Heraldic Crests and Coat of Arms

Various artistic representations of coats of arms and heraldic designs, featuring ornate decorations, animals, and historical references from different periods.

Coat of arms of Louis XIV, King of France, 1668, paper, deck paint, watercolor (paint), gouache (paint), brush, h 189 mm × w 127 mm

Heraldic exlibris; And after. 19th century (1800-00-00-1850-00-00);acanthus, white weapons, heraldic exlibris, men's heads, heraldic helmets, rank crowns, lions, ornaments, coat of arms, heraldic animals

Coat of Arms of Maximilian I as King of the Romans Published 1517 Germany. This double-sided book illustration presents the heraldry of the soon-to-be Holy Roman Emperor Maximilian, Albrecht D¸rerís patron. The chain of stylized flints and firebrands with a dangling sheepskin denotes the Emperorís membership in the exceedingly prestigious Order of the Golden Fleece, while the central eagles and griffins refer to his various territories. The shield of the author Florian Waldauff appears on the verso, in a woodcut also not by D¸rer. Evidently the recto block wore out in the 1500 first edition of the Revelations of Saint Bridget; the 1517 edition replaced D¸rerís very similar design with this entirely new one.. Woodcut in black on ivory laid paper . Albrecht Dürer

SIN DOCUMENTAR PERSONAJES SIGLO XIX/XX.

Coat of arms of Frans Banningh Cocq, Pieter Jansz, 1648, draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1648, paper, pen, brush, h 227 mm × w 155 mm

QUEEN ELIZABETH I (1533 - 1603) depicted in a capital 'C' in John Dee, 'General and Rare Memorials pertayning to the perfect Arte of Navigation'

Coat of arms of Karel, Duke of Aarschot, Prince of Chimay, Duke of Croij.coat or Arms or Charles, Duke of Aarschot, Prince of Chimay, Duke of Croij (1560-1612).

Design for glass window 13 donated by Reinier Pauw, Dijkgraaf and Bailiff from the Amstelland Water Board.

Coat of arms of Louis XIV, King of France, 1668, paper, deck paint, watercolor (paint), gouache (paint), brush, h 189 mm × w 127 mm

Design for stained glass window 8 donated by Prince Willem Hendrik at the age of seventeen, Pieter Jansz, 1665 - 1667, draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1665 - 1667, paper, pen, brush, h 586 mm × w 229 mm

Coat of arms, possibly of the van Zaanen family, anonymous, 1600 - 1749, draughtsman: anonymous, c. 1500 - c. 1700, paper, brush, h 268 mm × w 200 mm

Dutch virgin and the Dutch lion in an ornamented picture frame with a crown, two lions and the year '1864'. .

Coat of arms of Louis XIV, King of France, Anonymous, 1668 drawing paper. watercolor (paint). pen / brush armorial bearing, heraldry

Design for stained glass window in Kerk in Oudshoorn, Pieter Jansz, 1663 - 1667 drawing Above Justitia surrounded by Putti, in the middle the alliance weapon of Willem van Ruytenburgh, lord of Vlaardingen and Alida Jonckheyn. paper. ink. chalk pen / brush Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. armorial bearing, heraldry. church-window, e.g. rose-window

Royal Crest with Crown and Flags and InterlacedLs, 18th-17thCentury, Engraving, image: 12.1 × 16.8 cm (4 3/4 × 6 5/8 in.), possiblyFrench, 17th or 18thcentury, Works on Paper -Prints

Shield of Edward IV (1442-83), King of England, in his Capacity as Knight of the Order of the Golden Fleece.Arms board of Eduard IV (1442-83), king of England, in his capacity of knight in the order of the golden fleece. Belongs to SK-A-4642. Coming from the choir of Sint Jan in Den Bosch and placed there in keeping the chapter in 1481 by Maximilian of Austria. Part of the collection of heraldic objects.

Leiden, Aa, Pieter van der (I), Netherlands, City seal of Leiden, verso - stamped, The front and back of a city seal of Leiden (ca. 1293). Above: the city seal of Leiden with Saint Peter in the center with his key. Next to him the double keys as a symbol for the city of Leiden. Kneeling figures below the saint. Also a kneeling figure in the middle below. All around an edge inscription in Latin. Below: Saint Peter in a Gothic building flanked by two lions. In the middle below the crossed keys on a coat of arms. All around an edge inscription in Latin. In the upper left corner:, print, book illustration, prints, height 130 mm, width 69 mm, print maker, printmaker, 1710 - 1712, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, Dutch, 1659-08-03 - 1733, publisher

