Heraldic Crests and Arms

A collection of historical crests and coats of arms featuring intricate designs, vibrant colors, and regal motifs from different time periods.

The arms of Belgium with a lion to the left, a lion to the right, and a third in the middle... Date: mid 19th century

Crest: Name of Fairfield, c. 1790, John Coles, American, 1749 - 1809, 12 x 8 15/16 in. (30.48 x 22.7 cm) (sheet), Watercolor and ink over graphite heightened with gouache and gilding on off-white wove paper, United States, 18th century

The arms of Belgium with a lion to the left, a lion to the right, and a third in the middle... Date: mid 19th century

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 1v, Arms and Mottoes of Isabel la Católica, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

William Roberts, Coat of Arms, c 1936 Coat of Arms

Heritage Chodkiewicz II, Rozryk Z (): "A collection of woodcut in the Library of the Jagiellonian University preserved", Kraków 1849, No. 1779, according to: Maciej Miechowita "Chronica Polonorum", Kraków 1521; Czachórski, Władysław (1850-1911); after 1870 (1870-00-00-1875-00-00);

Decorative project for a civil stained glass window with heraldic pattern. (Dummy title)

Civil Vitrail Drawing - Two Ecus under a Crown Prosper Lafaye (1806-1883). Civil stained glass drawing: two ecus under a crown, between 1845 and 1875.

Watercolour - Arms granted to Frobisher Anonymous

Netherlands, Letter of greeting with a naval battle, cannons and flags, verso - stamped, Letter of greeting with blank cartouche within a decorative frame with representations of a naval battle, cannons and flags. Numbered lower left: No. 5., print, popular print, letter of greeting, prints, popular prints, height 435 mm, width 355 mm, print maker, printmaker, 1780 - 1899, paper, lithography (technique), colours, Publication (Event), Publication, publisher

SPEISENFOLGE held by NORDDEUTSCHER LLOYD BREMEN at "SCHNELLDAMPFER ""HOHENZOLLERN""" (SS;). Buttolph, Frank, 1850-1924. Menus. 1901. Rare Book Division

Civil stained glass drawing: Coat of arms Prosper Lafaye (1806-1883). Civil stained glass drawing: coat of arms, between 1845 and 1875.

Memorial to Mr. Thomas Lant also to Mr. Robert Harington from Hornsey Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 1/2 × 10 7/8 inches (36.8 × 27.6 cm), architectural subject, church, memorial, England, Greater London, Hornsey, Hornsey Parish Church, London, United Kingdom

DINNER held by NORDDEUTSCHER LLOYD BREMEN at EN ROUTE ABOARD DAMPFER LAHN (SS;). Buttolph, Frank, 1850-1924. Menus. 1901. Rare Book Division

American 20th Century, Architectural Carving, 1935 1942 Architectural Carving

Valley of one of the regiments on Holland. Ecru, on the middle the coat of arms of Holland, covered with crown with red hat without brackets. The shield in golden symmetrical cartouche is held by two leaving lions standing on a blue banderole with orange lining. In classic golden capitals: Pro Patria. The banderole is part of a trophy of four strictly symmetrically orderly banners. Attendance two unbiked laurel branches with orange windows, together underneath by orange bow. The painting in one of the corners is missing at the top. Parade side identical.

DINNER held by NORDDEUTSCHER LLOYD BREMEN at "EN ROUTE ""FRIEDRICH DER GROSSE """ (SS). Buttolph, Frank, 1850-1924. Menus. 1901. Rare Book Division

Valley of one of the Scottish regiments. Ecru, in the middle the arms of the king of England-Hannover, surrounded by the order of the garter (the buckle of it is kept at the front and the parade side on flight side) by a crowned leopard, and a unicorn with a golden crown To the neck, a gold chain of which depends (resp. Symbol of England and that of Scotland). Above a helmet with open visor, covered with a royal wreath. The helmet is surrounded by symmetrical decorative praise, which extends above the carriers. Under the weapon is an asymmetrical cartouche. Under the cartouche a blue banderol draped with in golden classic capitals: Dieu et Mon Droit. Parade side identical, but the carriers mirror image.

Ferdinand Bellan. "Decorative banner with the weapons of the city of Paris, a phylactère bearing the motto and branch branches (left)". Oil on canvas. Paris, Carnavalet museum. 27113-5 Weapons, coat of arms, decorative banner, branch branch, decoration, motto, flower lily, galere, phylactere, city paris, oil on canvas

A pencil and watercolor depiction by Rudolf Weyr of a coat of arms flanked by two putti, showing color and heraldic detail.

