Historic Architectural Etchings

A collection of etchings featuring intricate architectural designs, staircases, and urban settings from the 18th and 19th centuries, showcasing detailed line work.

Invenzioni capric di carceri all'acqua forte, Piranesi, Giovanni Battista, 1720-1778, burnishing, scratching, black-and-white, ca. 1749-1750

Illustration of Emperor Maximilian I during the rejected storm at Bruges. Wooden stick print by Hans Burgkmair, 1514-1516.

The Traghetto, No. 2. James McNeill Whistler; American, 1834-1903. Date: 1880. Dimensions: 236 x 304 mm (image, trimmed within plate mark); 239 x 304 (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

La Place Pigalle en 1878, an etching, aquatint, and drypoint by Félix Hilaire Buhot (1847-1898), created between 1874 and 1888, depicting city and town life in Paris, France

Chinese Coolies Demolishing a Building, George Chinnery, 1774-1852, British, 1833, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/4 × 6 7/8 inches (19.7 × 17.5 cm), arch, building, demolition, figure study, landscape, workers, China

Landscape from the chapel; Skoczylas, W Adys Aw (1883-1934); 1930 (1930-00-00-1930-00-00);

Drawing by Ferdinand Boberg. Västmanland, Skinnskatteberg sn., Riddarhyttan, Garhyttan Nordic

Giovanni Battista Piranesi, The Pier with a Lamp, published 1750 1758 The Pier with a Lamp

Repairing a Dome. Dated: c. 1810. Dimensions: overall: 24.4 x 35.7 cm (9 5/8 x 14 1/16 in.). Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to François-Marius Granet.

Roof of Europe, Valentin Lefèbvre, After Titian, 1680 - 1749 print Landscape in which Europe is taken over the water in the form of a bull in the form of a bull. On the left on the bank, two service stations watch. The print is part of a 53-part series of prints to paintings by Titian and Veronese. paper etching Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

Interieur de l'Eglise. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Street in Rouen. View of a street in Rouen, the towers of the cathedral in the background. On the roof of a house there is a man drawing and a print maker can be seen behind a window. On the street a group of people gathered around a man who is drawing or painting. There are books in the foreground and from a coffin in the air. On a sheet it is read: Gravures Monuments & Vues de Villes.

The Inn of Cervantés, Toledo 1900-1903 United States. Oiled charcoal, heightened with white pastel, on cream wove paper, laid down on board . Joseph Pennell

Paris studied in its atom (third party, book 1) Albert Morand. Paris studied in its atom (third party, book 1). Illustration project for Victor Hugo's novel, Mis�rables. Cont� Pencil or Industrial Black Stone on paper, circa 1920. Paris, Victor Hugo House.

The Mortuary, Paris (La Morgue) 1854 Charles Meryon French. The Mortuary, Paris (La Morgue) 359762

The Mill. Dated: 1889. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Crooked Stoop (Old Tom's Chop House) (from Scenes of Old New York) 1870 Henry Farrer American. The Crooked Stoop (Old Tom's Chop House) (from Scenes of Old New York) 380984 Artist: Henry Farrer, American, London 18441903 New York, The Crooked Stoop (Old Tom's Chop House) (from Scenes of Old New York), 1870, Etching, sheet: 8 1/16 x 4 3/8 in. (20.4 x 11.1 cm) mount: 13 9/16 x 10 3/16 in. (34.4 x 25.8 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.922)

LEscalier, chaumiere, enfant, barratteuse [Study of Peasants at Foot of Stairway. Artist: Charles-Émile Jacque, French, 1813-1894

Marches Macerata San Severino Marche La Maesta. Hutzel, Max 1960-1990 Exterior views of this church (c. 1300) include the gothic main portal, a romanesque nave portal, and a pair of 14th-century doorknockers. Interior views focus on the votive frescoes and a damaged painting of the Archangel Raphael with Tobias. Object Notes: Hutzel photo campaign date: April 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Extinguishing the heavy fire on the Elandsgracht, 1679, Jan van der Heyden (attributed to), after Jan van der Heyden, 1690 - 1735 print The extinguishing of the heavy fire between Elandsgracht and Elandsstraat in Amsterdam, created by lightning strike in the night of July 27, 1679. Various houses attempt to extinguish the fire with fire sprayers. To illustrate skilled fire with hose fire sprayers. With five -line caption in Dutch and French. Plate 8 in the fire spray book by Jan van der Heyden. paper etching / engraving fire-extinguishing equipment. on fire, ablaze. fire-fighting Elandstracht. Elands Street

Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816

Retaie 1881 United States. Etching in black on off-white wove paper . Otto Henry Bacher

Fourth Avenue. Dated: 1910. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Le bas-hamet,' created by Félix Hilaire Buhot between 1874 and 1879. It is an etching, drypoint, aquatint, and roulette, noted by its standard reference number

Ancient Gateway in Ruins, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 3/8 inches (22.7 × 28.9 cm)

Ermite Agenouille Under Vizes François-Marius Granet (1775-1849). Ermite kneel under vaults. Ink of China and watercolor on white paper.

