Historic Architectural Prints

Engravings showcasing classical architecture and sculptures, featuring intricate designs of Italian gardens and galleries. A mix of civic structures and artistic heritage.

Wall with a statue of Jupiter in the vineyard of Sint -Jan van Lateranen, 1636 - 1647 print Wall with a sculptures in niches and an image of Jupiter under a bow in the vineyard of Sint-Jan van Lateranen. Above the gate the coat of arms of the Giustiniani family. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving civic architecture; edifices; dwellings Rome

Wall with a statue of Jupiter in the vineyard of Sint -Jan van Lateranen, 1636 - 1647 print Wall with a sculptures in niches and an image of Jupiter under a bow in the vineyard of Sint-Jan van Lateranen. Above the gate the coat of arms of the Giustiniani family. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving civic architecture; edifices; dwellings Rome

Stiegen von marmor so in dem Lustgarten rap card. Aldobrandini zu freschcadj führt; Küsel, Melchior I (1626-1683), Baur, Johann Wilhelm (1607-1642); 1682 (1682-00-00-1682-00-00);Album Factis, architecture, German graphics, iconography, German (culture), gardens, stairs (archite.), relay, fountains, team

Print (France); engraving on white laid paper

Halfronde galerij met pilasters langs een bassin; Ruïnes; Cum Nactus Essem Duodecim Fragmenta Structurae veteris (...).Semicircular gallery with pilasters along a basin where a building is capable of. On the left, two men walk in pirs, a third state to draw against a pilaster. This print is part of an album.

Design for a Fan: Capriccio with Roman Ruins and the Farnese Hercules, Giovanni Paolo Panini, Italian, 1691 - 1765, Pen and brown ink, brush and gray wash, graphite on cream laid paper, lined, Semi-circular design corresponding to the shape of an open fan, illustrated with Roman ruins and statuary. Identifiable imagery includes the Farnese Hercules, the Pantheon and the lion fountain of the capital. At the top in pen and ink, a sketch for a border decoration., Italy, ca. 1750, costume & accessories, Drawing, Drawing

Drawing, Design for a Sedan Chair; Designed by Unknown (English); England; pen and black ink; brush and red, green yellow and gray watercolor over graphite on heavy, textured cream laid paperboard; 24.8 x 41.1 cm (9 3/4 x 16 3/16 in.)

Eleven copper lanterns, anonymous, c. 1875 - 1900 paper. photographic support albumen print paper. photographic support albumen print

Half circular wall broken by columns () circumscribes scene which is framed in the foreground by architectural construction decorated with caryatids. Two actors vaguely sketched. Date: 18th century. Pen and ink, brush and sepia wash and watercolor on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Landscape with ruin and boat, anonymous, 1700 - 1800 drawing paper brush

A New Drawing Book of Variety of Landskips, Print made by J. Carwitham, active 1720-1740, Printed by Thomas Bowles, ca. 1712-died 1753, British, ca. 1730, Etching on medium, slightly textured, beige laid paper, Sheet: 12 13/16 x 8 1/8 inches (32.5 x 20.7 cm), Plate: 9 13/16 x 6 1/4 inches (24.9 x 15.9 cm), Image: 3 1/8 x 6 1/16 inches (8 x 15.4 cm), and Image: 2 15/16 x 6 1/16 inches (7.4 x 15.4 cm), arches, axes, birds, bridges (built works), bushes, carts, church, clouds, hay, hoes, houses, illustration, landscape, leaves, mill, owl, river, riverbank, rocks (landforms), scythes, shovels, town, trees, vines, walkways, wheelbarrows

Duboj. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Print (France)

Imperatorskii Botanicheskii sad v S. Peterburge.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

The entablature above the door and at the sides is supported by consoles as it is in 1938-88-1301. Above the entablature are over the door a sitting putto with a crozier and a cross staff; laterally putti. Behind them is an attic. The inscription is in the lower band of the base. The group above is similar to 1938-88-1300, with an additional angel at right. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

The Alhambra From the Fort of St. Helena, Henry Swinburne, 1743-1803, British, 1775 to 1776, Pen and gray ink, gray wash and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 6 × 8 3/8 inches (15.2 × 21.3 cm)

Glama-Stroberle, Joaõ, 1708-1792, pencil, ink, chalk, wash, 1741, Sketchbook II of III dated 14 February 1741. It is dedicated on the first leaf to Sigr Abate Gioachino Rizzi Segretario dal Regimento di Ferrara, Two recipes, one for varnish and the other for acid for etching

The Pantheon, from the Terrace of the Luxembourg Gardens Made 1893 United States. Transfer lithograph in black with stumping, on cream laid paper . James McNeill Whistler

Stadsplein with a fountain surrounded by figures; Artis Perspectivae (...). Stadsplein with a three-storey fountain in the middle. The fountain is crowned by a picture of a woman with a tazza and a drinking cup in the hands. Left in the foreground a minne couple. In the background women who were drying. This print is part of an album.