Design for an Embroidered or Woven Corner Motif of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A calyx is obliquely shown at an angle; it carries an oblong from which two leaves rise. Serpents stand upon these, separated by a rosette which frame sthe bottom of a lace panel, the other sides of which are bordered by paper. A pair of pylons and a kind of crown. A crescent and a star stand over the motif which is enclosed laterally by two leaf boughs rising from the calyx., France, 1800-1825, Drawing, Drawing

Rev. James Bulwer, 1794-1879, British, One from A Volume of Drawings and Prints, 1837. garphite, pen and black, brown and red ink, watercolor on slightly textured, moderately thick, cream wove paper.

Banners of the honors of Tholen, Schouwen and Duiveland, 1862; Tholen, Schouwen and Duiveland / IV..Fifteen Banners of the Honorary Vowers on the Islands Tholen, Schouwen and Duiveland During The visitors of King Willem III to Zeeland on 21-30 May 1862. Illustration in The Book 'Willem III in Zeeland'.

'T' - illustrated in a medieval style. Date: 15th century

ARTE S. XIX. MODERNISMO. DOMENECH I MONTANER, Lluís (Barcelona,1850-Barcelona,1923). Arquitecto modernista. Boceto original con la representación de una AGUILA destinada a la ornamentación de la Universidad Eclesiástica de Comillas (Santander) .

Weapon carpet of King William III, Stadholder of the Netherlands, and Queen Mary Stuart II, Jan Cobus, c. 1689 - c. 1694 Wall carpet of William III, King Stadholder (1650-1702), from a series of eight (type A, with the standing gods figures). Marked with the city coat of arms of Brussels and signed I. Cobvs. maker: Brusselsdesigner: The Haguemaker: The Hague ketting: wool. inslag: wool. silk. metal thread tapestry coat of arms (symbol of sovereignty). crown (symbol of sovereignty). (story of) Hercules (Heracles). (story of) Apollo (Phoebus)

MINIATURA CON EL TRIUNFO DE LA CASTIDAD - SIGLO XV. Author: FRANCESCO PETRARCA (1304-1374). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Album # 1, detail of a stained glass window with arms and currency of Marguerite d'Austria "Fortune-misfortune According to the Gsell-Laurent workshop. Detail of a stained glass window with the arms and currency of Marguerite of Austria "Fortune-Infortune". Chromolithography.

Banners of Walcheren's honorary guards, 1862, 1843 Seven banners of the honorary guards on the island of Walcheren during the visit of King William III to Zeeland on 21-30 May 1862. Illustration in the book 'Willem III in Zeeland'. After Drawing at: Zeelandprinter: MiddelburgPublisher: Middelburg paper Walcheren Seven banners of the honorary guards on the island of Walcheren during the visit of King William III to Zeeland on 21-30 May 1862. Illustration in the book 'Willem III in Zeeland'. After Drawing at: Zeelandprinter: MiddelburgPublisher: Middelburg paper Walcheren

Wapen van M.A. de Ruyter, anonymous, in or after 1676 - in or before 1683 shield Crowned wooden coat of arms, worn by a crowned golden lion and a crowned silver horse and resting on two green dolphins; Entirely cut and polychromed in relief. Netherlands wood (plant material)

Bookplate of Lucien Layus. Fau, Ferdinand (1858-1919), graphic artist

Coat of Arms of William Frederick, Prince of Orange as Sovereign Sovereign, 1814, anonymous, 1814, The coat of arms of William Frederick, Prince of Orange as Sovereign Sovereign of the Netherlands in 1814, on a pedestal among green. The coat of arms composed according to the Royal Decree of 14 January 1814. On either side of the coat of arms with king's crown two lions with royal crowns, around the coat of arms the Order of the Garter with the motto 'Honi Soit Qui Mal Y Panse'. On either side of pedestal trophies of arms and banners., draughtsman: anonymous, Netherlands, 1814, paper, pen, brush, h 290 mm × w 437 mm

Przeszo Przyszoci unknown

The Austrian and the German , Kaiserhaus Stammburgen, picture part , It is probably ordered for a castle where German loyal shield guard holds, After, Konrad Albert Koch -, artist

The coat of arms of and the sundial on Obertorturm tower, Haigeracher Tor Gate, 17th century, Victor-Kretz-Strasse street, Gengenbach, Baden-Wuerttemberg, Germany, Europe

Window with coat of arms with birds and lilies and caption "Dirck de Wyn Jacobz ende ... syn house woman 1619", anonymous, 1619 Oval weapon window with three white birds on blue and three red lilies on gold in the coat of arms. Caption in Cartouche: "Dirck de Wyn Jacobz ende ... syn huysvrouw 1619 glass. lead (metal). Oval weapon window with three white birds on blue and three red lilies on gold in the coat of arms. Caption in Cartouche: "Dirck de Wyn Jacobz ende ... syn huysvrouw 1619 glass. lead (metal).

