Historic Architectural Prints

Collection of etchings showcasing ancient architecture, maritime views, and atmospheric landscapes, featuring detailed design and emotive scenes.

Adieu , Boats, Dogs. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Etching by Domenico Cunego, 1747-1803, showing an ancient sepulchre with architectural and decorative details, illustrating funerary design.

View of Dinant and Sea Seats with Sailing Ships, Carel Nicolaas Storm of 's-Gravesande, 1871 print View of Dinant with a gondola on the Maas in the foreground. In the middle you can see the tower of the Collegial Church Onze-Lieve-Vrouw van Dinant. At the top right three performances of seascapes with sailing ships. paper etching / drypoint city-view in general; 'veduta'. church (exterior). sea (seascape) Dinant. Mesh

Adieu , Boats, Dogs. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

The Prisons: Title Page -- Interior of a Prison, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching;

Copper engraving and etching by Jean-Jacques Flipart from 1757-1782 depicting a storm over a coastal or maritime landscape with dynamic waves and clouds.

Print, Frontispiece des "Fontane"; France; etching

Gazette des Beaux-Arts: Le Quartier des Gobelins, 1889. Auguste Louis Lepère (French, 1849-1918). Etching on laid paper; sheet: 28 x 17.9 cm (11 x 7 1/16 in.).

Escalier d'un Chteau (Staircase of a Chteau) 19th century Rodolphe Bresdin French. Escalier d'un Chteau (Staircase of a Chteau). Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). 19th century. Etching. Prints

Drawing by Ferdinand Boberg. Värmland, Grums hd., Borgviks sn., Borgvik Nordic

Fantasy landscape with port in city and ships; Mon Rêve. Fantasy landscape with a harbor where many rowing boats lie and sailing ships on which the crew is busy with the sailing. On the quay is a monument with a column and a picture of a woman and child at the foot of the column and on top of a man with weapons. Different church towers are visible in the distance. Under the show, the text Mon Rêve is what explains the unrealistic nature of the landscape.

Black chalk drawing with brush highlights by Lovis Corinth depicting the historical mill in Potsdam, showing building structure, water wheel, and surrounding landscape, 19th century.

Le Secret du Mâitre Cornille (The Secret of Master Cornille). Dated: c. 1885. Dimensions: plate: 17.4 x 11.3 cm (6 7/8 x 4 7/16 in.) sheet: 30.4 x 20.9 cm (11 15/16 x 8 1/4 in.). Medium: etching, drypoint, aquatint (dust ground and spirit ground), roulette, and spit bite in black on Japanese paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Etching by Pieter Nolpe from 1630-1652 depicting a May landscape on water with a hunting party, showing hunters, horses, dogs, water, and vegetation.

The Prisons: A Prison Door, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching;

Wooden stick artwork by Hans Burgkmair the Elder, part of the "Weißkunig" series, illustrating Emperor Maximilian I's election to the Roman kingship, produced between 1514 and 1516.

Drawing by Ferdinand Boberg. Stockholm, Djurgården, kv. Winter, Nordic

Félix Hilaire Buhot, La Traversee (The Passage), 1879 1885 La Traversee (The Passage)

Inn at the Cave of Egeria, Bartholomeus Breenbergh, 1624 - 1629, Design for a print., draughtsman: Bartholomeus Breenbergh, 1624 - 1629, paper, pen, brush, h 135 mm × w 74 mm

Design for a wallpaper. Draughtsman: Isaac de Moucheron. Dating: 1677 - 1744. Measurements: h 124 mm × w 88 mm. Museum: Rijksmuseum, Amsterdam.

A woodcut by Hans Springinklee from 1516-1518 depicting Saint George, not part of the saints associated with Emperor Maximilian I's family.

Wooden panel by Hans Burgkmair from the Weißkunig series depicting Emperor Maximilian I during the storming of a city, created 1514-1516, with carved relief and ornamental motifs.

Otto Henry Bacher, Aŭf Staŭfá Brŭck, 1879 Aŭf Staŭfá Brŭck

Ommegang in Brussels, Jules de Bruycker, 1931 print Procession during the annual Ommegang with the giant horse Ros Beiaard and a dragon head. Belgium paper etching crowd, mob Brussels

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Carceri, VIII: The Staircase withTrophies, Etching, platemark: 55.1 × 40.3 cm (21 11/16 × 15 7/8 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Woodcut by Hans Burgkmair depicting the English covenant between King Philipp, representing Emperor Maximilian I, and Heinrich of England, created on pear wood between 1514 and 1516.