View of the Nieuwezijds Voorburgwal canal behind the Begijnhof. On the right a ship lies in the canal, View of the Nieuwezijds Voorburgwal in Amsterdam, print maker: Frans Schikkinger, Amsterdam, 1848 - 1902, paper, etching, drypoint, h 240 mm × w 161 mm

Clisson (Lower Loire). Dated: 1909. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Dor_, Gustave (1832-1883) Private Collection Graphic arts Bible,Mythology, Allegory and Literature,History Isaiah's Vision of the Destruction of Babylon

Graphite pencil drawing by Hans Frank from 1925 depicting the Via Appia.

William Walcot, Caesar in Egypt, c. 1922, etching, drypoint, and aquatint on wove paper.

Isaiah sees Babylon destroyed in a dream. Old Testament. Antique bible illustration by Gustave Dore (1832-1883)

Gables in Luneburg. Lyonel Feininger; American, 1871-1956. Date: 1923-1924. Dimensions: 247 x 405 mm (image); 343 x 465 mm (sheet). Woodcut on China paper. Origin: United States. Museum: The Chicago Art Institute, USA.

A temple at the Ganges, Benares, Wijnand Otto Jan Nieuwenkamp, 1915 print Figures among parasols along the banks of the Ganges. Multiple temples and palaces in the background. paper temple, shrine ~ Hinduism, Buddhism, Jainism. river. umbrella Benares. Ganges

Dredging a Canal. Artist: Jacob van Ruisdael (Dutch, Haarlem 1628/29-1682 Amsterdam). Dimensions: sheet: 3 9/16 x 5 15/16 in. (9.1 x 15.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Gustave Doré (1832-1883), designer and D. Verdeil (19th century), engraver. "The inconsolable Bastarnay is dying at the grave of his spouse." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101790-18 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Drawing, Sketchbook Page, Folio 64: Study after Bolognese Architecture and Sculpture; Verso: Geometric Designs; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and bistre wash over traces of black chalk on off-white wove paper; 15.1 x 19.7 cm (5 15/16 x 7 3/4 in. )

Skałka. Kowalski, Leon (1870-1937), graphic artist

BABYLON FALLEN, BY GUSTAVE DORE

print, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Johannes van Doetechum I, ca. 1530 - 1606, Lucas van Doetechum, Dutch, after 1584, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Support: White laid paper, Netherlands, 1560, architecture, print

This stuck is Binne de Kercke van den Dom in 1674 on July 22, old style has been thrown by Godt's thunderstorms a part of the Domskercke and this stuck in Augusto daeraen next signed by Herman Saftleven Ao 1674 Out 65 Jaer

Interior of a Farmyard, 1849, Charles-Émile Jacque, French, 1813-1894, 7 7/8 x 6 1/4 in. (20 x 15.88 cm) (plate)10 1/8 x 7 9/16 in. (25.72 x 19.21 cm) (sheet), Etching, France, 19th century

Rue des Gras à Clermont, Voyages pittoresques et romantiques dans l'ancienne France, Engelmann, G. (Godefroy), 1788-1839, Nodier, Charles, 1780-1844, Lithograph, 1820-1878

Tourneur de caliouns; Cuisine de bazar., 1851 - 1854. Additional, Boutiques du bazar., 1851 - 1854., Paris. Publisher, Gide et J. Baudry. Iran, Antiquities, Etchings

Plazza del Comune, Pistoia. Dated: 1883. Dimensions: plate: 24.29 × 22.7 cm (9 9/16 × 8 15/16 in.) sheet: 43.18 × 30.8 cm (17 × 12 1/8 in.). Medium: etching and drypoint in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Campagne Romaine, Block printed on handmade paper, wood frame, Four fold screen covered with well-known scenic wallpaper 'Venetian Scenes'. A market square with obelisk and Italianate buildings in various states of preservation, with figures in uniform and Empire dress. A narrow blue figured border at top and bottom and at the outer edge of extreme right hand panel. Printed in sepia., Paris , France, 1830-1842, Wallcoverings, Scenic - panel, Scenic - panel