Bolshoi Theatre by Boris Vasilievich Zvorykin, colour lithograph, 1912, 1872-after 1935) Russia, Moscow, State History Museum, 34x24

Shield is believed belonged to Charles V, vintage engraved illustration. Magasin Pittoresque 1847.

Front cover of 'Narkiss' 1908 by Jean Lorrain (1855 - 1906), born Paul Alexandre Martin Duval, Lorrain was a French poet and novelist of the Symbolist school. Lorrain was openly gay, often citing ancient Greece as noble heritage for homosexuality. Narkiss (Narcissus), was one of the symbols of the homosexual subculture around 1900. Physical beauty and an early death were indispensible qualities for such mythological figures.

The Royal Crest of a Lion and Unicorn with the text 'Dieu et mon droit' motto of the British Monarch in England. Dated 1897

Napkin, woven in memory of the throne rise of Archduke Charles of Austria as emperor of the Holy Roman Empire in 1711, in or after 1711 Servet van Linen, with inscription Carolo Caesari, woven in memory of the throne rise of Archduke Karel of Austria, as emperor Karel VI, emperor of the Holy Roman Empire in 1711. Kortrijk linen (material) damask Servet van Linen, with inscription Carolo Caesari, woven in memory of the throne rise of Archduke Karel of Austria, as emperor Karel VI, emperor of the Holy Roman Empire in 1711. Kortrijk linen (material) damask

Naples flag, Anonymous, 1667 - 1670 drawing Flag of the Kingdom Naples. White flag with two mermaids as weapon carriers on either side of a weapon with four yellow Fleurs de Lys under a red bar, awarded the weapon with a royal crown. Two flags stick out of the weapon, left with white-blue checkered diagonal and on the right with three black-ranging lions on a yellow field. Flag on flagsteng and mast foot. Shown on folio 24r. Part of a flag book with flags from Europe, North Africa, Near and Far East. France paper. ink. watercolor (paint) pen / brush flag, colours (as symbol of the state, etc.) Kingdom Naples. Naples

Guide for Constructing the Letters f and g. Date/Period: Ca. 1591 - 1596. Folio. Watercolors, gold and silver paint, and ink on parchment. Height: 166 mm (6.53 in); Width: 124 mm (4.88 in). Author: Joris Hoefnagel.

Memorial to Col. Shadwell, late superintendent of the International Exhibition: device on the address, 1862. '...rumour of wars has called away the gentleman who was nominated to the office of general manager of the Great Exhibition, 1862. Colonel Shadwell leaves...to join our army in Canada, the Superintendents of Classes of the International Exhibition presenting him with a memorial and a handsome signet ring in token of their regard, which were given last week (on the eve of the gallant gentleman's departure) at the Society of Arts. We engrave the device from the illuminated address...The d

ESCUDO Y BANDERA DE LA COMUNIDAD AUTONOMA DE MADRID - Conj nº 146328. Author: JOSE MARIA GARCIA ROYO (1922-1996). Location: SENADO-PINTURA. MADRID. SPAIN.

RVD / Royal House photo collection. Prince Claus weapon. zd}

TEMPLETE CAMPANA DE LAS HORAS CON ESCUDOS DE LA EPOCA. MARQUES DE LA MINA. Museum: Museo de Historia, Barcelona.

Escutchedon of Peter I (1334-1369) the Cruel. King of Castile and Leon. Author: Magin Pujades.

Wall Design. Dated: 1935/1942. Dimensions: overall: 55.5 x 76.1 cm (21 7/8 x 29 15/16 in.). Medium: silkscreen on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Królewska Poland from the portrait: Krzysztof Józef Werner, Stanis August in a coronation costume, from the collections of the magistrate of the Capital City of Warsaw Warsaw in 1915, a gift for the National Museum in Warsaw in 1916 - view in a 1: 1 scale; Sztolcman, W Adys Aw Roman (1873-1950); 1915 (not after 19.08.1915) (1915-00-00-1915-00-00);

The Letter 'Y', from book ABC by Theodore Howard, USA, Illinois, Chicago, Newberry Library

Emblems for Royal Crown Lodge No. 22. Artist Unknown; English, 19th century. Date: 1810-1815. Dimensions: 63.5 × 80.7 cm (25 × 31 3/4 in.). Oil on panel. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Golden Cockerel.

