Hercules Mythology Artwork

A historical engraving depicting Hercules overpowering Cacus, featuring dramatic poses, detailed figures, and a mythical scene from classical mythology.

Goltzius, Hendrick, Italy, Carracci, Agostino, Sine Cerere et Baccho Friget Venus, Venus and Cupid in a Landscape, verso - stamped, Venus leans against a tree. Cupid is sleeping in the foreground. In the background, farmers are working in the fields., print, prints, height 214 mm, width 154 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1599 - 1599, paper, papier, engraving, engraving (printing process), Work conception, Northern Netherlands, 1558-01 - 1617-01-01

Hercules Killing Cacus. 1550. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Heinrich Aldegrever, Hercules Fighting the Rivergod Achelus, 1550 Hercules Fighting the Rivergod Achelus

Copper engraving by Hendrick Goltzius depicting a scene of rest, created around 1582, showing figures in repose or seated positions.

Vulcan en Ceres, Giovanni Jacopo Caraglio, after Perin del Vaga, 1515 - 1565 print The naked Ceres and Vulcanus kiss each other in the forge of Vulcanus. In the lower margin an Italian fresh in two columns. Italy paper engraving (story of) Vulcan (Hephaestus). Ceres (planet). love-affairs of Vulcan

Goltzius, Hendrick, Italy, Carracci, Agostino, Sine Cerere et Baccho Friget Venus, Venus and Cupid in a Landscape, verso - stamped, Venus leans against a tree. Cupid is sleeping in the foreground. In the background, farmers are working in the fields., print, prints, height 214 mm, width 154 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1599 - 1599, paper, papier, engraving, engraving (printing process), Work conception, Northern Netherlands, 1558-01 - 1617-01-01

Copper engraving from 1575 depicting Mars and Venus, representing classical mythology and the interaction between the gods of war and love.

David with head of goliath ..

Sater owns love with a nymph; Lascivie. An erotic scene with a sater that the love owns with a nymph against a tree.

Apollo en Daphne, Giovanni Jacopo Caraglio, after Perino del Vaga, 1515 - 1565 print The naked Apollo pursues the fleeing Daphne. Her raised arms already get branches and leaves. In the foreground on the left is a river god. In the Italian fresh fresh in two columns. Italy paper engraving Apollo pursuing the nymph Daphne (as yet not metamorphosed)

Silenus supported by a young bacchant. Drunk Silenus is supported by a bacchant. Both keep grape drinks. Left next to them stand a wine barrel against which a reverse drinking bowl leans.

Adam and Eve at work; History of Adam and Eva. Adam and Eve after the fall. Adam pulls a tree root, next to him is a bat. Eva seated on a rock, sixth print from a series of six with the story of Adam and Eva.

Sin of Adam and Eve 1529 Lucas van Leyden Netherlandish. Sin of Adam and Eve 364701

Mars seated at the left, his left hand on Venus's shoulder, cupid beside her at the right 1508 Marcantonio Raimondi Italian. Mars seated at the left, his left hand on Venus's shoulder, cupid beside her at the right 342607

Giorgio Ghisi (Italian, 1520-1582) after Teodoro Ghisi (Italian, 1536 - 1601). Venus and Adonis, ca. 1570. Engraving. Second of six states.

Seated Neptune holding a conch shell to his mouth, accompanied by a seated triton and another emerging from the water at bottom right Attributed to Giorgio Ghisi Italian. Seated Neptune holding a conch shell to his mouth, accompanied by a seated triton and another emerging from the water at bottom right 397703

Pluto and Ceres.

Italy, Perino del Vaga, Caraglio, Giovanni Jacopo, Loves of the Gods, The Loves of the Gods, Vertumnus and Pomona, verso - stamped, The naked Vertumnus reaches for a fruit in the hand of the naked Pomona. On the right a herm and an overgrown walkway. In the lower margin Italian verse in two columns., print, prent, prints, prenten, height 214 mm, width 135 mm, Italian, 1505 - 1565, print maker, printmaker, 1515 - 1565, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1501 - 1547-10-19

Venus or Galatea Supported by Dolphins. Dated: c. 1590/1595. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: AGOSTINO CARRACCI.

