Historic Architectural Prints

Etchings and engravings showcasing grand architecture and gardens, primarily focused on historical royal occasions and landmarks from the 17th and 18th centuries.

Benedizione de' cavalli, nel giorno di San Antonio in Roma, circa 1820. ca. 1820 Church of S. Antonio all'Esquilino The piazza is crowded with figures and horses, festooned with flowers, ribbons and feathers and gathered before the church of S. Antonio all'Esquilino for the blessing of the horses. Title and publisher from inscription in pencil. Attributed to Salvatore Busuttil in pencil inscription. Imprint: Rome, Giacomo Antonelli al corso alle convertite, #179 B. Illegible inscription in the lower right hand corner of the image: J. Feri f. Rome. With Pecci-Blunt's collector's mark, in black ink, in the lower right hand corner and one on the verso in the center. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in popular costume. As intense urban development under Mussolini transformed Rome in the 1930's, inter

Bound Print, Veüe perspective de la décoration élevée sur la terrasse du Chteau de Versailles pour lillumination et le feu dartifice qui a été tiré à loccasion du mariage de Madame Louise-Elisabeth de France avec Don Philippe Second Jnfant dEspagne le XXVI Aoust M.DCC. XXXIX. (Perspective view of the decorations built on the terrace of the Castle of Versailles for the illumination and fireworks launched for the occasion of the marriage of Madame Louise-Elisabeth of France to Philip of Spain, August 26, 1739); Designed by Michel de Bonneval (French, d. 1766); Engraved by Charles Nicolas Cochin the younger (1715 - 1790); Published by Menus-Plaisirs du Roi; France; etching and engraving on paper; 60.5 × 97.5 cm (23 13/16 × 38 3/8 in.)

S.Petri templum Romae. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist

Francesco I d'Este Builds the Palazzo di Sassuolo, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este Builds the Palazzo di Sassuolo, from L'Idea di un Principe ed Eroe Cristiano in Frances

. The coulisecor the new garden with scene from: the feigned utensils through love. Only the decor printed from a separate plate, so without the passe-partout. Part of a series of 12 stage decorors from the Amsterdamse Schouwburg on the Keizersgracht.

Benedizione de' cavalli, nel giorno di San Antonio in Roma, circa 1820. ca. 1820 Church of S. Antonio all'Esquilino The piazza is crowded with figures and horses, festooned with flowers, ribbons and feathers and gathered before the church of S. Antonio all'Esquilino for the blessing of the horses. Title and publisher from inscription in pencil. Attributed to Salvatore Busuttil in pencil inscription. Imprint: Rome, Giacomo Antonelli al corso alle convertite, #179 B. Illegible inscription in the lower right hand corner of the image: J. Feri f. Rome. With Pecci-Blunt's collector's mark, in black ink, in the lower right hand corner and one on the verso in the center. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in popular costume. As intense urban development under Mussolini transformed Rome in the 1930's, inter

View on the outside of the Koninginnepoort in Gothenburg, Johannes Jacobsz van den Aveele, 1711 The print is part of an album. Stockholm paper etching Gothenburg. Queen The print is part of an album. Stockholm paper etching Gothenburg. Queen

Drawing (Italy); Attributed to Giuseppe Valadier (Italian, 1762-1839); graphite, gray wash support: laid paper; Mat: 55.9 x 40.6 cm (22 x 16 in.)

Fountain in the gardens of the Villa Aldubrandini in Frascati; Fontana Nel Secondo Ingresso Dupplicata da I Lati (...); Fontane delle ville di Frascati; Fountains of Frascati. The print is part of an album.

View of the garden from Rosersberg Slot, Willem Swidde, 1695 The print is part of an album. Stockholm paper etching Slot Rosersberg The print is part of an album. Stockholm paper etching Slot Rosersberg

The Palatium IRO Hoch-Gräffl, Gnaden, Mr, Carl Joseph Graff Lamberg von Sprintzenstain Wallnerstraße, from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, Drawer, Johann August Corvinus -, Copper Engraver, Johann Andreas the Pfeffel -, publisher

Prospect of the Lower Cascade of the Diana Schwarzenberggarten, from, True and exact illustration , part , Fig, After, Salomon Kleiner -, drawer, Georg Daniel Heumann -, Copper Engraver, Johann Andreas the Pfeffel -, publisher

View Perspective of the great review of Allied troops spent on Louis XV Square on April 15, 1814, by the Sovereigns, the day of the arrival of SM The Emperor of Austria dedicated to the sovereigns of the high powers by their very humble and very obedient knight bernardini dalmate Knight Bernardini ( -). View Perspective of the great review of Allied troops spent on Louis XV Square on April 15, 1814, by the Sovereigns, the day of the arrival of SM The Emperor of Austria dedicated to the sovereigns of the high powers by their very humble and very Obey Knight Bernardini Dalmatiate. Chinese ink with feather and wash and watercolor on laid paper, 1814. Carnavalet museum, history of Paris.

