Grand Architectural Landscapes

Impressive paintings of historical structures, gardens, and arenas, featuring detailed architectural elements and scenic views.

Italy, Rome, The Campo Vaccino, by Antonio Joli, oil on canvas, (1700-1777), England, London, Christie's Images

A square with imaginary buildings, Hendrick van Steenwijck de Jonge, 1614

Feast in the Villa of Poggioreale, by Viviano Codazzi (ca 1604-1670).

PAISAJE DE RUINAS CON DAMAS Y CABALLEROS - SIGLO XVII. Author: ANONIMO SIGLO XVII. Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN.

Italy, Rome, The Campo Vaccino, by Antonio Joli, oil on canvas, (1700-1777), England, London, Christie's Images

Ruins of a Temple with a Sibyl circa 1719. By Giovanni Paolo Panini (c1692-1765). Oil on canvas,

'Sermon of an Apostle in the Roman Ruins with a Statue of the Farnese Hercules'. Italy, 1740s. Dimensions: 82x130 cm. Museum: State Hermitage, St. Petersburg. Author: GIOVANNI PAOLO PANINI.

'Architectural Landscape'. Netherlands, Between 1527 anf 1604. Dimensions: 82x99,8 cm. Museum: State Hermitage, St. Petersburg. Author: Hans Vredeman de Vries.

Bullfight in Antique Arena, 1552. Oil on canvas. Maerten van Heemskerck (1498-1574) Dutch Mannerist painter.

Imaginary View of the Grand Gallery of the Louvre in Ruins', 1796. Artist: Hubert Robert. Hubert Robert (1733-1808) was a French Rococo Era Painter.

Drawing, Stage Design, A Forum; Italy; pen and brown ink, brush and gray and pale rose wash over black chalk on laid paper

Blin, Pierre, Parijs, Basan, Pierre François, Janinet, Jean François, Robert, Hubert, Sachettorum Villae rundera imitabatur, Villa Sacchetti, Paris, verso lower left - handwritten, The fountain in the park of the Villa Sacchetti, some people and animals around the basin. Caption cut loose., print, prints, verso lower middle - stamped, height 349 mm, width 469 mm, height 36 mm, width 140 mm, French, 1752 - 1814-11-01, print maker, printmaker, 1778 - 1778, fourth quarter 18th century, paper, aquatint, color printing, color etching, 1733-05-22 - 1808-04-15, after, after painting by, Publication (Event), Publication, publisher, 1723-10-23 - 1797-01-12, uitgever, Frans, printer, drukker

Ramp of the Cameron Gallery in the Park in Tsarskoye Selo by Petrov, Vasily Petrovich (1770-1810)/ State Hermitage, St. Petersburg/ 1794/ Russia/ Gouache on cardboard/ Classicism/ 49,1x78,4/ Architecture, Interior,Landscape

A capriccio with figures among Roman ruins including the Arch of Constantine and the Pantheon by Panini, Giovanni Paolo (1691-1765) Private Collection Italy, Roman School Oil on canvas Painting Landscape,Mythology, Allegory and Literature

Hendrick Van Cleve (1525-1590 / 1595). Flemish painter and engraver. The sculpture garden of Cardinal Cesi, 1584. National Gallery in Prague (Sternberg Palace). Czech Republic.

View of the ruins of the column of Trajanus, the arch of Constantijn and other monuments in Rome, Robert Sayer, 1745 - 1794 print Figures stand and sit at the debris. English text in the lower margin. publisher: Londonpublisher: Londonpublisher: Londonprint maker: England paper. cardboard. watercolor (paint) etching / brush landscape with ruins (+ city(-scape) with figures, staffage). obelisk, needle (+ city(-scape) with figures, staffage). column (marking grave). mausoleum. temple, shrine ~ Roman religion. triumphal arch Colon of Trajanus. Engelenburcht. Tempio della Pace. Arch of Constantine. Temple of Antoninus and Faustina

Landscape with a view of a port city. Peeters, Jan, I (1624-1678), painter

Watercolor and feder drawing by Giovanni Paolo Pannini showing a hall with ionic columns, three lion statues, ancient set pieces, and staff figures, created in 1762.