Jacob Matham after Hendrik Goltzius, The Four Elements, probably 1588 The Four Elements

The Prophet Jonah, Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

Paris Keeps Name Van Oenone in Bast van Boom, Georg Pencz, 1539 print paper engraving Paris and Oenone, the nymph

Susanna and the elders, Agostino Carracci, c. 1590 - c. 1595 print Susanna is grasped by two old men who are in danger of indicate to accusation of adultery if she opposes them. Italy paper engraving Susanna bathing, usually in or near a fountain and sometimes accompanied by two female servants

Labor and Vlijt (Labor / Diligentia), 1582 print Naked woman sits on a naked man's lap and kisses him. In the foreground all kinds of tools (shovel, anvil etc). Print from a series of four. Two lines of Latin and two lines of Dutch under each print from this series. paper engraving Carefulness, Diligence; 'Diligenza' (Ripa)

Venus and love after Jules Romain (Bartsch 318) Agostino Veneziano (around 1490-vers1540). Venus and love after Jules Romain (Bartsch 318). Fight, chisel. 16th century.

Naked man wearing an elaborate helmet viewed from behind holding a banner, a lion seated on the ground ca. 1500-1534 Marcantonio Raimondi Italian There is a preparatory drawing for the print in the Musée des Beaux-Arts, Rennes attributed to the workshop of Raphael (Inv.794.1.3007). It is possibly by Marcantonio.. Naked man wearing an elaborate helmet viewed from behind holding a banner, a lion seated on the ground 342682

Italy, Carracci, Agostino, Lascivie, Satyr making love to a nymph, verso - stamped, An erotic scene with a satyr making love to a nymph against a tree., print, prints, height 154 mm, width 107 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1590 - 1595, paper, papier, engraving, engraving (printing process)

Apollo standing at the left, his hand resting on the shoulder of Hyacinthus, Cupid in the lower right 1506 Marcantonio Raimondi Italian. Apollo standing at the left, his hand resting on the shoulder of Hyacinthus, Cupid in the lower right 342591

Laocoön and his two sons killed by snakes, Hans Brosamer, 1538 print Fulda paper engraving Laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice

Three arrangement goddesses; Mythological and allegorical performances. The three scratch goddesses in a landscape. The standing shank godin Clotho holds the spin skirt, with the rough flax in her other hand. The seated Lachesis, seen on the back, the bobbin stuck and measure the thread. The left shank godin, the old atropos, cuts through the wire with scissors.

Jacob Matham after Hendrik Goltzius, Venus, Bacchus, and Ceres, probably 1588 Venus, Bacchus, and Ceres

Saturnus en de nimf Philyra; De liefdes van de goden; Godenliefden.The Nymph Philyra has her arms to Saturn, who adopted the form of a stallion. In the foreground on the right a putto with a zeis. In the underpermarge Italian fresh in two columns.

Apollo and Daphne dated 1518 Agostino Veneziano (Agostino dei Musi) Italian. Apollo and Daphne. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). dated 1518. Engraving. Prints

The Dead Saviour Supported by an Angel. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); After Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague). Dimensions: Sheet: 13 3/4 × 9 15/16 in. (35 × 25.3 cm). Date: 1587. Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS. After Bartholomeus Spranger.

Apollo and Hyacinthe according to Francesco Francia () (Bartsch 348) Marc Antoine Raimondi (1480-vers1534). Apollo and Hyacinthe according to Francesco Francia (Bartsch 348). Fight, chisel. 16th century.