Print (Germany)

A copper engraving and etching by Richard Saint-Non from 1781 depicting towns, landscapes, and coastal areas in Naples and Sicily, emphasizing architectural and geographic features.

Design for a Gate of a Villa, Carlo Marchionni, Italian, 1702-1786, Pen and ink on laid paper, Pilasters with mounds on top frame of the opening. Volutes connect their upper parts with the garden wall, the nearest parts to the gate of which are shaped as panels flanked by pilasters. A man stand in the opening. Measurements are inscribed. On verso: Debbito di…(?) Lem Le / Credito mio / Gerchecca (?) / …(?) in man d(I) G…o(?)Cunder(?)” and struck out accounts., Italy, 1750-55, architecture, Drawing, Drawing

Print (France)

View i y; SchouPpé, Alfred (1812-1899); 1861 (1861-00-00-1861-00-00);Iłża (Masovian Voivodeship), Poland, SchouPpé, Alfred (1812-1899), SchouPpé, Alfred (1812-1899)- collections, Society of Encouragement of Fine Arts (Warsaw- 1860-1940), Society for the Encouragement of Fine Arts (Warsaw- 1860- 1940) - collection, gift (provenance), Gothic (archite.), Recovered war losses, landscapes, Poland (culture), transmission (provenance), ruins, Polish drawings, city views, castles (architect.)

Face Lock Runsa and Slot Skånelaholm, Erik Reitz, 1695 The print is part of an album. paper etching Slot plenty. Slot skånelaholm The print is part of an album. paper etching Slot plenty. Slot skånelaholm

Print (France)

Stadsplein with a fountain surrounded by figures, 1568 print Stadsplein with a three -storey fountain in the middle. The fountain is crowned by an image of a woman with a Tazza and a drinking cup in her hands. Left in the foreground a minnekozend pair. Laying women in the background to dry. This print is part of an album. paper etching ornamental fountain. piece of sculpture, reproduction of a piece of sculpture. street. civic architecture; edifices; dwellings

Print (France)

View of the village of Breukelen, Willem Writs, after Jan de Beijer, 1749 print paper etching / painting four-wheeled vehicle drawn by two animals Fracture

Jacques Callot (1592-1635). "Voyage to the Holy Land, thirty-fourth board. Lieure 347. Eau-tie and chisel. 1620. Museum of Fine Arts of the city of Paris, Petit Palais. 99609-23 Chisel, etching, engraving

Bound Print (France); Collaborator: François Boucher (French, 1703-1770)

Prospect of the riding school and garden of yours high Gräffl, Excellez, Mr, Joseph Ignati , riding school and garden, Kochgasse, from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, Drawer, Georg Daniel Heumann -, Copper Engraver, Johann Andreas the Pfeffel -, publisher

Figure 11.: Facciata del Medesimo Palazzo, from the album Palazzi di Genova; Ryckemans, Nicolaes (Ca 1595-Fl. Ca 1616-1626), Rubens, Peter Paul (1577-1640); 1622 (1622-00-00-1622-00-00);

Netherlands, Castle of Egmond (Egmond aan den Hoef), 11th century, Castle Egmond aan den Hoef, the Court of Egmond in prosperity, surrounded by water on all sides. On the left in the distance the village of Egmond aan Zee, on the right Alkmaar. In the foreground examples of people from all ranks and stations. In the sky two angels with a weapon. Below and above the legend. After a painting in the Six van Hillegrom collection, formerly on loan to the Rijksmuseum (no. 62)., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 231 mm, width 409 mm, print maker, prentmaker, 1800 - 1899, 19th century, 19e eeuw, paper, papier, lithografie (technique)

In the Garden of a Villa, John Robert Cozens, 1752-1797, British, ca. 1780, Graphite and varnish on thin, slightly textured, cream laid paper, Sheet: 5 1/4 x 6 3/8 inches (13.3 x 16.2 cm), arches, architectural subject, garden, Grand Tour, obelisk, trees, villas

Boot -rich landscape with five figures, Anonymous, After Gillis van Scheyndel (I), 1624 print Rear right are some buildings between the trees. On the left a path with five figures. paper etching landscapes (+ landscape with figures, staffage). rural housing, e.g. country-house, villa, cottage

