Historic Architectural Prints

Collection of etchings showcasing ancient architecture, maritime views, and atmospheric landscapes, featuring detailed design and emotive scenes.

Adieu , Boats, Dogs. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

The Lucinda of New York. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 6 15/16 x 6 13/16 in. (17.7 x 17.3 cm)Sheet: 11 3/16 x 14 in. (28.4 x 35.5 cm). Date: 1915. Museum: Metropolitan Museum of Art, New York, USA.

Plate XXIII from Theatrum instrumentorum et machinarum, Julio Paschale, Woodcut on paper, Machine for driving diagonal piles for piers, etc. A pole with a rope at one end, right, pulled byt wo men, and a large rectangular weight at the other, is dropped onto the pile at an angle. It is supported by a wood and rope frame. Description in Latin on verso of 1949-152-220., Europe, 1582, Print, Print

Floodlight over the spectators in the stands of Circus Carré, draughtsman: Gerrit Willem Dijsselhof, 1876 - 1924, paper, h 280 mm × w 393 mm

Print made by Joseph Pennell, 1860-1926, American, Laying the Floor of Pedro Miguel Lock, 1912. Lithograph on medium, cream, slightly textured laid paper.

Isiah's vision of the destruction of Babylon, 19th cent. engraving, Gustav Dore.

This woodcut by Hans Wechtlin, dated around 1500-1520, depicts an owl. The print emphasizes detailed line work, naturalistic representation, and the use of woodcut technique typical of early 16th-century German prints.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Marceline and Marie. Max Ernst; American and French, born Germany, 1891-1976. Date: 1929-1930. Dimensions: 239 × 167 mm. Collage composed of printed, cut elements, with touches of watercolor, laid down on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Victor Hugo, L'Eclair (Lightning), French, 1802 - 1885, 1868, etching in black on laid paper (facing _L'Eclair_ by Paul Meurice)

Vignette for biography of Gestel by Prof. dr. W. van der Pluym. Draughtsman: Leo Gestel. Dating: 1935 - 1936. Measurements: h 133 mm × w 193 mm. Museum: Rijksmuseum, Amsterdam.

Men travelling in hot-air balloons by night. Coloured wood engraving.

Sweden, Blekinge, Karlskrona (depicted, place).Sweden, Blekinge, Karlskrona (depicted, town)

Les Bateaux. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching with possible drypoint

Wijnperserij, Charles -François Daubigny, 1827 - 1878 drawing France paper. pencil pressing grapes

The Gun Pit, No.I. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

A man fires a fire; Life of Mary in emblems. Presentation of a man who opports a wood fire with a stick. This leaf is part of the 'Life of Maria's Life in Emblems'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in letterpress without image.

THE GREAT EARTHQUAKE IN JAPAN, VIEWS AT THE SCENES OF THE DISASTER

According to tradition, a chain was fixed onto a stone to prevent access to the Nile: (a) holes to fix the chain; (b) granite rocks (b), Tschabel Esselsele, Egypt, engraving from Voyage d'Egypte et de Nubie (Journey to Egypt and Nubia), Volume III, Plate CXXII, by Frederic-Louis Norden, 1798, Paris.

Croix de Moulin des Planches prints, lithographs, works on paper

View of the Severely Threatened City of Pinz - Vue de la ville de Pinz; gravement menacee. (Paul Klee; Munchenbuchsee bei Bern 1879-1940 Muralto Locarno)

The sand team , Laborers, Horse teams, Carts & wagons, Sand. George Bellows (1882-1925). Prints and Drawings

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Insigne Ducatus Scaniae, Landscape with a mounted army and the coat of arms of Skåne, The print is part of an album., print, album sheet, prints, height 253 mm, width 152 mm, 1655 - 1727-05-18, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

A Horn and Two Tall Eastern” Vases in a Landscape with Classical Ruins. Artist: Joachim von Sandrart, German, 1606-1688

Allan Donn puts to sea , Sailing ships. George Bellows (1882-1925). Prints and Drawings

Benjamin West Clinedinst, The Bartholdi Statue of LibertyBeginning the Work of Removal, 1884, wood engraving on paper.

Bakery bakery on flea burg, 1682; Image of a bread bakery on Vloonburg (...). Ruin of a bakery on flea bourge in Amsterdam, fired and extinguished on April 13, 1682. With caption of 4 rules in Dutch and 4 rules in French. Plate 20 in the reprint of the fire spa book by Jan van der Heyden from 1735.

