Heavenly Coronation and Angels

Artworks depicting divine ceremonies: the coronation of Mary by the Holy Trinity and angels stopping winds, showcasing religious themes in detailed engravings.

Netherlands, Moses with the Tables of the Law, verso lower right - stamped, Moses with a staff and the Tables of the Law in frame, around which ten scenes and texts from the Old Testament, illustrating the Ten Commandments., print, prints, height 256 mm, width 187 mm, print maker, printmaker, 1575 - 1585, fourth quarter 16th century, paper, engraving, engraving (printing process)

CREAT OF MARIA, 1590 - 1649 print Mary is crowned in heaven by the Trinity, respectively Christ, the Holy Spirit as a pigeon and God the Father. Christ and God together place the crown on her head. In the margin a caption in Latin. In the margin a six -line caption, in two columns, in Latin. The print is part of an album. paper engraving coronation of Mary by God the Father and Christ (+ Holy Trinity)

Angels retain the four winds; Johannes sees in a sigtive 4 angels. Four angels stop the four winds, while a different angel signs a cross on the forehead with a few people. Above the show a title. There are six fresh rules and a reference to Revelation 7: 1-3. The print is part of an album.

Angels stop the four winds, 1740 print Four angels stop the four winds, while another angel draws a cross on the forehead in a few people. A title above the show. Below six verse lines and a reference to Revelation 7: 1-3. The print is part of an album. paper letterpress printing the four winds are restrained by four angels

Netherlands, Moses with the Tables of the Law, verso lower right - stamped, Moses with a staff and the Tables of the Law in frame, around which ten scenes and texts from the Old Testament, illustrating the Ten Commandments., print, prints, height 256 mm, width 187 mm, print maker, printmaker, 1575 - 1585, fourth quarter 16th century, paper, engraving, engraving (printing process)

Moses and the Burning Bush (recto) and The Infant Moses Put into the River (verso) from Neue künstliche Figuren biblischer Historien, plate 55 from Woodcuts from Books of the XVI Century 1578 Switzerland. Woodcut on paper . Tobias Stimmer

Mirror of the example; Specvlvm S. Scriptvrae; Twelve mirrors with which man tries to see God; Duodecim Specula Deum. Two believers in the foreground. They kneel for a mirror tiptiek, who shows the reflection of Christ and Maria. In the background show images of devotion: The Sacred Maarten and the Holy Francis that give their coats to beggars and an elephant as a sign of wisdom .. The print has a Latin caption: 'Lucet, et inflammat, Specvlvm Exemlyis Honesti; Virtutem Alterius Si Cupis Esse Tuam '. At the bottom of a legend of the scenes that are alphabetically numbered in the image. The print is part of a twelve-part series (X from XII prints) with the subject twelve mirrors with which man tries to see God.

Aanbidding der koningen; Vita Deiparae Virginis Mariae; Leven van de maagd Maria.Maria is with the Christ child on her lap at the stable in Bethlehem. Two angels are behind Maria. Three kings are in worship before Christ. In the margin a six-line caption, in two columns, in Latin. The print is part of an album.

Buried the dead; Mortuos Sepelire; The seven works of mercy. Buried in the killed seventh of the works of mercy. The show is caught in an architectural frame with arc. Above, in cartouche, the title. In the front in the middle, a coffin is left in a grave. Eromes praying priests and citizens. On the second plan, on the left the funeral of Christ; Right right the funeral of John the Baptist and entirely in the background the funeral of the Holy Stefanus. In the four extreme corners of scenes from the O.T. and N.T. in which deaths are buried. With explanatory texts from O.T. and N.T. Under the show four lines of Latin. This print is part of a series of prints of the works of mercy (consisting of a title page and seven numbered prints).

Worship of the seven-member beast; Van den Apocalipsis of Openbaeringh Iohannis; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Den Grooten Figuer Bibel (...). From the sea the seven-coupled crowned beast that is honored by the people. The second beast appears from behind a mountain in the form of a RAM. Under the show a reference in Latin to the Bible text. 13: 1. This print is part of an album.

Bible. The five books Moses. Copper

Christ and the Samaritan woman at De Put; Jesus speaks with the Samaritan Lady. On his journey to Galilee, Christ is relieving at the Jakobsbron in Sichar. A Samaritan woman comes out of water from the well and Christ asks her to drink. The apostles are wondering why Christ speaks with the woman. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to John 4: 7-9. The print is part of an album.

Aanbidding van Maria en het Christuskind.Believers kneel in worship for Mary and the Christ child. Maria stands on the crescent on the clouds. She holds the child on the arm. They give rose wreaths to the believers. Two angels laurels Maria and the child. In the foreground is a cardinal hat. At the top right numbered: 327.

