Heraldic and Ornamental Prints

A collection of engravings featuring ornate heraldic designs, vases, and decorative motifs, showcasing intricate artistry and historical symbolism.

Hans Collaert (Flemish, 1566 - 1628), Jewelry Design, 1582, engraving

Right edge of a map of the Water Board of Schieland (upper part), Johannes VinckBoons, 1660 print Coat of arms with three stars of Johan van Berckel (II) (ca. 1603-1662), former mayor of Rotterdam, receiver-general of Holland and West-Friesland and Hoogheemraad of the Water Board of Schieland. Upper part of the right -hand arms of the first edition of 'The Hooge Heemraedtschap van Schielandt'. paper engraving armorial bearing, heraldry Schieland

Daniel Mignot, Large Pendant, Hope Standing at Centre, 1593 Large Pendant, Hope Standing at Centre

Septem Psalmi Davidici (Seven Psalms of David). Titlepage. Calligrapher: Melchior Model (German, born Munich, active Antwerp, ca. 1594-1608). Dimensions: Sheet: 6 3/16 × 4 5/16 in. (15.7 × 11 cm). Engraver: Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553-1619 Antwerp). Published in: Antwerp. Publisher: Pierre Firens I (Flemish, Antwerp 1580-1638 Paris). Date: 1608.Titlepage to the series "Septem Psalmi Davidici". The print shows a strapwork cartouche with the title information. A large part of the print has been covered with blue paint and decorated with fleurs-de-lis in gold. This decoration covers the original inscriptions which indicated that this is in fact the second edition of the series. The edge of the print has been traced in gold paint. Museum: Metropolitan Museum of Art, New York, USA.

Vase and standing woman, Unknown, After Juste Nathan François Boucher, 1752 - 1782 print A standing woman wears a basket on her head from which arabesks and a vase sprout. Paris paper etching ornament ~ arabesque. standing figure - AA - female human figure. vase ~ ornament

Plate 18, from twenty ornamental designs for goblets and beakers. Master A.P.; German, active early 17th century. Date: 1604. Dimensions: 155 x 120 mm (image/plate); 175 x 130 mm (sheet). Punch engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Decorative design with angels. .

Print, Design for an Altar Cross; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Print Maker: Gabriel Huquier (French, 1695-1772); engraving on paper

Lampe d'Eglise (Church Lamp), plate 83, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, From bottom, C-curves climb up with two winged putti heads; rocaille elements covered with leaves and foliage lead to upper C-curve gripping capital of pilaster on right. From top, three foliated chains support a hanging lamp decorated with an empty cartouche and curled ends, followed by the lowest part of the lamp, hanging leaves and foliage., Paris, France, 1695-1750, metalwork, Print, Print

Hans Collaert (Flemish, 1566 - 1628), Jewelry Design, 1582, engraving

Forgedwork, Johann Thomas Hauer, 1781 print Three designs for forging work with leaf and floral motifs, garland, medallion and vase. Above a four -line French text. Paris paper etching forging (industrial process)

Trophy with eagle, vase and helmet. A trophy with an eagle on a raised portrait and profil, a pipeline, a vase, shields, a helmet and weapons. Publisher number 20.

The Evangelist Johannes in Cartouche., Pieter van der Heyden, After Jacob Floris, 1566 print Cartouche with the presentation of the evangelist Johannes. Leaf from series consisting of a title page and 15 of the 16 magazines with cartouches with biblical and mythological representations in a frame of rolling and grotesken. Netherlands (possibly) paper engraving the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

Large Pendant, In Circular Form, Nude Man Flanked by Two Herms. Dated: 1596. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Messeheft with an oval with fides at the top; Ornament, knife lifting 3 pieces.Lifts with candidate decoration, made up or a Vase, Squirrels and Flowers. Above oval with fides.

