Heraldic Designs and Coats of Arms

A selection of heraldic engravings displaying coats of arms and ornate embellishments, showcasing the artistry in historical symbols of nobility.

Northern Netherlands, Coats of arms of the plenipotentiaries of Cardinal van Boullion and of the Comp. de St. Pierre at the peace negotiations in Utrecht (no. 16), 1712-1713, Coats of arms of the plenipotentiaries of Cardinal van Boullion and of the Comp. de St. Pierre. Sheet number 16 in a group of 16 prints with the coats of arms and names of the plenipotentiaries at the peace negotiations in Utrecht, 1712-1713., print, prints, Frederik Muller Historieplaten, height 119 mm, width 73 mm, print maker, printmaker, 1713 - 1713, paper, papier, etching, etsen

August; Last six months of the year. In a Rocaille cartouche a farmer harvest grain. Around the show Rocaille ornaments, two busts of women, a virgin and the corresponding sign of the zodiac. Publisher number 75.

Northern Netherlands, Coats of arms of the plenipotentiaries of Cardinal van Boullion and of the Comp. de St. Pierre at the peace negotiations in Utrecht (no. 16), 1712-1713, Coats of arms of the plenipotentiaries of Cardinal van Boullion and of the Comp. de St. Pierre. Sheet number 16 in a group of 16 prints with the coats of arms and names of the plenipotentiaries at the peace negotiations in Utrecht, 1712-1713., print, prints, Frederik Muller Historieplaten, height 119 mm, width 73 mm, print maker, printmaker, 1713 - 1713, paper, papier, etching, etsen

Netherlands, Weissenbruch, Isaac, Vignette with a coat of arms and a helmet with a crown, print, prints, height 124 mm, width 93 mm, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Wapen van Ernst Casimir, count of Nassau-Dietz, Simon van de Passe (attributed to), 1630 print Weapon of Ernst Casimir with three winged helmets. His motto is in the middle. In a cartouche six lines of Latin text. Entirely in an ornamented frame with allegorical figures. print maker: Northern Netherlandspublisher: Leidenpublisher: Leiden paper engraving / etching armorial bearing, heraldry

Coat of arms with bovine head. Coat of arms with man with beef skin and a helmet mark with bovine head.

Ornament with agnus dei and papal coat of arms; Various ecclesiastical objects; Disegni Diversi Inventati e DeLineeati da Giovanni Giardini da Forlì.numbered at the Top Left: No. 16.

Amsterdam, Visscher, Gerrit, The fourth part of the new t' Zaamen flagged name Letters made by Gerret Visscher to Amsterdam on the Singel near the Beuling Sluijs, Cartouche with monogram flanked by putti, verso - stamped, print, ornamental print, title print, prints, height 201 mm, width 153 mm, print maker, printmaker, 1690 - 1710, paper, engraving, engraving (printing process), etching

Cartouche with monogram flanked by Putti, Gerrit Visscher, 1690 - 1710 print Amsterdam paper engraving / etching letter combinations such as letterword, anagram, letter square, monogram, etc.. ornament ~ cartouche. cupids: 'amores', 'amoretti', 'putti'

Apollo sitting on clouds and kneeling figure, 1722 print Vignette with image of Apollo sitting on clouds. For him a kneeling figure next to a burning altar. Two figures with weapons, shield, fasses, book and stone dining flanks the scene. At the top three crowns and a portrait medallions. At the bottom a crowned man with scepters and money pouch. paper engraving / etching (story of) Apollo (Phoebus). kneeling figure. crown (symbol of sovereignty). weapons

Cartouche on which Gueslandes van Fruit hangs, Daniel Rabel, 1632 print There is a landscape in the cartouche. Leaf 3 from series of 13 sheets with cartouches in French lobe style. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Cartouche with Apollo and the muses. Cartouche of rollerwork with a variant for the right half, upper left hangs a canopy, at the bottom of the head of Medusa. Left and bottom right Are two wall arms () Constructed from Putti.

Grotesken with an ornamental frame, Lorenz Beger (Possible), After Paul Decker (I), 1687 - 1725 print The upper print contains a medallion with the series title in the middle and is numbered at the bottom right. The lower print contains, among other things, a canopy with pipe -fabbling fabeld animals and two roosters. print maker: Germanyafter drawing by: Neurenberg (possibly)publisher: Neurenberg paper etching ornament ~ grotesque. canopy, baldachin

Ornament print with bust portrait of Hugo de Groot and below the coat of arms of portrait. In the middle a six-line poem in Dutch with a representation of the escape from Hugo de Groot from Loevestein in a book box, flanked by Athens and Mercury.

