Heraldic and Ornamental Prints

A collection of engravings featuring ornate heraldic designs, vases, and decorative motifs, showcasing intricate artistry and historical symbolism.

Hans Collaert (Flemish, 1566 - 1628), Jewelry Design, 1582, engraving

Decorative designs with seated figures ..

Design drawing ca. 1883, based on earlier design Christopher Dresser British, Scottish. Design drawing 363719

Lazio Viterbo Caprarola Palazzo Farnese190. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wooden banner depicting Kyburg, Ferrette, and Görz segments of Emperor Maximilian I.'s triumphal procession, created by Albrecht Altdorfer between 1517 and 1518.

Design for a Fountain, Graphite, pen and ink on paper, Vertical rectangle with candelabra topped by a women holding her breasts from which water flows., Italy, 1775-1800, architecture, Drawing, Drawing

80. Border and group made of clematis, marshmallow and peak with snake. State state plan Hamburg, collection of the history of photography

Embroidery Pattern with an Amazon Shield in its Center 1521 before Albrecht Dürer German Embroidery pattern made up out of so-called knot work. The main pattern has a circular shape and is presented in white on a dark ground. The knotted ropes or straps form two main tiers with different patterns surrounding the central motif which is a blank Amazon shield with curled up edges. On all four corners another, leaf-shaped ornament has been added which sticks out of the circle. The leaves are filled with more knot work in white on the dark ground, and are surrounded by more leaf-shaped forms, combined with swirling straps in black.. Embroidery Pattern with an Amazon Shield in its Center 388373

Francesco di Domenico dit, Il Padovano (around 1500-1571). "Florentin card game. Fourteen number in a series of 35 pieces". Black and white wood engraving. 1547. Museum of Fine Arts of the City of Paris, Petit Palais. 123051-16 Card to play, wood engraving, card game, 16th 16th 16th 16th 16th 16 CENTURY, engraving

Design for A Female Term Carrying a Vase (recto); Sketch of Draped Male (verso). Artist: Anonymous, Italian, 17th century. Dimensions: sheet: 6 5/8 x 1 7/8 in. (16.8 x 4.7 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Trivet. Dated: c. 1942. Dimensions: overall: 36.6 x 28.4 cm (14 7/16 x 11 3/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ardella Watkins.

Artist: Heinrich Aldegrever, Germany, 1502-1555/61, Ornamental Design with SeatedCupid, Engraving, sheet: 7 × 5.7 cm (2 3/4 × 2 1/4in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Neureuther Eugen (1806-1882), final stones for the museum in Leipzig (without date): »Historical painting«. Ink, pencil on paper, 50.4 x 33.3 cm (including scan edges) Neureuther Eugen (1806-1882): Schlusssteine für das Museum, Leipzig

Capital, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The left half: the projecting abacus is supported by the head and the wings of an eagle. The center motif are two leaves with a blossom stem between them, and a rosette above. In front of the cornices below hangs a festoon. Usual background., Rome, Italy, 1775-1790, architecture, Drawing, Drawing

Lazio Viterbo Viterbo S. Maria della Verita, Cloister21. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t

Design for a Woven Fabric, Unfinished, Brush and white, blue gouache, brish and watercolor on black paper, Neo-rococo escutcheon with flowers, a shell, a satyr gaine with a pitcher from which water flows., France, 1815-1840, Drawing, Drawing

Design for a plate with a Canadian Mounu, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil brush dish, plate, saucer. work of applied art (+ ceramics ~ arts)

Trivet. Dated: c. 1941. Dimensions: overall: 36.9 x 28.8 cm (14 1/2 x 11 5/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Sydney Roberts.

Decorative design with Lions, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil. chalk brush ornament derived from animal forms. beasts of prey, predatory animals: lion

Kapitel puts Bladmotief, Kathedraal van Laon; T? 165. Gothic art - 13th century - Triforium column capitaus (Laon Cathedral).

