Heraldic Coat of Arms

Artistic representations of family coats of arms and crests, showcasing intricate designs, colors, and symbols associated with heritage.

The coat of arms of Lorenz Staiber, woodcut by Albrecht Duerer, historical, digitally improved reproduction of an old woodcut

The coat of arms of Lorenz Staiber, woodcut by Albrecht Duerer, historical, digitally improved reproduction of an old woodcut

Watercolour painting of the Wijs Family coat of arms. Dated 1657

Coat of arms of the Bronckhorst family. Design for a glass window.

Albrecht Dürer, Coat of Arms of Maximilian as King of the Romans, 1504, woodcut on paper.

Vignette van Claes tetrode. Arm in an oval of leaves. Middle above a crown. In the middle of the coat of arms of the city of Haarlem.

Michel Le Blon, Crest Crest

Coat of arms and crest of His Royal Highness George Augustus, Prince of Wales, later King George II of England, 1683-1760. Copperplate engraving by Andrew Johnston after C. Gardiner from Notitia Anglicana, Shewing the Achievements of all the English Nobility, Andrew Johnson, the Strand, London, 1724.

Arm of Willem Bardesius ..

Coat of Arms, Belgium, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888 Issued by Kinney Brothers Tobacco Company Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.. Coat of Arms, Belgium, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes. 1888. Commercial color lithograph. Issued by Kinney Brothers Tobacco Company

Portada de la revista Nuevo Mundo, número extraordinario dedicado a la boda real de Alfonso XIII y Victoria de Batemberg. Dibujo en portada de los escudos de las casas reales. Año 1906.

Philipp IV., King of Spain.

Weapon of Van Twist, draughtsman: Willem de Groot, 1755, parchment (animal material), pen, brush, h 214 mm × w 169 mm

Coat of arms of Stiyleman le Strange, mid 19th century. Creator: Henry L'Estrange Styleman Le Strange.

Design (3) for alliance weapon. Draughtsman: Jan Brandes. Dating: 1743 - 1785. Measurements: h 250 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

Masonic Arms Arms granted to the Carpenters Company of London 6th Edward IV 1466 Engraving from the book The History of Freemasonry Volume II Published by Thomas C. Jack London 1883

Vignette with a coat of arms, a crown, weaponry and two wild men with buns, anonymous, 1600 - 1699 print paper vignette. coat of arms (as symbol of the state, etc.). insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). weapons. wild man, wodewose, woodehouse

Coat of arms of the city of Pisa, polychrome semiprecious stones, from the chapel of the Princes of the Church of San Lorenzo, Florence. Heraldry, Italy.

Vignet with the coat of arms of the city of Haarlem. The arm of the city of Haarlem with a tree, a crown, two lions and two clocks.

The coat of arms of Laurens Jacobsz de Witte, father of Anna Jacoba de Witte, with the arms of his four grandparents. Dating: 1750 - 1799. Place: Northern Netherlands. Measurements: h 22 cm × w 16.5 cm; d 3.2 cm. Museum: Rijksmuseum, Amsterdam.

Bookplate: Hoeufft van Oyen. Polak (fl. 17..-17..), graphic artist

Silver gilt shield executed by Corneille de Bonte, 15th century. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Arms of France and Navarre, print maker: Simon van de Passe, 1605 - 1647

FRUCTUS CONCORDIAE - VIÑETA. Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN.

Arms of the Counts of Botenlauben. Artist: Anonymous, German, Thuringia, 15th century. Dimensions: 7-5/16 x 6-5/16 in.. Date: 1480-1500. Museum: Metropolitan Museum of Art, New York, USA.

Santa Cecilia de Roma (200-230), dama romana, mártir. Estampería popular del siglo XVIII, pintado a mano.

Alliance weapon of Gerard Bicker and Cornelia Bicker, Pieter Jansz, 1660 - 1672 drawing Design for a stained glass window. paper. ink. chalk. pencil pen / brush armorial bearing, heraldry

Portière or table cover with coat of arms of a Knight of Santiago de Compostela. unknown c. 1550-1600 Tapestry Dimensions: H 10'3" x W 8'2" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Souhami 6/9/1915 (). In oval strapwork frame (BRD) pole with bunches of grapes within double ribbon spiral French & Co. stock sheet in archive, 2943 (stock sheet does not document this panel).