Augsburg, Hertel, Johann Georg (I), Rösch, Georg Sigmund, First six months of the year, Iunius, June, verso - stamped, In a rocaille cartouche a landscape in which a shepherd is shearing a sheep. Around the image rocaille ornaments, a cancer and the associated sign of the zodiac. Publisher number 74., print, ornament print, prints, ornament prints, height 295 mm, width 185 mm, print maker, printmaker, 1705 - 1766, paper, papier, etching, etchings, German - 1766, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Weapons of the Scheurl and Zinger families; Mihi Autem Adherere Deo, Bonum Est (...). Weapons from Albrecht Scheurl (left) and Anna Zingel (right); a fantasy as it also occurs on the coat of arms of Scheurl (climbing goat with eagle slays as pre-legs); Belonging an angel with a tablet on which a Latin text. This entirely in a four-pass, which itself is surrounded by a laurel wreath to which four small coat of arms are connected.

Rectangular cartouche with animal mask, 1579 - 1580 Rectangular cartouche with a animal head in the middle of a animal head in its mouth. The Cartouche is a fragment of a map of the Roman Empire. The print is part of an album. Antwerp paper engraving Rectangular cartouche with a animal head in the middle of a animal head in its mouth. The Cartouche is a fragment of a map of the Roman Empire. The print is part of an album. Antwerp paper engraving

Watch and decoration dial for watch cabinet, Antoine Jacquard, c. 1610 - c. 1615 print In the middle is an oval depicted with a mythological performance surrounded by an edge with the numbers of the hours. At the top and bottom is a Frisian with a medallion in the middle flanked by leaf vines. print maker: France (possibly)after design by: France (possibly)publisher: Paris (possibly) paper engraving

Prague, Sadeler, Aegidius, Coat of arms of Godfried Steeghius, verso lower left - stamped, Coat of arms of Godfried Steeghius with Latin caption., print, prent, prints, height 198 mm, width 128 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1606 - 1606, paper, papier, engraving, engraving (printing process)

Cartouche with Cherubijn and two putti, Daniel Rabel, 1634 print The compartment shows a landscape with trees and a church. Leaf 9 from series of 13 sheets with cartouches in French lobe style. From the first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Ex -libris of Tomasz Kajetan W Gierski; Weis, Johann Martin (1738-1807); around 1786 (1780-00-00-1787-00-00);Borkowski, Maksymilian (1872-1926), Borkowski, Maksymilian (1872-1926)-collections, Wieniawa (coat of arms), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Hungarian , Tomasz Kajetan (1756-1787) - exlibris, Hungarian, Tomasz Kajetan (1756-1787) - iconography, gift (provenance), heraldic exlibris, Polish exlibris, Polish graphics, Herby, Herby, Horses

Twee helften worden één; Tanto Monta / Tanto Monta; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two comparable performances. There is a crowned wreath on a base. The wreath consists of two equal halves. A sword is about to make one whole. The inventions of Ferdinand II of Aragon.

Cartouche with a quote from Salustius; Vararum Protractionum (...). Quote: Privs QVAM Incipias Consvo: ET VBI ConsVlveris, Matvure Facto Stud's Est in Cartouche. There are four mascarons on the cartouche. Left and bottom right hangs a fruit tross. Shaded background. From series of title page and 12 sheets with cartouches with quotes of classic writers in a picture frame with grotesken, mascarons and garlands.

Drawing after an Antique Vase 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Drawing after an Antique Vase 377850

Glass window with scene from the history of Titus Junius, with bust of Hugo de Groot, 1627, 1791 print Glasruit with scene from the history of Titus Junius, crowned with a bust of Hugo de Groot, 1627. Titus Junius hides in a box. On either side Pallas and Mercury, further decorated with tifles, weapons and putti. Under the central scene a verse of 6 lines. Part of a series of three allegorical glass windows in memory of the imprisonment, flight and exile of Hugo de Groot, 1619-1622. Made in 1627 for the house of Abraham Daatselaar, the merchant in Gorcum who helped Hugo de Groot flee. Netherlands paper etching window. art (+ making stained glass)

