Hercules and Mythological Battles

Dramatic engravings depicting Hercules in battles against mythological creatures, showcasing dynamic poses and detailed figures in intricate settings.

Amsterdam, Pietersz., Doen, Cornelisz. van Oostsanen, Jacob, The Little Passion, Fall of Man, Cornelisz van Oostsanen, Adam and Eve standing by the tree of good and evil in paradise. Adam takes a bite of an apple, Eve takes an apple from the snake. On the ground a rabbit and a bird. The print is part of a book., print, book illustration, prints, height 113 mm, width 78 mm, height 141 mm, width 100 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1523 - 1523, paper, woodcut, Publication (Event), Publication, publisher

Hercules Killing Cacus, from The Labors of Hercules. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 4 3/16 × 2 3/4 in. (10.7 × 7 cm). Series/Portfolio: The Labors of Hercules. Date: 1550. Museum: Metropolitan Museum of Art, New York, USA.

Hercules Fighting the River-God Achelous, from The Labors of Hercules 1550 Heinrich Aldegrever German. Hercules Fighting the River-God Achelous, from The Labors of Hercules 428679

The Dead Christ supported by an angel. Artist: Giuseppe Scolari (Italian, active Venice, 1562-1607). Dimensions: Sheet: 17 11/16 × 12 1/8 in. (45 × 30.8 cm). Date: 1582. Museum: Metropolitan Museum of Art, New York, USA.

Hercules Fighting the Hydra of Lerna, from The Labors of Hercules 1550 Heinrich Aldegrever German. Hercules Fighting the Hydra of Lerna, from The Labors of Hercules 428421

Amsterdam, Pietersz., Doen, Cornelisz. van Oostsanen, Jacob, The Little Passion, Fall of Man, Cornelisz van Oostsanen, Adam and Eve standing by the tree of good and evil in paradise. Adam takes a bite of an apple, Eve takes an apple from the snake. On the ground a rabbit and a bird. The print is part of a book., print, book illustration, prints, height 113 mm, width 78 mm, height 141 mm, width 100 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1523 - 1523, paper, woodcut, Publication (Event), Publication, publisher

This copper engraving by Marcantonio Raimondi, created around 1505-1510, depicts a satyr engaged in conflict over a nymph, emphasizing dynamic poses, classical composition, and mythological subject matter.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Dolphins playing the Pipes, 1783. Engraving.

Apollo in Hyacinthus in love ..

Albrecht Altdorfer, Winged Woman on a Star, c 1515 1518 Winged Woman on a Star

Copper engraving depicting Hercules confronting the Cretan bull, created by Nicoletto da Modena in the first quarter of the 16th century.

Allegory of charity, Hendrick Goltzius (workshop of), After Hendrick Goltzius, c. 1582 - c. 1584 print An almost naked woman (charity) runs in a coastal landscape, a bundle of Aren and a branch of roses in the left arm, removing money with the right hand. At her right foot, a beautiful young woman scatters roses for a boar (generosity); With her left foot, an ugly old woman buries a pot of money (greed). Two lines of Latin under the performance. Haarlem paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Greed, Covetousness, Cupidity; 'Cupidití' (Ripa). Generosity, Liberality; 'Generosití', 'Liberalití' (Ripa)

The Dead Christ supported by an angel 1582 Giuseppe Scolari Italian. The Dead Christ supported by an angel 384253

St. Sebastian 1512 Hans Baldung (called Hans Baldung Grien) German. St. Sebastian 416644

Innocent XII, Alexander VIII, Rome, Bocquet, Nicolas,, Raphael, Adam and Eve tempted by the serpent, verso - stamped, print, prints, height 347 mm, width 267 mm, print maker, printmaker, 1691 - 1691, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by, 1483-04-07 - 1520-04-07, after painting by, Publication (Event), Publication, publisher, Italian, 1610-04-22 - 1691-02-01, granter of privilege, 1615-06-13 - 1700-09-27

Cain Killing Abel 1511 Albrecht Dürer German. Cain Killing Abel. Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). 1511. Woodcut. Prints

Eve Giving Adam the Forbidden Fruit; from "The Story of Adam and Eve" Jan (Pietersz.) Saenredam Netherlandish. Eve Giving Adam the Forbidden Fruit; from "The Story of Adam and Eve" 399178

A faun playing a pipe. Etching by F. Perrier.