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, Q Piedestaux et Socles, Rome Ste et Victorieuse, Rome, verso - stamped, A pedestal with garlands and a medallion with the papal tiara and keys. On the pedestal are weapons, a helmet, a two-headed dragon, a shield with a winged head and a shield with three moons. Print number 22., print, ornamental print, prints, ornamental prints, height 379 mm, width 235 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Blazon of Cardinal Albrecht von Brandenburg. Date/Period: Ca. 1525 - 1530. Folio. Tempera colors, gold paint, and gold leaf on parchment. Height: 168 mm (6.61 in); Width: 114 mm (4.48 in). Author: Simon Bening.

heraldry, coat of arms, Germany, city arms, Rathenow, wood engraving, 1893,

Coat of arms with two lions, Bernard Willem Wierink, c. 1910 print paper coat of arms (as symbol of the state, etc.). fable of Reynard the Fox

Armorial bearings; Ok. PO. XVII century (1645-00-00-1655-00-00);White eagle (coat of arms), Pogoń (coat of arms), Wazowie (coat of arms), Wazów (family), embroidery, coats of arms, message (provenance)

Coats of Arms of Bishops (recto and verso) from Das Concilium so zu Constantz, plate 26 from Woodcuts from Books of the XVI Century 1536 Germany. Hand-colored woodcut on paper . Jörg Breu, the elder

Hans Burgkmair I, Coat of Arms with a Single Eagle, c 1505 Coat of Arms with a Single Eagle

ISLARIO GENERAL DE TODAS LAS ISLAS DEL MUNDO-PORTADA DE ANDRES GARCIA CESPEDES - SIGLO XVI. Author: ALONSO SANTA CRUZ (1505-1572). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Order of Maximilian, Bavaria, for Science and Art, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888 Issued by Kinney Brothers Tobacco Company Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.. Order of Maximilian, Bavaria, for Science and Art, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes. 1888. Commercial color lithograph. Issued by Kinney Brothers Tobacco Company

Eight of fifteen shields have been filled in, Fifteen coats of arms, Michiel le Blon, (attributed to), print maker: anonymous, publisher: anonymous, Amsterdam, 1892, paper, engraving, h 149 mm × w 235 mm

Album # 2; Stained Stained Stained Retail Stained Herraldic, White Cross Ecusson on Red Background, Crown in a Medaillon Gsell-Laurent workshop. Album # 2; Heraldic stained glass detail, white cross crest on red background, crown in a medallion. Chromolithography.

Netherlands, Amsterdam, Linden, G. van der, Geer, EPA (II), Driekoningenkroon, verso - gestempeld, Crown to cut out. These crowns were worn during the Epiphany festival after the notes had been drawn. The crown depicts Mary, Joseph and the three kings., print, prent, volksprent, prints, prenten, volksprenten, height 174 mm, width 431 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1860 - 1875, paper, papier, woodcut, Dutch, printer, drukker, printmaker

Coat of arms of the Overlander family, Pieter Jansz, 1660 - 1672 drawing Possibly a design for a stained glass window. paper. ink. pencil. chalk pen / brush armorial bearing, heraldry

Arms of the Foundling Hospital London founded by Thomas Coram

Family crest of the Rothschild banking family. The Rothschild's were a family financial dynasty in the 18th to 20th century

The Lower Sticht van / Utrecht / Bestaet Uyt Dese three members / 1st. Uyt eight commissioned of the five capittles, / the 2nd. Uyt the nobles or knighthood, / the 3rd. Uyt the rulers of the Vyf cities, / to the Mandende in the Opperhoocheyt deser Provintie, Welcker / Namur and Weapon -Chickeners were displayed here.

Woodcut by Albrecht Dürers workshop from 1515 depicting the Habsburg coat of arms at the honorary gate of Emperor Maximilian I, showing heraldic details and architectural ornamentation.

Barge-flag: achievement of arms of the Worshipful Company of Barber-Surgeons of London. Gouache on cloth.