Connection coring of Christ. Soldiers have placed a thorns of Christ on the head of Christ and press it with sticks on his head. A kneeling man gestures with his hands and sticks out his tongue to Christ. In the foreground is a sleeping dog. Book illustration in rectangular picture frame with fine ornaments. Woodcut with multiple logs.

Medallion with an allegorical representation of marriage on both sides; Print of a medallion with a representation of the marriage of Christ with his church. Print of a medallion. Presentation of the marriage between Christ and the Church (Ecclesia). Above their heads the pigeon of the Holy Spirit and the Tetragram as a symbol of God the Father. Ecclesia holds a chalice in her hand and behind her stand faith, hope and love. Christ keeps the cross in his hand and stands on a framework of his victory over death. In the peripheral a bible verse from Hoesl. 8: 6.

Allegory on the trial of the Jew Aron Abrams, 1737; The findryke konst image here to lend to the lives, how to evil his master and the vice krygt her punishment.Allegory in Which a man with a fox sheet Around His waist (The Amsterdam Jewish Deceiver Aron Abrams or Abrahams) is applied. In The Background The Unionity, The Truth Reveals The Deception in the Foreground. On The Leaf Under The Plate in the Caption a Fresh in Two Columns.

Teaching the ignorant; Ignorantes provider; Septem Opera Misericordiae Spiritalia. Teaching the ignorant as one of the seven spiritual works of mercy. In the middle a preacher who teach a group of people from a pulpit. In the background Christ who loves the mountain speech, John the Baptist teaching people, Christ who gives a crowd from a boat and the likeness of the sower. Around representations related to the teaching of ignors. Links Christ with the cross and on the right the prophet Daniël. In the show various bible texts in Latin. Under the show a four-line verse in Latin. This print is part of an album.

Ascension of Christ; Jesus was admitted to heaven. Christ, with hands raised, is included in heaven. His disciples are full of wonder. Two angels keep an eye on them. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to Acts 1: 9-11. The print is part of an album.

JeroBeam points to the prophet and his arm stiffens, Anonymous, after Johann Jakob von Sandrart, 1697 print paper etching as king Jeroboam points to the prophet and orders his seizure, his hand withers and the altar falls apart

Christ in Limbo, pl. 19 from the series Passio, Mors, et Resurrectio, Dn. Nostri Iesu Christi (The Passion, Death, and Resurrection ofChrist). Engraver: Adriaen Collaert, Flemish, 1560-1618 After: Stradanus (Jan van der Straet), Flemish, 1523-1605 Publisher: Philip Galle, Flemish, 1537-1612

Scenes from the Numeri Bible book; Title page for: Attersoll, William. Scriptious and learned Uytleging over T'vierde book Moises Gemet Numeri, 1667. Four cartouches and six medallions with scenes from the Bible book Numeri: The punishment of Korach; the water of Meriba; the copper hose; Balaam and the donkey; the exploration of Canaan; The people complains; the pesach celebration; the murder of Zimri and the Midjanitian woman; The funeral of Aaron and the fight against the Amalekieten. The medallions are decorated with wreaths and put on either side. On the left a base with Moses. On the right a base with Aaron.

Visitation; Maria visits Elizabeth. Maria visits her niece Elisabet. In the doorway Zacharias and Joseph. On the left in the background the birth of John the Baptist. The window shows how Joseph and Maria flights to Egypt. Above the window a medallion with the annunciation. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to Luke 1: 39-41. The print is part of an album.

Worship of the Christ child by Maria and two angels, 1590 - 1649 print In the stable in Bethlehem, Maria, together with two angels, kneels in worship for the sleeping Christ child. Joseph watches, with just gathered wood in the hands. Above the stable the Holy Spirit as a pigeon, surrounded by angels with flowers in the hands. In the margin a six -line caption, in two columns, in Latin. The print is part of an album. paper engraving adoration of the Christ-child by Mary (+ angel(s)). Holy Ghost represented as a dove (in flames) (+ angel(s))

Annunciatie, 1590 - 1649 print Maria is kneeling on her desk in her sleeping room. She is visited by the angel Gabriël. He tells her that she will give birth to a son, which will be called Christ. Above them, God the Father lets the pigeon of the Holy Spirit fall on her. Angels look from heaven. In the margin a six -line caption, in two columns, in Latin. The print is part of an album. paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation). God the Father

The house of strangers, Philips Galle, 1577 print The house of foreigners as the sixth of the works of mercy. The show is caught in an architectural frame with arch. Above, in Cartouche, the title. In the foreground in the middle three pilgrims who turn to the house of a gentleman in good. On the second plan, on the right in a departure Christ with Martha and Maria; on the left Christ who comes to visit Zacheus; In the background Christ and the Emmaus goers. In the frame on the left is a prophet with text from Isaiah 58; On the right a prophet with texts from Hebrews 13, Mattheus 10 and Romans 12. In the four extreme corners of scenes with regard to the inclusion of foreigners. With explanatory texts from O.T. and N.T. Under the performance four lines of Latin. This print is part of a series of prints of the works of mercy (consisting of a title page and seven numbered prints). paper engraving sheltering strangers, 'hospes colligitur' ~ one of the (seven) Acts of Mercy

Cosmas, saint.