Heinrich Aldegrever (German, 1502-1555-1561), Hercules Preventing the Centaurs from the Rape of Hippodamia, 1550,

Copper engraving by Hendrick Goltzius, circa 1587, depicting Wrath (Zorn) with expressive human figures and symbolic elements.

Allegory in the inheritance holdership offered to the Prince of Orange, 1674, Romeyn de Hooghe (Circle of), 1674 print Allegory on the abolition of the eternal edict from 1667 with the offering of the inheritance of the Prince of Orange, 2 February 1674. Distinized monument in which Anticurius van Loevestein (the personification of the Loevestein Factation) is located on his deathbed, surrounded by allegorical figures, Including the act of seclusion. At the top of a bust of Van Oldenbarnevelt in an inscription and on either side the bodies of the De Witt brothers. On the right a medallion with the portrait of William III, held by bravery and caution. In the performance a loose text sheet with text in 3 columns with a statement of the figures 1-18 in Dutch. paper etching / letterpress printing Prudence, 'Prudentia'; 'Prudence' (Ripa) ~ One of the Four Cardinal Virtues. Courage, Bravery, Valiance, Manliness; 'Ardire magnanimo et generoso', 'Gagliardezza', 'Value', 'Herica virtue', 'Virt

Satyr Flogging a Nymph' (also titled 'Satyr Whipping a Nymph'), created between 1557 and 1600. This engraving has a plate mark measuring 5 7/8 x 4 5/16 inches (15 x 11 cm) and is printed on cream laid paper of the same dimensions

Copper engraving by Cristofano di Michele, called il Robetta, depicting Hercules fighting Antäus, showing human figures, gestures, and composition, created around 1460.

The young woman between two men (Bartsch 399) Marc Antoine Raimondi (1480-vers1534). The young woman between two men (Bartsch 399). Fight, chisel. 16th century.

Italy, Perino del Vaga, Caraglio, Giovanni Jacopo, Loves of the Gods, The Loves of the Gods, Neptune and Doris, verso - stamped, Doris and Neptune are sitting intimately entwined kissing. On the left is Amor. In the bottom margin Italian verse in two columns., print, prent, prints, prenten, height 212 mm, width 134 mm, Italian, 1505 - 1565, print maker, printmaker, 1515 - 1565, paper, papier, engraving, engraving (printing process), Work conception, 1501 - 1547-10-19

Italy, John the Baptist with lamb, verso - stamped, print, prent, prints, prenten, height 246 mm, width 189 mm, print maker, prentmaker, 1550 - 1649, paper, papier, engraving, engraving (printing process)

Hercules and Cacus 1540-45 Antonio Fantuzzi Italian. Hercules and Cacus 336755

This copper engraving by Martin Schongauer, from the last third of the 15th century, depicts Saint Sebastian, showing detailed composition, figure, and posture.

Copper engraving by Hendrick Goltzius, created 1607-1610, depicting the mythological figures Hercules and Omphale.

Jupiter en proserpina, Cornelis Bos, after Michiel Coxie (i), c. 1537 - c. 1555 print Jupiter seduces Proserpina in the form of a snake. Proserpina sits naked on a stone under a tree. The snake crawls between her legs. Print from a series of 10 prints that illustrate the love adventures of Jupiter. paper engraving Jupiter, in the form of a snake, and Proserpina

Hercules and Atlas; Working from Hercules. Hercules of the front, with the sky globe on his shoulders. Next to him is atlas that points to the sky vowel with a pointer. Under the show a two-key text in Greek and Latin. Ninth print from a series of thirteen with the works of Hercules.

The Crouching Venus, Roman Goddess of Erotic Love and Beauty, Historical, digitally restored reproduction of an original from the period.