Shield is believed belonged to Charles V, vintage engraving. Shield is believed belonged to Charles V, vintage engraved illustration. Magasin Pittoresque 1847. Copyright: xZoonar.com/PatrickxGuenettex 10673182

heraldry flag banner flag of flagship ship of Sir Francis Drake City Museum Plymouth emblem France England 16th century lion lions animal animals Great Britain French lily lilies quarter,

Stained-glass window ca. 1656 Evert Duyckinck American Evert Duyckinic was one of the earliest artists in glass in this country. When he immigrated with his family to New Amsterdam in 1638, he was recorded in historic documents variously as a glass stainer,” or a limner.” This window, which is decorated with the Van Rensselaer coat of arms, was one of several armorial panels given in 1656 to the First Dutch Reformed Protestant Church of Beverwyck (present-day Albany), New York. The donor of this example was Jan Baptist Van Rensselaer, director of the large estate known as Rensselaerwyck. After the church was demolished in 1805, the window was installed at the head of the staircase in the Van Rensselaer Manor House. The entry hall from that house can be seen on the second floor of the American Wing (gallery 752).. Stained-glass window 9817

Northern Ireland,Belfast,Stained Glass Window in the Crown Liquor Saloon

Cles bishop coat of arms, stenico, Italy

Peterhof Palace, a series of palaces and gardens located in Petergof, Saint Petersburg, Russia. Commissioned by Peter the Great as a direct response to his visit to the Palace of Versailles. In the period between 1714 and 1728, the architecture was designed by Domenico Trezzini, and the style he employed became the foundation for the Petrine Baroque style

Bookplate of Wojciech Dobiecki. unknown, graphic artist

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794-1879, British, 1837, garphite, pen and black, brown and red ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm), architectural subject

heraldry, coat of arms, Germany, city arms, Auerbach, wood engraving, 1892,

Coat of arms of the Pizarro brothers; Spanish conquistadors who came to Peru in 1530

heraldry, coat of arms, Belgium, state coat of arms of the Kingdom of the Belgians, wood engraving, 1872,

Case printing depicting a hat U with white ordered; 1914-OK. 1921 (1914-00-00-1921-00-00);

Coat of arms of the Paris Goldsmiths Guild, France. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)29. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

The Seal of Richard the Lionheart, England, Historical, digital reproduction of an original from the 19th century

Coat of arms of Admiral Maarten Harpertsz. Tromp. Draughtsman: anonymous. Dating: 1608 - c. 1653. Measurements: h 100 mm × w 143 mm. Museum: Rijksmuseum, Amsterdam.

'Bookplate of Willibald Pirkheimer', c1502-1503, (1906). Artist: Albrecht Durer.

MEDALLON con el escudo de la ciudad de CORDOBA. Representación del puente romano y las murallas de la ciudad. Se encuentra en una de las paredes del Alcázar de Sevilla. Sevilla. Andalucía. España.

Daniel Lysons, 1762-1834, British, Memorials to Richard Carmarden and Thomas Wigg, Chislehurst, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Patri. / R�publique French Installation (Ti)

heraldry, emblem, Germany, signum of the academy of the natural scientist ""Leopoldina"", Halle, 1652, wood engraving, 19th century,

External detail from a church in Florence, Italy. Stonework reliefs, sculptures, and aesthetic embellishments adorn the outside of this church in Florence. This image shows a shield.

Heráldica. Escudo de Andorra. Grabado de 1900.

Design for an Embroidery or a Woven Fabric, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, The Napoleonic Eagle standing before a laurel and an ivy wreath. Three stars are over his head. A cross of the Légion d'honneur is suspended on a ribbon from the thunderbolt., France, 1805-1814, Drawing, Drawing

Friendship Quilt Block. Dated: 1935/1942. Dimensions: overall: 48.1 x 45.5 cm (18 15/16 x 17 15/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Florence Truelson.

Coat of arms of the archbishop Sigmund Graf Schrattenbach on the statue of the Virgin Mary, Cathedral Square, Salzburg, Austria, Europe

The Red dragon of Wales. one of 'The Queen's Beasts'. Drawn by Edward Bawden CBE RA (1903 1989) was an English graphic artist.

Leopold I.

SAN AMBROSIO-DET MANTO CON DIBUJO FLORAL (CONJ 91312). Author: FRANCISCO DE ZURBARAN. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN.

Albertus Dei Gracia Romanorum Rex Semper augustus, Albert grace of God, King of the Romans august, the seal Albrecht of Austria, 1880, woodcut, Germany, Europe

Great seal of Henry VII of England (1457-1509). Engraving, 19th century.