Entering the Wośka church in Lviv; Wooden houses in the Visual; Ukasz Górka; Buildings in the vistula; Because it is a good one; Dymamentowski, Piotr (Fl. 1871-1878), Regulski, Aleksander (1839-1884), Zab Ocki, Feliks ( -1874), Zajkowski, Andrzej (1851-1914), Matejko, Jan (1838-1893), Lewental , Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

In the Geertekerk in Utrecht, victims of the 1855 flood are gathered. On the long benches are mainly women and children, and on two clotheslines hang textiles to dry. On the right is a man with a broom. This print is part of a series, Victims of the Flood in the Geertekerk in Utrecht, 1855., print maker: David van der Kellen (1827-1895), after: David van der Kellen (1827-1895), 1855 - 1860, paper, etching, drypoint, h 191 mm × w 227 mm

Fire on the Elandsgracht, Jan van der Heyden, 1679 - 1690 drawing Image of the fire between the Elandsgracht and Elandsstraat of July 27, 1679. Design for a print. paper. chalk. ink pen / brush fire-fighting. canals, waters (in city) Elandsgracht. Elandsstraat. Amsterdam

The Mortuary, Paris 1854 France. Etching and drypoint on ivory laid paper . Charles Meryon

Workers removing debris in a subterranean vault of Vredenburg Castle in Utrecht An overseer looks on, Vaulting of Vredenburg Castle The subterranean vaulting of Vredenburg Castle, Utrecht , print maker: Willem Hendrik Hoogkamer, (mentioned on object), Cornelis van Hardenbergh, (mentioned on object), publisher: W.F. Stamrood, (possibly), print maker: Netherlands, publisher: Utrecht, Utrecht, 1815 - 1843, paper, h 435 mm × w 509 mm

View from the street entering beneath the gateway to the city of Pompeii, with the foot paths and the shops, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 8. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm)Plate: 20 1/16 x 28 3/8 in. (51 x 72 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce, aujourd'hui Royaume de Naples, Gravées par Francois Piranesi, Membre de l'Académie de Stockolm, et Ancien Ministre de la Cour de Suède a celle de Rome d'après les Dessins Originaux et les Observations Locales du feu Célébre Architete, Peintre, Sculpteur, Greveur, Le Chev.er Jean-Baptise Piranesi; rédigées et expliqués par Antoine-Joseph Guattani. Date: 1804. Museum: Metropolitan Museum of Art, New York,

Stories of St Bridget, by Lotto Lorenzo, 1524, 16th Century, fresco. Italy. Lombardy. Bergamo. Trescore. Suardi Oratory. Works of mercy in town of fragmentation of the silver vase and a man who escaping a violent death Stories of St Bridget houses buildings arch porch columns yellow

Romeinse Ruïnes, Pieter Bartholomeusz. Barbiers, 1782 - 1837 drawing paper. watercolor (paint). ink pen / brush

Interior of Fish-Houses. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 5 x 7 15/16 in. (12.6 x 20.2 cm)sheet: 8 5/8 x 11 3/4 in. (21.9 x 29.8 cm). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

Armenie. Salle des Miroirs dans le palais du sardar D'Erivan.. Gagarin, Grigorii Grigorevich, kniaz (1810-1893). Prints, Illustrations. 1847. General Research Division. Caucasus

Bamberg. Dimensions: image: 41.1 x 28.7 cm (16 3/16 x 11 5/16 in.) sheet: 54.5 x 36.9 cm (21 7/16 x 14 1/2 in.). Medium: lithograph touched with white gouache on wove paper. Museum: National Gallery of Art, Washington DC. Author: Samuel Prout.

Joseph Pennell, The Cauldrons, 1916 The Cauldrons

L'Ecluse du Canal St. Martin, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Architecture study: Perspective view of a coat of arms with knight armor

St. James Market, Saturday, Robert Bremmel Schnebbelie, active 1803-1849, 1818, Graphite, gray wash, and pen and black ink on thick, slightly textured, cream wove paper, Sheet: 6 1/2 × 8 7/8 inches (16.5 × 22.5 cm), architectural subject

The Gun Factory. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Ile de Fîleh (Philæ). Premier Pylône - Inscription Française gravée sur l'Ebrasement Oriental, en M. Félix Teynard, photographer (French, 1817 - 1892) negative about 1851-1852, print about 1853-1854 An inscription in French written by General Desaix to commemorate the victory of Napoleon's forces over the Mamluks in 1799, carved into a pylon on the island of Philae. Sunlight is highlighting the inscriptions and the surrounding hieroglyphs. (Recto, mount) upper center, printed in black ink above the image: "NUBIE"; Lower left, printed in black ink below the image: "Félix Teynard phot."; Lower right, printed in black ink below the image: "Publié par Goupil et Cie. éditeurs, Paris, Londres, Berlin, New-York."; Lower center, printed in black ink: "Pl. 98.";

St Severin, Paris Made 1902 United States. Etching in black on ivory wove paper, laid down on cream card . Donald Shaw MacLaughlan

Thomas Handforth, Clocher Ste Catherine, Honfleur, c. 1925, etching on paper.