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and dry tempera. Italy: Lombardy: Mantua: Ducal Palace. West wall. The meeting between Ludovico Gonzaga and his sons, Francesco and Federico. Right episode. Detail. Landscape with walls of a city and classical-style statue light blue/azure

Bullfight a l'Antique' by Maerten van Heemskerck, 1552. From the collection of Musee des Beaux-Arts, Lille, France.

De Slijpsteenmarkt met het gebouw 'Het Zeerecht' te Amsterdam.View of the grinding stone market with the building 'The Zegroight' in Amsterdam. In the foreground a man is chopping a millstone. On the street passers-by, street vendors, carts and a horse with car.

fine arts, da Bibiena, Giuseppe Galli (1696 - 1757), stage design for an opera or a theatre performance of ""Aeneas and Dido"", drawing, coloured, circa 1712, German Theatre Museum, Munich,

The Bacchanal Allessandro Magnasco (1667-1749 Italian) Pushkin Museum of Fine Arts, Moscow, Russia

A Reconstruction of Sparta: The Persian Porch and Place of Consulation of the Lacedemonians. Joseph Michael Gandy, A.R.A. (1771-1843). Pencil, pen and black ink and watercolour, 17 x 25 1/4 in.

A drawing by Francesco Pannini depicting Roman ruins with staff figures, executed in ink and watercolor, heightened with white, showing architecture and human figures.

Plague, Milan. 17th century.

View of the ruin of a triumphal arch, Pierre François Basan, after Pierre Antoine Demachy, 1753 - 1797 print There are two women at the monument and is a man with a dog. There are fragments in the foreground near a tree. Numbered: 4. publisher: Parispublisher: Amsterdamprint maker: Paris paper. cardboard. watercolor (paint) etching / brush landscape with ruins (+ city(-scape) with figures, staffage). triumphal arch. dog

The Molo with the Ducal Palace by Carlevaris, Luca (1663-1730) State Hermitage, St. Petersburg c. 1710 Italy, Venetian School Oil on canvas Painting Landscape

The Massacre of the Triumvirate. Date/Period: 1560/1570. Author: UNKNOWN.

Ideal view, by Luciano Laurana (1420-1479).

Fantasy Landscape with Roman mononeents. 1735. (Giovanni Paolo Panini 1691 Piacenza-1765 Rome)

Roman Ruins, Villa Pamfili, 1774. Hubert Robert (French, 1733-1808). Pen and black ink and watercolor with black chalk underdrawing and heightened with white gouache on cream laid paper;

'Square of an Ancient City'. France, Second half of 1630s. Dimensions: 97x134 cm. Museum: State Hermitage, St. Petersburg. Author: Jean Le Maire (Le Maire-Poussin).

Harbour with ruins, painting by Leonardo Coccorante (1680-1750).

L'Académie des Sciences et Beaux-Arts (The Academy of Sciences and Fine Arts). Demonstrations of the arts and sciences in a classical courtyard. The Académie royale de peinture et de sculpture (The Royal Academy of Painting and Sculpture) (founded in 1648) and The Académie des sciences (French Academy of Sciences) (founded in 1666), in the Royal Palace of Paris, during the reign of Louis XIV. Engraving after Sébastien Leclerc (1637-1714). Colorised.

Antique Ruins with Figures Contemplating, Pen and ink, brush and wash on paper, Horizontal rectangle. Partially ruined temple with columns on left and large niche at the back containing fountain with statue of Neptune (Poseidon) with raised trident. Tree at right, sky appears in top of ruined vaulted ceiling. Group of men in contemplation gesture towards statue, two additional figures near column at left., France, 1742-1746, theater, Drawing, Drawing

John Sell Cotman, 1782-1842, British, Norwich Cathedral: Interior of the North Aisle of the Choir, Looking East, 1829. Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper.

The Temple of Dendera, Upper Egypt, David Roberts, 1841,

Imaginary View of the Grand Gallery of the Louvre in Ruins, Robert, Hubert (1733-1808)

Perspective with a woman reading a letter, Samuel van Hoogstraten, c. 1670

Ink and multicolor watercolor by Giovanni Paolo Pannini 1740-1745 depicting ancient ruins with a Herculean statue, with visible design lines in black pen, showing figures, architecture, and landscape.