Harvest with sickle and wine press; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. Four angels harvest grapes and grain with a sickle and throw grapes in a wine press. In the clouds a crowned figure with sickle in hand, sitting on a throne, flanked by two angels. Under the show a reference in Latin to the Bible text. 14. This print is part of an album.

Holy Antonius, Anonymous, 1600 - 1699 print Holy Antonius with a book and a pig in an oval with Sint Antonius Kruizen, calling and flames. Four lines of Dutch text in a frame. Entirely in a ornamented frame with arabesks, cherubs, birds and fruits. Netherlands paper engraving the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig

Elisa feeds a hundred prophets with twenty loaves, 1740 print A man gives twenty barley broads to Elisa. Elisa bore his servant on this as a hundred prophets. A title above the show. Below six verse lines and a reference to 2 kings 4: 42-44. The print is part of an album. paper letterpress printing a hundred men are fed with twenty loaves of bread: Elisha receives barley bread of the first-fruits and a sack of corn which he multiplies to feed a hundred men

Fucking the hungry; Esurientes Pascere; Septem Opera Misericordiae Corporalia (...). Fucking the hungry as one of the seven works of mercy. In the middle a man who points to a table where he gives to eat. In the background the wonderful bread multiplication. Around representations of Bible stories that have to do with the jogging of the hungry. Top left Elia and the widow of Sarefat, at the top right Elisa and the times for a hundred prophets, at the bottom right of David who receives bread from Abimelech and a man who distributes bread from the bottom left. Links Christ and on the right the prophet Isaiah. In the show various bible texts in Latin. Under the show a four-line verse in Latin. This print is part of an album.

Christus aan het volk getoond; Passie van Christus.Pontius Pilate shows the grown Christ after his flogging up to the Jewish people. People call his crucifixion. Oval within a rectangular frame, a flower in every corner. The print is part of an album.

Black ink drawing by Monogrammist BH depicting the brazen snake and the transfiguration of Christ, showing figures, composition, and narrative, dated 1587.

Entry into Jerusalem; Zechariah prophets the comprivance of the Messiah. Christ drives sitting on the back of a donkey towards the city gate of Jerusalem. People stand with palm branches at the gate and spread their mantels before Christ on the ground. Above the show a title. There are six fresh rules and a reference to Zechariah 9: 9. The print is part of an album.

Afgoderye der Oost - Indische Heydenen , Elephant-headed god. Baldaeus, Philippus, 1632-1672. text. Illustrations. 1672. Rare Book Division. Sri Lanka, Malabar Coast (India), Coromandel Coast (India)

Scenes from the Bible book Numeri, Abraham Dircksz. Santvoort, 1663 print Four cartouches and six medallions with scenes from the Bible book Numeri: the punishment of Korach; Meriba's water; the copper snake; Bilam and the donkey; the exploration of Canaan; The people complains; The Pesach celebration; the murder of Zimri and the Midjanitian woman; The funeral of Aaron and the fight against the Amalekites. The medallions are decorated with wreaths and puts on either side. On the left a pedestal with Moses. On the right a pedestal with Aaron. print maker: Netherlandspublisher: Amsterdam paper etching title-page. the spies take away some of the fruits of Canaan and return, usually carrying a large bunch of grapes on a pole. the gathering of manna (in baskets and pots). Moses sitting on a rock, arms held up by Aaron and Hur; the Amalekites are defeated. 'Pesah', Passover ~ Jewish religion. Aaron's burial. Zimri takes a Midianite woman, Cozbi, into his tent, while the people are lamenting

Four angels keep the four winds under control, 1585 print Four angels keep the four winds under control with their sword. In the middle, an angel brings the seal of God to the forehead of a member of a tribe of Israel. At the top of the clouds an angel with a cross. In the margin a four -line caption in Latin. Sixth print from a series of twenty -four with the revelation of John on Patmos. paper engraving the four winds are restrained by four angels. sealing of the tribes of Israel, the 144-thousand

The Passion. In the center, Christ is seated on a stone block with the crown of thorns on his head and his hands bound. Below this representation the attribute of the Messiah: the pelican feeding its young from its own breast. Christ is surrounded by seven representations, six of which are from the Passion narrative. On the left, from bottom to top: the circumcision of Christ, Christ praying on the Mount of Olives, the scourging of Christ. On the right, from top to bottom: Christ before Herod, the naked Christ on Golgotha, Christ nailed to the cross. The scene at the top in the center represents Christ's death on the cross. To the left and right of these scenes two more representations in cartouches: to the right the announcement of the Messiah by John the Baptist and to the left God revealing himself to Job. The three theological virtues are on the left (Faith), right (Hope) and above (Love). At center and bottom a cartouche with a Latin text., Scenes from the Passion, print maker: Ja

