze

Carlevaris, Luca. Venice: The Piazzetta. 18th c. Venecian School. Oil on canvas. UNITED KINGDOM. ENGLAND. SOUTH EAST ENGLAND. Oxford. Ashmolean Museum of Art and Archaeology.

The Flight of Louis Philippe from Paris for the February Revolution on 24 February 1848, digital improved reproduction of an original print from the 19th century

Bernardino Luini, Cephalus and Pan at the Temple of Diana, Italian, c. 1480-1532, c. 1520-1522, fresco

Venetian Fantasy, imitator of Canaletto, 1697-1768, Venetian, active in Britain (1746-55), formerly attributed to Paul Sandby RA, 1731-1809, British, undated, Pen and brown ink, gray wash and graphite on medium, moderately textured, cream wove paper, Sheet: 11 1/2 x 8 3/8 inches (29.2 x 21.3 cm), architectural subject, architecture, birdcage, bridge (built work), cityscape, fantasy, genre subject, Grand Tour, laundry, weathervane, Europe, Italy, Veneto, Venezia, Venice

Market Scene in an Imaginary Oriental Port. Jean-Baptiste Pillement (French, 1728 - 1808)

Set design by Alessandro Sanquirico (1777-1849) for Bianca and Fernando, opera by Vincenzo Bellini, performed at La Scala Theatre in Milan, September 5, 1829.

At the Monastery Fountain by Gauermann, Friedrich August Matthias (1807-1862)/ Leopold Museum, Vienna/ 1836/ Austria/ Oil on wood/ Romanticism/ 74,5x96/ Landscape,Genre

Capriccio of architectural ruins, by Coccorante Leonardo, oil on canvas, cm 130 x 74

GALLEGO, Fernando (1440-1507). Pietö with Two Donors. ca. 1470. Upper detail depicting Jerusalem. Renaissance art. Tempera on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Pavement, Cairo. Dated: 1891. Dimensions: overall: 48.3 x 58.4 cm (19 x 23 in.) framed: 68.6 x 78.7 x 7 cm (27 x 31 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: John Singer Sargent.

Fountain of Trevi, Rome, Giovanni Paolo Pannini, 18th century, Museum of Fine Arts, Boston, Mass, USA, North America

The Tower of Babel Artist Unknown Oil on canvas

RUINAS - OLEO/LIENZO. Author: LUIS RIGALT i FARRIOLS (1814-1894). Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Monument for the old Barriere de Clichy Hector HOREAU (1801-1872). Monument for the old barrier of Clichy.

India Vārānasi Ghats on the Ganges River Unpublished image 1. Swaan, Wim. 1968 or earlier Photographic production materials for Cities of Mughul India: Delhi, Agra, Fatehpur Sikri Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Cities of

Demonstration in honour of Niccolo' Tommaseo, Venice, Italy, illustration by Yon from L'Illustration, Journal Universel, No 1632, Volume LXIII, June 6, 1874.

Mourning lodge of Prince Józef Poniatowski. Hoffman, Stanisław Kostka (1765-1846), draughtsman, cartoonist

The Old Market in Florence, 1882-1883, by Telemaco Signorini (1835-1901), oil on canvas, 39x65 cm.

The Farandole Amidst Egyptian Monuments. Date/Period: 1733/1808. Painting. Author: Hubert Robert.

castell del rei, -castle of the king-, 1870, Antoni Ribas Oliver, oil on canvas, pollensa museum, Majorca, Balearic Islands, Spain.

Giulio Quaglio painting depicting an underground water lock with architectural details, channels, and water flow, executed in gouache.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Normand, Alfred Nicolas (n.1822-06-01-D.1909-03-09), fire rue de Rivoli (). (Faithful title), 1871. Carnavalet museum, Histoire de Paris.

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