Venus between two cupids, 1520. Albrecht Altdorfer (German, c. 1480-1538). Engraving;

Hercules fighting with anteus; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 1550 (1st exit) (1550-00-00-1561-00-00);

Two Nude Shepherds 17th century Lucas Vorsterman I Flemish. Two Nude Shepherds 391629

Italy, Trudon, Hieronymus, Carracci, Annibale, Fantetti, Cesare, Latona and the Lycian Peasants, verso - stamped, Latona sits on the right with her two children, Apollo and Diana, on her lap. On the left a group of Lycian peasants forbid Latona to drink from the river. In anger, Latona turns the Lycian peasants into frogs., print, prent, prints, prenten, height 441 mm, width 345 mm, Italian, 1660, print maker, printmaker, 1675 - 1675, paper, papier, engraving, engraving (printing process), etching, 1560-11-03 - 1609-07-15, after, after painting by, intermediary draughtsman

. The goddess Venus, sitting on a cloud. She is accompanied by amor, with arrow and bow, his arrow sleeve next to him. Two pigeons in the air.

Venus squatting with Zuil on which Amor stands, Marcantonio Raimondi, 1510 - 1527 print paper engraving Venus and Cupid (Cupid not being mere attribute)

Landscape with bacchanal, with Bacchus, David van der Plas, 1667 - 1704.

Copper engraving by an unknown artist depicting a satyr with Priapus figures in a crowded scene, created around 1510-1550. The print shows mythological figures and symbolic elements.

Hercules Slaying Cacus. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Venus as a lust; Amor edocet artes; Examples of love and lust by Venus personalized. Landscape with venus as a personification of lust. In the background four men who exercise different professions.

Black chalk and gray wash drawing by Charles Le Brun depicting a youth seizing the figure of Time, showing dynamic gestures and allegorical elements.

Sater spends a sleeping Nymph; Lascivie. A Sater peeks to a sleeping nymph.

Andreas Bretschneider III, Exempel und Lehr Jetziger Welt Lauf, published 1622 Exempel und Lehr Jetziger Welt Lauf

Venice, Bembo, Giovanni, Fialetti, Odoardo, Scherzi d'amore, Scenes with Venus and Amor, Venus and Amor, verso - stamped, Venus and Amor in a landscape. Venus sits beside a tree and looks back at Amor with his bow and arrow., print, prints, height 173 mm, width 96 mm, Italian, 1573-07-18 - 1638, print maker, printmaker, 1617 - 1617, paper, papier, etching, etchings, 1543 - 1618, granter of privilege

Nicolas Chapron, The Elderly Silenus, 1650s The Elderly Silenus

Pyramus and Thisbe 1553 Heinrich Aldegrever German. Pyramus and Thisbe 428695

. Landscape with a bacchanal. In the foreground Bacchus that empty his cup of wine above two bacchants lying on the floor. Means and putti watch and laugh.

Hercules and the Nemean lion. Hercules stands between the antique ruins while holding the Nemean lion. With his arms he challenges the neck of the lion to strangle him.

Man Met Een Vlag, Venetian Agostino, After Marcantonio Raimondi, After Rafaël, 1500 - c. 1536 print A naked man plants a waving flag in the ground. A lion at his feet. In the background a landscape with buildings. Italy paper engraving / etching city-view, and landscape with man-made constructions. beasts of prey, predatory animals: lion. standard-bearer, flag-bearer

Man of Sorrows before the Column. Hans Baldung Grien; German, c. 1480-1545. Date: 1517. Dimensions: 218 × 153 mm (block/sheet). Woodcut in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

A copper engraving by Agostino Veneziano created between 1515 and 1530 depicting a man holding the base of a pillar, illustrating early 16th-century European architectural and figure study.