Heraldic weapon of the family of Mansvelt, Cornelis Willem Hendrik Verster van Wulverorst, 1876 print In the middle of numbered plate no 4. Leiden paper armorial bearing, heraldry

Female Trekpop (Pantan). Female draft doll (pantin) with head, body of young woman, dressed in a dress decorated with floral garlands; Four separate parts with two legs and shed feet and two arms and hands.

Deraisme, Pierre -Georges (n.1859 - D.1932), Chimère Epingle (main title), 1904. Graphite, watercolor and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Parijs, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Unseen book of the works of Mr. Messonnier, Project for a chandelier in a branch for Le Roy, Design for a five-armed candelabrum decorated with an eagle, Paris, This print is part of an album., print, album leaf, ornamental print, prints, height 325 mm, width 208 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher

Watercolor by Adolf Böhm illustrating an ornamental vase motif, showing decorative design and artistic composition, dated 1896.

Chinoiserie from Nouvelle Suite de Cahiers Arabesques Chinois 1790-99 Designed by Jean Pillement French. Chinoiserie from Nouvelle Suite de Cahiers Arabesques Chinois 364547

Ex Libris of the Stoomschip Princess Juliana, Carel Adolph Lion Cachet, 1910 print In the middle a crown, around lions. paper printing block crown (symbol of sovereignty). beasts of prey, predatory animals: lion

Letter B, Anonymous, c. 1600 - c. 1699

Study for Proposed Portfolio "Decorated Chests of Rural Pennsylvania". Dated: 1941. Dimensions: overall: 45.6 x 35.6 cm (17 15/16 x 14 in.). Medium: tempera on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

A Bishop's Crosier. Dated: c. 1475/1480. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Bust van Christoffel Plantijn, Anonymous, c. 1892 - in or before 1897 photomechanical print paper collotype sculpture. chest, bust Museum Plantin-Moretus

Wooden stick artwork by Leonhard Beck, part of the "Weißkunig" series, depicting the young Weißkunig engaged in a crossbow hunt, created between 1514 and 1516.

Renaissance ornament

Copper engraving by Martin Schongauer depicting a coat of arms with a greyhound held by a wild man, created in the last third of the 15th century.

. Square with stained glass performance, is fixed to BK-2000-10-i.

Attributed to John Carter, 1748-1817, British, Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel, ca. 1781. Graphite and pen and black ink on slightly textured, moderately thick, white laid paper.

Cross from the peak over the part Cap with a church. Franciscans in Poznań, according to the drawing of Jan Sas-Zubrzycki, il. Z: Jan Sas-Zubrzycki, Treasure of architecture in Poland, vol. 3, Kraków 1910-1911, tabl. 255; Sas-Zubrzycki, Jan (1860-1935); 1910-1911 (1910-00-00-1911-00-00);

Trophy, from 'Livre de Trophées des Arts et Sciences', Pierre Ranson, French, 1736-1786, Etching on paper, Europe, France, Europe, 18th century, Print, Print

Ex Libris van Ekama in Haarlem, Anonymous, 1800 - 1899 print Lion a weapon with a writing hand and the weapon of Haarlem persistent. Netherlands paper letterpress printing ex-libris. quill. coat of arms (as symbol of the state, etc.) (+ city; municipal) Haarlem

Tile

Design for a calendar sheet for the month of January of the year 1930; For the "Dutch Art Association Calendar". .

Study for a tulip scale.

Corner detail with partially nude male figure, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Corner detail with partially nude male figure. His head, torso, and outstretched arms are visible. His legs narrow and disappear into the spiral decorative motif., France, ca. 1759-70, ornament, Drawing, Drawing

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"30. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

This early 16th-century drypoint by the Master of 1515 depicts a decorative trophy motif.

Monogrammed coat of arms. Draughtsman: Jan Brandes (possibly). Dating: 1787 - 1808. Place: Skälsebo. Measurements: h 260 mm × w 202 mm. Museum: Rijksmuseum, Amsterdam.

