Heraldic Designs and Coats of Arms

A collection of intricate coats of arms featuring elaborate designs, symbolism, and historical significance, showcasing heraldic motifs and artistry from various periods.

Amsterdam, Picart, Bernard, Memorial for Guillaume de Lamoignon, recto lower right - handwritten, A memorial for Guillaume de Lamoignon with his coat of arms in the middle. On top of the memorial sit two mourning putti with extinguished torches., print, engraving, ornamental print, prints, engravings, verso - stamped, 25., height 120 mm, width 137 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1718 - 1718, first quarter 18th century, paper, papier, etching, etchings, engraving (printing process)

Coat of arms of William IV with a crown, decorated with the Garter and the motto of the Order of the Garter Below that on a banding his motto Around it a number of allegorical objects, Coat of arms of William IV, Prince of Orange-Nassau, print maker: Pieter Yver, (mentioned on object), Amsterdam, 1748, paper, engraving, etching, h 78 mm × w 76 mm

Woodcut by Lucas Cranach the Younger depicting the Electoral Brandenburg coat of arms, created for heraldic purposes.

A woodcut by Hans Burgkmair the Elder from the early 16th century depicting the coat of arms of Georg von Limburg, Bishop of Bamberg, showing heraldry, figures, and early German printmaking techniques.

Cartouche with dragon cup at the top; Cartouches The Diferents Inventions (...). A landscape is depicted in the cartouche. Leaf 9 from series of 13 sheets with cartouches in French lobe style.

unknown artist, eighteenth century, Coat of Arms with the Motto 'Opiferque per orbem dicor', ca. 1770.

Picture frames with painting figures and musical instruments. Violin ornamented picture frames. On the top left with animal heads. At the top right of trident and two lying figures. In the middle with a standing figure, two painting figures in harness and a Hercules head. Underneath with satellite head and musical instruments.

Netherlands, Weissenbruch, Isaac, Vignette with the coat of arms of the city of Amsterdam, The coat of arms of the city of Amsterdam with a crown, two lions and three St. Andrew's crosses., print, prints, height 104 mm, width 131 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Bookplate: Bar. van der Alderwerelt. unknown, graphic artist

Amsterdam, Picart, Bernard, Memorial for Guillaume de Lamoignon, recto lower right - handwritten, A memorial for Guillaume de Lamoignon with his coat of arms in the middle. On top of the memorial sit two mourning putti with extinguished torches., print, engraving, ornamental print, prints, engravings, verso - stamped, 25., height 120 mm, width 137 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1718 - 1718, first quarter 18th century, paper, papier, etching, etchings, engraving (printing process)

Copperplate engraved armorial bookplate of the Carpenter family, possibly John Carpenter, 4th Earl of Tyrconnell (1790-1854). Motto "Per Acuta Belli," Paly of six, argent and gules, on a chevron azure, three cross crosslets or. Crest, on a wreath a globe in a frame all or. Supporters, two horses, party-perfess, embattled argent and gules.

Cartouche with armor; Fiducia Fortitudinis; Eight cartouches. A cartouche with armor and a banderole with text. Two flag sticks behind the cartouche and on top of a skull with feathered helmet.

Coat of arms of Cornelis Gijsbertsz. Plemp, Pieter Serwouters, 1601 - 1657 print Coat of arms of the lawyer, Latin poet and musician Cornelis Gijsbertsz. Plemp. The coat of arms is loaded with two intersecting palm branches, surrounded by three plempen or spades, with two standing half -moons baptized above it. The shield is covered with a helmet et lambrequins and a plemp as a cimier. Amsterdam paper etching / engraving

Tailpiece, Homer Wayland Colby, American, 1874-1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A symmetrical design composed of small compartments within a larger one. Motifs include lighted candles, holly, star and wings, interlaced bands., USA, ca. 1910, graphic design, Drawing, Drawing

Etchings of Paris: The Symbolical Arms of the City of Paris, 1854. Charles Meryon (French, 1821-1868). Etching;

Weapon of Willem Bardesius, armorial bearing, heraldry (BARDESIUS, Willem) - coat of arms, anonymous, c. 1500 - c. 1700, paper, paint (coating), gouache (paint), brush, h 152 mm × w 90 mm

Bella, Stefano della, Eight cartouches, Sic spes destituit, Cartouche with tree in storm, verso - stamped, A cartouche with a tree in a storm and a banderole with text. A skeleton with a cloak is incorporated in the cartouche., print, engraving, ornamental print, prints, engravings, height 135 mm, width 102 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings

Image of the Berger van Hengst family crest, flanked by two weapons -bearing griffins.