Christ washes the feet of Petrus, Anonymous, After Pieter van der Borcht (I), c. 1570 - c. 1610 print Christ washes Peter's feet. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving Christ washes Peter's feet

God op zijn troon; Openbaring van Johannes op Patmos; Icones Revelationum S Johs Evangeliste in Pathmo.God the Father, sitting on his throne with book on his lap and the lamb. The throne is surrounded by the seven torches, the four apocalyptic animals and the 24 elders, the harp patiously. A four-line caption in Latin in the margin. Third print from a series of twenty-four with the Revelation of John on Patmos.

Title print for Martyrological Sanctarum Virginum; Female martyrs and saints; Martyrologivm Sanctarvm VirginVM. Title print with decorated ornaments. In the middle a heart-shaped cartouche with the Latin title. Two angels next to the cartouche. Above the cartouche monogram IHS.

Worship of Christkind by the three kings, Jan -Baptist Barbé, after Pieter de Jode, 1588 - 1648 print The three kings offer gifts to the Christ child. The show is shown in an octagonal frame with medallions with Latin texts in four corners that refer to the areas from which the kings traveled with their gifts. The text under the frame also refers to the worship and the valuables such as gold and Myre that the kings took with them (Mattheus 2). paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Requirement of Christ, Virgilius Solis, 1552 print Nuremberg paper story of the temptation of Christ in the wilderness (Matthew 4:1-11; Mark 1:12-13; Luke 4:1-13)

. Altar with the lamb that lies on the book with the seven stamps (on. 5). The altar is flanked by John the Baptist and H. Paulus. On the altar a tuner text from Philippians in Latin. In the background the passion tools. Above the show the title of the book in Latin. In the margin a caption in Latin and the coat of arms of Maximilian III, Archduke of Austria.

Leeping and burial of Christ, Jacob Cornelisz van Oostsanen, 1517 print From series of twelve prints. Dead Christ Beeping by his mother, the three Marys and John. Golgotha and burial in the background. Round performance ornamental frame. Bottom frame with text in Latin. Printed from multiple blocks. paper lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns). Christ's entombment (possibly by angels)

Christ and Maria kneeling on the clouds; Worship of the Virgin Mary by saints. Christ and Maria are kneeling on the clouds and look in worship up to the tetragram, symbol of God the Father. Among them the Carmelite The H. Albertus of Sicily and the Martyr H. Angelus. In the margin a two-legged caption in Latin.

Emblem with man who is judged by Christ as a judge on his defects, Anonymous, After Boëtius Adamsz. Bolswert, after Hendrik Aertssens (II), 1649 print A man asks Christ as a judge the bill of his sins. The devil does a bad word for him. According to the meditation rule, he must check with himself what defects he has and try to ban sin from his life by living according to the Ten Commandments. paper engraving Christ as (heavenly) judge. devil(s) and demons. the life of man

Christ on the cross. Christ on the cross. Left Maria and the right John. Maria Magdalena mapped at the foot of the cross. The performance is caught in an ornamental framework. The print is part of an album.

Israelites complain to Moses, 1740 print When the Israelites saw that the Egyptians chased them after their departure from Egypt, they complained to Moses. Moses reassures them. A title above the show. Below six verses and a reference to Exodus 14: 10-12. The print is part of an album. paper letterpress printing the people of Israel murmur against Moses

Life stage; Deene Soet and Dander Bangh falls down and Nederghang. The different phases of human life represented by figures that shielded and descending the different life phases after their fiftieth year. The life staircase starts with man (both man and women) as a baby and ends with death. Cemtral at the bottom of the staircase Christ (or God) who prove to the world. Two cartouches at the top left and right include Dutch inscriptions.

St. Bonifacius and St. Homobonus, Patron Saints of Tailors 17th century Pieter de Jode II Flemish. St. Bonifacius and St. Homobonus, Patron Saints of Tailors 647123

Copper engraving by Hendrick Goltzius from around 1578 depicting the satisfaction of Christ, showing religious figures, gestures, and devotional context.

Moses and Christ; Title page for: Biblia: That is the Gantsche Heylighe Scriptual, 1614. Moses and Christ flank the Vellum on which the title of the work is. Upper Moses is a putto with the dining of the law and a flaming sword, above Christ a putto with a lamb and a palm branch. Under the Vellum is an angel with Zeis and opened book.