Joris Hoefnagel's drawing depicts a grotesque scene with swans and fighting monkeys, showing animals, ornamental motifs, and decorative elements in brown pen, watercolor, cover colors, and gold on prepared brownish paper.

Print (France)

Reproduction of: Afterword. The foliage of a climbing plant above the "NAVE 'text.

Lazio Viterbo Caprarola Palazzo Farnese34. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study into a gypsum model of a leaf ornament, Johannes Abraham Hijnds, after George Henry Boughton, 1869 - 1941 drawing paper. pencil brush mouldings ~ architecture. foliage, tendrils, branches ~ ornament

Ship's Carving. Dated: c. 1939. Dimensions: overall: 57.6 x 46.3 cm (22 11/16 x 18 1/4 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Albert Rudin.

Wooden stick (pear) from 1515 showing the 'honorary gate' of Emperor Maximilian I by Albrecht Dürer, featuring griffin motifs and inscriptions on the outer gate structure.

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI), James Basire, 1769-1822, British, William Blake, 1757-1827, British, Attributed to Sir Joseph Ayloffe, 1709-1781, British, 1780, Engraving

Two cartouches, each with the presentation of an evangelist, Pieter van der Heyden, after Jacob Floris, 1566 print Two cartouches on one leaf. Left Lucas and on the right John. Shaded background. Leaf from series consisting of a title page and 15 of the 16 magazines with cartouches with biblical and mythological representations in a frame of rolling and grotesken. Netherlands (possibly) paper engraving the apostle and evangelist Matthew (Mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword

Tailpiece, Homer Wayland Colby, American, 1874-1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on paper, A symmetrical design composed of a fir tree as central motif, flanked by lighted candles and holly., USA, ca. 1910, graphic design, Drawing, Drawing

Square basin with semicircular bulges, anonymous, after Georg Andreas Böckler, 1664 print The basin contains a pedestal with Justitia sitting on it for a weapon trophy with chain prisoners of war or slaved men on both sides. Above her the weapon of Bourbon's house is hanging at the very top of the young Louis XIV, dressed like a Roman emperor. Page 109 from part III of a series consisting of 226 magazines, divided into four books, each with its own title page. print maker: Germanyafter design by: Germany (possibly)printer: Neurenbergpublisher: Neurenberg paper. chalk etching Justitia (justice) as Roman personification. ornamental fountain. garden fountain. slavery; serfs and the enslaved. prisoner of war (after the battle)

Design for the painting (ceiling painting) of the center of a vault with four putti, sham architecture, fruit garlands and a rosette, Design for ceiling painting with four putti, draughtsman: Orazio Samacchini, 1570 - 1577, paper, pen, brush, h 280 mm × w 247 mm

Roche, Pierre (n.1855-D.1922-01-18), parrot (main title), 1897. Gypsography, black draw. Small palace, Museum of Fine Arts of the city of Paris.

Man on swing; Cahier the Six Baraques Chinoises. In a landscape a man under a shelter is on a swing, under him a staircase.

Table of Museum Temple: Chaos (Dutuit 36, White 91) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Museum Temple: Chaos (Dutuit 36, White 91). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

Drawing, The left half of a frieze; pencil, brush, sepia, yellow watercolor, paper

Cartouche with shrub on tree branches and two skeletons; Twelve cartouches; Nouvelles Inventions the cartouches. .

Campania Napoli Naples S. Lorenzo Maggiore8. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches o

Design for a Pendant Jewel; Attributed to Theodor de Bry, Flemish, active in Germany, 1528 - 1598; Netherlands, Europe; about 1580 - 1590; Pen and black ink and brown wash; 7.4 x 4.8 cm (2 15/16 x 1 7/8 in.)

Damascus tiles from Syria. Dated 16th Century

Fanière brothers, a cherubs pendant (main title). Graphite. Ink, gouache on gray cartonette. Petit Palais, Museum of Fine Arts of the City of Paris.