Etching and copper engraving by Jean Joseph Balechou between 1736 and 1764, depicting a coastal landscape with figures bathing.

Giovanni Battista Piranesi, Title Plate, published 1749 1750 Title Plate

From the tops of the furnaces , Smokestacks, Furnaces, Bridges, Rivers, Ships. Joseph Pennell (1857-1926). Prints and Drawings

Item. .

Monument to the glory of the king and France (IT)

Landscape with a bridge and a ruin, Jan van de Velde (II), 1615 print Landscape with a stone bridge and a ruin. Fourteenth print from a series of eighteen. paper etching landscape with ruins. landscape with bridge, viaduct or aqueduct

Worship of Christ child by three kings, Giovanni Battista Tiepolo, in or before c. 1775 print Venice paper etching adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Objects on Wall, study for Couture, The Bird-Catcher 1852-1862 France. Black chalk, heightened with white chalk, on blue laid paper . Thomas Couture

Pembury Mill, Kent, plate 12 from Liber Studiorum Published 1808 England. Engraving in black ink on ivory laid paper . Joseph Mallord William Turner

THE PRINCE OF WALES AT TRICHINOPOLY, 1876: THE "ROCK" ILLUMINATED, SEEN FROM THE PAVILION ERECTED FOR THE PRINCE

Frontispiece for L'Illustration Nouvelle: The Burial of the Burin. Dated: 1877. Dimensions: sheet: 30.8 x 44.1 cm (12 1/8 x 17 3/8 in.). Medium: pen and brush and black ink with gray and white gouache and white chalk heightening over charcoal on laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

The Flight into Egypt. Jean-Laurent Legeay (France, Paris, circa 1710-after 1786). France, 1768. Prints; etchings. Etching

Saint-Malo, 1797, Anonymous, 1797 print Frans Vlot or floating castle with which 15,000 had to be transported with horses and guns. Designed by the French engineer Le Blanc for the invasion of England from France, February 1797. Centrally on the raft a fortress or castle. In this design at the rear mills on wind or horsepower with which wheels can be driven into the water or belts on the sides. At the top a map of the construction. A text sheet with an explanation belongs to the plate. Netherlands paper etching / engraving raft (+ propulsion of vehicle, ship, etc. by wind). navy (+ naval force) SAINT-MALO

Windmolen, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint windmill in landscape

Wooden stick by Leonhard Beck (1514-1516) showing the court scene in Bruges where Emperor Maximilian I received the White King after imprisonment, part of the 'Weißkunig' series.

Hengelaars in boats near a mill and a beacon, Jan van de Velde (II), 1631 print River landscape with anglers in boats. On the left on the bank two figures at a mill. A wooden bridge connects the bank with a river island on which a gatehouse with a beacon. Nummered in the bottom left: 2. The numbered prints are published as a series of ten. Northern Netherlands paper etching angling. windmill in landscape. landscape with bridge, viaduct or aqueduct. gate, entrance. island. beacon

Old Doorway, Easthampton. Dated: 1920. Dimensions: plate: 25 x 29.8 cm (9 13/16 x 11 3/4 in.) sheet: 23.7 x 40.1 cm (9 5/16 x 15 13/16 in.). Medium: etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

Drawing by Ferdinand Boberg. Hälsingland, Voxna sn., Voxna Nordic

Accorde, Blatt.1, Brahmsphantasie, Op. XII. Klinger, Max (1857-1920), graphic artist

Building on a rock and resting shepherds with sheep at the foot of Rots, Rodolphe Bresdin, 1844 - 1849 print On a high rock is a building with a cross on top of a dome roof. It may be a lighthouse or a chapel. At the foot of the rock are two shepherds with sheep. On the right on a rock are two birds. This etching is printed with two plates where Bresdin chose to turn the sky blue. paper etching rocks. rocky coast. lighthouse, lightship. church (exterior)

Vismarkt in Antwerp, Egidius Linnig, 1841 print paper etching stall, booth (~ market) Antwerp

Print made by George Cruikshank, 1792-1878, British, The Last Chance, 1838. Etching on medium, slightly textured, cream wove paper.