Bookplate of Wilhelm Ludwik Ferguson Tepper. Weis, Johann Martin (1738-1807), graphic artist

Caving Pegasus, Bernard Picart (workshop or), After Bernard Picart, 1718 print A number of poets and writers try to curb Pegasus. In the background, poets and writers try to climb the Parnassus. The show is caught in an ornamental list decorated with leaf vines, rolling, sphinxes, dragons, spinning webs, books, a shell and a mascaron. Amsterdam paper etching / engraving ornaments ~ art. Pegasus, the winged horse. writer, poet, author

Trophy with mythological representations, a landscape, putti and sphinxes

Portrait of a young woman, Anonymous, 1600 - 1699 print Portrait of a young woman in an oval with edge. In the middle of the coat of arms of the city of Amsterdam with a crown and two lions. In the middle of a monogram. Two lines of text in a frame. paper anonymous historical person portrayed. coat of arms (as symbol of the state, etc.) (+ city; municipal) Amsterdam

Cartouche with nautical attributes; Cartouches The Diferents Inventions (...). A lighthouse and two boats are shown in the cartouche. Leaf 12 from series of 13 sheets with cartouches in French lobe style.

Nicolas Boileau with a Sater, Bernard Picart (workshop of), After Bernard Picart, 1728 print The writer Nicolas Boileau-the Spréaux takes a satire who depicts the satire by the arm. The Sater holds a scale with the names of Virgilius and Chapelain. In the background the Mount Parnassus. The show is caught in an ornamental list with two dragons in the upper corners. Amsterdam paper etching / engraving ornaments ~ art. satyr(s) (in general). Parnassus, sacred to Apollo Musagetes

Monument for the deceased Princess Anna, 1759, 1765 - 1789 print Monument or memorial stone for Princess Anna van Hannover, who died in 1759. Monument made up of banners, allegorical female figures and a royal ermine cloak, crowned by a skeleton with royal crown. Centrally the princess weapon held by a lion and a unicorn. At the top right marked: XIV. Northern Netherlands paper etching / engraving grave, tomb and other grave-forms and grave-markers

Cartouche with a quote from Plato; Vararum Protractionum (...). Quote: Fortitvdinis Absqve IVstitia NVllvs est vsus .... in cartouche. Left and top right hangs a small mascaron. At the bottom mascarons hang in the form of a sateller with a beard. Shaded background. From series of title page and 12 sheets with cartouches with quotes of classic writers in a picture frame with grotesken, mascarons and garlands.

Copper engraving by Israhel van Meckenem titled 'The Passion Coat of Arms,' created in the last third of the 15th century, depicting a heraldic emblem.

Dutch Virgin and the Dutch Lion in an ornamented frame with a crown, two lions and the year '1864', Isaac Weissenbruch, 1864 - 1912 print Netherlands paper symbols of particular nations, states, districts, etc.. personifications of countries, nations, states, districts, etc.. crown (symbol of sovereignty)

Ferdinand III., The Holy, King of Castile and León.

Print, Pitt, Earl of Chatham, Coat of Arms

Albrecht Dürer, Detail 47, 1515-1517, woodcut on paper.

Cartouche with lobe ornament, at the top of a shell flanked by dolphins; Voorshande Niewe Compartemente. The edge decoration left and right consists of a triton as a river god that is worn by a triton child. This child is retained by a boy again.

Cain approached by God after the murder of Abel. After Cain has killed his brother Abel, God appeals to him and asks him where his brother is. Midden under a reference to the Bible text in Gen. 4: 9. The show is caught in an ornamental list.

. In a medallion decorated with Mirtometacks a landscape with a mirte tree. Under the medallion a jug with mytewine and a chalice with a mirte leaf. Below a portrait of Venus.