Bound Print (France); Engraved by Charles Nicolas Ransonnette (French, 1793 - 1877)

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A rinceau decorates the arch at left. Two children sit upon its base. view of a coffered vault and the molded frame of an oblong panel in the center. At the base of the vault is a pointed one with a semicircular painting of buildings. Two children sit beside it., Rome, Italy, 1790-1800, interiors, Drawing, Drawing

Bound Print (France); Engraved by Charles Nicolas Ransonnette (French, 1793 - 1877)

Copper engraving and etching by Richard Saint-Non, 1781, showing towns, landscapes, and architecture of Naples and Sicily, highlighting geographic and urban features.

Świątynia Priszilla koło Gaja. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

General Reinforcement, Decoration on Kadijksplein, 1795, Anonymous, 1795 The General Reinforcement, Allegorical Decoration Founded on the Kadijksplein in Amsterdam at the Alliantie Party on 19 June 1795. Illustration in the Batavian Revolution and Alliance Almanach for 1796. print maker: Netherlandspublisher: Amsterdam paper etching Kadijksplein The General Reinforcement, Allegorical Decoration Founded on the Kadijksplein in Amsterdam at the Alliantie Party on 19 June 1795. Illustration in the Batavian Revolution and Alliance Almanach for 1796. print maker: Netherlandspublisher: Amsterdam paper etching Kadijksplein

View of the Schanzel an der Donau , Vue du Schanzel Pres du Danube rd budget, Johann Andreas Ziegler -, Artist, Artaria , Co, Verlag, Publishing House

Rebellion of a facade. The space above the windows on the ground floor is decorated with tracing. Page 15 and 16 from a sketchbook with 175 pages.

print, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Johannes van Doetechum I, ca. 1530 - 1606, Lucas van Doetechum, Dutch, after 1584, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Support: White laid paper, Netherlands, 1560, architecture, print

The Prince-Schwarzenberg Schloss Priviwin Prachiner Kreis. Drawn by Adalb. Juhn, reiterated by Joan. Venuto 1809.

Lami, Eugène (N.1800-01-12-D.1890-12-19), cover page for castle life (attributed title), 1828. Lithography NB on vellum paper stuck on green paper. Balzac house.

Fontein in the Cortile del Belvedere in Vatican City, Domenico Parasacchi, 1637 print Print is part of an album. paper etching ornamental fountain Belvedere courtyard

Design for a room wall with fireplace. Design for a painting.

Johann Emanuel Goebel's black chalk drawing shows Priesnitz with the Elbe in the foreground as part of his Saxon views series, using a leading handle technique.

Gołuchów. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Prawda Bey Zittolib, Sasatzer Kreis, recorded by Princessinn Pauline of Schwarzenberg, followed by J. Venuto 1810.

Ducal Palace of Urbino in Marche, Italy, Henry Swinburne, 1743-1803, British, 1777 to 1778, Pen and brown ink and brown wash on medium, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 3 11/16 × 5 5/16 inches (9.4 × 13.5 cm)

Project for the Monument de la Montagne, Orléans ca. 1794 Claude Mathieu Delagardette French. Project for the Monument de la Montagne, Orléans. Claude Mathieu Delagardette (French, 1765-1805). ca. 1794. Pen and black ink, brush and pink, gray, blue and peach wash, over graphite underdrawing. Drawings

Zwiahel, Novohrad-Volynskyi. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Prospect of the Leopold Stadt Leopoldstadt from the Red Tower, from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, Drawer, Georg Daniel Heumann - , Copper Engraver, Johann Andreas d, Pfeffel -, publisher

River scene with company on a boat and a gazebo. Draughtsman: Gesina ter Borch. Dating: c. 1655. Place: Zwolle. Measurements: h 155 mm × w 393 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Stage Design, Seaport; Italy; pen and brown ink, brush and brown wash on laid paper

Roman sketchbook, Gauffier, Louis, 1761-1801, pencil, pen and black and brown ink, grey and brown wash, and black and white chalk, 1784-1789, executed during the artist's stay in Rome at the Acadeìmie de France as a recipient of the Grand Prix de Rome. Twenty-four drawings depict urban views of Rome, some inscribed by monument (including S. Gregorio, S. Lorenzo Fuori delle Mura, S. Giovanni Laterano, Villa Negroni, Villa Mattei). The remaining sketches are landscapes and figure studies, some after classical sculpture.