Print, Plate 8, from a series of eight pendant designs with the cardinal virtues; Johann Theodor de Bry (German, 1561 - 1623); engraving on paper

Girandole with vase, 1771 print An ornamented two -armed girandole with a vase and snakes. Paris paper etching / engraving Chandelier, a candlestick. vase ~ ornament

Trophy with shields and arrow cooker, Gottlieb Friedrich Riedel, after Jean Charles Delafosse, 1779 print A trophy with a helmet, various shields, weapons and a arrow sleeve. Publishing number 20. Augsburg paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. protective weapons: shield. archer's weapons: arrow

Decorative plate from Englefontaine, France. A man riding a large bird in the center, with a border of foliage on a yellow base. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Table fountainein with rolling and grotesken, 1490 - 1540 print The foot consists of four fed legs. In addition, a saat hangs against the belly of the water basin. Three female saters wear the plateau. France paper etching

Lazio Roma Monterotondo Palazzo del Municipio2. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A variation of the scheme of -1439. The motif below has the width of teh panel. Upon a pedestal stands a circular, vaulted structure in the center of a hemi-circle. The lateral parts of the front of teh pedestal are projecting; upon them are sitting figures. Above the hemi-circle are scrolls from which two stems rise having above scrolls and on top an oval medallion with a standing figure. The scroll rising in teh center end in spirals above the medallions, framing a stem witha female half-figure and supporting the frame of a landscape. Above the latter are two crouching animals beside a medallion, with scrolls on top. Date: 1780-1790. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

'Ceiling Painting (corner part)'. France, Early 18th century. Dimensions: 27,2x21,2 cm. Museum: State Hermitage, St. Petersburg. Author: Gilles-Marie Oppenort.

Lazio Viterbo Caprarola Palazzo Farnese19. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante25. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Augsburg, Hertel, Johann Georg (I), Haid, Johann Gottfried, Dagdelen, Der Abend, Le Soir, Avond, verso - stamped, Personification of the evening in a rocaille cartouche. At the bottom is a putto with a fishing rod. Publisher number 29., print, ornamental print, prints, ornamental prints, height 290 mm, width 193 mm, print maker, printmaker, 1745 - 1745, paper, papier, etching, etchings, German, 1710 - 1776-09-05, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Bliżej Kultury unknown

Vignette with two horns in a laurel wreath with a crown. .

Gothic Ornament with Putti and Acanthus Leaves 19th century Attributed to Bernd German. Gothic Ornament with Putti and Acanthus Leaves 382725 Artist: Attributed to Bernd, German () , Gothic Ornament with Putti and Acanthus Leaves, 19th century, Pen and black and brown ink, and graphite, sheet: 10 7/8 x 6 3/4 in. (27.6 x 17.1 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1947 (47.100.1186)

Lazio Viterbo Bagnaia Villa Lante45. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Netherlands, Bos, Cornelis, Album sheet with a print showing an ornamental triumphal chariot, Album sheet with a cut-out ornamental print showing a triumphal chariot with a pair. The ornamental chariot is pushed by satyrs., print, ornamental print, album leaf, prints, ornamental prints, height 430 mm, width 292 mm, print maker, printmaker, 1500 - 1599, fourth quarter 16th century, 17th century, paper, engraving, engraving (printing process), pasting, Work conception, Dutch, 1510 - 1566

Design for a Sword or Dagger Handle with the Suicide of Cleopatra. Artist: Theodor de Bry (Netherlandish, Liège 1528-1598 Frankfurt). Dimensions: Sheet (trimmed): 2 15/16 × 1 1/8 in. (7.5 × 2.8 cm). Date: 1592-93.Handle design divided horizontally into two sections, each with a female figure in an oval at center. In the oval at top, Cleopatra holds a snake in her left hand, while the oval below shows a female figure leaning on a broken column and holding the top section of the column. On a grotesque blackwork background. Museum: Metropolitan Museum of Art, New York, USA.

Frisian with arabesken to Maria with the child, Hieronymus Wierix, 1594 print Maria and Child rise from the chalice of a flower. Coming from series of 5 magazines from the book Adnotationes et Meditationes ... by P. Jeronimo Nadal. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Antwerp paper engraving Madonna: i.e. Mary with the Christ-child

Ornament met sater.

Musical Trophies, Graphite, pen and ink on paper, Vertical rectangle showing designs for musical trophies: various instruments bound with ribbons and encircled by laurel wreaths., Italy, 1800-1825, ornament, Drawing, Drawing

Take example of Roman Weapentrophee, Jean Augustin Daiwaille, 1820 - 1833 print The trophy consists mainly of shields, helmets and spears. Numbered at the top right: No. 6. This print is part of a cover with a title page and six prints. Amsterdam paper

Vigned Met Lier an Apollo, 1821 - 1860 print Vignette with Lier on which the head of Apollo in Stralenkrans. In ornamental frame. paper etching vignette. piece of sculpture, reproduction of a piece of sculpture. (story of) Apollo (Phoebus)

Ex Libris van D. Cheap, Carel Adolph Lion Cachet, 1917 print On the left a frame with four dolphins. On the right the contours of a ship. paper dolphin ~ ornament. parts of ship's exterior: bow

Medallion with putti and tendrils; Quatrième Cahier des Arabesques. Medallion flanked by two putti with tendrils.