Krieg, Bl. 6, vom Tode, Zweiter Teil, op. XIII; Klinger, Max (1857-1920), Giescke und Devrient (Leipzig; Publishing House; 1852-); 1898 (p Yta); 1909 (edition) (1898-00-00-1898-00-00);Mars (mitol.), Napoleon and (French emperor - 1769-1821) - iconography, PartaGe Plus, Witke -Jeżewski, Dominik (1862-1944) - collection, war (allegory), modernism (style), army procession, spectrum, spectrum, army, death

Bertoldo Hidden in a Furnace. 1701 - 1800. Crespi, Giuseppe Maria, 1665-1747. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Colinet's Journey: Milestone Marked LXII Miles to London, from The Pastorals of Virgil. William Blake; English, 1757-1827. Date: 1821. Dimensions: 37 × 74 mm (image/block); 39 × 76 mm (sheet). Wood engraving on off-white wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Félix Hilaire Buhot, Le Bas Hamet, 1879 1880 Le Bas-Hamet

Views in the Levant: The Sacred Cave of Archidamus, Paul Sandby RA, 1731-1809, British, after William Pars, 1742-1782, British, ca. 1785, Etching and aquatint on medium, slightly textured, cream, wove paper, mounted on moderately thick, smooth, brown, wove paper, Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm), cave, cavern, figures, geology, historical subject, landscape, rocks (landforms), ruins, stalactites, steps, sunlight, Greece

Félix Hilaire Buhot, Un Débarquement en Angleterre (Landing in England), 1879 Un Débarquement en Angleterre (Landing in England)

Sluice 1885 Germany. Graphite with stumping on ivory wove paper . Adolph Friedrich Erdmann von Menzel

The Almonry, 1925. Frederick Landseer Maur Griggs (British, 1876-1938). Etching;

Notebook 12, December1833 view of Reda in Hawra, Illustration for the article Le Havre et la mer in: Musee des Familles, evening reading. T. 1. (Year 1 and 2) Paris, 1833 1834. unknown

The Flight into Egypt 1613 Hendrick Goudt Dutch Goudt's dark, rich night prints exercised a significant influence on Dutch printmakers of the Golden Age, including Hercules Segers and Rembrandt van Rijn. His seven engravings reproduce paintings by the German artist Adam Elsheimer. Goudt lived in Elsheimer's house in Rome from about 1604 to 1610. He may have been the German painter's student but was also an avid patron. He created some of the prints while in Rome and others after 1611 when he settled again in the Netherlands in the city of Utrecht. Goudt was equally skilled as a calligrapher and all of his engravings bear elegantly crafted inscriptions in their lower margins.. The Flight into Egypt. Hendrick Goudt (Dutch, The Hague 1583-1648 Utrecht). 1613. Engraving and etching. Prints

Covered shit with many people.

Woodcut illustrating the Battle of Stockem Heide in the Weißkunig series of Emperor Maximilian I. by Leonhard Beck, wooden stick, 1514-1516.

Inside the Docks. After an illustration by Gustave Doré in the 1872 English edition of London: A Pilgrimage, written by Blanchard Jerrold and illustrated by Gustave Doré. London docks in the 19th cent

The Old Gun-Pit. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

The Kitchen 1858 republished 1885 James McNeill Whistler American This impression was made from a cancelled plate. The print had been published by Whistler in November 1858 in "Douze eaux-fortes d’après nature" (Twelve Etchings from Nature), known as the "French Set" (see 17.3.19, 17.3.20 for examples of the second state from the "French Set" and 67.630.53 for a third state published by the Fine Art Society, London).. The Kitchen 372769

Nubian water-wheel, known as sâkiyehs, which are used in Nubia in place of shadûfs from Upper Egypt. Although expensive to construct, they significantly reduce labor requirements. Created by Harry Fenn (1838-1911) between 1881 and 1884. Issued in New York by D. Appleton. The image relates to waterwheels, irrigation, and water use in Egypt, particularly along the Nile River, and measures 23.5 x 16.5 cm