Le voyageur à l'abri , Travelers, Alphonse Legros (1837-1911)

Toby's Cos Cob , Houses, Bars, Organs, Organ grinders. Childe Hassam (1859-1935). Prints and Drawings

An 1870 landscape, from 'News of the day,' published in Le Charivari, December 10, 1870 December 10, 1870 Honoré Daumier. An 1870 landscape, from 'News of the day,' published in Le Charivari, December 10, 1870. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). December 10, 1870. Lithograph on wove paper; second state of four (Delteil). Prints

Drawing by Ferdinand Boberg. Värmland, Färnebo hd. o sn., Persberg, Crane mine Nordic

The Cut at Paraiso Joseph Pennell (American, 1860-1926). , 1912. Lithograph, composition: 16 3/16 x 21 1/4 in. (41.1 x 54 cm). American Art 1912

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

The Woodcutters Made 1860 France. Charcoal and black chalk, with stumping, scraping, and erasing, on buff wove paper, altered to tan . Gustave Courbet

La vallèe de Franchard, 1888. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

11/13/1974. A work by Eulogio Varela.

Wooden stick print depicting Emperor Maximilian I in Nauders by Hans Burgkmair, 1514-1516.

Ruisdael, Jacob Isaacksz van, Kaiser, Johann Wilhelm (I), Dutch masters, Winter landscape with tower, verso - stamped, A winter landscape with three figures in the foreground and part of a house. In the background two figures by a tower. The print is part of a series of 25 prints after Dutch masters. Above the image: PL XVIII., print, prints, height mm, width mm, Dutch, 1813-01-05 - 1900-11-29, print maker, printmaker, 1823 - 1900, paper, papier, chine collé, etching, etchings, Noord-Nederlands, 1629-06 - 1682-03-14

La Vie de Jeanne d'Arc (The Life of Joan of Arc) (Furnishing Fabric). Designed by Charles Abraham Chasselat (French, 1782-1843); Possibly Manufactured by Hartmann et Fils (French, founded 1776); France, possibly Munster. Date: 1815-1825. Dimensions: 60.3 × 38.1 cm (23 3/4 × 15 in.). Cotton, plain weave; engraved roller printed. Origin: France. Museum: The Chicago Art Institute, USA.

The Lake of Fire, Charleroi. Dated: 1911. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Mutilating the corpses of the De Witt brothers in The Hague on August 20, 1672. Civilians and soldiers gathered around the scaffold. In the foreground a man runs away with the pieces of clothing of the victims. On the scaffold two men hold up parts of the bodies, Mutilation of the bodies of the De Witt brothers, 1672., draughtsman: Romeyn de Hooghe, Northern Netherlands, 1672, paper, pen, brush, h 398 mm × w 292 mm

Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk. Artist: Anonymous, Italian, 16th century; After Enea Vico (Italian, Parma 1523-1567 Ferrara). Dimensions: mount: 22 1/8 x 16 13/16 in. (56.2 x 42.7 cm)sheet: 18 3/16 x 12 5/8 in. (46.2 x 32.1 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: ca. 1543-70.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound to

Campering at Evening for a cathedral, Félix Hilaire Buhot, 1857 - 1898 drawing paper. ink pen church (exterior). square, place, circus, etc. (+ city(-scape) with figures, staffage). evening. political meeting, propaganda meeting

Copper engraving by Georg Pencz depicting the historical scene of the taking of Carthage, created in the first half of the 16th century.

THE SURVIVORS OF THE 'JEANNETTE' IN SIBERIA

Canaletto, Landscape with a Woman at a Well, c 1735 1746 Landscape with a Woman at a Well

The Seine near the Austerlitz Bridge. Dated: 1888. Dimensions: image: 16.9 x 26.7 cm (6 5/8 x 10 1/2 in.) sheet: 28.2 x 34.5 cm (11 1/8 x 13 9/16 in.). Medium: wood engraving in black on tissue paper. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Winter landscape with mill, A. Marchal, 1940 print Winters polder landscape with a mill and three pollard willows. paper windmill in landscape

Muirhead Bone, On the Clyde, 5: The Toscania at Glasgow, 1917-18, lithograph on wove paper.

S. Aigri, évêque de Verdun (St. Agericus, Bishop of Verdun), December 1st, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Aigri, évêque de Verdun (St. Agericus, Bishop of Verdun), December 1st, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Molen, Jacob Maris, 1847 - 1899 print paper etching windmill in landscape

James Tissot, A Children's Garden Party ("Garden-party" d'enfants), 1880, drypoint on paper (first state).

Grot in Fontein in Oude Stad Manduria; Cave & Fountain of the Mandurians of which he is spoken in Pliny; Travel to Italy, Sicily and Malta - 1778. TEKENING UIT HET ALBUM 'TRAVEL IN Italy, Sicily and Malta', 1778.