Netherlands, Christ Carrying the Cross, verso lower left - stamped, Christ carries the cross. In the lower margin two lines of Latin text. Entirely in a frame with Christ on the left with a cross, Mary pierced with seven swords on the right, angels and cherubim in the middle above and the instruments of Christ's suffering in the middle below., print, prints, height 274 mm, width 178 mm, print maker, printmaker, 1600 - 1699, paper, papier, engraving, engraving (printing process), woodcut

Worship of the Lamb on Mount Sion and three proclaiming angels, Adriaen Collaert (attributed to), after Jan Snellinck (i), 1646 print The lamb on the mountain Sion surrounded by people. God the Father on His throne, surrounded by the four beings and the elders. In the middle three angels: the first holds the eternal gospel and announces the day of judgment, the second the fall of Babylon. The third angel warns against the worship of the beast and the image, for as a punishment one will have to drink the wine of God's anger. Under the show a reference in Latin to the Bible text in op. 14: 1. This print is part of an album. paper engraving adoration of the Lamb on Mount Sion by the 144-thousand ~ Apocalypse (+ angel(s) floating in the air). the three angels proclaiming the day of judgement

Indulgence for donation of alms towards the building of a Church to the Virgin of Guadalupe (modern facsimile impression) 1608 (facsimile 1930-40) Samuel Stradanus Netherlandish Printed certificate of indulgence issued by Juan Pérez de la Serna, Archbishop of Mexico; used to raise money to finance the construction of the new sanctuary of Tepeyac, consecrated in 1622, which later became the Basilica of Guadalupe. For a study of the print see: C. Bargellini, 'Samuel Stradanus, Flemish Engraver in New Spain', Jaarboek Koninklijk Museum voor Schone Kusten Antwerpen, 2011, pp. 11-20.. Indulgence for donation of alms towards the building of a Church to the Virgin of Guadalupe (modern facsimile impression) 393327

Apostle Paul in discussion with philosophers on the Areopaag in Athens, Anonymous, After Johann Jakob von Sandrart, 1697 print paper etching Paul in Athens: on the Areopagus he discusses with philosophers (in front of the temple of Mars) Areopaag

Moses and Aaron for the Pharaoh; Moses and Aaron speak to God's order against Pharaoh. Moses and Aaron ask the Pharaoh to release the Israelites. On the left in the background, Israelites are hard at work and they are treated as slaves. Above the show a title. There are six fresh rules and a reference to Exodus 5: 1-2. The print is part of an album.

Last judgment and devil thrown into the pool of fire; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. Sky with God the Father, sitting on throne, surrounded by the risen deaths. Opposite him is an angel with an open book. In the background, everyone who does not show in the book of life is thrown into the fire pit (the second death). The devil, after a thousand years freed, is thrown into the sense of fire and sulfur. Under the show a reference in Latin to the Bible text. 20. This print is part of an album.

Circumcision of Christ and prayers from the Litanie of the Most Holy Name of Jesus. The Christ child is circumcised by the high priest. The child is held by another priest on the altar. Maria, Joseph and others watch. Above them the Monogram of Christ. The performance is caught in a rosary. At the bottom of praying men and in the corners praying angels. At the top of God the Father surrounded by cherubs. Around the framework with the performances, in six columns, prayers from the Litanie of the Most Holy Name of Jesus in Latin.

The Virgin of Monserrat venerated by pilgrims. Woodcut.

Fifth angel blows on a bazuin; Van den Apocalipsis of Openbaeringh Iohannis; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Den Grooten Figuer Bibel (...). The fifth angel blows on the trumpet and a falling star opens the bottomless pit, from which smoke and grasshopping emerges that pains the people without stamp on their forehead. Under the show a reference in Latin to the Bible text. 9: 1. This print is part of an album.

Two witnesses; Van den Apocalipsis of Openbaeringh Iohannis; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Den Grooten Figuer Bibel (...). The two witnesses prophesy and are killed by the beast from the underground depth. They rise to heaven in the background. Under the show a reference in Latin to the Bible text. 11: 3-12. This print is part of an album.

Nine scenes from the Old Testament, Jan Luyken, 1695 print Nine scenes from the Old Testament. Above: Isaac plagued by Ismaël; Abraham rejects Hagar and Ismaël; Abraham sacrifices Isaac. Middle: Esau sells his first -birth law; Jakob's dream; Isaac bless Jakob. Under: meeting Jakob and Rachel at the well; Jakob struggles with the angel; Meeting of Jakob and Esau. print maker: Amsterdampublisher: Leiden paper etching Sarah complains to Abraham about Ishmael. the banishment of Hagar and Ishmael (Genesis 21:9-21). the sacrifice of Isaac (Genesis 22). Esau, returning hungry from the hunt, sells his first birthright to Jacob for a pottage of lentils. the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder. Isaac lying in bed blesses Jacob who, disguised in Esau's clothes, brings food to his father; Jacob's hands and neck are covered with goatskins. Jaco