The funeral cortège of the remains of Napoleon Bonaparte passing a bridge in Paris in 1840. Lithograph by J. Arnout after V.J. Adam.

France, Louis XIV (king of France), Mariette, Pierre (I), Silvestre, Israel, Vues de Rome et de Venise, Views of Rome and Venice, Veduta del Piazza di St. Marco di Venezia vista verso il porto, View of St. Mark's Square in Venice, verso - stamped, print, prints, height 114 mm, width 202 mm, French, 1621-08-21 - 1691-10-11, print maker, printmaker, 1636 - 1691, third quarter 17th century, third quarter of the 17th century, paper, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, 1603 - 1657, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Umbria Perugia Gubbio S. Secondo7. Hutzel, Max 1960-1990 Exterior views of the polygonal apse of trefoiled arches and cloister portals. Interior views include frescoes of the Life of St. Sebastian in the Cappella di Sebastiano o Panfili (15th century); votive frescoes of the Madonna and Child; paintings of the Death of St. Joseph and the Martyrdom of S. Secondo; a painted crucifix; and stucco work and paintings in the Salone Zucchari (which are missing their negatives). In the Medieval core collection are details of an 8th-century altar--the sole remains of the abbey church S. Donato di Pulpiano. Object Notes: Hutzel photo campaign date: 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early

Make Van of Martian Library Te Venetië, Anonymous, 1610 Façade of the Biblioteca Marciana with activity on the Piazzetta in the foreground. Two -line Italian text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving / etching Marciana library. Square. Venice Façade of the Biblioteca Marciana with activity on the Piazzetta in the foreground. Two -line Italian text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving / etching Marciana library. Square. Venice

View of the exhibition in Amsterdam, 1726; The Survey of Stadt Amsteldam (...) / Bursa Urbis Amstelodamensis (...); Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of the Hendrik de Keyser exhibition in Amsterdam. Plate No. 296 in part XIII of the Picture: Les Forces de l'Europe, Asia, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in Dutch and Latin.

Prospect against the Sailer City Seilerstätstätz, Singerstraße, from, True and accurate illustration , Part , Fig, After, Salomon Kleiner -, Drawer, Johann August Corvinus , Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Ici l'on danse: vue de la décoration et Illumination faite sur le terrein de la Bastille pour le jour de la fête de la Confédération française le 14 Juillet 1790. Prints. 1790. Jerome Robbins Dance Division. Dance , France , History , Revolution, 1789-1799, Dance , France , 18th century, Bastille Day

Prospect of the Hoch-Fürstl, Liechtenstein magnificent pallasts, in the Rossau to end of the garden Palais Liechtenstein, Fürstengasse, porcelainangass, from, True and accurate illustration , Part , Fig, Salomon Kleiner -, drawer , Johann August Corvinus -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Illumination caused in the promotion of a few students in Utrecht, 1786; Image of Illuminatie given on Den 1 June 1786, by Gelagendetthet der Promotie More Majorum van de Heeren J.E.n. Van Liednden to Hoevelaken, A.P.B.C. Van der Borch until wrapped, a.g. Smith, and E. Westenberg (...). Illumination of a facade of a house, on the occasion of the promotion of students J.E.n. Van Liednden to Hoevelaken, A.P.B.C. Van der Borch until wrapped, a.g. Smith, and E. Westenberg, at Utrecht University on 1 June 1786.

Prospect the Keyserl, Favorita Theresianum, Favoritenstraße, from, True and exact illustration , part , Fig, After, Salomon Kleiner -, Drawer, Georg Daniel Heumann - , Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Vue du Chteau de Versailles, du côté de l'allée et de la fontaine du Dragon, 1676. Israël Silvestre (French, 1621-1691). Engraving;

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Prospect of Lust and Gartenbäu Ihro Hoch-Gräffl, Exzellenz, Mr, Aloysi , Count of Harrach Hungargasse, from, True and accurate illustration , Part , Fig, After, Salomon Kleiner -, drawer, Johann August Corvinus -, Copper Engraver, Johann Andreas the Pfeffel -, publisher

Print (France)

Face Lock Stegeborg, Willem Swidde, 1692 The print is part of an album. paper etching Slot Stegeborg The print is part of an album. paper etching Slot Stegeborg

The Sacre of Louis XVI in Reims Jean-Michel Moreau (said the young, 1741-1814). "The coronation of Louis XVI in Reims". Engraving, 1779.