State coat of arms, coat of arms from 1890, Waldeck, Germany, digitally restored reproduction of an original template from the 19th century, exact original date not known, Europe

Amsterdam, Picart, Bernard, Hercules with the zodiac in the background, verso - stamped, Hercules with the club in his hand. In the background a part of the zodiac with bull and ram. Above the representation the motto: Impavidum Ferient Ruinae. Around the representation an ornamental frame with the attributes of Hercules., print, prent, prints, prenten, height 74 mm, width 80 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1732 - 1732, second quarter 18th century, paper, papier, etching, engraving, engraving (printing process)

Coat of arms of Frederik, Prince of the Netherlands, Anonymous, 1876 - 1907 print Weapon of Frederik with a crown and two lions. Below that on a banderole are sexual spell. A number of weapons around it, including the weapons of Johan VI and Johan Willem Friso. On banderollen their names and rules Dutch text. Print Maker: Netherlands Printer: Groningen Publisher: Schiedam cardboard

Paris, Tavernier, Melchior, France, Rabel, Daniel, Cartouches de diferentes Inventions, Cartouche with mask, The mask at the top has an open mouth. In the cartouche shows a rocky landscape. Sheet 4 from a series of 13 sheets with cartouches in French lobe style., print, ornament print, prints, ornament prints, height 176 mm, width 130 mm, 1578 - 1637-01-03, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Ministry of Information First World War Official Collection Mosaic pavement of the German Imperial Army, formerly over the porch of the Governmet House, Lome Togoland

Bannen of one of the Baden -Durlach regiments (presumably), Anonymous, 1747 - 1789 Red, in the middle the weapon of baths, covered by royal crown, surrounded by a white, red and black -decorated band (a bright guilder fleece chain). The whole is held by two griffins (averted on the flight side), and is placed on a trophy of banners, guns, etc.; Behind the crown a green forest shachage, behind which sun rays and a clouds. In the foreground there is a cross -shaped order sign diagonally on the flight side. Parade side: instead of the weapon of Baden the weapon of the Republic. The oval band around it is blue on which in golden classic capitals: Concordia res parvae crescunt, covered by a crown with three paved brackets and red hat. A ranging lion on both sides. The whole is placed on a trophy of banners, drums, guns, bullets, guns, etc. In the background a forest shape with sun rays and clouds as front. silk painting

Design for glass window 10 donated by the Rijnland district water control board. Draughtsman: Jan de Bray (rejected attribution). Draughtsman: Pieter Jansz.. Dating: 1667. Measurements: h 608 mm × w 250 mm. Museum: Rijksmuseum, Amsterdam.

Bookplate of Stanisław Lubomirski. unknown, graphic artist

ESCUDO Y BANDERA DE EXTREMADURA - Conj nº 146328. Author: JOSE MARIA GARCIA ROYO (1922-1996). Location: SENADO-PINTURA. MADRID. SPAIN.

Heráldica. Escudo nobiliario de Francisco Pizarro. Año 1948.

State coat of arms, coat of arms from 1890, Italy, digitally restored reproduction of an original template from the 19th century, exact original date ...

Weapons of France. (IT)

Panel 1875 French, St. Etienne. Panel. French, St. Etienne. 1875. Silk. Textiles-Woven

ESCUDO.

Cushion sheet of cushion of the Rotterdam Vroedschap with woven city coat and date 1766, cushion sheet pillow sheep wool wool silk, textile tapisserie Cushion sheet of cushion of the Rotterdam Vroedschap. Chain: wool weft: wool and silk woven: 1766 heraldry Rotterdam vroedschap city government regent government Originating from the Council of the Councils in the Vroedschap in Rotterdam.

The coat of arms of Susanna from Collen (1692-1745), wife of Jacob Feestama. The coat of arms of Susanna van Collen (1692-1745), wife since 1727 by Jacob Feestama II. Pendant of SK-A-3221. Part of the collection of heraldic objects.

Weapon of Willem III, King of the Netherlands. Weapon of Willem III with a crown and two lions. Amgty sputter are under a banderole. There around a melting mantle around it. In the bottom margin two French text rules.