The hierarchie of the blessed angells, page. Prints, Title pages. 1635. Rare Book Division. Angels

Two angels with a honeycomb and locusts, Jacob de Weert, After Maerten de Vos, 1580 - 1600 print There are two angels on either side of a ragless cloak with a ten -line, Latin title text. The left gel holds a honeycomb and a bowl. The right gel is wearing a plate with grasshoppers and a copper wind instrument. For the feet of the angels lies a pack at a bowl and a copper wind instrument. At the bottom you can see a cartouche with a three -line, Latin text with the assignment. Antwerp paper engraving (scenes from the life of) John the Baptist and Mary. angels. honey-comb. insects: grass-hopper. rod, birch ~ punishment at school. dish, plate, saucer. horn, trumpet, cornet, trombone, tuba

Entry into Jerusalem, 1740 print Christ drives on the back of a donkey towards the city gate of Jerusalem. People stand with palm branches at the gate and spread their coats on the ground before Christ. A title above the show. Below six verses and a reference to Zacharia 9: 9. The print is part of an album. paper letterpress printing Zechariah is called by the Lord to prophesy (Zechariah 1:1). prophecy of the King coming to Jerusalem, riding on an ass (Zechariah 9:9)

Scenes from the passion, Jacob Bos, 1563 print The passion. In the middle, Christ sits on a stone block with the crown of thorns on the head and the hands tied. Under this representation the attribute of the Messiah: the pelican who gives his boy from his own chest to eat. Christ is surrounded by seven performances, six of which are from the passion story. On the left, from bottom to top: the circumcision of Christ, Christ praying on the Mount of Olives, the scam of Christ. On the right, from top to bottom: Christ for Herodes, the naked Christ on Golgota, Christ nailed to the cross. The performance at the top in the middle presents Christ's thus killing. Left and right of these scenes two more performances in cartouches: on the right the announcement of the Messiah by John the Baptist and left God who reveals himself to Job. The three theological virtues are on the left (faith), right (hope) and above (love). In the middle and below a cartouche with a Latin text. print maker: Italypubl

Copper engraving showing the birth of Christ, depicting Mary, Joseph, the infant Jesus, and surrounding figures in a stable, created around 1460-1480.

Gravestone of Christ; Jesus wort buried. Christ Dead body is anointed and wrapped in cloths. Different women, including Maria and Maria Magdalena, graze at his bare. In the background on the right, Christ is being taught the Rot Graf. On the left the guards arrive that the grave will guard. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to Matthew 27: 57-61. The print is part of an album.

Johannes op Patmos; Openbaring van op John of Patmos; Icons Revelationum s Iohs Evangelist in Pathmo; Treasure elegant icons being squeezed out of the New Testament contains stories and miracles of Jesus Christi.Johannes Evangelist writes on the island of Patmos these revelations in a book. He looks up to heaven to the appearance of Christ. John is next to the eagle. Under the show a reference in Latin to the Bible text. This print is part of an album.

De vier apocalyptische ruiters; Openbaring van op John of Patmos; Icons Revelationum s Iohs Evangelist in Pathmo; Treasure elegant icons being squeezed out of the New Testament contains stories of miracles Jesus Christi.Opening the first four stamps, the four apocalyptic riders, 'victories', 'war', 'Hunger' and 'death' trample humanity. Above them an angel, with a crown. Under the show a reference in Latin to the Bible text. 6. This print is part of an album.

Attempt to Stenigen, Anonymous, After Pieter van der Borcht (I), After Georg Pencz, c. 1570 - c. 1610 print Attempt to stonen Christ. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving attempts to stone Christ (John 8:59, 10:31-33)

FrontSpiz (portrait) from: Brehme, Christian: Christian Interprespections - 1: JN Twelve of Spiritual conversations according to the instructions de-loaded with attached first registries. Dresden: Slub theol.ev.asc.1292-1

Israelites complain to Moses; The children of Israel murmuries against Moses. When the Israelites saw that the Egyptians chased them after their departure from Egypt, they accused their fate at Moses. Moses reassures them. Above the show a title. There are six fresh rules and a reference to Exodus 14: 10-12. The print is part of an album.

Woodwater bin with the holy family; VARIE INVENTIONI DI VASI DA ACQUA BENEDETTA FATTI AL MODERNO. Woodwater bin with on the back plate Maria with the Christ child on his lap. Joseph is standing with them. Angels offer flowers. From series of 6 sheets with copies to the Inuentions pour Faire des Plaques series ou des Aubenistiers Seruans aux orphes from Jean Lepautre. Designs for woodwater troughs. Print is part of an album.