Ruin of the burnt -out Amsterdamse Schouwburg, 1772, Cornelis Bogerts, 1772 print View of the ruins of the Amsterdam Schouwburg on the Keizersgracht after the fire of 11 May 1772. Firefighters extinguish with water sprayers the last fired fires, others clean up rubble. Under the show the title and legend a-e in Dutch (left) and French (right). Part of a series of four prints with title print about the fire in the Amsterdam Schouwburg. Amsterdam paper etching / engraving ruin of a building ~ architecture. on fire, ablaze. fire-fighting. theatre, theatrical performance. theatre (building) Schouwburg Keizersgracht (1637-1772)

Lying seal, O. de Vries, After de Seve, 1700 - 1800 print A horizontal seal on a rost -like coast. At the top left: Tome XVI and top right: pl.xxxii. paper etching / engraving swimming mammals: seal. rocky coast

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Insigne Comitatus Medelpadiae, River landscape with hunters and the coat of arms of Medelpad, The print is part of an album., print, album sheet, prints, height 258 mm, width 151 mm, 1655 - 1727-05-18, print maker, printmaker, 1713 - 1713, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Near Kingston. Artist: Emil Ganso (American (born Germany), Halberstadt 1895-1941 Iowa City, Iowa). Dimensions: plate: 10 x 15 in. (25.4 x 38.1 cm) sheet: 12 1/4 x 17 3/4 in. (31.1 x 45.1 cm). Publisher: Published by WPA. Date: 1937. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with Houses and Woman with a Spade. Date: May-June 1890, Auvers-sur-Oise. Dimensions: 44.5 cm x 27.5 cm. Museum: Van Gogh Museum, Amsterdam.

'Steel-Edgar Thomson Works', 1909. Artist: Joseph Pennell.

Birth of the Dauphin, Toulouse, 1682: Capture of the Golden Fleece 1682 Jacques LePautre French. Birth of the Dauphin, Toulouse, 1682: Capture of the Golden Fleece 341718

Un chemin de perdition' by Félix Hilaire Buhot (1847-1898), created between 1874 and 1879. The artwork features horseback riding under a cloudy sky. The extent is noted with a standard reference number

Tandefelt, Heikki, work name: Gate, aquatint and line etching, graphics, plate width 15 cm, plate height 16.7 cm

Hayoppers at a city, Pieter Dupont, 1894 print paper hay-stack. city-view, and landscape with man-made constructions

Heyden, Jan van der, Northern Netherlands, Scherm, Laurens, Fire on the Oude Schans in Amsterdam, 1658, Fire in a house on the Oude Schans in Amsterdam, on 5 December 1658. The facade of the house collapses, killing firefighters and bystanders. Bystanders flee in panic in front of the house., print, prints, Frederik Muller Historieplaten, height 208 mm, width 145 mm, print maker, printmaker, 1690 - 1699, fourth quarter 17th century, fourth quarter 19th century, paper, papier, etching, etchings, Noord-Nederlands, 1671 - 1702-11-13, Work conception, 1637-03-05 - 1712-03-28, after print by, intermediary draughtsman

Öland, Slättbo hd., Räpplinge. Windmills. Drawing by Ferdinand Boberg. Nordic

Teil des Klippenpalastes Part of the Cliff Palace, New Mexico, USA. American antiquities. Publication of the Meyers encyclopedia, Vol. 7, Leipzig, Germany, 1910. LicenseRF Copyright: xZoonar.com/SergeyxKohlx 23196711

Paris. - on the Arc de Triomphe of the Star. - Current status of the work of Mr. Falguière's group. - (Drawing of Mr. Gérardin.)

Lazio Viterbo Caprarola Palazzo Farnese97. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Siege of Breda plate 1 of 6. Dated: 1627/1628. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Munition Works. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Prison, Imaginary Prisons, Giovanni Battista Piranesi, 1760-1761, Museum Berggruen, Berlin, Germany, Europe

Wooden stick artwork by Hans Burgkmair the Elder, part of the "Weißkunig" series, depicting a fight in front of a city, produced between 1514 and 1516.

Steam Shovel in the Cut at Bas Obispo. Dated: 1912. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Nubia, Temple of Kartassy (Nubie, Temple de Kardassy); John Beasly Greene (American, born France, 1832 - 1856); 1853 - 1854; Salted paper print from a waxed calotype negative; 23.5 x 30.3 cm (9 1,4 x 11 15,16 in.)