Ornamental Design for Knife Handle with Water, from The Four Elements. Johann Theodor de Bry; German, 1561-1623. Date: 1585-1595. Dimensions: 90 × 22 mm (image/sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Three segments of a vase painted with stylized coreopsis. .

Dove and Rose, 1879. Watercolour, woven fabric design. Artist: William Morris, Art Movement, Pre-Raphaelite, Applied Arts, Arts and Crafts, Watercolour, Flower, Rose, Bird, Dove, Frame, Design, Pattern, Works on Paper

Tomb decoration with portrait, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Tomb decoration with portrait of deceased and a place for an inscription below., France, ca. 1759-70, ornament, Drawing, Drawing

Vertical Panel with Inhabited Candelabrum Rising from a Cuirass. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 5 5/16 × 1 3/4 in. (13.5 × 4.4 cm). Date: 1553.Tendrils bearing fruit with grotesques, and a skull rise from a cuirass. Museum: Metropolitan Museum of Art, New York, USA.

Jonas Silber depicts Juno riding in a peacock chariot, executed with lead handle, ink, brush, and Bister lavation on parchment.

Design for a Pendant, c. 1864 - c. 1894 Paris tracing paper. pencil. deck paint

Coat of arms with snake -like figure and deer, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint armorial bearing, heraldry. hoofed animals: deer. fabulous animals ~ snakes (aspic, dragon, hydrus, hydra, amphisbaena, horned snake, cerastes)

Warsaw. Bronze door knob from the equipment at the White House at the Royal Łazienki Park - front and side views. Kotarbiński, Mieczysław (1890-1943), draughtsman, cartoonist

Lazio Viterbo Caprarola Palazzo Farnese423. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, Design for a Goblet; Circle of Jan Lutma (Dutch, ca. 1584 - 1669); Netherlands; black chalk, brush and brown watercolor, oxidized white on greyish-blue paper

Design for the decoration of a panel. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Circle of Francesco Francia, Oblong Ornament Panel, c 1480 1510 Oblong Ornament Panel

Head copy drawing after the Trajan column, using black chalk with reddish shading and back pressure techniques.

Girandole met Diana; Twelve gerandoles (...).An ornamented Girandole crowned with Diana. Decorated with branches, hunting dogs and a hunting.

Maria Denman after John Flaxman, Minerva, by Phidas, published 1829 Minerva, by Phidas

ROMANCERO GITANO DE FEDERICO GARCIA LORCA-LITOGRAFIA. Author: RAFAEL ALBERTI (1902-1999).

Ornament met twee fasces, Bernard Picart (workshop of), 1683 - 1733 print Amsterdam paper etching / engraving tools, aids, implements ~ crafts and industries: axe. law and jurisprudence (+ 'fasces cum securibus')

Father Time, Johannes Glaber, After Gerard de Lairesse, 1680 - 1726 print Father time with scyth in hand and hourglass on his head. Among him all kinds of animals: among others. A lion and a boar. To a lost painting by Gerard de Lairesse. The print is part of a series with biblical, mythological and allegorical representations. print maker: unknownafter drawing by: Amsterdamafter painting by: Amsterdampublisher: Amsterdam paper etching Father Time, man with wings and scythe. beasts of prey, predatory animals: lion. hoofed animals: boar

Wilkinson Tracing, Printed design for inlaid decoration, 1817-20. Ink on laid paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Blackwork Print with a Bezel Supporting Grotesques Above Three Smaller Bezels, from a Series of Blackwork Prints for Goldsmiths' Work 1615 Etienne Carteron French Blackwork print with a large bezel with Schweifwerk. A winged grotesque stands on the central prong under a structure supported by a pair of figures on the outer prongs. At bottom, three smaller bezels with various Schweifwerk patterns. Plate 3 from a series of eight plates published in Chtillon-sur-Chalaronne (Ain) with blackwork designs for goldsmiths' work.. Blackwork Print with a Bezel Supporting Grotesques Above Three Smaller Bezels, from a Series of Blackwork Prints for Goldsmiths' Work 425486