Brass Plate for John Skevington from Hornsey Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm), architectural subject, brass, church, memorial, plate, England, Greater London, Hornsey, Hornsey Parish Church, London, United Kingdom

Zoar Decorative Painting: "This World and the Next". Dated: c. 1938. Dimensions: overall: 51 x 45.7 cm (20 1/16 x 18 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Angelo Bulone.

Two trees, bending in an art nouveau manner, form a striking if sombre surround. Date: 1902

Diamond with two trumpet -blowing angels who stop a reverse ton, Anonymous, 1700 - 1900 Weapon window with ornaments in Grisaille. Above the coat of arms two trumpet -blowing angels who stop a reverse ton. glass. lead (metal). Weapon window with ornaments in Grisaille. Above the coat of arms two trumpet -blowing angels who stop a reverse ton. glass. lead (metal).

Silver Tray. Dated: c. 1936. Dimensions: overall: 30.4 x 22 cm (11 15/16 x 8 11/16 in.). Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Kalamian Walton.

Treasure of Priam, discovered in Troy by Heinrich Schliemann (1822-1890), Ancient Greece. Old 19th century engraved illustration, El Mundo Ilustrado 1880

Nicolaes de Ram trade label, Isaac Vincentz. van der Vinne, c. 1681 - 1740 print A trademark of Nicolaes de Ram in a heart shape. In the middle of a crown. paper vignette. letter combinations such as letterword, anagram, letter square, monogram, etc.. crown (symbol of sovereignty)

Mask from Libro di Variate Mascare 1560 René Boyvin French. Mask from Libro di Variate Mascare. Libro di Variate Mascare. René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers). 1560. Engraving. Prints

Parterre and Fountains of Blind Institution. Dated: c. 1936. Dimensions: overall: 51 x 38.7 cm (20 1/16 x 15 1/4 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Joseph Stonefield.

Deraisme, Pierre -Georges (n.1859 - D.1932), Dragon (main title), 1904. Graphite. Ink on layer. Petit Palais, Museum of Fine Arts of the City of Paris.

Portrait of Willem III, Prince of Orange. Portrait of Willem III. Left and right a weapon with a crown. Left and top right a putto. Left and bottom right a griffin. In the middle of an untingflied cartouche.

Clef de voute. Galeries latérales; Louis-Émile Durandelle (French, 1839 - 1917); Paris, France; about 1875; Albumen silver print

Plate 46: Straw Applique Design: From Portfolio "Spanish Colonial Designs of New Mexico". Dated: 1935/1942. Dimensions: overall: 35.6 x 28 cm (14 x 11 in.). Medium: screenprint on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Ceiling painted by Francois Boucher of the council room in the Palace of Fontainebleau, 18th century. Salle de conseil, Chateau de Fontainebleau, XVIII Jahrh. Chromolithograph by M. Koch from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Arthur Johnson, Mirror, c 1937 Mirror

Head and legs of a jumping horse, Richard Earlom, After Joseph Farington, After Anthony Van Dyck, 1752 - 1777 print paper etching horses and kindred animals. jumping (horse in motion)

Title page, pendant with the title, Corbinian Saur, c. 1575 - c. 1635 print The pendant is flanked by a lion and a griffin. There are six costume ornaments around the pendant. From series consisting of a title page and 5 magazines. Germany (possibly) paper engraving

Design for a vase. .

Milan, Vallardi, Pietro & Giuseppe, Italy, Roccheggiani, Lorenzo, Ruga, Pietro, Invenzioni divers di mobili ed utensili sacri e profani per usi comuni della vita, Invenzioni divers di mobili ed utensili sacri e profani, Designs for religious and profane objects, Bed in front of a wall with drapery, Print is part of an album., print, picture, album sheet, ornamental print, prints, height 165 mm, width 214 mm, Italian, print maker, printmaker, 1817 - 1817, second quarter 19th century, third quarter 19th century, fourth quarter 19th century, paper, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Thanks and friendship at Roland Holst. A naked, kneeled man and a rooster. Among them the text: "To Him, who with pleasure talks to me the great, deliberate aim of showed: the awakening proletariat, their cleaning struggle for the new life." The whole is surrounded by a rectangular framework that is filled with the initials of Jac Jongert and flower and plant motifs.