Italy, Alberti, Cherubino, Polidoro da Caravaggio, Vasa a Polydor, Ewer with a double ear, consisting of two snakes, The The body of the jug is decorated with two angels on either side of the upper body of a satyr resting on two horns of plenty. From a series of 10 sheets., print, emboss, ornamental print, prints, embossments, ornamental prints, height 237 mm, width 160 mm, 1553 - 1615, print maker, printmaker, 1563 - 1582, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, Italian, 1490 - 1543, after a design by, Publication (Event), Publication, publisher

Coat of arms of the Leiden organist Willem Cornelisz. who in 1578 acquired the right to call himself Van Duyvenbode. This was as a reward for using his pigeons as homing pigeons for communication during the siege between the city council of Leiden and the troops of the prince of Orange, Coat of arms of Willem Cornelisz. van Duyvenbode, 1578, print maker: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, etching, engraving, h 127 mm × w 80 mm

Design with skull and putti, Balthasar Sigmund Setletzky, after Christian Friedrich Rudolph, 1724 - 1754 print Design for an altar or epitaaf with rocaille ornaments and on the underside skills and an hourglass. At the top are two putti with an hourglass and a reverse torch on either side of a winged cartouche. In addition, incense vessels and two skulls. The serial title in the middle. Augsburg paper etching / engraving altar. epitaph. skull as symbol of 'Vanitas'. hourglass. cupids: 'amores', 'amoretti', 'putti'. torch - BB - torch held upside down

Faces at Burgfeld and Nassenhuben. Upstairs is a face of the Burgfeld outside place and under a face on the Polish countryside of Nassenhuben. In the middle a crowned (family) weapon with three leaf motifs, two double-headed eagles and two griffins with an arrow. Left is a putto with an olive branch and the right is shown in the form of a skeleton with a zeis and an hourglass. The performance has been in an architectural frame with above a drapery with brushes, on the left an oil lamp and a vase on the right.

Frieze and Masks, Mauro Antonio Tesi, Italian, 1730 - 1766, etching on laid paper, Italy, mid- 18th century, Print, Print

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Open mouth can with the lower part of an hilt, 1538 - 1598 print The mouth can are decorated with an oval, framed by leaf vines with double -winged Hermen, owls and butterflies. In the oval a performance of Muscius Scaevola for Porsenna. L.B. and R.B. Two views of buttons for swords. Belongs to series of 4 sheets. paper engraving Gaius Mucius Scaevola before Porsena: he thrusts his right hand into the flames (the body of the king's secretary who erroneously had been killed instead of Porsena may be seen lying on the ground)

Square Cartouche with a quote from Seneca, Frans Huys, After Hans Vredeman de Vries, 1555 print Quote from Seneca 'Non Exiguum Temporis Habemus, Sed Multum Perdimus' (We lack no time, but often it is wasted) in cartouche. The left and top right is a child whose buttocks stick through the rolling work. There are four mascarons on the cartouche. Shaded background. From series of title page and 12 magazines with cartouches with quotes from classic writers in a frame of rolling work with grotesken, mascarons and garlands. Netherlands (possibly) paper etching ornament ~ cartouche. mask, mascaron ~ ornament. scrollwork, strapwork ~ ornament. proverbs, sayings, etc.

Oval medallion with text, guillaume de la quewellerie, 1611 print The medallion hangs on a ribbon with an earring on both sides. From series of 6 magazines. Amsterdam paper engraving

Bookplate: Mouscron. unknown, graphic artist

Coat of arms of Don Juan of Austria (Regensburg, February 24, 1545 or 1547 - Bouge, October 1, 1578), illegitimate son of King Charles I of Spain

Seal, approx. 1806. Separate print of a stamp or vignette with the city's pavement of Amsterdam covered by the French eagle, ca. 1806.

Allegory of the Baker's Trade. Artist: Johannes Petrus van Horstok (Dutch, Overveen near Haarlem 1745-1825 Haarlem). Dimensions: Sheet: 20 13/16 × 16 1/16 in. (52.8 × 40.8 cm). Date: 1807. Museum: Metropolitan Museum of Art, New York, USA.

Top of the edge of the Great Hagen (right leaf), Christiaan Hagen, After Abraham Toorenvliet (I), 1675 print Right leaf of the top of the edge of the so -called Grote Hagen, a wall map of Leiden from 1675. On the left the coat of arms of Leiden mayor Rippert Johansz. van Groenendijck, on the right that of Herman Schuil. Bottom left part of the title. Amsterdam paper engraving armorial bearing, heraldry Leiden

Fries met een schild tussen twee putti.Frisian with a shield between leaf refrices held on either side with one hand by Putti. In their other hand, they each wear a horn. The putto on the right is seen on the back.