The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 419 x 547 mm. Woodcut in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Northern Netherlands, Fokke, Simon, The Reguliersklooster burned: Ao 1532, The Reguliersklooster in Amsterdam burned, 1532, 1532. The title is written in pen below the image., print, history print, prints, Frederik Muller History plates, height 80 mm, width 41 mm, Procession with the St. Nicholas Statue in Amsterdam: Ao 1534

Etched by Joseph Mallord William Turner, 1775-1851, British, Windmill and Lock, 1811. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

The New Zealander (recto); The Row (verso); The Docks-The "Concordia" (verso), from London: A Pilgrimage by Blanchard Jerrold (from Harper's Weekly). Artist: Gustave Doré (French, Strasbourg 1832-1883 Paris); Stéphane Pannemaker (Belgian, 1847-1930); Paul-Parcel Jonnard (French, died 1902). Dimensions: sheet: 15 13/16 x 10 3/4 in. (40.2 x 27.3 cm). Date: May 31, 1873. Museum: Metropolitan Museum of Art, New York, USA.

Bribery. Illustration for 'The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich' by N. Gogol by Kanevsky, Aminadav (1898-1976) / Russian State Library, Moscow / Book design / 1950 / Russia / Lithograph / Mythology, Allegory and Literature /

This miracle work is well known / is depicted in this print (...). Leaf with a big show over the Sardammer bull. At the bottom left Traddles the bull Boer Jacob EGH, above them flies farmer's Trijn Jans who loses her child. On the right a boy with a kite and behind it to finish the bull. The whole is caught in a decorative frame of flower drinks. Numbered at the top right: No. 157.

Splinter beach , Beaches, Swimmers, Sunbathing, Waterfronts. George Bellows (1882-1925). Prints and Drawings

The Workshop Made 1905 Scotland. Etching and drypoint on ivory laid paper . David Young Cameron

Robert Bremmel Schnebbelie, active 1803-1849, St. James Market, Saturday, 1818. Graphite, gray wash, and pen and black ink on thick, slightly textured, cream wove paper.

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Delineatio Saxi Groendalensis Qualis nostra ætate conspicitur in Åre ad Scardaliam, quae ad paraeciam Jemtlandiæ Unneråker pertinet, Stone in the Grönan valley, The print is part of an album., print, album page, prints, height 270 mm, width 168 mm, 1655 - 1727-05-18, print maker, 1701 - 1701, paper, etching, Swedish, 1625-10-10 - 1703-01-16, supervision

Honoré Daumier, Pélerinage de St Roch, 19th century Pélerinage de St Roch

Le Pont Neuf. Dated: 1913. Dimensions: image: 34.5 x 44.1 cm (13 9/16 x 17 3/8 in.) sheet: 49.5 x 59.7 cm (19 1/2 x 23 1/2 in.). Medium: lithograph in brown and black. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Dinner Time, Gatun Lock. Dated: 1912. Dimensions: image: 42.4 × 54.7 cm (16 11/16 × 21 9/16 in.) sheet: 51.7 × 63.7 cm (20 3/8 × 25 1/16 in.). Medium: lithograph in black. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Engraving depicting Cleopatra's Needle, an obelisk from Alexandria which was erected in Central Park, New York. Dated 19th Century

THE NIGHT ATTACK ON THE BOOM. THE PARTICULAR SERVICE SQUADRON IN BANTRY BAY

Dóll, widow Jan, Haastert, Isaac van, Beek, Jan Lucas van der, The fate of a disobedient child, Le fort d'un Enfant desobersant, Child is hit by a beam while playing on a construction site, verso center bottom - stamped, print, prints, height 133 mm, width 103 mm, 1753-05-06 - 1818-10-12, print maker, printmaker, 1781 - 1799, fourth quarter 18th century, paper, papier, etching, etchings, 1753-11-18 - 1834-03-01, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Les voisins de campagne,' by Félix Hilaire Buhot (1847-1898), created between 1874 and 1888. The artwork features neighbors and houses set in the rural landscape of Normandy, France. It is an etching, drypoint, and aquatint, noted with a standard reference number

Pélerinage de St Roch. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The races (Les courses). Dimensions: 42.4 cm x 54.6 cm, 38.5 cm x 50.9 cm, 38.5 cm x 50.9 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD MANET.