Legeay, Jean Laurent, Architectuurfantasie, blad 20, print, prent, prints, prenten, height 195 mm, width 170 mm, print maker, prentmaker, 1767 - 1768, paper, papier, etching, etchings

Calais (Vignette), John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving

Giovanni Battista Piranesi (Italian, 1720 - 1778). Title Page: Imaginary Prisons of G. Battista Piranesi, Venetian Architect, 1761. From Carceri d'Invenzione di G. Battista Piranesi, Architetto Veneziano. Etching on laid paper. Plate: 545 mm x 415 mm (21.46 in. x 16.34 in.). Eighth of nine states.

Landscape with watermill, Johannes Christiaan Janson, 1778 - 1823.

The Carceri, plate 9 1748-1750 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

Andreas Flinch (1813-1872); Johan Thomas Lundbye (1818-1848), Helene Tomb, (1843)

Wilson, A Sketch. Photo Production of drawing in 'The Reveley Collection of Drawings at Brynygwenin', Fig. 58.

François Nicolas figure (1825-1901). "The Gild-Holm'-Hur" chair. Albumin paper. 1868. Paris, house of Victor Hugo.

La moulin aux deux meules , Mills, Horses, Monks, Alphonse Legros (1837-1911)

Scharensliep at work, George Hendrik Breitner, 1883 - 1885 Page 21 and Page 22 from a sketchbook with 23 magazines. The Hague paper. chalk sharpening, grinding (industrial processes) (+ men (labourers))

Prague - Kosciusko (Vignette), Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1837

Carl Schuch's pencil composition study depicts a still life arrangement, focusing on object placement, proportion, and shading.

Francis Seymour Haden, 1818-1910, British, Dusty Millers, 1877. Etching and drypoint, with plate tone on thin, smooth, cream Asian paper.

Mrs. Sargent painting , Painters Artists, Painting, Cliffs. Charles H. Woodbury (1864-1940). Prints

Caricature to the Opera Don Carlos by Giuseppe Verdi. Paris, Thétre de l'Opéra-Le Peletier, 11.03.1867, Gillot, Firmin (1820-1872)

The DilapidatedFarmhouse. Artist: François Boucher, French, 1703-1770

Study of an assembly of sitting persons listening to a person standing seeming to speak. Jean-Baptiste Carpeaux (1827-1875). Study of an assembly of sitting persons listening to a person standing seeming to speak. Drawing, around 1869.

Galerie Sandner. Horst Janssen; German, 1929-1995. Date: 1957-1958. Dimensions: 593 x 392 mm (image/plate); 789 x 537 mm (sheet). Etching and aquatint on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

An avalanche in the Alps. Engraving by K. Girardet. "Los Héroes y las Grandezas de la Tierra". Volume V. 1855. Author: Karl Girardet (1813-1871). Swiss artist.

A 1907 lithograph by Max Slevogt depicting Trojans at the Achaean ships, showing ships, figures, and interaction in a classical scene.

Child, from On Death, Part I, Opus XI (Kind, Vom Tode, Erster Teil, Opus XI), 1889. Max Klinger (German, 1857-1920). Etching and aquatint;

Mermaling the bodies of the De Witt brothers, 1672. Mutilizing the resembles of the De Witt in The Hague brothers on August 20, 1672. Around the scaffold have collected citizens and soldiers. In the foreground a man runs away with the pieces of clothing from the victims. Two men share parts of the bodies on the scaffold.

Villette Dock, plate five from Le Long de la Seine et des Boulevards. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 100 × 120 mm (image); 202 × 232 mm (sheet). Wood engraving in black on cream Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A Miracle (Un Miracle). Dated: 1874. Dimensions: plate: 30.1 × 39 cm (11 7/8 × 15 3/8 in.) sheet: 34.8 × 43.5 cm (13 11/16 × 17 1/8 in.). Medium: etching with aquatint on chine collé. Museum: National Gallery of Art, Washington DC. Author: MOSE BIANCHI.

Landscape with Sower and Ploeg, 1666 A man scatters seeds on a freshly plowed field. In the foreground a team. Leaf 9 Recto from a sketchbook with 49 sheets. paper. chalk. ink brush sowing. ploughed field. agricultural implements: plough

Auguste Lepère, Watering place behind Notre Dame (L'abreuvoirderriere Notre Dame), 1897 Watering-place behind Notre-Dame (L'abreuvoirderriere Notre-Dame)

Etching by Anne Philiberte Coulet between 1767 and 1797 depicting a port fire scene.

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