Scenes from the passion. The passion. In the middle, Christ is on a stone block with the thorns crown on the head and hands tied. Under this representation the attribute of the Messiah: the pelican that gives his boy to eat from his own breast. Christ is surrounded by seven performances, six of which from the passenger story. On the left, from bottom to top: Christ's circumcision, Christ praying on the olive mountain, the scourge of Christ. On the right, from top to bottom: Christ for Herod, the naked Christ on Golgota, Christ nailed to the cross. The representation at the top of the middle suggests Christ. Left and right of these scenes two more performances in cartouches: on the right the announcement of the Messiah by John the Baptist and left God who reveals to Job. The three theological virtues are left (belief), right (hope) and above (love). In the middle and at the bottom of a cartouche with a Latin text.

Amsterdam, Strijcker, Dirck, Print of a medallion with a representation of the marriage of Christ with his church, Print of a medallion. Representation of the marriage between Christ and the Church (Ecclesia). Above their heads the dove of the Holy Spirit and the tetragrammaton as a symbol of God the Father. Ecclesia holds a chalice in her hand and behind her stand Faith, Hope and Love. Christ holds the cross in his hand and stands on a skeleton as a sign of his victory over death. In the inscription a Bible verse in mirror image from Song of Solomon. 8:6., print, prent, prints, diameter 63 mm, 1588 - 1677-08-31, print maker, printmaker, 1607 - 1677, paper, counterproof, counterpressure, engraving, engraving (printing process)

Title print for a series with the passion of Christ, Crispijn van de Passe (I), 1600 print Two angels point to a cartouche with the Lamb of God. They flank a cartouche with a Bible quote in Latin, around which the passion tools. The show is caught in an oval accompaniment. In the margin the serial title in Latin. Title print for a series with the passion of Christ. Cologne paper engraving Passion of Christ

Whore of Babylon; Van den Apocalipsis of Openbaeringh Iohannis; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Den Grooten Figuer Bibel (...). A woman sitting on a seven-member dragon stepping out of the water is honored by kings. Under the show a reference in Latin to the Bible text. 17: 2. This print is part of an album.

Titelpagina voor: The first century of the Society of Jesus by the province Flandro-Belgian of the Society represented, Antwerpen, 1640, Cornelis Galle (1), after Philip Fruytiers, 1640 print Title page for an emblem book published on the occasion of the centenary of the Jesuit order. In the middle is the personification of the order, with IHS monogram on the chest and a book and a burning crucifix. At his feet father time with a scythe. Putti climb on an architectural throne and hang cartouches with emblemata, wear spell tires and blow on trumpets. print maker: Southern Netherlandspublisher: Antwerp paper engraving regular clerics, e.g. Jesuits, Redemptorists. cupids: 'amores', 'amoretti', 'putti'. Father Time, man with wings and scythe

Resurrection of Christ, 1610 - 1620 print Christ standing in front of his grave, a staff with a vane in his hand, surrounded by sleeping soldiers. Print is part of an album. paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Child murder in Betlehem. Soldiers with drawn swords are commissioned by Herod all boys younger than two years in the wider area of Bethlehem. The soldiers pull the children from the arms of their mothers who voide though. Page from a book with text on recto and verso.

Doornenkroning van Christus; Passie van Christus.Two soldiers push the thorns crown with sticks on the head of Christ. A third soldier gives him the reed stalk. Oval within a rectangular frame, a flower in every corner. The print is part of an album.

Christ tells the parable of the greedy farmer, 1740 print Christ tells the parable of the greedy farmer to his students. Central workers work on the construction of a larger barn for the farmer, who is sitting against a tree. A title above the show. Below six verses and a reference to Luke 12: 16-20. The print is part of an album. paper letterpress printing the rich fool, whose death comes when he has saved all his money to build new barns (Luke 12:16-21)

Noah's sacrifice; History of Noah. Noah and his family are kneeling for a sacrificial alley with a lamb on it. In the air God the Father. In the background is on a hill the ark. A procession of animals leaves the ark. The performance has been caught in a circular frame with a peripheral panel.

Wszyscy Święci w MNK unknown

Mount's mountain, monogrammist HSD, after Pieter van der Borcht (i), c. 1570 - c. 1610 print Christ preaches on the mountain. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving Christ's sermon on the mount (Matthew 5-7)

Arrival of the Kings at Herod, 1740 print Arrival of the kings at Herod on the stairs near the Stadspoort, here used as an image of King Solomon between his officials. There are letters with different parts of the show. A title above the show. Below six verse rules and a reference to 1 kings 4: 1-6. The print is part of an album. paper letterpress printing politics of Solomon. the arrival of the three Wise Men in Bethlehem