Coat of arms of Amsterdams Schuttersbandel van het Groene Regiment, Anonymous, 1750 - 1795 Coat of arms of Amsterdams Schuttersbandel van het Groene Regiment. Green silk rectangle painted with Amsterdam's weapon, held by 2 climbing lions and covered with Keizerskroon. Under weapon: asymetric praise. Colors: Weapon: red, black and white; Lions: gold and brown; crown: gold, red, brown and dark blue; Praise: gold and brown. Netherlands whole: Silk coat of arms (as symbol of the state, etc.) (+ city; municipal) Amsterdam

Festoen with attributes of the personification of the element fire on the east side of the Burgerzaal in the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1663 print Festoen with attributes of the personification of the Element Vuur (RP-P-AO-22-2C-1) on the east side of the Burgerzaal in the town hall on Dam Square in Amsterdam. Is located above the left (northern) arch on the east side of the Burgerzaal, to the right of the statue of Justitia (entitlement). Bottom left marked: D. paper etching / engraving fire (one of the four elements) Burgerzaal. City Hall of Amsterdam (1655-1808)

Lazio Roma Frascati Villa Borghese6. Hutzel, Max 1960-1990 Exterior views of 17th c. villa, ninfeo and fountain. Interior views of salons, dining room, bedroom, and frescoes, paintings and busts decorating them. Antiquities: Villa houses an Antiquities gallery, which contains sarcophagi, busts, masks, friezes, and a series of statues of Roman kings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sees children, want to consider Deez 'print, / keeps on orange trusting, 1816 - 1849 print Leaf with 9 performances of various nature, including a wreath of putti, branches and fruits, emblemata for love and soldiers. A verse under different performances. Numbered in the top left: No. 4. paper letterpress printing garland, wreath. coat of arms (symbol of sovereignty). the soldier; the soldier's life

Coat of arms of Schooten and Van Egmond families. Family crest of the families of Schooten and Van Egmond from Haarlem (striped the left arm, the judge with two lions) in oval. Belongs to a portrait of Gerrit Jansz. Van Schooten.

Coat of arms with cardinal hat, Claude Mellan (attributed to), 1608 - 1688 print paper engraving armorial bearing, heraldry. cardinal

'Portugal', c1910. Artist: Unknown.

Woodcut from Albrecht Dürer's workshop depicting the honorary gate of Emperor Maximilian I with coats of arms numbered 43 to 57, created on pear wood in 1515, showing heraldic and architectural details.

Allegory of the elevation of William IV to stadholder of the Republic, May 5, 1747. The arms of Prince William IV and Anna of Hanover with the Dutch Lion and English unicorn respectively, under a crown. With the coats of arms of the seven provinces, blossoming orange trees, fading French lily and fleeing French cock. At the bottom a plaque with a verse above it: Vivat Oranje, Allegory of the exaltation of William IV, 1747., draughtsman: J. Luiscius, (mentioned on object), Delft, 30-Aug-1747, paper, h 422 mm × w 350 mm

Entry of Maria de Medici in Amsterdam The Netherlands frontispiece, 1638, Pieter Nolpe, Cornelis Danckerts (I)

Inscription with the arms of Leiden for the armorial card of the Lords Forty of Leiden Coat of arms with the arms and names of the Lords Forty of Leiden , print maker: Abraham Delfos, (rejected attribution), print maker: Christiaan Sepp, publisher: Cornelis de Pecker, Leiden, 1758, paper, etching, engraving, h 372 mm × w 436 mm

Design for Scribner's Insignia, Homer Wayland Colby, American, 1874-1950, Charles Scribner's Sons, New York, New York, USA, Black ink and watercolor on board, Open book on shield, lamp above, enclosed in holly wreath. Torches, left and right. Surmounted by ribbon with open field, intended for date (1908-1909, in graphite, on paper, mounted over area). Oblong field below, intended for name and address of firm (inscribed in graphite, on paper, mounted over area)., USA, 1908-09, graphic design, Drawing, Drawing

Embroidered Firescreen, late 19th century, 21 1/4 x 20in. (54 x 50.8cm), Silk; needlework, England, 19th century

heraldry, coat of arms, Germany, city arms, Quedlinburg, wood engraving, 1893,

Coat of arms with image of Zeeland / Flemish sailing cargo ship, probably a Flemish Petyth. Further information unknown. From the collection of the Pleyte family.

Memorial to Mary Heigham from East Ham Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 11 3/4 inches (37.5 × 29.8 cm), architectural subject, church, memorial, East Ham, England, Greater London, London, St Mary Magdalene Parish Church, United Kingdom

Arms of the Overlanders family. Possibly a design for a glass window.