Pomona, Cornelis Cort, after Frans Floris (I), 1564 print Pomona, the goddess of fruit, sitting under an apple tree with a horn full of apples. Next to her are two large baskets with apples. paper engraving Pomon

Marcus Corvus, Keijzer, after Hendrick Goltzius, 1829 print The hero Marcus Valerius Corvus, seen on the back, his shield was lifted by his left shoulder. In the background you can see how he defeats a Glaan with the help of a raven (Corvus). Amsterdam paper engraving Marcus Valerius Corvus (Corvinus) victoriously fights a mighty Gaul in single combat, assisted by a crow that attacks the face of the Gaul

Venus and Adonis ca. 1570 Giorgio Ghisi Italian In his narrative poem 'Metamorphoses' Ovid tells us that Venus, grazed by Cupid's arrow, fell in love with Adonis and urged him not to hunt dangerous animals. Ignoring her advice, the handsome youth was killed by a wild boar. In antiquity, Adonis was worshipped as a god of the seasons who spent each winter in the Underworld and returned each spring, causing Venus, equated with the earth's fertility, to rejoice. In Ghisi's engraving, based on his brother's design, we see Adonis' dead body being nuzzled by the boar near a bare tree in the background. In the foreground, Adonis receives Venus' caresses in a verdant bower, his foot resting on the boar's head to demonstrate his victory over winter.. Venus and Adonis 361889

Jan Pietersz Saenredam after Abraham Bloemaert, Temptation of Man, 1604 Temptation of Man

Aeneas carrying Anchises on his shoulders while Troy burns in the background 1530-60 Master of the Die Italian. Aeneas carrying Anchises on his shoulders while Troy burns in the background 396433

Agostino dei Musi after Raphael (Italian, c. 1490 - 1536 or after), Venus and Cupid, 1516, engraving

Satyr and Child. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Sheet: 4 13/16 × 3 3/4 in. (12.3 × 9.5 cm). Date: ca. 1515-16. Museum: Metropolitan Museum of Art, New York, USA.

Saint Sebastian Made 1506-1507 Italy. Engraving, on paper . Master I.B. with the Bird

Marcantonio Raimondi's copper engraving from around 1513-1520 shows a satyr with a child, highlighting classical figures, gestures, and a mythological theme.

This copper engraving by Martin Schongauer, from the last third of the 15th century, depicts Saint Sebastian bound and pierced with arrows, showing figure, posture, and composition.

Albrecht Altdorfer (German, 1480 or before-1538), The Resurrection, c. 1513, woodcut

Apollo and Daphne ca. 1538-40 Andrea Schiavone (Andrea Meldola) Italian Schiavone learned to etch by studying the prints of Parmigianino, the first Italian artist to realize the medium's potential for approximating the spontaneity of drawing. Even more experimental and loose in his approach than his mentor, Schiavone created a number of lively depictions of mythological scenes. Here, the seeming swiftness of his line conveys Daphne's transformation where her fingers turn into branches and her toes root into the ground beside her father, the river god Peneus.. Apollo and Daphne 361913

Venus (or Galatea) and Cupids Supported by Dolphins, Agostino Carracci, Italian, 1557 - 1602, Engraving on laid paper, Reclining nude female figure of Venus or Galatea at center, seated upon a shell resting upon the ocean, her hair in an elaborate braided style. Her legs crossed, her arms raised above holding a swath of drapery that balloons above her like a sail. At her feet are two dolphins who carry her across the surface of the water. At her lap and sides are winged putti. Below, ripples in the surface of the water. Cloudy sky in background., Italy, 1590, figures, Print, Print

Judith with sword sitting on holofernes beheaded.

The Garden of Eden Made 1651 Bohemia. Etching on ivory wove paper . Wenceslaus Hollar

Venus squatting probably according to Francesco Francia (Bartsch 313) Marc Antoine Raimondi (1480-vers1534). Venus squatting probably according to Francesco Francia (Bartsch 313). Fight, chisel. 16th century.

The Fall of Man, from The Fall and Salvation of Mankind Through the Life and Passion of Christ. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 3 1/8 × 2 3/16 in. (8 × 5.6 cm). Date: ca. 1513. Museum: Metropolitan Museum of Art, New York, USA.