Adam sitting on tree stump with apple in his hand, Hans Sebald Beham, 1519 print paper engraving Adam (not in biblical context)

The Dream, c. 1500, Albrecht Dürer, German, 1471-1528, 7 3/8 x 4 5/8 in. (18.73 x 11.75 cm) (image), Engraving, Germany, 15th-16th century, As a man snoozes in downy comfort beside a warm ceramic oven, a demon blows wicked thoughts into his ear with a bellows. A proverb says, 'Idleness is the devils pillow.' Temptation has arrived in the form of a classical Venus, whose gesture invites the sleepers attention. Two symbols of unsteadiness suggest the man is vulnerable: a putto attempting to hike himself onto a pair of stilts and the sphere of Fate that can go in any direction. An apple sits on the stove to remind us that the devil offers a warmed-over version of the original temptation in the Garden of Eden.

Fall with female snake, Jan Saenredam, after Hendrick Goltzius, 1598 - 1665 print Eva offers Adam an apple from the tree of knowledge of good and evil. Around a branch of the tree, the snake is wrinkled that has the face of a woman. Around the tree some animals (cat, dog, goat, sheep and parrot). The print has a Latin caption. paper engraving Eve offers the fruit to Adam. cat. dog. ornamental birds: parrot. he-goat, billy-goat. sheep

Paris Kerft Name of Oenone in bark of tree; Baris; Greek heroines.

"Psyche Carrying Waters of the Styx" (from the Farnesina frescoes) Circle of Marcantonio Raimondi Italian. "Psyche Carrying Waters of the Styx" (from the Farnesina frescoes) 397774

. The naked Jupiter and Juno together on a cloud in the air. They embrace each other. Jupiters side is the eagle, the bird that is dedicated to him. This keeps a lightning bolt in his beak, who symbolizes Jupiter's rule over the light. The print is part of a series of God pairs and has a Latin caption.

Boreas abducts Oreithyia, Philippe Lambert Joseph Spruyt, 1747 - 1801

Three branch goddinnen, Jan Harmensz. Muller, after Cornelis Cornelisz. van Haarlem, 1587 - 1591 print The three branch goddesses spin the thread and determine the length and end of the wire. Clotho holds the spinning skirt in the middle, Lachesis spins the thread and Atropos bite the thread with her teeth. At the bottom of the margin two lines in Latin. Amsterdam paper engraving Fates, spare (Moir)

Silenus ondersteund door een Jonge Bacchant, Marcantonio Raimondi, after Rafaël, after Giulio Romano, 1520 - 1525 print Drunk Silenus is supported by a Bacchant. Both hold grape vines. To the right of them are a wine barrel against which a drinking bowl leans. paper engraving Male Bacchant (es). (Story of) Silenus

Venus and Eros dated 1516 Agostino Veneziano (Agostino dei Musi) Italian. Venus and Eros. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). dated 1516. Engraving. Prints

Hercules, Bacchus, Pan en een Andere God, Giorgio Ghisi, after Francesco Primaticcio, 1541 - 1582 print Hercules, Bacchus, Pan and another God on clouds. print maker: Italyafter design by: Fontainebleau paper engraving (story of) Hercules (Heracles). (story of) Bacchus (Dionysus), Liber. (story of) Pan

Schut, Cornelis (I), Bacchus, Ceres and Venus, verso lower left - stamped, Ceres and Venus are seated next to a cornucopia. Two putti are playing on the ground. Another putto is filling a drinking bowl for Venus. Bacchus is eating from a bunch of grapes, leaning on a wine barrel. On the ground is a chest with valuables, next to it are a crown and a scepter., print, prent, prints, prenten, height 255 mm, width 206 mm, Zuid-Nederlands, 1597-05-13 - 1655-04-29, print maker, prentmaker, 1618 - 1655, paper, papier, etching, engraving, engraving (printing process), Work conception

Print, The Reconciliation of Minerva and Cupid; Print Maker: Marc Antonio Raimondi (Italian, 1483 - 1527); After Raphael (Italian, 1483 - 1520); Italy; engraving on paper; 21.2 × 11.5 cm (8 3/8 × 4 1/2 in.); Bequest of George Campbell Cooper; 1896-3-60

Venice, Bertelli, Orazio, Carracci, Agostino, Christ, Mary, John the Baptist and the Apostles, John the Baptist, print, prints, height 108 mm, width 64 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1583 - 1583, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

From Excase Van Maria Magdalena, Albrecht Dürer, 1504 - 1505 print Maria Magdalena is worn by angels above a coastal landscape. In the background on the left a man who looks at her. Nuremberg paper the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Depicts workers harvesting grapes, created as a copper engraving print by Marcantonio Raimondi around 1515-1520.