Coat of arms of Van Twist, Willem de Groot, 1755 drawing parchment (animal material). pencil. ink pen / brush armorial bearing, heraldry

Unknown coat of arms in oval, c. 1611 - c. 1625 print From series of 20 magazines. paper engraving

Monument voor de overleden prins Willem IV, 1751.Monument or memorial stone for the Prince Willem IV deceased in 1751. Monument made up of columns and weapent trophies, awarded by a winged hourglass and the Nassau weapon skirt. Centrally held the weapon of the prince by two lions. Below labeled: XIII.

Collalto and San Salvatore, Eduard 1. Prince of.

Two putti at column with a heart. Two putti each keep a cornucopia in the hand and sitting next to a column or fasces awarded a heart. At the top of the motto: Ubertas Ex Faedere et PACE.

Bookplate: Joseph-Gaspar de Servais: Bien faire et ne rien craindre. Opdebeck, Antonie (1709-1759), graphic artist

Design for Frame with Ecclesiastical Motifs. Artist: Johann Oktavian Salver (German (active Würzburg) 1732-1788). Dimensions: 18 7/16 x 13 7/16 in. (46.9 x 34.2 cm). Date: 1750-88. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Vase by Androuet du Cerceau. Édouard Baldus (French, born Germany, 1813 - 1889)

Klefeker, Johann .

Hans Burgkmair I, The Imperial Eagle, 1507 The Imperial Eagle

Cartouche with two putti; Cartouches The Differantes Inventions (...). A hilly landscape with sheep is depicted in the compartment. Leaf 10 from series of 13 sheets with cartouches in French lobe style. From first edition.

. Cartouche with the coat of arms of Lieve Geelvinck, mayor of Amsterdam. His weapon is flanked by justice and the female personification of the VOC. On a drapery the title of the book and a command of the publishers in French. Below the coat of arms of the city of Amsterdam.

Cartouche with large mask; Cartouches The Differantes Inventions (...). There is a landscape with a river and a building in the compartment. Leaf 12 from series of 13 sheets with cartouches in French lobe style. From first edition.

Coat of arms of the Eysenbergh family, Pieter Jansz, 1660 - 1672 drawing Possible design for a stained glass window. paper. ink. graphite (mineral). chalk pen / brush armorial bearing, heraldry

The text is set in two cartouches of scrollwork with leaf vines, animals and figures. Between the cartouches reads: N.o 207., Title page: Des vor Schlosser aufgezeichnete neuen Bandel-Wercks anderer Theil (...) Des vor Schlosser aufgezeichnete neuen Bandel-Wercks anderer Theil (...) (series title on object) Des vor Schlosser aufgezeichnete neuen Bandel-Wercks anderer Theil (...) (series title), print maker: Johann Conrad Reiff, (possibly), Johann Conrad Reiff, (possibly), publisher: Johann Christoph Weigel, (mentioned on object), Germany, (possibly), c. 1600 - c. 1699, paper, etching, h 360 mm × w 196 mm

Paris, Tavernier, Melchior, France, Rabel, Daniel, Cartouches de Differantes Inventions, Cartouche with putti on consoles, The compartment depicts a hilly landscape. Sheet 11 from a series of 13 sheets with cartouches in French auricular style. From first edition., print, ornament print, prints, ornament prints, height 139 mm, width 193 mm, 1578 - 1637-01-03, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Wooden skirt by Aspach and Harrlach on Thalheim, Carl Sigismund.

Kraanvogel bij een wijnstok / Boom met vogels; Prudentia / Quam Dulcia Faucibus Meis; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a crane with a stone in his leg in front of a vine. In addition to a medallion with Januskop. Under a tree populated by birds.

Design for a (Temporary) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ 16th-early 17th century Anonymous, Italian, 16th to early 17th century Italian. Design for a (Temporary) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ 388727

Explanation flanked by soldier and woman with crown, anonymous, 1650 - 1750 print Notularum Explicatio (explanation) flanked by a soldier and a woman with a crown. At the top is a lion with sword on cannons. On the bottom garlands and a coat of arms. Detail of a map of Gaul. paper engraving the soldier; the soldier's life. ruler, sovereign - BB - female ruler

Prague, Sadeler, Aegidius, Polidoro da Caravaggio, Vasa a Polydor, Kan with an ear on the right, ending in a bird's head, Reverse copy after RP-P-1964-2385., print, ornament print, prints, ornament prints, height 235 mm, width 157 mm, South Netherlandish, 1570 - 1629, print maker, printmaker, 1580 - 1605, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Italian, 1490 - 1543, after a design by, Publication (Event), Publication, publisher

Pelikaan met boom / boom en Pauw; Fuluis judge Thursday that nothing unfamiliar to cast Ales / Me phases of Scepter June after the blessed; Roman pontiff of the human and the divine symbol Regum.An emblem with two performances. Above a tree with a pelican. Above a tree with a peacock. The invention of Burgundy and Maria Bianca Maria Sforza, the first and second wife of Emperor Maximiliaan I.