8 subjects taken from the Fables of La Fontaine., 1852 - 1882. La Fontaine, Jean de, 1621-1695. Fables

The Statue of Justice, Florence Henry Roderick Newman (American, 1843-1917). The Statue of Justice, Florence, 1880. Watercolor over graphite on paper, Sheet (uneven): 25 1/4 x 13 15/16 in. (64.2 x 35.4 cm). American Art 1880

On the Ganges near Benares, On the Ganges near Benares, draughtsman: Marius Bauer, c. 1877 - c. 1932, paper, brush, h 779 mm × w 555 mm

Thure Thulstrup, A Night on the Bowery, 1891, wood engraving on paper.

Temple de Neptune à Pesto, vu de côté, et dessiné plus en grand quon ne le voit dans la première planche (Temple of Neptune at Paestum, Seen from the Side and Drawn on a Larger Scale than in the First Plate), from Différentes vues de … Pesto (Different Views of … Paestum). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

The Chimneys' by Paul Armand Guinebault, (1871 - ) French artist

William Walcot, The Forum of Minerva, 1914, etching on wove paper.

Les Angels II, Lodewijk Schelfhout, 1912 print The village of Les Angles, located on a hill near the city of Avignon in the south of France. Paris paper drypoint low hill country. village Angles

Vault of the Austrian Imperial family (Capuchin crypt), Vienna, Austria,19th century engraving

Interior of the Dom in Trier. Interior of the Domkerk in Trier. Face in a side beech with some figures.

The Big Gate of the Big Shop. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Rue St. Jacques, Paris. Reginald Marsh; American, 1898-1954. Date: 1928. Dimensions: 319 × 220 mm (image/ primary support); 452 × 324 mm (secondary support). Lithograph on cream chine laid down with chine collé on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Reims, 1914. Auguste Louis Lepère (French, 1849-1918). Pen and brush and black ink with traces of black crayon heightened with white;

Construction fails of antique buildings. Construction fails of antique buildings, in the background of warfts.

(a) Room; (b) tabernacle; (c-d) sarcophagus at Debod Temple, Nubia, Egypt, engraving by Reville and Leisnier, from Antiquites de la Nubie, ou Monumens inedits des bords du Nil (Antiquities of Nubia or Unknown monuments on the banks of the Nile), Plate 5, by Francois-Christian Gau, 1822, Paris.

Długi Targ (Long Market), chart 9 from the I part of the first edition of Danzig und seine Bauwerke…". Schultz, Johann Karl (1801-1873), graphic artist

Eugène Isabey, Intérieur d'un port, 1833 Intérieur d'un porttitle QS:P1476,en:Intérieur d'un port label QS:Len,Intérieur d'un port label QS:Lde,Im Hafen

GRASSI, Cristoforo (16th c.). Port of Genoa. 1597. Upper right detail with 'Il Castelleto'. Inspired in an anonymous oil of 1482. Oil on canvas. ITALY. LIGURIA. Genoa. Pegli. Navy Museum.

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Antiquus bivii viarum appiae et ardeatinae prospectus ad II lapidam extra portam capenam, Frontispiece of volume II of 'Le Antichità Romane', Frontispiece with a fantasy representation of the Via Appia Antica, verso - stamped, Numbered top right: II. Tom. II., print, frontispiece, prints, height 398 mm, width 637 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, Work conception, after own design of

An Italian Hilltown, Anticoli, Italy, c. 1930. Louise B. Maloney (American, 1887-1973). Charcoal; sheet: 41.5 x 35 cm (16 5/16 x 13 3/4 in.).

Upper fountain of Siloam, 1855.Artist: David Roberts

Jérusalem. Tour de David avec ses grandes assises salomoniennes. Artist: Louis de Clercq (French, 1837-1901). Dimensions: Image: 8 1/8 × 10 7/8 in. (20.6 × 27.7 cm)Mount: 17 15/16 × 23 1/4 in. (45.5 × 59 cm). Lithographer: H. Jannin (French). Printer: J. Blondeau et Antonin. Date: 1860 or later. Museum: Metropolitan Museum of Art, New York, USA.

of 2