EXPULSION DE LOS MERCADERES DEL TEMPLO - SIGLO XVII - OLEO/LIENZO - 135x101 - NP 2661 - BARROCO ESPAÑOL. Author: GOMEZ VICENTE SALVADOR. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS.

BOVEDAS DE LAS SALAS 13 Y 14. Author: LUIS JAPELLI (XVII-XIX). Location: REAL CASA DEL LABRADOR, LA. Aranjuez. MADRID. SPAIN.

PLAZA DE LA PAJA DE MADRID - COSTANILLA DE SAN ANDRES - O/L - 0,42X0,58 - I.N.4005 - PINTURA COSTUMBRISTA SIGLO XIX. Author: JOSE MARIA AVRIAL Y FLORES (1807-1891). Location: MUSEO DE HISTORIA-PINTURAS. MADRID. SPAIN.

Church square by Alexei Ivanovich Belsky, oil on canvas, 1789, 1730-1796, Russia, Moscow, State Tretyakov Gallery, 139x192

The Fountains. Hubert Robert; French, 1733-1808. Date: 1787-1788. Dimensions: 255.3 × 221.2 cm (100 1/2 × 88 1/8 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.

French school. Hermit among Ruins. Anachorète entre Ruines. Oil on canvas (162 x 240 cm). Madrid, Prado museum. Author: JEAN LEMAIRE (1598-1659). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Festive Gathering and Figures from a Commedia dell'Arte in a Gallery, Monogrammist DB (schilder), 1634 painting Perspective cabinet with a presentation of a party celebration and figures from the Commedia dell'arte in a gallery. A few elegant couples look at the group of comedians. On the left a pond with a fountain, a garden in the background. glass. paper. paper. panel. oil paint (paint). amalgam

Market in Florence, by Giuseppe Moricci (1806-1880), Italy 19th Century.

Ball at the Hotel de Ville, 1860, Eugene Louis Lami, (1800-1890/French), Watercolour

Landscape with Hercules and ruins of ancient Rome, Panini, Giovanni Paolo (1691-1765)

The Temple of Diana, circa 1740, by Giovanni Panini. Gift of W.H. Hodson, 1919.

'Forum Romanum', 1818. Artist: JMW Turner.

Interior of the Colosseum, by Gaspar van Wittel (1652 or 1653-1736), oil on canvas. Detail.

Modern Rome-Campo Vaccino; Joseph Mallord William Turner (British, 1775 - 1851); England; 1839; Oil on canvas; 91.8 × 122.6 cm (36 1,8 × 48 1,4 in.)

Jacques-Albert Senave. The valley market, around 1815, current 6th arrondissement. Oil on canvas. 1810-1820. Paris, Carnavalet museum. 76085-18 Arcade, Vallee walking, VIEM VI 6th 6th 6th Life Arrondissement, Oil on canvas

Raphael / The School of Athens / 1508-11

Bacchanalia by Alessandro Magnasco, Oil on canvas, 1710s, 1667-1749, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 112x176

Piazza San Marco, Venice. Artist: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: 19 7/8 x 47 1/4 in. (50.5 x 120 cm). Date: ca. 1709.Populating the Piazza with energetic Venetians, Carlevaris gives this rendering of the Piazza San Marco a lively cast. The Square is framed by the Procuratie Vecchie on the left, and the Procuratie Nuove on the right. The basilica of San Marco and Torre dell'Orologio rise in the distance. Carlevaris is known to have carefully studied his figures prior to laying them in on canvas, and while no such studies exist for the laborers and gondoliers in this painting, his numerous extant oil sketches of Venetian ladies and gentlemen in other museum collections attest to this practice. Museum: Metropolitan Museum of Art, New York, USA. Author: LUCA CARLEVARIS.

Nathan and David in Jerusalem, detail from the Stories of David, 1534, by Hans Sebald Beham (1500-1550), oil on canvas, 128x131 cm.

Purchase (provenance)

View of a city square full of people, where a man is crowned. Draughtsman: Jacob van der Ulft. Dating: 1637 - 1689. Measurements: h 288 mm × w 416 mm. Museum: Rijksmuseum, Amsterdam.