Adam with a Lion 16th century Heinrich Aldegrever German Adam, standing before a crouching lion, looks to the right and holds up the fruit in his right hand.. Adam with a Lion 427991

The Labors of Hercules Hercules and Antaeus Made 1523-1533 France. Woodcut on paper . Gabriel Salmon

Horace Codes Anonymous, after Hendrick Goltzius, 1645 - 1706 print The hero Horace Cocles, a sword lifted in the right hand, a shield in the left hand. In the background you can see how he takes on the banks of the Tiber on his own against an entire army. Twice two verses in Latin under the performance. Amsterdam paper engraving Horatius Cocles at the Pons Sublicius: single-handed he keeps the Etruscans at bay while the bridge is broken down by the Romans behind him; he escapes by jumping into the Tiber

Artist: Albrecht Dürer, German, 1471-1528, The Flagellation, from The EngravedPassion, Engraving, 12.1 × 7.8 cm (4 3/4 × 3 1/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Cristofano Robetta, Allegory of Mother Earth Allegory of Mother Earth

Naked man with helmet wears a flag standing by a lion, Marcantonio Raimondi, After Rafaël, 1510 - 1527 print paper engraving beasts of prey, predatory animals: lion. standard-bearer, flag-bearer

Autumn (Autumnus) personified by a nude man holding a wine-bowl accompanied by a young satyr, with a landscape in the background bringing in the grape harvest. Representation in an ornamental oval cartouche. At top the signs of the zodiac associated with autumn: Sagittarius, Libra and Scorpio, Personification of autumn (autumnus) Autumnus (title on object) The four seasons (series title), print maker: Jacob Matham, publisher: Jacob Matham, Haarlem, 1588 - 1602, paper, engraving, h 166 mm × w 108 mm

The full-length hero Horace Cocles, a sword raised in the right hand, a shield in the left. In the background, he is seen taking on an entire army on the banks of the Tiber. Beneath the scene two lines of verse in Latin, Horace Cocles Roman heroes (series title), print maker: anonymous, Hendrick Goltzius, Franco Estius, Amsterdam, 1645 - 1706, paper, engraving, h 248 mm × w 157 mm

Hieronymus Hopfer after Giovanni Battista Palumba, Personification of Rome Personification of Rome

This 1460 copper engraving by Cristofano di Michele (il Robetta) depicts an allegory on the power of love, showing figures, gestures, and symbolic composition.

Perseus and Andromeda. Andromeda, the daughter of an Ethiopian king, is closed to a rock. In the background, Perseus beats the sea monster to be able to save Andromeda.

Bacchus, Crispijn van de Passe (I), 1574 - 1637 print Bacchus holds a grape voucher over his head. He is accompanied by a satar with a fruit basket. A dancing company in the background. In the margin a two -way caption in Latin that refers to the pleasure of drinking and a two -way caption with an assignment in Latin. First print from a series of three with Bacchus, Venus and Ceres. unknown paper engraving (story of) Bacchus (Dionysus), Liber. group dancing

Saturn; Saturnus; Gods that sit on the seven planets. Saturn, with a wooden stool to his mutilated leg, has one of his children in his hands. There is a zeis on the floor. Two constellations are pictured; At the tree lies the Capricorn and the Aquarius is in the air.

Pluto; Eight classic gods. Pluto, standing in a niche, a burning torch in his hands. This print is part of a series of eight prints of classical gods, based on POLIDORO DA CARAVAGIO paintings on the facade of a Roman house, seen and named by Goltzius in Rome.

Print ca. 1570-1650 Anonymous This etching reverses a painting by Orazio Samacchini in the collection of the Pinacoteca Nazionale in Bologna dated to around 1569-70 (inv.no.630). For discussion of the painting and its preparatory drawing, see Elena Rossoni in 'Pinacoteca Nazionale Bologna. Catalogo Generale', volume 2, 2006, cat.no.118, pp.173-76.The etching could be on a sheet of paper possibly from the 17th century.. Print 383084 Artist: Anonymous, Artist: After Orazio Samacchini, Italian, Bologna 15321577 Bologna, ca. 15701650, Etching, Sheet: 11 7/16 9 3/8 in. (29 23.8 cm) Plate: 10 1/2 8 7/16 in. (26.6 21.5 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1985 (1985.1012)