Sickness with the Brodnica coat of arms; 1745 (1745-00-00-1745-00-00);Brodnica, Banner, Vexiil

Lombardy Milano Milan S. Ambrogio39. Hutzel, Max 1960-1990 Medieval: Founded 386-389 by S. Ambrogio, bishop at the time of emperor Teodosio. Remodelled 789, 859, 1098-1128, 1196. Decoration of basilica drastically altered over centuries, until 1858 when restored to original aspect. Restoration lasted until 1890. Exterior views of architecture and architectural sculpture, some of which contains re-used Roman fragments and architectural elements. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hearse carrying Horatio Nelson's remains, print. Napoleonic Wars, England, 19th century.

The coat of arms of Anna Jacoba de Witte, wife of Jacob Verheye van Citters, with the coat of arms of her four grandparents, Anonymous, 1750 - 1799

China, from the National Flags series (N195) issued by Wm. S. Kimball & Co. 1891 Issued by William S. Kimball & Company Trade cards from the "National Flags" series (N195), issued in 1891 by W.S. Kimball & Co. to promote Hard Tack Cut Plug and Mechanics' Long Cut Tobacco.. China, from the National Flags series (N195) issued by Wm. S. Kimball & Co.. 1891. Commercial color lithograph. Issued by William S. Kimball & Company

The royal coat of arms of Britain during Victoria's reign. Date: 19th century

Hose Holder for Hand Engine. Dated: c. 1937. Dimensions: overall: 38.3 x 51 cm (15 1/16 x 20 1/16 in.). Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Elmer G. Anderson.

Flags of the Navy of the Batavian Republic, 1796, Hendrik Roosing, 1796 print Four variants of the new flag of the Navy of the Batavian Republic, introduced March 1, 1796. The various forms are: Standard, Pennant, Geus and Vlag. The flag of the navy distinguishes itself by the addition of an allegorical emblem in which the Dutch Virgin and the Dutch Lion together hold a spear with the hate of freedom. Rotterdam paper etching / engraving flag, colours (as symbol of the state, etc.). (military) flags and standards (+ naval force)

SALON DEL TRONO - LA LIBERACION DE CARLOS II EL MALO REY DE NAVARRA (1332-1387) - 1864. Author: AZNAR F / CORONA C / FERRANT A. Location: DIPUTACION FORAL. Pamplona. SPAIN.

Capital U, Lucien Pissarro, 1907 print First sheet of the second chapter from the book "Riquet à la Houppe" (Riquet with the Tinty). The capital you as a frame of a performance with the young girl and Riquet. Under the image text and flower ranks. On Verso text. print maker: Englandprinter: Hammersmith paper letterpress printing fancy letters. illustration ~ printed matter, book

Diderick van Waerdenborch's coat of arms, c. 1500 - c. 1700, paper, ink, watercolor (paint), chalk, brush, h 96 mm × w 140 mm

Keystone, 1488, coat of arms painting 18th century, St. Egidienkirche, Beerbach, Middle Franconia, Bavaria, Germany, Europe

Patchwork Quilt. Dated: 1935/1942. Dimensions: overall: 45.8 x 51.4 cm (18 1/16 x 20 1/4 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Florence Truelson.

Six Designs for Decorated Plates. Artist: Alfred Henry Forrester Alfred Crowquill (British, London 1804-1872 London). Dimensions: sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm). Patron: Probably commissioned by Samuel Alcock & Company (British, active ca. 1828-1859). Date: 1845-55. Museum: Metropolitan Museum of Art, New York, USA.

Madonna, Azulejo on a wall, Sevilla, Spain, Europe

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 72, "And the Thirty-two Counties....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Jerusalem, Plate 72, 'And the Thirty-two Counties....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 5 7/8 inches (22.5 x 15 cm), angels, fire, flames, globe, gowns, literary theme, planet, religious and mythological subject, serpent, smoke, snake, sphere, sun, text, wings, women

Songs of Innocence, Plate 22, 'Nurse's Song' (Bentley 38), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 5/8 x 3 1/8 inches (11.7 x 7.9 cm), and Plate: 4 1/2 x 3 1/8 inches (11.4 x 7.9 cm), branches, children, comb, fruit, grapes, leaf, literary theme, men, mother, pairs, procession, text, trees, vegetation, vines, vineyard, walking, women

Golden lion figure with coat of arms and inscription Gasthaus zum goldenen Loewen and year 1709, historical, Wilhelmstrasse, Hachenburg, Westerwald, Rhineland-Palatinate, Germany, Europe

Charles Meryon, La loi lunaire, 1856, etching on paper.