Frescoes by Carlo Maratta (1625-1713) and Ciro Ferri (1634-1689) in the Spring Hall at Villa Falconieri La Rufina, Frascati. Italy, 17th century.

Triumph of Saint Thomas Aquinas Over the Heretics Filippino Lippi (1457 8-1504 Italian) Fresco Santa Maria Sopra Minerva, Rome, Italy

Landscape with Classical Ruins and Figures.

Watercolor by Guiseppe Speluzzi depicting a historical scene, possibly an illustration for 'La Chartreuse de Parme'.

View of the ruin of a triumphal arch, Pierre François Basan, after Pierre Antoine Demachy, 1753 - 1797 print There are two men and a dog at the monument. There are fragments in the foreground at a statue. Numbered: 3. publisher: Parispublisher: Amsterdamprint maker: Paris paper. cardboard. watercolor (paint) etching / brush landscape with ruins (+ city(-scape) with figures, staffage). triumphal arch. monument, statue. dog

The School of Athens' showing Greek philosophers and scientist with Plato (428-348 BC) and his pupil Aristotle (384-322 BC) in the centre. Raphael (1483-1520) Raffaello Santi, Italian painter. Vatican.

Architectural Caprice with figures, by 18th Century Artist, 18th Century, oil on canvas. Private collection. All arch columns water

Set design for the Opera Don Carlos by Giuseppe Verdi. Milano, Teatro alla Scala, 1.10.1884, Zuccarelli, Giovanni (1846-1891)

Being from the Concorde on May 21, 1848: Parade on the Place de la Concorde des Corporations Workers visiting the Champ-de-March, 1848 Jean-Jacques Champin (1796-1860). F�te de la Concorde on May 21, 1848: Parade on the Square of the Concorde of Workers' Corporations visiting the Champ-de-March, 1848. Oil on fouled paper on canvas.

Landscape by Adam Elsheimer, Oil on copper, End of 16th century, 1578-1610, Russia, St. Petersburg, State Open-air Museum Palace Gatchina, 26x18, 5

Rome, Piranesi, Francesco, Giovanni Battista, Different views of some remains of three large buildings still standing in the ancient city of Pesto, Different views of the remains of three large buildings still standing at Paestum, Temple of Neptune at Paestum, verso - stamped, View of the remains of the Temple of Neptune at Paestum. Explanatory list with letters on banderole lower right. Numbered upper left: Planche XIII., print, prints, height 501 mm, width 685 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1778 - 1778, paper, papier, etching, etchings, 1758 - 1810-01-27

GRAN GALERIA O GALERIA DE LOS ESPEJOS DEL PALACIO DE VERSALLES - GRABADO SIGLO XVIII. Location: PRIVATE COLLECTION. France.

LORENZETTI, Ambrogio (1285-1348). Effects of Good Government on the City Life. First half 14th c. Detail. Renaissance art. Trecento. Fresco. ITALY. TUSCANY. Siena. Public Palace.

The Piazzetta, Venice, Looking South from in Front of the Facade of San Marco... Luca Carlevaris (1663- 1730). Oil on canvas. 122.2 x 161.3cm.

Genre scene, oil on wood, detail of the salon window shutters, Queen's apartment, Hunting residence (UNESCO World Heritage Site, 1997), by Filippo Juvarra (1678-1736), Stupinigi, Piedmont, Italy, 18th century.

La Fontaine du Palmier in the Place du Chtelet, Bouhot, Étienne (1780-1862)

View of the ruins of the pyramid of Cestius, the column of Constantijn and other monuments in Rome, Robert Sayer, after Giovanni Paolo Pannini, 1753 print Figures stand on the debris. English text in the lower margin. Numbered at the top right: 1. London paper. watercolor (paint) etching / brush landscape with ruins (+ city(-scape) with figures, staffage). temple, shrine ~ Roman religion. mausoleum. gate, entrance. column (marking grave) Tempio della Pace. Pyramid of Cestius. Porta San Paolo. Constantine's column. Temple of Jupiter Stator

Florence. View from the Boboli Gardens' after 1834. Jean-Baptiste Camille Corot (1796-1875) French painter. Oil on canvas .