Image of the crowned weapon of King Philips II of Spain, surrounded by the chain of the Order of the Golden Fleece.

Coat of arms of Cornelis Gijsbertsz. Plemp. Coat of arms of the lawyer, Latin poet and musician Cornelis Gijsbertsz belonging to the Muiderkring. Plemp. The coat of arms is loaded with two crossing palm branches, surrounded by three flow pin or spades, with two side mane-facing each other above. The shield is covered with a helmet et lambrequins and a plemp as a cimier.

Charles Meryon, Armes symboliques de la ville de Paris (Symbolical Arms of the City of Paris), 1854 Armes symboliques de la ville de Paris (Symbolical Arms of the City of Paris)

Arms of the Medici with Della Rovere. Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). Date: 1637. Museum: Metropolitan Museum of Art, New York, USA.

Etchings of Paris: The Symbolical Arms of the City of Paris, 1854. Charles Meryon (French, 1821-1868). Etching;

The coat of arms of the Citters family, Anonymous, c. 1777 family arms. drawing The coat of arms of the Citters family. Part of a series of weapons belonging to the donation Jonkheer J. de Witte van Citters, The Hague, 1876. Part of the Heraldic objects collection. Northern Netherlands paper. watercolor (paint) armorial bearing, heraldry

Cartouche with nautical attributes, Daniel Rabel, 1632 print A lighthouse and two boats are shown in the cartouche. Leaf 12 from series of 13 sheets with cartouches in French lobe style. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Coat of arms of Laurens Buysero, Pieter Jansz, 1660 - 1672, Design for a stained glass window., draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1660 - 1672, paper, pen, brush, h 236 mm × w 185 mm

Coat of arms of the family Overlander. Draughtsman: Jan de Bray (rejected attribution). Draughtsman: Pieter Jansz.. Dating: 1660 - 1672. Measurements: h 235 mm × w 187 mm. Museum: Rijksmuseum, Amsterdam.

Paris, Tavernier, Melchior, France, Rabel, Daniel, Cartouches de Differantes Inventions, Cartouche with cherub and two putti, The compartment shows a landscape with trees and a church. Sheet 9 from a series of 13 sheets with cartouches in French lobe style. From first edition., print, ornamental print, prints, ornamental prints, height 140 mm, width 197 mm, 1578 - 1637-01-03, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Coat of arms of Laurens Buysero, Pieter Jansz, 1660 - 1672 drawing Design for a stained glass window. paper. ink pen / brush armorial bearing, heraldry

Greece , Coats of arms, Flags. Nicholas Catsimpoolas Collection

The Arms of the Family Kress von Kressenstein. Nuremberg School; German, 16th century. Date: 1530-1600. Dimensions: 322 × 270 mm. Woodcut on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Coat of arms with a helmet and leaf vines, 1625 print The helmet points to the right. Leaf from series of coats of arms with empty compartments. Amsterdam paper engraving

Created coat of arms worn by a hybrid eagle and a lion.

The coat of arms of Anna Digna van Gelre, wife of Laurens Jacobsz de Witte, with the coat of arms of her four grandparents, Anonymous, 1750 - 1799

Design for stained glass window 9 donated by the cities of Holland, Pieter Jansz, 1665 - 1667 drawing paper. watercolor (paint). ink. pencil pen / brush coat of arms (as symbol of the state, etc.) (+ city; municipal). coat of arms (as symbol of the state, etc.) (+ province; provincial) Delft. Brielle. Gorinchem. Amsterdam. To lead. Gouda. Rotterdam. Schiedam. Schoonhoven. Holland