Coat of arms of Louis Napoleon Bonaparte, King of Holland, anonymous, 1807, draughtsman: anonymous, 1807, paper, brush, h 213 mm × w 176 mm

heraldry, coat of arms, Germany, city arms, Pirna, wood engraving, 1893,

Divers monumens sic du commencement du XVIe. siècle. Chiffres et dévises de Pierre de Rohan, seigr. de Gié Marechal de France. Épée du grand ecuier de France Claude Gouffier. Copiée d'un tapisserie. Peints sur des vitres de cristal du chateau du Verger en Anjou. Dessin de pavé, MS. no. 6851.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Dirck van Eck van Pantheon / Lievendael "//" Frederick van Nassauw / Suylesteyn "//" David van Suylen from Natewisch / Natewisch "//" Gerrit van Amstel van Mynden, / suylenborch "//" van Hardenbroeck / Hardenbroeck "// "Van Baaswyn / Sterckenborch" pen in gray -brown under the coats of arms

Architectural Carving. Dated: 1935/1942. Dimensions: overall: 30.5 x 49.5 cm (12 x 19 1/2 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Armorial British 19th century

Myddelton Biddulph Armorial Medallion Made 1841-1851 Wales. Linen, plain weave; appliquÈd with medallion of silk, satin weave; appliquÈd with padded linen, plain weave; embroidered with wool, silk, cotton and silk- wrapped cotton and silk and cotton tubular braided cord in satin, single satin, split, and stem stitches; laidwork and couching; glass eye and appliquÈd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching . Augustus Welby Northmore Pugin (Designer)

Stained glass window by Evert Duyckinck (circa 1620 - circa 1700); circa 1656; Painted and leaded glass

Watercolor nautical doodle illustration, fantasy adventure and vintage transportation concept

tile manufacturer: Aalmis, Cartouche tile, acrobat with saber, corner motif spider, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Purple pull purple on white Aalmis Aelmis

England, Ace of Hearts from Set of 'Jeu Imperial-Second Empire-Napoleon III' Playing Cards, F. Chardon, French, active 19th c., Lithograph on glazed paper, England, Ace of Hearts from Set of 'Jeu Imperial-Second Empire-Napoleon III' Playing Cards., Paris, France, 1858, Playing Card, Playing Card

Wapenruit met klimmend hert.A diamond with weapon in red, yellow, blue and grisaille. In the coat of arms O.A. A climbing deer.

Herbroiva of the Radziwi family; Radziwi , Micha Piotr (1853-1903); Kon. XIXW. (1881-00-00-1886-00-00);

Coat of arms of the Fishmongers' Company. Dated 16th Century

Heráldica. Escudo de Liechtenstein. Grabado de 1900.

Vatican coat of arms, Rome, Lazio, Italy, Europe

Barcelona flag, Anonymous, 1667 - 1670 drawing Barcelona flag. White flag on which the coat of arms of the city of Barcelona, centrally in a rosary saint of the city of Nuestra Señora de Compostela. The weapon contained in a cartouche. Flag on flagsteng and mast foot. Shown on folio 32r. Part of a flag book with flags from Europe, North Africa, Near and Far East. France paper. ink. watercolor (paint) pen / brush flag, colours (as symbol of the state, etc.) Barcelona

heraldry, coat of arms, Germany, city arms, Altena, wood engraving, 1892,

Bovenstuk van de kaart van Rotterdam uit 1694; Putti met het wapen van Rotterdam; Caart van de stad Rotterdam (...).Presentation in five parts, in two rows. In the middle above the coat of arms of Rotterdam, flanked by two lions. In addition, the weapons of the Gemeentes Wena, Blommersdyck and Kool, Hoogenban, Bolgersteyn, Bleysweyck, Benthuysen, Moordrecht, Hillergersbergh, Calvals and Moercapel and Wilde Venen. Putti keep the weapons up from the Hornbeeck guedtheaterism, secretary Harman van Zuylen van Nyeveld, and the four mayors called: Johan van Heel, Marinus Groeninx, Johan Steenlack and Isaac Vethuysen. There are fasces behind the weapons of the four mayors. The putti have a musical instrument, mirror, book and cornucopia in their hands. The show is part of the map of Rotterdam by John the fold and is part of an album.