Italy, Fiorentino, Rosso, Caraglio, Giovanni Jacopo, Loves of the Gods, The Loves of the Gods, Saturn and the Nymph Philyra, verso - stamped, The nymph Philyra has her arms around Saturn, who has taken the form of a stallion. In the foreground on the right a putto with a scythe. In the lower margin Italian verse in two columns., print, prent, prints, prenten, height 214 mm, width 135 mm, Italian, 1505 - 1565, print maker, printmaker, 1515 - 1565, paper, papier, engraving, engraving (printing process), Work conception, 1494-03-08 - 1541-11-14

Hercules Killing the Hydra of Lerna After 1552 Battista Franco Italian. Hercules Killing the Hydra of Lerna 371744

Saint Christopher carrying the Christ child across a stream, another man holding a lantern at left on the riverbank ca. 1636-80 Rombout Eynhoudts. Saint Christopher carrying the Christ child across a stream, another man holding a lantern at left on the riverbank. Rombout Eynhoudts (Dutch, Antwerp 1613-1680 Antwerp). ca. 1636-80. Etching; third state of three (Dutuit). Prints

Silenus and Satyrs by Peter Paul Rubens.

Italy, Venice, Fialetti, Odoardo, Scherzi d'amore, Scenes with Venus and Amor (copies), Venus kisses Amor, verso - stamped, Venus and Amor in a landscape. Venus sits on a rock and gives Amor a kiss. Italian verse in bottom margin., print, prints, height 149 mm, width 91 mm, Work conception, Italian, 1573-07-18 - 1638, after print by, 1617 - 1617, paper, etching, etchings, print maker, printmaker

Samson and Delilah seated on a bed, Samson tearing apart the ropes binding his hands as soldiers look on from behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni ca. 1730-39 Pietro Monaco From the series of 112 prints of the sacred history, after paintings by various artists.. Samson and Delilah seated on a bed, Samson tearing apart the ropes binding his hands as soldiers look on from behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni. Pietro Monaco (Italian, Belluno 1707-1772 Venice). ca. 1730-39. Etching and engraving. Pietro Monaco (Italian, Belluno 1707-1772 Venice). Prints

The Fall of Man, from The Fall and Salvation of Mankind Through the Life and Passion of Christ ca. 1513 Albrecht Altdorfer German. The Fall of Man, from The Fall and Salvation of Mankind Through the Life and Passion of Christ 429127

A woodcut by Albrecht Dürer, 1510, depicting the expulsion from Paradise from the Small Passion series, showing figures, gestures, and composition.

Three Naked Parcen, Anonymous, After Rosso Fiorentino, 1510 - 1557 print paper engraving representations ~ goddesses, demi-goddesses, heroines, etc. (non-Christian religions)

Lucretia and Sextus, Cornelis Cort, After Titian, 1571 print Sextus attacks Lucretia, who is naked in a four -poster bed, with a dagger and forces her to submit to him. paper engraving (story of) Lucretia

Hercules Chains Cerberus, 1550, Heinrich Aldegrever, German, 1502-after 1555/61, 3 5/8 x 2 11/16 in. (9.21 x 6.83 cm) (image), Engraving, Germany, 16th century, The deeds of Hercules were endlessly popular in the Renaissance as models of strength and virtue. Heinrich Aldegrever portrays the hero engaged in two particularly desperate labors. In one he had to crush the menacing nine-headed Hydra-difficult to do because each time a head was cut off, two appeared in its place. The other task was to descend to Hades and bring back Cerberus, the hideous beast guarding the entrance to the underworld.