Weapon of Willem IV, Prince of Orange-Nassau. Weapon of Willem IV with a crown and two lions, decorated with the garter and the motto of the garter order. Amgty sputter are under a banderole. There around a number of allegorical objects.

Round Cartouche with the Diomedes Islands, 1595 Round cartouche with four balls. In the Cartouche de Diomedes Islands. The Cartouche is a fragment of a map of southern Italy. The print is part of an album. Antwerp paper engraving Round cartouche with four balls. In the Cartouche de Diomedes Islands. The Cartouche is a fragment of a map of southern Italy. The print is part of an album. Antwerp paper engraving

Coat of arms of Frederik Hendrik, Prince of Orange. Coat of arms of Frederik Hendrik with a crown. In the middle his fifth spell. Five lines of latin text in a cartouche. Complete in an orange tree in an orange frame.

Wapen Van Giuseppe Antonio Davanzati, Giovanni Marco Pitteri, c. 1718 - In Or Before 1746 print Venice paper engraving coat of arms (symbol of sovereignty). cardinal. beasts of prey, predatory animals: lion

Ornament with Grotesque. Dated: 1616. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master CR.

. A painter portrays the draftsman and goldsmith Paulus Willemsz. Van Vianen. Presentation in cartouche, with three-legged inscription in Latin.

Ex libris van Sir William Stirling Maxwell, 1838 - 1878 print Ex Libris of book collector Sir William Stirling Maxwell. His coat of arms and his mottos contained in an ornamental framework. Ex libris stuck on the wrapper. This print is part of an album. paper etching

Title Plate, from Quinque Sensuum ca. 1655 Franz Cleyn German Horizontal panel with the title on fabric draped from a strapwork cartouche at center and surrounded by animals. At left, a monkey in glasses, a deer, and a dog. At right, a parrot, crane, and rabbit. Below the fabic at center, a turtle seen from the front. The series, consisting of a title and five plates with the senses personified by female figures, is titled 'Quinque sensuum descriptio, in eo picturae genere quod (Grottesche) vocant Itali' (Description of the Five Senses in that kind of painting that the Italians call grotesque). This set belongs to the 3rd edition, published in London by Robert Walton after 1646 (ca. 1655). An inscription on this plate credits Walton as the publisher ('SOULD BY RO: WALTON), but there are visible traces of the name and address of the publisher of previous editions.. Title Plate, from Quinque Sensuum 425776

Parijs, Meryon, Charles, Armes symbolique de Paris, Shield with arms of Paris with city gates and French lilies and sailing ship, Paris, verso center - stamped, Shield with the arms of Paris crowned with a row of four city gates. Upper edge of the shield decorated with French lilies. Below that a sailing ship is depicted at sea. The shield is placed between an oak branch and an olive branch., print, prints, height 136 mm, width 111 mm, height 480 mm, width 310 mm, French, 1821-11-23 - 1868-02-14, print maker, printmaker, 1854 - 1854, third quarter 19th century, paper, etching, etchings, intermediary draughtsman, after a drawing by, printer

Menning with a landscape over which the sun pours its rays, Bernard Picart (workshop or), After Bernard Picart, 1718 print Penning with the representation of the sun, which shines over a landscape on which the wheat grows. With the motto: Foecundis Ignibus Ardet. The performance symbolizes the role of Louis XIV, king of France, as the protector of the arts. Around banners and arms ornaments. Amsterdam paper etching / engraving ornaments ~ art. landscapes. sun as celestial body

Glazen lijst / Wolvin en kroon; Undique Illesus / Sua Alienaque Pignora Nutrit; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a glass (painting) list on a hook. Under a wool fin and a crown. The inventions of Louis II of Hungary and Johan Zápolya.