Design for wallpaper painting. Draughtsman: Jurriaan Andriessen. Dating: c. 1752 - c. 1819. Measurements: h 267 mm × w 182 mm. Museum: Rijksmuseum, Amsterdam.

A guide in a catacombe at Pozzuoli, 1761 - 1817 drawing Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli). Italy paper. ink. chalk pen / brush catacombs. guide (~ conducted tour) Pozzuoli

Fasada Pawilonu Koszar Gwardii Koronnej. Knusman, Daniel (Warszawa ; zakład litograficzny ; 1821-1826), lithography atelier, Schmidtner, Leonhard (1799-1873), graphic artist

Figure 54.: Seconda Piana del Palazzo, from the album Palazzi di Genova; Ryckemans, Nicolaes (Ca 1595-Fl. Ca 1616-1626), Rubens, Peter Paul (1577-1640); 1622 (1622-00-00-1622-00-00);

Georgin, work, drawing, 19.7 cm x 16.4 cm

Danube views, Hungary, Market Tolna, After, Ludwig Erminy, Drawer, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

Print, High Buildings, Decorations, and Fireworks, no. 5 from the series Fête de Strasbourg; Designed by Johann Martin Weis (French, 1711 - 1751); Engraved by Jacques-Philippe Le Bas (French, 1707-83); France; etching and engraving on paper; 44.7 × 76.4 cm (17 5/8 × 30 1/16 in.)

Bound Print (France); Engraved by Charles Nicolas Ransonnette (French, 1793 - 1877)

L'Ancien Louvre d'après une peinture de Zeeman.. Méryon, Charles (1821-1868). 1866. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Paris (France), Seine River (France), Louvre (Paris, France)

The destruction of the old constitution, decoration on the butter market, 1795; The destroyed old constitution, on the butter market; Fifteen decorations at the Alliance party in Amsterdam in 1795. The destruction of the old constitution, allegorical decoration established on the Botermarkt in Amsterdam at the Alliance party on 19 June 1795. Decoration in the form of the ruin of a gothic chapel, on the central chassinet running The envy of the aristocracy wheel that moves a millstone.

Jacques Callot (1592-1635). "Voyage to the Holy Land, twenty-fifth board. Lieure 340-341. Eau-tie et chisel. 1620. Museum of Fine Arts of the city of Paris, Petit Palais. 99609-19 Chisel, etching, engraving

Josefstädter Glacis, Rudolf von Alt -, artist

Berestechko on the Styr River. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Fair of Hendrik de Keyser in Amsterdam, Jan Goeree, 1782 print Two performances of the fair of Hendrik de Keyser in Amsterdam. Upstairs: a drapery with a top view of the building. Under the drapery: a performance with the stock market as an cityscape. The print has a Dutch inscription in a cartouche and the page number 424 is at the top right. Amsterdam paper etching / engraving square, place, circus, etc. (+ city(-scape) with figures, staffage). Exchange, Bourse Fair of Hendrik de Keyser

Tomb of Abelard and Heloise.

Inner garden of a palace with the façade statues in pitchers; Artis perspectiva (...). Walled garden of a palace with statues in wall discs. In the middle a fountain consisting of a square pelvis on a pedestal. Water squirting vases are on the four corners of the pelvis. In the middle of the pelvis there is a vase-shaped decorative crowning. The print is part of an album.

General reinforcement, decoration on Kadijksplein, 1795, Noach van der Meer (II) (Possible), 1795 print The general reinforcement, allegorical decoration established on Kadijksplein in Amsterdam. From the booklet with images of the decorations founded in the city at the celebration of the installation of the representatives and the Alliance closed between the French and the Batavian Republic, June 19, 1795. The print includes a loose sheet with an explanation. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities) Amsterdam. Kadijksplein

Obeliske in the K, Garden of Schönbrunn , Obelisque dans Le Jardin Imp, Et Roy, de Schoenbrunn later, changed edition of the sheet, which was first moved in , Artaria , Co, Verlag, Publishing House, Johann Andreas Ziegler -, Artist, After, Laurenz Janscha -, Drawer

Poggio Imperiale. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 125 x 257 mm (image); 132 x 261 mm (plate); 136 x 264 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Vue de la Seine, Arc de Triomphe.. Lalanne, Maxime (1827-1886). Avery, Samuel Putnam, 1822-1904. Prints. 1882 - 1888. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Seine River (France), Arc de Triomphe (Paris, France)

Chimney. Dated: c. 1940. Dimensions: overall: 26.8 x 35.5 cm (10 9/16 x 14 in.) Original IAD Object: 6 1/2'long; 4 1/2'wide; 5 1/2'high. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Raymond E. Noble.