French postcard with images of flowers 1900

Design for a Chair Back Cover with an Ornamental Frame Formed by a Garland of Leaves and Flowers with an Interlacing Ribbon that Forms a Bow from which a Crown Motif with Monogram Hangs 1870-1900 () Anonymous, French, 19th century Rectangular sheet of paper with a design for a chair back cover from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival w

Pendant after a model by Benvenuto Cellini, 16th century. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Nine of Hearts, E. Le Tellier, French, active late 19th century, B.P. Grimaud, Paris, France, Lithograph on paper, Nine of Hearts playing card from a pack of transformation playing cards. Figural scene depicting two men holding a shield at center decorated with an eagle. Above, a helmet and banners. Below, a group of weapons and musical instruments. Red hearts integrated into the figures of the scene., Paris, France, late 19th century, toys & games, Playing card, Playing card

Cover design for: Program of the Concertgebouw Amsterdam, Richard Nicolaüs Roland Holst, 1918 print On the left the rat catcher of Hamelen who plays his flute. The rats that he thus attracts are placed in a diamond shape around him. On the right Orpheus who plays on his harp in the company of different animals. paper. rat exterminator. musician. tales and fairy tales. Orpheus playing the lyre: trees and rocks move, beasts and birds are enchanted. animals

Title page with Cartouche Earth, Jost Amman, After Wenzel Jamnitzer, 1568 print Central the magazine of a poplar. Around a decorated frame with rolling work, four children with fruit and festons with fruit and vegetables. At the top two hares on either side of a vase resting on an ox head. At the bottom two goats nibbling on a basket with fruit and vegetables, resting on the head of a bear. With hanging trophies with agricultural equipment and yields of the harvest. Proef pressure without text from a title page in Wenzel Jamnitzer, Perspectiva Corporum Regularium. paper etching / engraving earth (one of the four elements). trees: poplar (+ leaf). ornament derived from plant forms. ornament derived from animal forms. other ornament derived from animal forms. rodents: hare. goat. beasts of prey, predatory animals: bear. ornament ~ festoon, garland. agricultural implements. harvest

Fragments, Medium: silk Technique: two integrated fabric structures; 2/1twill plus plain weave., Confronted falcons with spread wings in cream on green., Italy, 14th century, woven textiles, Fragments

Fanière brothers, neo-Renaissance enameled brooch (main title). Graphite, gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Pendant after a model by Benvenuto Cellini, 16th century. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Design for an ex libris for D. Cheap, Carel Adolph Lion Cachet, 1874 - 1945 drawing tracing paper. pencil brush from books

Ex Libris of the Hou'en Trouw Association, Carel Adolph Lion Cachet, 1916 print In the middle two hands that shake each other. Left vertically 'Hou' and ', on the right vertical' faithful '. Stylized birds above and below. Amsterdam paper shaking hands, 'dextrarum junctio'. birds Amsterdam

Design for a sheath with the whore of Babylon, Heinrich Aldgrever, 1528 print Design for a dagger sheath. The lower part is decorated with a candlestone consisting of leaf vines and two dolphins, worn by a putto. Above that the whore of Babylon and the seven -member monster. Germany paper engraving ornament ~ candelabrum. the scarlet woman, the whore of Babylon; she is usually sitting on a scarlet beast with seven heads and ten horns

Drawing, Project for a Pendant; Italy; pen and ink, brush and sepia on paper

Free Trade, 1888.. Prints. 1911. Science, Industry and Business Library: General Collection. Single tax, George, Henry, 1839-1897

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