Coat of arms of Amsterdam, 1, 1639 - 1699 print The coat of arms of the city of Amsterdam. Print no. 1 from the series of 16 performances of the Miracle van Amsterdam, to the events on March 15, 1345. Copies to the Bolswert series. Under the performance in the plate engraved a six -line verse in Latin, including a six -line verse in book print in Dutch. Low Countries paper engraving coat of arms (as symbol of the state, etc.) Amsterdam

Design for stained glass window 9 donated by the cities of Holland, Pieter Jansz, 1665 - 1667, draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1665 - 1667, paper, pen, brush, h 610 mm × w 230 mm

Coat of arms of the Kingdom of the Netherlands, 1815. The weapon of the Kingdom of the Netherlands, as determined on August 24, 1815. With caption 'your maintaindrai'.

Crest. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Michel Le Blon.

Coat of arms of Twist.

Vignette with a lion and a crown, Anonymous, 1600 - 1699 print paper vignette. beasts of prey, predatory animals: lion. crown (symbol of sovereignty)

Coat of arms of Louis XIV, king of France. Coat of arms of Louis XIV (1638-1715), king of France.

Epitaaf for the deceased Prince William IV, 1751, Caspar Jacobsz. Philips, After Isaac van Haasterert, 1752 - 1789 print Monument or memorial stone for Prince William IV, who died in 1751. Monument made up of columns and weapon trophies, crowned by a winged hourglass and the Nassau arms skirt. Centrally the prince's arms held by two lions. At the top right marked: XIII. Amsterdam paper etching Epitaph. "Vanity" symbols Delft

Etching by Augustin Hirschvogel depicting the coat of arms of the Vultures of Osterberg, showing heraldic shields, emblems, and symbols, 1545.

Przeszoc Przyszoci unknown

Fantasiewapen. Schetsboek "A.S.Fe", 1587, blad 10v(12) (series title). Draughtsman: anonymous. Dating: 1587. Measurements: h 105 mm × w 78 mm. Museum: Rijksmuseum, Amsterdam.

Coat of arms of the family Van Gele, Michiel le Blon, c. 1611 - c. 1625

Coat of arms in an ornamented frame. .

The Arms of Ferdinand I, King of Hungary and Bohemia 1527 Albrecht Dürer German. The Arms of Ferdinand I, King of Hungary and Bohemia 387803

Woodcut by Albrecht Dürer, 1521, depicting the second coat of arms of Lorenz Staiber, illustrating heraldic design, symbols, and ornamentation in Renaissance printmaking.

Coat of arms of the Wuytiers family, Pieter Jansz, 1660 - 1672, Design for a stained glass window., draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1660 - 1672, paper, pen, brush, h 235 mm × w 188 mm

Silver plate presented by King Charles the Second to the Queen of Pamunkey.. Prints. 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Gifts, Virginia , History , Colonial period, ca. 1600-1775

Entry of Maria de Médicis in Amsterdam (title plate), 1638, Pieter Nolpe, 1639 print Entry of the French Queen Maria de Médicis in Amsterdam, August 31, 1638. Title plate in an unassaged ensemble consisting of a title page, a portrait and seven magazines of the procession. The weapon of Amsterdam with Keizerskroon flanked by two lions as shield holders. Without the printed title texts. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Coat of Arms (AS Symbol of the State, etc.) Amsterdam

Two Poland, Pieter Serwouters, 1627 print A Polish nobleman with a battle ax and a knight in armor flanks the weapon of Poland. In addition, the title of the book on a drapery. At the bottom in a cartouche the impressum. print maker: Amsterdampublisher: Leidenpublisher: Leiden paper engraving / etching Europeans (with NAME). harness

Design for glass window 9 donated by the cities of Holland ..

Coat of arms Talleyrands

Netherlands, Weissenbruch, Isaac, Vignette with a coat of arms with a crown and four banners, print, prints, height 49 mm, width 57 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, wood engraving

Coat of arms awarded with helmet under a drapery; Wearing shifts. Pencil has drawn a weapon in the shield. Sheet from series coats of arms with empty compartments.

Cornelis Galle I, Frontispiece for David van Mauden, Speculum aureum... & Bonacina, Opera Omnia, Antwerp, c. 1631, engraving on paper.