Design for Ceiling. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797). Dimensions: 8 3/8 x 7 15/16 in. (21.3 x 20.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Kerkinterieur, anonymous, 1650 - 1800 print paper etching interior of church

Fasada Pałacu Prymasowskiego. Knusman, Daniel (Warszawa ; zakład litograficzny ; 1821-1826), lithography atelier, Schmidtner, Leonhard (1799-1873), graphic artist

A Rolling Stone is Ever Bare of Moss, from The Pastorals of Virgil. William Blake; English, 1757-1827. Date: 1821. Dimensions: 33 × 76 mm (image/block); 53 × 92 mm (sheet). Wood engraving on off-white wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Lithographer: Unknown, Printer: Chicago Lithographing Co.Publisher: Jayne & Almini, ChicagoUniversity, 19thCentury, Color lithograph, sheet: 28.6 × 35.5 cm (11 1/4 × 14in.), Made in United States, American, 19thcentury, Works on Paper -Prints

Lithograph showing the arrival of Emperor Ferdinand I and Empress Maria Anna of Austria in Opicina near Trieste on September 5, 1844, depicting a formal reception.

Fasada Pałacu Rzeczypospolitej (Krasińskich). Knusman, Daniel (Warszawa ; zakład litograficzny ; 1821-1826), lithography atelier, Schmidtner, Leonhard (1799-1873), graphic artist

Marshal, Jean Baptiste, La Fontaine des Innocents. (Dummy title). Carnavalet museum, history of Paris.

Honorable on the Muiderplein; Reminder gift to 1840, for the Dutch youth, in memory of the duty inauguration of Z.M. King Willem II. With XII pictures on which it has been properly presented. Erepoort established on the Muiderplein. Part of the folder with a series of twelve prints of the arrival of Willem II, the honorary ports established in the city and the inauguration on November 28, 1840 in the Nieuwe Kerk in Amsterdam.

General reinforcement, decoration on Kadijksplein, 1795, A. Verkerk, 1795 print The general reinforcement, allegorical decoration established on the Kadijksplein in Amsterdam at the Alliantiegeest on June 19, 1795. Medieval castle standing on rocks, on the towers symbols of astronomy, hydrography and geometry, on the chassinet in the Underpass is freedom by Batavian and French sailors on a shield. Part of a series of ten records. print maker: Netherlandspublisher: Amsterdam paper etching festivities on events of national importance (+ festive decoration ~ festive activities). Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). new ruler raised on the shield. fortress Amsterdam. Kadijksplein

Widok okazałej budowli z narożną wieżą. Jabłczyński, Feliks (1865-1928), graphic artist

Widok Canal Grande na wysokości Palazzo Corner, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

Anonymous, 1785. Grave paper (enhanced with gouache), Metal (copper alloy), glass. Palais Galliera, fashion museum of the city of Paris.

Thomas Rowlandson, 1756-1827, British, Southhampton, the Watergate and Globe Inn, undated. Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper.

WINTERSVEIGHT, Anthonie van den Bos, after Pieter Jan van Liender, after Paulus van Liender, 1778 - 1838 print Skaters on the ice, in the background a church with houses. paper counterproof skates (winter sports) (+ out of doors (sports, games, etc.)). ice ~ freezing weather

Le Rendez-Vous, L´Avant Diné á lAugarten , Collection in front of the midday dishes in the Augarten th budget, Johann Andreas Ziegler -, Artist, Artaria , Co, Verlag, publishing house

The Malle ship of Rotterdam, 1653; The True & Perfect forme of the Strange Ship Built at Rotterdam Ao. 1653 (...). The silly or wonderful ship of Rotterdam, designed by Nicolas Desson, 1653. Closed diamond-shaped wooden ship with a scream wheel or screw in the middle. With caption of 11 lines with the legend 1-9 in English.

Elevation of the South, or River Front of the New Building at Somerset Place. Artist: After Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 30 x 40 in. (76.2 x 101.6 cm). Date: mid-18th-late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Thus the oblivion/ t 'is not threatened to be canceled by the TYD

The Poems of Thomas Gray, Design 105, 'Elegy Written in a Country Church-Yard.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), arch, book, cathedral, church, column (architectural element), grave, literary theme, man, text, thorns, tomb, trees, vault (structural element), woman, writing (processes)

Sampler. Dated: 1935/1942. Dimensions: overall: 54.7 x 70.5 cm (21 9/16 x 27 3/4 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Bruce Gentry.

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