Paradise Lost, from the Dance of Death 1651 late 18th century printing Wenceslaus Hollar Bohemian. Paradise Lost, from the Dance of Death 361648

Adam gives the animals their names, Joseph Mulder, 1692 print Adam, seated under a tree, gives the animals their names. On the bet at the top of a city with a tower, presumably Babel, with a man under a tree in the foreground. Title page for the collected works of theologian and linguist Samuel Bochart. print maker: Amsterdampublisher: Leidenpublisher: Leidenpublisher: Utrecht paper engraving / etching Adam naming the animals. the Tower of Babel

Crucified Man by Michelangelo Buonarroti, Historic, digitally restored reproduction from a 19th century original

Venus keeps Adonis van de Jacht, Jan van Somer (Possible), 1655 - 1700 print Venus and Amor try to prevent Adonis from going hunting. However, Adonis is going to hunt; He is wearing a lance and two hunting dogs walk next to him. paper Venus and Adonis as lovers

The Magdalen in Penance, 1585. Hendrick Goltzius (Dutch, 1558-1617). Engraving;

Hendrik Goltzius, St Mary Magdalen Penitent, 1585 St. Mary Magdalen Penitent

Venus Surprising MarsAsleep. Etcher: Léon Davent, French, active 1540-1556 After: Luca Penni, Italian, ca. 1505-1556

Marcantonio Raimondi, Orpheus and Eurydice Orpheus and Eurydice

Rhetoric, anonymous, after Francesco Primaticcio, 1592 print The female personification of rhetoric, in her hands a canvas and the caduceus. She is surrounded by frightened men and women. In the context in the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving Rhetoric ',' eloquence '(~ trivium); "Rettorica '(Ripa)

Male Nude Seated from panel of 'God Separating Light from Dark', Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

Mars and Venus as a love couple with Amor, Marcantonio Raimondi, 1508 print Mars and Venus as a love couple. Amor has stripped Mars of his armor. He pushes Venus towards Mars. paper engraving Mars and Venus as lovers

Mars andVenus. Artist, traditionally attributed: Giovanni Jacopo Caraglio, Italian, ca. 1505-1565 After: Rosso Fiorentino (Giovanni Battista di Jacopo), Italian, 1494-1540

Riviergod Nilus, Philips Galle, 1586 print The river god Nilus, seated on a crocodile. The print is part of a seventeen-part series about river and sea gods. Antwerp paper engraving personification of river Nile; 'Nilo' (Ripa) Nile

Leda and the swan; Jupiters love adventures. Jupiter seduces Leda in the form of a swan. Leda is sitting on the shore of a water with the swan between her legs. Print from a series of 10 prints that illustrate Jupiter's love life.

Heinrich Aldegrever, Hercules Slaying the Lion of Nemea, 1550 Hercules Slaying the Lion of Nemea

Albrecht Altdorfer, Hercules Bearing the Column of Gades, c 1520 1525 Hercules Bearing the Column of Gades

The Expulsion from Paradise from The Story of Adam and Eve 1540 Heinrich Aldegrever German Adam and Eve fleeing towards the left, while the Angel raises his sword at right. Based on Genesis 3:23-24. Plate 5 from a series of six engravings.. The Expulsion from Paradise from The Story of Adam and Eve 428308

Aeneas flees with his family from Troje, Anonymous, After Giovanni Jacopo Caraglio, After Rafaël, 1515 - 1565 print Aeneas flees the burning Troy with his father Anchises on the back. Ascanius, the son of Aeneas. paper engraving 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way Three

Italy, Carracci, Agostino, Lascivie, Susanna and the Elders, verso - stamped, Susanna is seized by two old men who threaten to denounce her on charges of adultery if she resists them., print, engraving, prints, engravings, verso on sheet - stamped, height 156 mm, width 109 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1590 - 1595, paper, papier, engraving (printing process)

Hercules defeats Antaeus, Heinrich Aldgrever, After Anonymous, 1550 print Hercules, seen from the front, standing with his club based on his right side. In addition, again Hercules that lifts the giant Antaeus, causing it to lose its power. Behind it a man who stops a prancing horse. Sixth print from a series of thirteen with the works of Hercules. paper engraving the giant Antaeus is lifted in the air and crushed to death by Hercules

Holy Leonardus from Noblat as a hermit; Quis Leonarde Placet (...) Colo Tuta Casa; Hermiters; Ad Sacrum Speculum (...) Patribus that Ales ..