Design for glass window 14 donated by the mayors and councils of Amsterdam, Pieter Jansz, 1666 drawing Design for stained glass window with Andries De Graeff, Agatha Hasselaers, Gerard Hasselaers, Henrietta van Graft, Simon van Hoorn, Hendrick Hooft, Nicolaas Hooft, Cornelis van Outshoorn, Hendrick Dirck Spiegel, Catharina Opsen, Cornelis Wits, Duifje van vanfjeje , Joan van de Poll, Maria Mirrors, Gerard Schaep, Jacoba Ranst, Gillis Valckenier, Elisabeth Bicker van Swieten, Anna van Hoorn, Nicolaas Tulp, Cornelis van Vloswijck and Margarita van Outshoorn. paper. watercolor (paint). ink. pencil pen / brush armorial bearing, heraldry. coat of arms (as symbol of the state, etc.) (+ city; municipal) Amsterdam

Blazon of the Chamber of Rhetoric Red Daisy in Warmond, 1620, H. van den Berck, 1620

Antwerp, Plantin, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Doetechum, Johannes of Lucas van, Exercitatio alphabetica nova et utillisima, Cartouche with calligraphy, above it two children supporting their heads, Sheet X. Cartouche with the text Het herte des rechtveerdigen.... From a series of 21 numbered cartouches with calligraphy in a frame of scroll and fittings with grotesques, garlands and mascarons., print, ornament print, prints, ornament prints, height 211 mm, width 284 mm, print maker, printmaker, 1569 - 1569, third quarter 16th century, paper, engraving, engraving (printing process), Northern Netherlands, 1541 - 1583-03-29, Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1514 - 1589-07-01, publisher

Awarded coat of arms with two palm branches, Pieter Jansz, 1630 - 1672 drawing Possible design for a print. paper. ink pen / brush coat of arms (as symbol of the state, etc.)

Kikko tussen het Gras / Geharnaste arm met lans; My Earth pools / Work Virus protection; Roman pontiff of the human and the divine symbol Regum.An emblem with two performances. Above a frog between the grass. Under the heductible arm with a tray. The invention of King Louis 6 of France and Hugh Capet.

Seal with Simon van Haarlem. Stamp with Simon van Haarlem on horseback in a harness. According to the caption the seal of the Haarlems house. Top left the weapon of Simon van Haarlem, at the top left the arm of his son, Hendrik, Mr. Van Haarlem. With year 1261.

Memorial for Queen Marie Antoinette from France. Memorial for Queen Marie Antoinette of France. The monument is being edited with her portrait. On the verso the call to pray for her soul.

Can with an ear, ending in a bird head, Aegidius Sadeler (II), After Polidoro da Caravaggio, 1580 - 1605 print The abdomen of the jug is decorated with two winged female saters. Passionate copy to RP-P-1964-2389. Prague paper engraving

Column with coats of arms and painting materials and banderol, François van Bleyswijck, 1744 print A column on a pedestal carries two shields with weapons surrounded with curly leaf ornaments. A painting palette and brushes rest on the pedestal. At the top of a banderol is the text Saecularis Laetitia Trajectini Pictorum Collegii. And in a tour: Floreat Pictura, Naturae Imitatrix, Historiae Fides. Left and right a leaf rank. paper etching tools, implements of painter. crafts and industries (+ ornamental variants of plants)

Schild with arms of Paris with city gates and French lilies and sailing ship, Charles Meryon, 1854 print Shield with the arms of Paris awarded row of four city gates. Top edge of the shield decorated with French lilies. A sailing ship at sea is shown below. The shield is placed between an oak branch and olive branch. paper etching coat of arms (symbol of sovereignty). sailing-ship, sailing-boat. fleur-de-lis ~ ornament Paris

Cartouche with sea battle; TVta Salvs Bello; Histoire Metallique de la République de Hollande. At the top of the cartouche is a mask. From series vignettes with sea uts and allegories, as a illustration used in the book Histoire Metallique de la République de Hollande of P. Bizot.

Rectangular Cartouche with two standing man figures, 1584 Rectangular standing cartouche flanked by two standing man figures in a vase. The Cartouche is a fragment of a map of Rügen. The print is part of an album. Antwerp paper engraving Rectangular standing cartouche flanked by two standing man figures in a vase. The Cartouche is a fragment of a map of Rügen. The print is part of an album. Antwerp paper engraving

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