Alexander III, Czar of Russia, from the Rulers, Flags, and Coats of Arms series (N126-2) issued by W. Duke, Sons & Co. 1888 Issued by W. Duke, Sons & Co. Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-2), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.. Alexander III, Czar of Russia, from the Rulers, Flags, and Coats of Arms series (N126-2) issued by W. Duke, Sons & Co.. 1888. Commercial color lithograph. Issued by W. Duke, Sons & Co. (New York and Durham, N.C.)

The third fifteen minutes of the coat of arms of M.A. de Ruyter, Anonymous, in or after 1677 shield Crowned wooden coat of arms, cut out in relief. Silver ship on the green sea against blue stock, bottom of the crown red, the crown itself gilded. The ship is now black. Netherlands wood (plant material) Faeröer

Coat of arms of the Right Honourable Henry Boyle, Lord Carleton, 1st Baron Carleton, 1669-1725. Copperplate engraving by Andrew Johnston after C. Gardiner from Notitia Anglicana, Shewing the Achievements of all the English Nobility, Andrew Johnson, the Strand, London, 1724.

Cartel de la Exposición Universal celebrada en Barcelona, Abril-septiembre de 1888.

Coat of arms and crest of the right noble John Sheffield, 1st Duke of Buckhimhamshire, 1648-1721. Copperplate engraving by Andrew Johnston after C. Gardiner from Notitia Anglicana, Shewing the Achievements of all the English Nobility, Andrew Johnson, the Strand, London, 1724.

Heráldica. Escudo de Liberia. Grabado de 1900.

heraldry, coat of arms, Poland, city arms, Opole, wood engraving, 1893,

Middle ages initial capital letter C depicting a Dragon. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Royal coats of arms of Britain Henry VIII 1518, 1535; Elizabeth I 1576, 1578; Charles I; William & Mary 1689 Anne 1713; George I 1725; George II 1749;George III 1785 Date: 16th to 18th centuries

heraldry, coat of arms, Germany, city arms, Iserlohn, wood engraving, 1875,

heraldry, coat of arms, Germany, city arms, Arnstadt, wood engraving, 1892,

Louis de Gouvys. "Le Nouvellin de Vénerie", 16th century. Adaptation from several chapters of the "hunting book" composed by Gaston Fébus, count of Foix (1331-1391). In-folio manuscript connected by Georges Trautz, known as Trautz-Bauzonnet (1808-1879). Museum of Fine Arts of the City of Paris, Petit Palais. 72449-1 Wing, coat of arms, armor, knight, shell, crown, dragon, illumination, fleur -de -lis, livre, manuscript enlumin, nouvellin, renaissance francaise, Terourie, venerie, XVIE XVIth 16th 16th 16th 16

Heráldica. Escudo de Italia. Grabado de 1900.

heraldry, coat of arms, Germany, city arms, Meissen, wood engraving, 1893,

Heráldica. Escudo de Austria. Grabado de 1900.

Portrait of Ptolemy II and Arsinoe

Heraldry - Blazonry, Heraldry - Crests

Collage of Lord and Lady Yarborough beneath Lady Yarborough's monogram. Unknown about 1864 This photograph sits in an album that intermixes pages of cartes-de-visite with full-page photocollages. Victorian collagists took their photographic materials primarily from cartes-de-visite. Patented by André Adolphe Eugène Disdéri in 1854, the carte-de-visite was easily and inexpensively printed (84.XD.1157.2179). By the 1860s, _cartomania _had taken hold. It became customary to exchange cartes-de-visite on social calls. These small studio portraits measure 3 ½ x 2 1/8 inches, about the size of a playing card. It is not known whether they removed the photographs from the thick cardstock on which they had been mounted or obtained unmounted prints from the photographer. People also collected cards of the royal family, actors, and politicians (see for example, the image of Princess Christina of the United Kingdom found in this album). A womans collection of cartes-de-visite visually displayed her

heraldry, coat of arms, Germany, city arms, Warenburg, wood engraving, 1875,

Armorial Bearings of Dominion of New Zealand, 1911, London, by James McDonald.

Fresco with coats of arms and knights on the former blacksmiths guild house, Kempten, Allgaeu, Bavaria, Germany, Europe

Abdülaziz.

heraldry, coat of arms, Germany, city arms, Minden, wood engraving, 1893,

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