Evening, from the series The Times of the Day 1807 After Philipp Otto Runge German. Evening, from the series The Times of the Day 376663

Painting, Anonymous, After Pierre Ranson, 1760 - 1784 print A trophy with flowers and attributes belonging to painting such as a palette, a easel and a book. Paris paper etching trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa)

The Fall of Icarus. Artist: John Doyle (Irish, Dublin 1797-1868 London). Dimensions: Sheet: 17 3/16 × 11 11/16 in. (43.7 × 29.7 cm). Lithographer: Ducôte and Stephen (British, active 1830-40). Publisher: Thomas McLean (British, active London 1788-1885). Series/Portfolio: HB Sketches, No. 354. Subject: Henry Peter Brougham (British, Edinburgh 1778-1868 Cannes, France); William IV, King of the United Kingdom of Great Britain and Ireland (British, 1765-1837). Date: November 29, 1834. Museum: Metropolitan Museum of Art, New York, USA.

Design for a rug. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 329 mm × w 207 mm. Museum: Rijksmuseum, Amsterdam.

Francois Boucher (1703-1770, as an artist): Brunnen

Decoration in a church, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Decoration in a church., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Shoki, the Demon Queller. Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 12 3/4 x 22 1/2 in. (32.4 x 57.2 cm). Date: dated 1790. Museum: Metropolitan Museum of Art, New York, USA.

The bowl has below a leaf chalice and above a protruding band with festoons supported by bow-knots. It is supported by a square base, with a plinth below and an upper molded panel with two lead chalices at the sides and rinceaux springing from a head in the inner panel. The lid forms a high curved pedestal, with a row of upright scrolls with chrubim in the lower intervals. On top St. John the Baptist as boy, sitting. Usual background. Date: ca. 1775. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Draft by Jost Amman showing Orpheus enchanting animals, possibly for goldsmith work, executed in dark gray ink; inner circle with Orpheus glued separately.

Ornaments with medusa heads and the all -seeing eye from the four -shears of the town hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1655 print Ornaments for between the Caratives above the reliefs in the Vierschaar on the Town Hall on Dam Square in Amsterdam. Left and right a Medusakop or Gorgo, in the middle the all -seeing eye with a palm branch and a sword. De Vierschaar was a public court that was only used by Schout and Aldermen for pronouncing death sentences. At the bottom marked: E. paper etching / engraving Gorgoneion, head of Medusa. the all-seeing eye, triangle with eye ~ symbol of God the Father City Hall of Amsterdam (1655-1808)

Vignet with Lier and King Midas. Vignet with a winch on top of a representation of Mercury, pan and king Midas with donkey ears. In rectangular frame.

Roche, Pierre (n.1855-D.1922-01-18), Femmes-Cygnes (flying): II. L'Envol (main title), 1916. Gypsography, draw in brown and blue .. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for a Quatrefoil with a Castle, Two Lovers, a Maiden Tempted by a Fool, a Couple Seated by a Trough, and a Knight and His Lover Mounted on a Horse. After the Master of the Housebook (German, active about 1470 - 1500)

Large Pendant, Lower Left and Right Two Creatures of the Sea. Dated: 1596. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Umbria Terni Acquasparta Palazzo Cesi3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Star Embellished with Flowers. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Johannes Hanias.

Menu with tulips, Barbara Elisabeth van Houten, in or before 1900 print Left four tulips. On the right a ribbon with the date 23 February 1900. paper etching flowers: tulip

Bovaert, IB, Southern Netherlands, Bouttats, Gaspar, Triomf staeck op recht door de Noble heeren Vant Magistraet Voor het stad-huys tot Antwerpen, Triomfzuil erected in front of the town hall, 1685, Triumphal gate erected by the magistrates of the city of Antwerp in front of the town hall. Column made up of coats of arms, banners and parts of armor. Part of the illustrations of the decorations erected in Antwerp on the occasion of the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585., print, prent, prints, prenten, Frederik Muller Historieplaten, height 340 mm, width 101 mm, 1640 - 1695, print maker, prentmaker, 1685 - 1685, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception

Bliżej Kultury Gebel, Andrzej (Fl. 1701 1750)

Large oval ornament and two vertical strips, 1612 print Leiden (possibly) paper engraving

Smoking cigar, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing paper. India ink (ink). watercolor (paint). pencil pen / brush cigar

Floral Ornament, Theo Colenbrander, 1918 drawing Design for an earth work decoration. paper. pencil brush unidentifiable plant forms ~ ornament

Italian ornament

Paris, Leviez, Charles, Pillement, Jean Baptiste, Hess, Johann Heinrich, Recueil Des Trophés Chinoises, Trophy with mirror and fan, verso - stamped, A trophy with flowers, a mirror with mask, a fan and a box with a pearl necklace., print, engraving, ornament print, prints, engravings, ornament prints, height 242 mm, width 164 mm, 1746, print maker, printmaker, 1770 - 1770, paper, papier, etching, etchings, French, 1728-05-24 - 1808-04-26, intermediary draughtsman, after a drawing by, 1708 - 1778, seller

Austin L Davison, Bracket, 1937 Bracket

Campania Napoli Naples S. Lorenzo Maggiore52. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Netherlands, Letter of Wishes with Ships and Playing Children, Letter of Wishes with blank cartouche within a decorative frame with representations of ships and playing children. Numbered lower right: No. 22., print, popular print, letter of wish, prints, popular prints, height 421 mm, width 335 mm, print maker, printmaker, 1780 - 1899, paper, colour lithography (process), Publication (Event), Publication, publisher

Fanière brothers, pendant (main title). Graphite, gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Fontein puts Sfinxen, Laurent Guyot, After Etienne de Lavallée-Pousin, 1810 print A fountain with birds, branches, arabesken, two peacocks, two putti, two birds, saters, garlands and two sphinxes. Paris paper etching ornamental fountain. sphinx (lion/woman); 'Sfinge' (Ripa)

Umbria Perugia Foligno Palazzo Trinci7. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Terni Palazzo Spada4. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Coat of Arms of John Frederic, Elector of Saxony, called the Magnanimous, 1546. Lucas Cranach (German, 1515-1586). Hand-colored woodcut with letterpress text; image, including text: 40.5 x 26.2 cm (15 15/16 x 10 5/16 in.); sheet: 41.8 x 27.6 cm (16 7/16 x 10 7/8 in.).

Potsdam, City Cock, Fortunaportal, Sculpture Group, Design

Design for Domed Ceiling for Mme Païva's Chateau at Neudeck ca. 1877-84 Jules-Edmond-Charles Lachaise French This beautiful design combines various 16th century ornaments in a monumental domed ceiling. It was designed by the Parisian architectural firm Lachaise and Gourdet which specialized in the interior decoration of upper-class houses and palaces from the 1840s until the last quarter of the 19th century. The design was part of their commission for the illustrious courtesan known as La Paiva’ who had worked her way up in society through several advantageous marriages. Her last husband, Count Guido Henckel von Donnersmarck, who was 11 years her junior and one of the richest men of his day, owned the Castle Neudeck, known as Little Versailles’ where they moved from Paris in 1877, and where she spent the last years of her life. Several designs by Lachaise and Gourdet for the castle survive, all executed in different Renaissance styles. This particular one is exceptional, for it shows

Brass Plate Memorial to John and Maud de Bladigdone, from Wickham Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm), architectural subject, England, Europe, London, United Kingdom

Drawing, Design for a Trophy; After Polidoro da Caravaggio (Italian, 1499 - 1543); Italy; pencil, pen, brush and sepia on paper

Ornamental Design for Knife Handle with Fire, from The Four Elements Made 1585-1595 Flanders. Engraving in black on ivory laid paper . Johann Theodor de Bry

Three designs for hunting horns. Three designs, probably for hunting horns, decorated with leaf raft, grotesken and medallions.

Fanière brothers, flower pendant (main title). Graphite, gouache on white paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Woodcut by Jörg Breu the Younger depicting the parable of the rich man and poor Lazarus, showing multiple figures and narrative elements, created in 1535.

Drawing, Design for a Candlestick; Designed by Joseph Anton Seethaler II (German, 1799-1868); Germany; graphite, pen and black ink, brush and wash on paper; 46.2 x 31.9 cm (18 3/16 x 12 9/16 in.)

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