Coat of arms of Willem III, King of the Netherlands, Anonymous, 1817 - 1899 print Wapen of Willem III with a crown and two lions. Below that on a banderole are sexual spell. Around a mantle cloak around it. Two lines of French text in the lower margin. Netherlands paper engraving / etching

Coat of arms of Haarlem with two angels; Haerlem. Two angels with a laurel wreath flanking the city pavement of Haarlem. Among the weapon a human frame.

Weapon with a climbing lion on a shield, Hans Sebald Beham, 1544 print Coat of arms with a climbing lion on a shield with a fantasy text in a rounds: von Gottes Graden Her von Weiss nit again Dort set in Genem Dorf Frankfurt am Main paper engraving beasts of prey, predatory animals: lion (+ heraldic animals). urban life

Allegorical vignette titled 'Arts of War and Peace'. War is represented by swords, spears and helmet. Peace is represented by Music in the form of a Lyre. Trumpets are applicable to both.

Paris, Tavernier, Melchior, France, Rabel, Daniel, Cartouches de diferentes Inventions, Cartouche with nautical attributes, The cartouche depicts a lighthouse and two boats. Sheet 12 from a series of 13 sheets with cartouches in French lobe style., print, ornamental print, prints, ornamental prints, height 177 mm, width 130 mm, 1578 - 1637-01-03, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Blazon of the St Lucasgild in Antwerp. Blazon with weapons of the city of Antwerp and winged os in the middle.

Leiden, Elzevier, Abraham (I), Bonaventura, Northern Netherlands, Passe, Simon van de, Coat of arms of Frederik Hendrik, Prince of Orange, Coat of arms of Frederik Hendrik with a crown. In the middle his motto. In a cartouche five lines of Latin text. Entirely intertwined with the Orange tree in an ornamented frame., print, book illustration, prints, Orange portraits, height 473 mm, width 345 mm, 1595 - 1647-05-06, print maker, printmaker, 1630 - 1630, paper, engraving, engraving (printing process), etching, Publication (Event), Publication, publisher

Design for stained glass window 10 donated by the Rijnland Water Board, Pieter Jansz, 1667, draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1667, paper, pen, brush, h 608 mm × w 250 mm

Coat of arms of the Zeeland family Huyssen van Kattendijke.

The Wapen Verheye. The Wapen Verheye. Perhaps made for Jacob Verheye, the great-grandfather of Jacob Verheye van Citters. Part of a series of weapons belonging to the Donation Jonkheer J. de Witte van Citters, The Hague, 1876. Part of the heraldic objects collection.

Dürer's workshop drawing on pear wood, 1515, shows the A2 series of 12 coats of arms on the Honorary Gate of Emperor Maximilian I.

Tomb of Gerard van der Aa, nobleman of Randenrode, in the Grote- or Sint-Jacobskerk in The Hague. Van der Aa lies in armor on a platform supported by two putti. Above him are nine coats of arms, including that of his family., Tomb of Gerard van Randenrode van der Aa, print maker: Pieter van Cuyck (I), (mentioned on object), Pieter van Cuyck (I), (mentioned on object), publisher: Reinier Boitet, (mentioned on object), print maker: The Hague, The Hague, publisher: Delft, publisher: Amsterdam, 1730 - 1736, paper, engraving, etching, h 285 mm × w 178 mm

State coat of arms, coat of arms from 1890, Bremen, Germany, digitally restored reproduction of an original template from the 19th century, exact original date not known, Europe

The coats of arms of five British families: James Burnes boasts the fine one in the middle. Date: 19th century

Coat of arms of Maurits, Prince of Orange, Anonymous, 1600 - 1699 print Weapon of Maurits decorated with the garter and the motto of the order of the garter. Low Countries paper engraving / etching knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain

heraldry, coat of arms, Germany, state coat of arms of the Duchy of Anhalt, wood engraving, 1872,

Coats of arms with crests and supporters of kings, queens and emperors. Arms of Holy Roman Emperor Francis I, King Louis XV of France, Charles III of Spain, Joseph of Portugal, Charles Emanuel III of Sardinia, Elisabeth Petrovna of Russia, George II of England, Charles Frederic of Prussia. Copperplate engraving by Robert Benard from Blason ou Art Heraldique, the heraldry section from Denis Diderot and Jean-Baptiste le Rond dAlemberts Encyclopedie, published by Brisson, David, Le Breton and Durand, Paris, 1763.