Pontifical Ceremony in SS. Giovanni e Paolo, Venice, 1782, c. 1783. Francesco Guardi (Italian, 1712-1793). Oil on canvas; framed: 69.2 x 87 x 11.4 cm (27 1/4 x 34 1/4 x 4 1/2 in.); unframed: 51.4 x 68.8 cm (20 1/4 x 27 1/16 in.).

Adornment on the Puerta del Sol: motif representing Charles III entering Madrid. Madrid, Public museum. Author: LORENZO QUIROS (1717-1789). Location: MUSEO DE HISTORIA-PINTURAS. MADRID. SPAIN. CARLOS III.

A Cardinal Examining a Painting in a Cloister first half 19th century François Marius Granet French. A Cardinal Examining a Painting in a Cloister 343046

Luis Paret y Alcázar / 'Charles III, dining at court', ca. 1775, Spanish School, Oil on panel, 50 cm x 64 cm, P02422. Museum: MUSEO DEL PRADO, MADRID, SPAIN. CHARLES III OF SPAIN.

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and dry tempera. Italy. Lombardy. Mantua. Ducal Palace. West wall. The meeting between Ludovico Gonzaga and his sons Francesco and Federico. Right episode. Detail of landscape with a pyramid, archeological ruins, the walls of the city and a classical-style building similar to an amphitheater

The Piazzetta and the Piazza San Marco, Venice, from the Porta Dell Carta... Luca Carlevarijs (1663-1730). Oil on canvas. 70.5 x 119cm.

Courtyard of the Ospedale Maggiore or Ca' Granda, Milan, by an unknown Milanese artist (17th century), oil on canvas, 194x344 cm. Detail. Italy, 17th century.

France, Paris, 1870, oil on canvas

View of the Salle de La Paix, MusZe du Louvre, c.1820

Arnold Böcklin (born 16 October 1827, died January 1901), Swiss painter, draughtsman, graphic artist and sculptor of Symbolism: Roman wine tavern (1867-1868), Painting, Reproduction of the painting, Work of art, Historical, Idyllic landscape painting with ancient ruins and people walking around in traditional dress

Interior of the Pantheon, Rome, Giovanni Paolo Panini, circa 1735, National Gallery of Art, Washington DC, USA, North America

BORDONE, Paris (1500-1571). Gladiators Fighting. ca. 1560. Mannerism art. Oil on canvas. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Venice from the Giudecca, Joseph Mallord William Turner, 1840,

Ulysses returns Chryseis to her Father' by Claude Lorrain (1600-1682) a French painter, draughtsman and engraver of the Baroque era. Dated 1664.

fine arts, Guardi, Francesco, (1712 - 1793), painting, ""Portico sul Cortile di Palazzo Ducale"", (""portico at court of Doge `s Palace""), circa 1780, oil on canvas, 39 cm x 26 cm, Accademia Carrara, Bergamo,

'The Beggar and the Parrot', c1750-1808. Artist: Robert Hubert

The Interior of a Renaissance Cathedral. Christian Stocklin (1741-1795). Oil on panel. 38.4 x 52.2cm.

Henryk Siemiradzki (1843-1902). Polish painter. Nero's torches, 1877. According to Tacitus, Nero targeted Christians as those responsible for the Great Fire of Rome. National Museum Gallery. Krakow. Poland.

Leonaert Bramer / 'El dolor de Hécuba', ca. 1630, Dutch School, Oil on copper, 46,2 cm x 59,6 cm, P02069. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Entry of the French Ambassador in Venice in 1706. Luca Carlevarijs (1665-1731) oil on canvas, 1706-1708. Large-scale painted views of Venice were very popular among tourists and collectors throughout the 18th century. In this early example of this genre, the citys buildings provide the backdrop of an important event, the ceremonial entry of the French ambassador, Henri Charles Arnauld de Pomponne. His elaborately decorated gondolas are mooring along the quay before the Doges Palace.

Detail from the Stories of St Catherine and St Mary Magdalene, fresco by Polidoro da Caravaggio (1499-about 1546), Chiesa di San Silvestro al Quirinale (Church of St Sylvester on Quirinal Hill), Rome. Italy, 16th century.

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