Two putti extinguishing torches, Samuel Bottschild, 1693 print paper etching cupids: 'amores', 'amoretti', 'putti'. torch (+ extinguishing; extinguished light, lamp, candle)

Pluto; Plovto; Antique gods. An image of Pluto, the god of the underworld, placed in a niche. Pluto carries a crown like ruler about the Rijk Hades. In addition to him, three-peak dog Cerberus who monitors the entrance to the underworld. Pluto has a counterpart in this series in his wife Proserpina. Under the show a Latin fresh.

Jason and Medea. Dated: 1529. Museum: National Gallery of Art, Washington DC. Author: Heinrich Aldegrever.

Venus and the rose, Venus sits on a rock in a landscape. She takes a thorn from a rose bush out of her foot. In the foreground on the right a rabbit, Venus wounded by the thorns or a rose-bush, the roses change from white to red (possibly combined with the story of Adonis), Marco Dente (mentioned on object), Italy, 1498 - 1532, paper, engraving, h 268 mm × w 176 mm

David with the head of Goliath. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: sheet: 4 3/8 x 3 1/8 in. (11.1 x 8 cm). Date: ca. 1515-16. Museum: Metropolitan Museum of Art, New York, USA.

The Desperate Man. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 7 3/8 x 5 3/8 in. (18.7 x 13.7 cm). Date: ca. 1515. Museum: Metropolitan Museum of Art, New York, USA.

Jupiter and antiOpe; Jupiters love adventures. Jupiter, in the form of a Sater, raised the Nymph AntiOpe. Antiope sleeps, she closed her eyes. Jupiter draws aside a curtain and arrives her bedroom. Print from a series of 10 prints that illustrate Jupiter's love life.

The alliance of the land and the sea, according to Rubens (Dutuit 28 p. 162). Crois, 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Polyphemus throws a stone to Acis; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. The monstrous one-eyed giant Polyphemus throws a stone to his rival acis. Acis flight together with Galation road towards the sea. The print originally belonged to Liber 22 of the Atlas of Michiel Hinloopen (seem to book 10).

Copper engraving by Agostino Veneziano depicting Venus near a volcano surrounded by putti, showing mythological figures and gestures, 1530.

St. Job. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Albrecht Dürer (1471-1528). "Adam and Eve". Engraving, 16th century, B 1. Museum of Fine Arts in the city of Paris, Petit Palais. 26979-12 Old will, bible, original fishing, snake, engraving, apple

Sculpture group in Versailles gardens. Pluto grabs Proserpina to take her on his car. A nymph tries to stop him but has fallen. A caption in French in the margin.

Adam and Eve flanked by two trees, a town in the background. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 9 1/2 x 6 15/16 in. (24.2 x 17.6 cm). Date: ca. 1512-14. Museum: Metropolitan Museum of Art, New York, USA.

An allegorical scene; a young woman at centre holding a wreath above her head, at left is a old man leaning on a stick, a younger man at right who holds a small dragon. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: 10 1/2 x 7 1/2 in. (26.6 x 19.0 cm). Date: ca. 1515-27. Museum: Metropolitan Museum of Art, New York, USA.

The Expulsion from Paradise, 1515, Woodcuts, Plate mark measures approximately 2 13/16 x 1 15/16 in. (7.2 x 4.9 cm); Paper / Sheet measures approximately 3 x 2 1/16 in. (7.6 x 5.2 cm). Stamped in brown ink on the verso A. Freiherr von Lanna (Lugt 2773), printed on cream laid paper

Woman catched by a man. In a landscape a naked woman gets trapped by a naked man while she tries to escape him.

Apollo and Daphne. Apollo chases Daphne. She turns into a laurel tree when he touches her.

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