Lazio Viterbo Bagnaia Villa Lante27. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two angels with a laurel wreath flank the city arms of Haarlem. Below the coat of arms a human skeleton, Haarlem coat of arms with two angels Haerlem , print maker: Jan van de Velde (II), Haarlem, 1628, paper, etching, engraving, h 165 mm × w 123 mm

Lazio Viterbo Caprarola Palazzo Farnese73. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Hendrik Casimir II, Count of Nassau-Dietz. Portrait of Hendrik Casimir II in an oval with a ribbon. Above it is a weapon with a crown. At the top left and top right, Putti holds a cloth. On the canvas four lines of Latin text.

Coat of arms, anonymous, 1665 - 1699, draughtsman: anonymous, c. 1600 - c. 1800, paper, brush, h 99 mm × w 133 mm

Entry of Maria de Médicis in Amsterdam (title plate), 1638. Entry of the French Queen Maria de Médicis in Amsterdam, 31 August 1638. Title plate in an unassembled ensemble consisting of a title page, a portrait and seven blades of the procession. The coat of arms of Amsterdam with emperors crown flanked by two lions as shield holders. Without the printed title texts.

Alexander VI., Papa.

Arms of East India Company, 1600, England.

Family crest, possibly of the family of Zaanen, Anonymous, 1600 - 1749 drawing parchment (animal material). watercolor (paint) brush armorial bearing, heraldry

Schäfer Carl (1844-1908), Restoration Heidelberg Castle. Friedrichsbau (1900): View glass window with coat of arms: Kreuznach. Ink, pencil watercolor on the box, 80.6 x 54.7 cm (including scan edges) Schäfer Carl (1844-1908): Restaurierung Heidelberger Schloss. Friedrichsbau

State coat of arms, coat of arms from 1890, Mecklenburg, Germany, digitally restored reproduction of an original template from the 19th century, exact...

Coat of Arms of the Kingdom of Bavaria, modern, illustration, Meyers Konversations-Lexikon encyclopedia, 1897

This 1515 woodcut from Albrecht Dürers workshop depicts the coat of arms of the Spanish heritage on the honorary gate of Emperor Maximilian I, showing heraldic symbols, shields, and decorative elements.

Coat of arms of Christopher Columbus, Historical, digitally restored reproduction from the 19th century, exact date unknown

Esveldt Holtrop, Jan Steven van, Amsterdam, Veelwaard, Daniël (I), Crusade and Privateering, Eagle with image of Neptune and Mercury, verso - stamped, An eagle holds an image of Neptune and Mercury shaking hands. Below that a banderole and below that the letters: AJvH., print, trade label, prints, height 129 mm, width 114 mm, Noord-Nederlands, 1766-08-14 - 1851-02-28, print maker, printmaker, 1776 - 1851, paper, papier, etching, etchings, engraving, engraving (printing process), 1777 - 1833-11-20, printer, drukker

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), frontispiece of the book Esequie dell'imperadore Ferdinando II (Imperial Weapons) (A. de Vesme 926. DUTUIT 49) (Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Plantard, Town Hall, Campanile Restoration. (Dummy title). Carnavalet museum, history of Paris.

This 1515 woodcut from Albrecht Dürers workshop depicts another section of the Spanish heritage coat of arms on the honorary gate of Emperor Maximilian I, including shields and decorative details.

Lazio Roma Rome S. Paolo13. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wapen Amsterdam., Anonymous, c. 1762 Marble shield within which the crowned weapon of Amsterdam worn by two climbing lions. The facing brick belongs to the facing brick with invnr. KOG-ALS-164. Netherlands marble (rock)

Image of a design for a stained window in the Dutch Reformed Church in Polsbroek (municipality of Lopik).

heraldry, coat of arms, Germany, state coat of arms of the Duchy of Brunswick, wood engraving, 1872,

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