Johannes sees the new Jerusalem, Adriaen Collaert, after Maerten de Vos, 1646 print Illustration of the twelfth article of faith (eternal life) of the apostolic creed. An angel has carried John the Evangelist to a mountain top and shows him the new Jerusalem. Johannes writes everything down in the book of Revelations. Jerusalem has twelve gates, which are guarded by twelve angels. The Good Shepherd walks with his lambs towards the gates. God, in the form of the Tetragram, and the Holy Spirit appear in the clouds, together with some angels. This print is part of an album. paper engraving 'vitam aeternam' ~ articles of faith. the New Jerusalem. an angel shows John the New (Heavenly) Jerusalem coming down from heaven; sometimes Christ is shown leading his lambs to the city

Jakob sends his sons to Egypt, 1740 print Jakob sends his sons to Egypt to buy choirs. He keeps his youngest son Benjamin at home. A title above the show. Below six verses and a reference to Genesis 42: 1-3. The print is part of an album. paper letterpress printing Jacob sends his ten sons to Egypt to buy corn, keeping the youngest, Benjamin, at home

Christ proves his disciples that He is the Son of God, 1600 - 1699 print Christ proves his disciples that He is the Son of God by showing them his Father in heaven. Netherlands paper letterpress printing Christ explaining his doctrine to the apostles and disciples

Esau sells his birthright and the birth of Esau and Jacob; The history of Jacob. Ornames for satellite edge. Upper half: Jacob and Esau are sitting in front of a house on the floor. Esau eats the line of lentil soup and therefore sells its first boring. Lower half: The birth of Esau and Jacob. Rebekka is located in the baby bed. On the right the midwives with the baked babies. In the foreground a swing crawling. With Latin text in cartouches.

Abraham gives Abimelech the money for Sara; Abraham's life. King Abimelech wants to give Abraham and Sara money to restore Sara's honor. He thought Sara and Abraham were brother and sister and had Sara bring to his palace. But Abraham rejects the money from Abimelech. Print from a series of 12 prints with Abraham's life. All prints have four lines of German explanatory text in the undermaster.

Val van Babylon, 1585 print An angel throws a stone, as large as a millstone, into the sea. In the background the burning Babylon. In the foreground people who throw dust over their heads. In the margin a four -line caption in Latin. Twentieth print from a series of twenty -four with the revelation of Johannes on Patmos. paper engraving a mighty angel casting a great (mill)stone into the sea

John the Baptist as a child, Anonymous, c. 1600 - c. 1650 print Johannes the Baptist as a child, with four -line Italian caption, in frame with fragments of metal cuts with ornaments, birds, monkeys and a water mill. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff

Petrus finds a coin in the beak of the fish, monogrammist GK (print maker, 17th century), after Lucas Cranach (i), c. 1661 print Peter finds a coin (stater) in the mouth of the fish, with which he can pay the temple tax. Contrary to taxes. Mirror-image copy to the print of Lucas Cranach in the pamphlet 'Passional Christi und Antichristi' by Martin Luther from 1521, page from a 17th-century edition. The series of thirteen pairs of woodcuts reflects the contradictions between the humility and selflessness of Christ on the one hand, and the pride and greed of the Pope on the other. paper letterpress printing Peter finds a piece of money in the mouth of a fish and pays the temple tribute. the richness of the Church opposed to Christ's humility

The animal of Christ in a shrine with the other six sorrows of Mary. Gothic shrine with the possibility of Christ by Maria with sword in heart. Left three scenes: Christ on the Cross, Christ in the temple and the presentation in the temple. Right three scenes: the burial laying, the crossing and flight to Egypt. At the top shrine: Maria with child in beams. Under shrine: two angels with shield, on that man of sorrows and passion equipment. Above shine: Coat of arms of Delft and other city weapon.

Parable of the Merciful Samaritan, 1600 - 1699 print The wounded traveler is on the floor. The merciful Samaritan pours oil on its wound. Next to them is the donkey of the Samaritan. In the background, the Leviet and the priest who had passed by the man walked by. Netherlands paper letterpress printing a priest and/or a Levite passing by without attending to the wounded man ~ parable of the Good Samaritan. a Samaritan tending the wounds of the traveller

Reformation in England Title page for: G. Burnet, Brief Understanding of the History of the Reformation of the Church of England, 1689, Three scenes of the English Reformation superimposed. Above: The king in conversation with an Anglican clergyman. Middle: Heretics at the stake. Below: The king kneels in front of an altar (left) and a clergyman offers the queen a book (right), Reformation (Roman Catholic Church vs. Protestantism), England, Jan Luyken, Amsterdam, paper, etching, h 146 mm × w 86 mm

Mozes and five scenes from the Pentateuch, Cornelis Galle (I) (Possible), after Peter Paul Rubens, 1659 print Moses with the legislative tables tronend on a pedestal with the title of the book. On either side and under five cartouches with scenes from the first five Bible books of the Old Testament, the Pentateuch. paper engraving Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. division of light and darkness. passage through the Red Sea. the book Leviticus. Moses teaching (in general)

Augustin Hirschvogel, The Transfiguration, 1548 The Transfiguration

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