Decoration and at the pump on the large market in Middelburg, on the occasion of the XVII country household congress, from the 17-21 Juny 1862. from the Societeit, on 26 May 1862. Decoration around the pump The Grote Markt in Middelburg, on the occasion of the XVIA country household congress that is held in Middelburg between 17-21 June 1862.

Lafrensen, Niclas vnh., work, Miniature 15 Swedish monarchs, watercolor on paper, special category: miniature

Coats of arms of the Nine Worthies: Joshua with lions head, Hector of Troy with lion in a chair, and King David with harp and Hebrew characters. JOSUE, HECTOR de Troye, Le Roy DAVID. Handcoloured woodblock engraving from Hierosme de Baras Le Blason des Armoiries, Chez Rolet Boutonne, Paris, 1628.

Drum. Dated: c. 1936. Dimensions: overall: 38.1 x 40.8 cm (15 x 16 1/16 in.). Medium: watercolor and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Stewart Wheeler.

Atchievements & Charges, Heraldry - Crests

Wall painting with coat of arms, four brewers and the saying -Hopfen und Malz Gott erhalts-, Kempten, Allgaeu, Bavaria, Germany, Europe

Baroque art. Sacred art. Plaque. Silver. Seu d'Urgell. Catalonia. Spain. 17th century. Esmerald. Detail.

ESCUDO DE CASTELLON EN MOSAICO. Location: España Square. Sevilla. Seville. SPAIN.

Second Childhood' tile, c. 1870, Possibly after Walter Crane; Maker: Minton and Company, Stoke-on-Trent, Staffordshire, England, est. 1793, 6 x 6 x 5/16 in. (15.24 x 15.24 x 0.79 cm), Glazed earthenware, England, 19th century

Sword symbol of Saint Paul, stucco decoration, basilica of Saint Paul Outside the Walls, Rome, Italy

SATIRA - REVISTA LA FLACA - 14 DE MAYO DE 1871. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID.

FRANCE, Paris, old painting on wall of shop selling milk, cheese and egg

Fresco painting on the ceiling of the church

Sacre Coeur de Montmartre basilica, Paris, France. Coat of arms relief

Textile (State Emblems). Dated: c. 1937. Dimensions: overall: 51.2 x 66.2 cm (20 3/16 x 26 1/16 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Angelo Bulone.

George Washington Banner. Dated: c. 1939. Dimensions: overall: 73.3 x 53.4 cm (28 7/8 x 21 in.) Original IAD Object: 25" long; 17 1/2" wide. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Michael Trekur.

Beim Trinken und beim Essen sollte man Gott nicht vergessen or While drinking and eating, one should not forget God, mural, Schloss Hohenschwangau castle, Allgaeu, Bavaria, Germany, Europe

Title print for, Avium vivae Icones..., Adriaen Collaert, 1570 - 1616

Design elements from the 16th century. Detail of the rood screen in Limoges Cathedral, 1 badge on the tomb of Valentine Balbiani in the church of Sainte Catherine du Val, 2,3 details from Evreux Cathedral, alphabet from initial letters MNOPQRST in documents of the Royal Chateau de Blois. Chromolithograph designed and lithographed by Ernst Guillot from Elements d'Ornementation du XVIe Siecle, Elements of Ornament of the 16th century, Renouard, Paris, 1890.

Portrait of King Richard III of England, surnamed Crookback. With cap, ermine mantle, sword and crown. Emblem indicates assassins supporting the crown. Handcoloured steel engraving after an illustration by Mary Ann Rundall from A Symbolical History of England, from Early Times to the Reign of William IV, J.H. Truchy, Paris, 1839. Mary Ann Rundall was a teacher of young ladies in Bath, and published her book of mnemonic emblems in 1815.

The Book of Thel, Plate 3, 'Thel / I / The daughters of Mne Seraphim . . . .', Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm) and Plate: 6 x 4 1/4 inches (15.2 x 10.8 cm), children, eagles, leaf, literary theme, men, nudes, shields, swords, text, vines, women

Vasco da Gama Painting in St Francis Church, kochi, kerala, India, Asia Copyright: xAnilxDave/DinodiaxPhotox

Historical coat of arms disc of Luedenscheid, Museum der Grafschaft Mark, Altena Castle, Altena, Sauerland, North Rhine-Westphalia, Germany, Europe

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