Engraving of a wind sail, a small tube or funnel of canvas, used to convey a stream of air into the lower apartments of a ship. Dated 19th Century

Barth Erwin (1880-1933), expansion of the cemeteries in Stolp (1930): Break break from Inv.-No. 41184: Perspective view with a view of a burial ground with access; Rubber stamp. Light break on paper, 42.4 x 55.5 cm (including scan edges) Barth Erwin (1880-1933): Erweiterung der Friedhöfe, Stolp

The Smith's Yard James Abbott McNeill Whistler (American, 1834-1903). The Smith's Yard, 1895. Lithograph, 13 1/16 x 8 3/8 in. (33.2 x 21.3 cm). American Art 1895

Haarlem, New Year's Blessing, from the Lighters of the Gas Lanterns 1850, New Year's wish from the gas lantern lighters of Haarlem for the year 1850, verso - stamped, New Year's wish from the Haarlem gas lantern lighters for the year 1850. A lamplighter walks with a ladder on his shoulder past a burning street lamp. In the background the Saint Bavo in Haarlem. With a verse in two columns., print, image, new year's wish, prints, images, Frederik Muller Historieplaten, height 344 mm, width 218 mm, print maker, printmaker, 1849 - 1850, paper, papier, letterpress printing, letterpress, woodcut

Windmill in a landscape, A. Tinbergen, c. 1925 - c. 1935 drawing There is a tree trunk at the entrance of the mill. There are two children at the tree trunk. paper. India ink (ink). pencil pen / brush windmill in landscape. child

Charles Graham, Christmas Eve, 23 Dec. 1882, woodblock print on paper.

Heyden, Jan van der, Amsterdam, Ruinen van ses huizen, gebrandt den 25 october 1670, op 't Nieu Eylandt (), Ruines de six maisons dans le New Island; burned on October 25, 1670 (), Fire on the Waalseiland in Amsterdam, 1670, The still burning ruins of six houses in the fire on October 25, 1670 on the Binnenkant at the corner of the Buiten Bantammerstraat on the Nieuwe Waalseiland. With a 5-line caption in Dutch and 5 lines in French. Plate 6 in the Brandspuitenboek by Jan van der Heyden., print, engraving, book illustration, prints, engravings, Frederik Muller Historieplaten, The still burning ruins of six houses in the fire of October 25, 1670 on the Binnenkant at the corner of the Buiten Bantammerstraat on the Waalseiland (also known as the Nieuwe Eiland) in Amsterdam. With a five-line caption in Dutch and French. Plate 6 in the Brandspuitenboek by Jan van der Heyden., height 352 mm, width 228 mm, 1637-03-05 - 1712-03-28, print maker, printmaker, 1690 - 1735, paper, papier, etching,

A spider is carried through the air by a swallow to which it had attached its web; illustration of a fable. Etching.

Deir el Bahari, Egypt. Artist: Lord Carnarvon (British, 1866-1923). Date: 1914. Museum: Metropolitan Museum of Art, New York, USA.

In the Works, Homestead. Joseph Pennell; American, 1857-1926. Date: 1908. Dimensions: 213 x 278 mm (image/plate); 222 x 280 mm (sheet). Etching and drypoint on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Dawn, the 75s followUp. Artist: Kerr Eby, American, 1889-1946

Adventures of an heir worldwide, On the train, Bridges dizzy, vintage engraving. Adventures of an heir worldwide, On the train, Bridges dizzy, vintage engraved illustration. Journal des Voyage, Travel Journal, 1880-81. Copyright: xZoonar.com/PatrickxGuenettex 10657331

Tragic end of the French Republic. (IT)

Fragment. Dimensions: 4.5 in. high 8.50 in. wide (11.4 cm high 21.6 cm wide). Date: 5th-6th century. Museum: Metropolitan Museum of Art, New York, USA.

Made in Germany, the Great Crane. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Engraving depicting the ascent of the Montgolfier Balloon from the Cremorne Gardens, London. Dated 19th Century

Donati's comet, 1858. Donati comet, October 10, 1858. In the foreground a man with dog at a river. A church tower on the left.

In Bor; From the prospectus of "Tygodnik Ilustrowany" for 1890; Chełmoński, Józef (1849-1914), Klejn, Władysław (1867 cars 1871-1952), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1889 (1889-00-00-1889-00-00);

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