Giovanni Battista Palumba, Faun Family, c 1507 Faun Family

Sater is a nymph during her toilet, Marcantonio Raimondi, After Giulio Romano, 1520 - 1562 print paper engraving satyr(s) spying upon

Apollo, pan and a putto that blows on a horn; Ceiling paintings in the d'ulysse gallery in Fontainebleau. Apollo with his winch and pan with his pan flute. Above a putto that blows on a horn.

Venus en Amor; Scènes met Venus en Amor; Scherzi d'amore.Venus is sitting at a tree with an arrow in her hand. Amor is behind her. Cross their tins. Italian verse in undermarge.

Hercules killing Nessus; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 1550 (1st edition) (1550-00-00-1561-00-00);

Copper engraving by Marcantonio Raimondi depicting a man and a woman holding a cloth, created in the first half of the 16th century.

Hercules an Antaeus, Heinrich ALDEGREVER, 1529 print Hercules, seen from the side, holds the giant Antaeus around his waist and lifts him off the ground. At his feet are a shield and a piece of jaw bone. Germany paper engraving the giant Antaeus is lifted in the air and crushed to death by Hercules

Albrecht Altdorfer, The Fall of Man, c 1513 The Fall of Man

Horace Codes, Frederik Nicolaas Horace Witsen Geysbeek, after Hendrick Goltzius, 1829 print The hero Horace Cocles, a sword lifted in the right hand, a shield in the left hand. In the background you can see how he takes on the banks of the Tiber on his own against an entire army. Amsterdam paper engraving Horatius Cocles at the Pons Sublicius: single-handed he keeps the Etruscans at bay while the bridge is broken down by the Romans behind him; he escapes by jumping into the Tiber

Helios (Dies), 1588 - 1590 print The God Helios of Dies (day), standing between clouds on a rainbow, surrounded by flames. This print is part of a series of seven oval prints of classical gods and goddesses. paper Apollo as sun-god, i.e. Sol (Helius), Titan. other primeval deities (with NAME)

Saturn, Jan Collaert (II), After Jan van der Straet, After 1585 - 1628 print Oval list with a pedestal the naked god Saturn. He has a scythe in his hand and eats one of his children. The print has a Latin caption and is part of a series about the seven planets and their gods. paper engraving Saturn devouring his children. (story of) Saturn (Cronus). Saturn (planet)

Venus and De Roos, Master of the Dice, 1532 print Venus sits on a rock in a landscape. She takes a thorn of a rose bush from her foot. Italy paper engraving Venus wounded by the thorns of a rose-bush; the roses change from white to red (possibly combined with the story of Adonis). city-view, and landscape with man-made constructions

Albrecht Altdorfer, Saint Christopher, c 1515 1520 Saint Christopher

Antwerp, Schut, Cornelis (I), Eynhoudts, Remoldus, H. Sebastiaan, below, within plate edge - handwritten, Saint Sebastian is tied to a tree by his arms. An arrow pierces his leg. Next to him two people and a basket with arrows, on the other side an angel who tends to his wounds. Below the image two lines of Latin and a Dutch inscription in three lines., print, prints, verso - stamped, This piece is in Temsche, where the serck lies of my wife Grotvater and great mother, Peeter Lheenwints () (and heenkints) and his wife Catharine de Backer, height 353 mm, width 236 mm, 1613 - 1680, print maker, printmaker, 1626 - 1680, paper, papier, etching, etchings, Zuid-Nederlands, 1597-05-13 - 1655-04-29

Creation of Eve, Heinrich Aldegrever, 1541, Design for a print., draughtsman: Heinrich Aldegrever, 1541, paper, pen, h 67 mm × w 48 mm

Juno met pauw; Iuno; Oordeel van Paris.Juno stands by a tree. A peacock is shown next to her. There is a village in the distance. Under the show there is a four-line, Latin text with a description of Juno's promise to Paris.

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