Tomb of Grace Bulford from Stratford Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink watercolor and gouache over graphite on medium, sligthtly textured, cream wove paper, Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm), architectural subject, church, memorial, tomb, England, Greater London, London, St Mary's Church, United Kingdom

Upper of the map of Rotterdam from 1694, Romeyn de Hooghe, city council Rotterdam, 1783 print Presentation in five parts, in two rows. In the middle of the weapon of Rotterdam, flanked by two lions. In addition, the weapons of the municipalities of Wena, Blommersdyck and Kool, Hoogenban, Bolgersteyn, Bleysweyck, Benthuysen, Moordrecht, Hillergersbergh, Cralingen and Moercapel and Wilde Venen. Putti keeps the weapons up of the pensioner Isaac van Hoornbeeck, secretary Harman van Zuylen van Nyeveld, and the four mayors called: Johan van Heel, Marinus Groeninx, Johan Steenlack and Isaac Vethuysen. Behind the weapons of the four mayors are fases. The putti have a musical instrument, mirror, book and Hoorn of abundance in their hands. The show is part of the map of Rotterdam by Johannes de Vouw and is part of an album. paper etching coat of arms (as symbol of the state, etc.). cupids: 'amores', 'amoretti', 'putti' Rotterdam

heraldry, coat of arms, Germany, city arms, Weilburg, wood engraving, 1875,

State coat of arms, coat of arms from 1890, Egypt, digitally restored reproduction of an original template from the 19th century, exact original date ...

Coat of arms of Birmingham, England. The Arms as granted in 1889. From The Business Encyclopaedia and Legal Adviser, published 1907.

Coat of arms of the Right Honourable Francis North, Lord Guilford, 2nd Baron Guilford, 1673-1729. Copperplate engraving by Andrew Johnston after C. Gardiner from Notitia Anglicana, Shewing the Achievements of all the English Nobility, Andrew Johnson, the Strand, London, 1724.

Coat of arms of the Right Honourable George Grandville, Lord Lansdown, 1st Baron Landsown, 1666-1735. Copperplate engraving by Andrew Johnston after C. Gardiner from Notitia Anglicana, Shewing the Achievements of all the English Nobility, Andrew Johnson, the Strand, London, 1724.

Sign honoring San Buenaventura, outside house walls, Seville, Andalusia, Spain, Europe

Attributed to Daniel Lysons, 1762-1834, British, Brass Plate for John Skevington from Hornsey Church, between 1796 and 1811. Pen and black ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

ARMS OF THE CITY OF LONDON.

John Thomas Smith, 1766-1833, British, Armorial Bearings from St. Stephen's Chapel, 1804. Aquatint.

Scotland,Edinburgh,Edinburgh Castle,Royal Palace Decoration in the Laich Hall

Memorial to Baldwin Harvey, also to Ralph and Alice Palmer from Chelsea Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm), architectural subject, church, memorial, Chelsea, England, Greater London, London, Old Chelsea Church, United Kingdom

The coat of arms of Jacob Feitama II (1698-1774). Dating: 1725 - 1774. Place: Northern Netherlands. Measurements: h 38 cm × w 28.5 cm; d 2.4 cm. Museum: Rijksmuseum, Amsterdam.

Guide for Constructing the Letter R. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

Attributed to Daniel Lysons, 1762-1834, British, Memorial to the Hon'ble Roland Belasyse and his Daughter Lady Barbara Barnewall from Pancras Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Marrant

Coat of arms with bell, oval panel, painting visual material wood oil, heraldry

heraldry, coat of arms, Germany, city arms, Augsburg, wood engraving, 1892,

Coat of arms, Bodenwerder, Weserbergland, Lower Saxony, Germany, Europe

Seal of Henry V, vintage engraved illustration. Colorful History of England, 1837.

Masonic Arms Arms granted to the Masons Company of London 12th Edward IV 1472-3 Engraving from the book The History of Freemasonry Volume II Published by Thomas C. Jack London 1883

Archbishop of Rheims, Archeveque de Reims, with mitre. Chromolithograph from Loredan Larchey's Ancien Armorial Equestre de la Toison d'Or et de l'Europe au 15e siecle (Ancient Equestrian Armorials of the Order of the Golden Fleece and Europe in the 15th century), Paris, 1890. From illustrated manuscript 4790 in the Bibliotheque de l'Arsenal.

heraldry, coat of arms, Poland, city arms, Bialogard, wood engraving, 1892,

Epitaph on outside wall of Frauenkirche Cathedral, Munich, Bavaria, Germany, Europe

Lisbon, Portugal, emblem, symbols, four-master, sails, wind, sea, fortress, defence towers, tower clock, flag, historical illustration around 1898, Europe

Bliżej Kultury Norwid Neugebeauer, Mieczysław (1884 1954), Czaplicki, Karol (fl. 1900 1925), Załuska, Jan

Flag of Genoa, Anonymous, 1667 - 1670 drawing Flag of Genoa. White flag on which the Red Cross of Sint-Joris. Flag on flagsteng and mast foot. Shown on folio 107r. Part of a flag book with flags from Europe, North Africa, Near and Far East. France paper. ink. watercolor (paint) drawing flag, colours (as symbol of the state, etc.) Knee

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