Fargue, Paulus Constantijn la, Amsterdam, Fokke, Simon, Funeral procession of Princess Anna of Hanover in Delft, Members of the courtly administration in the funeral procession of Anna of Hanover in Delft, 1759, verso - stamped, Members of the courtly administration on foot in the funeral procession of Anna of Hanover, Princess of Orange-Nassau, in Delft. The figures in the procession are numbered and described in more detail below the representation., print, prent, prints, prenten, height 190 mm, width 400 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, prentmaker, 1759 - 1761, paper, papier, etching, etsen, Nederlands, 1729-01-05 - 1782-06-11, intermediary draughtsman

Vier episodes uit de vaderlandse geschiedenis; Illustraties uit de vaderlandse geschiedenis.Needs of leaves with four performances from national history. From left to right: Raan in Rotterdam against the main officer Jacob van Zuylen van Nyevelt; Suspension of convicts; Visit by Peter I the Great, Tsar of Russia to the Republic of the Netherlands; Glorious Revolution.

Face Lock Vennarn from the south and the arbor in the garden, Willem Swidde, 1695 The print is part of an album. Stockholm paper etching Slot Venngarn The print is part of an album. Stockholm paper etching Slot Venngarn

Halle aux Draps, Plate 61 from 'Vues Pittoresques des Princepaux Édifices de Paris', Les Campion Frères, Paris, France, J. A. Campion, French, active 1750 - 1800, Antoine-Louis-François Sergent-Marceau, French, 1751 - 1847, Engraving and brush and watercolors on paper, Market Hall in the center of the street; vendors in front, and parasols. Title, artists' and publisher's names below., Europe, Paris, France, 1792, Print, Print

Canaletto (Italian, 1697-1768), La Piera del Bando. V., c. 1735-1746, etching

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Inauguration of Willem den 1sten in Brussels, on September 21, 1815 / Inauguration the Guillaume 1er à Bruxelles, LE 21 Septembre 1815; Twelve plates of the arrival and inauguration of Willem I in Brussels and the Strokes at Quatre-Bras and Waterloo in 1815. Inauguration of King Willem I in Brussels on September 21, 1815. Standing on a platform in the open air lays the king in front of the audience off. At the bottom of the titles in Dutch and French separated by the coat of arms of King Willem I. Part of a series of plates of the arrival and inauguration of Willem I in Brussels.

Fumière, Théophile, Brussels, Aubry, E., Trône Royal, Reproduction of a print of a design for the opening of the 1883 World Exhibition in Amsterdam, recto - printed, photomechanical print, page, reproduction, photographs, photographically illustrated books, Fascicule I, PL. III, height 201 mm, width 335 mm, maker, producer, 1878 - 1883, paper, papier, collotype, Work conception, Belgian

Print (France)

Arrival of Willem V and Wilhelmina van Pruisen at the Town Hall on Dam Square, 1768, Reinier Vinkeles (I), 1772 print Arrival of the carriage with Stadholder Willem V and Princess Wilhelmina van Pruisen at the Town Hall on Dam Square in Amsterdam, on 30 May 1768. With large groups of spectators on Dam Square and on the surrounding buildings. paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' City Hall of Amsterdam (1655-1808). Dam. Waag on Dam Square. new church

Inauguration of Willem I in Brussels on September 21, 1815, Johann Nepomuk Gibèle, After Pierre Jean Baptiste Leroy, 1825 - 1826 print Inauguration of King William I in Brussels on September 21, 1815. Standing on a platform in the open air, the king takes the oath in front of the public. At the bottom of the titles in Dutch and French separated by the weapon of King William I. Part of a series of records of the arrival and inauguration of William I in Brussels. Brussels paper etching new ruler taking the oath Brussels

View of an open room leading to a garden, Mesard, 1700 - 1799 print Numbered: 4. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush interior ~ representation of a building. garden. garden fountain. ornamental plants

Face from home Wallestein towards Tuin, Daniël Stopendaal, 1719 print paper etching rural housing, e.g. country-house, villa, cottage. French or architectonic garden; formal garden Fiddle

Caravân-Sérail-i-Châh, Casbin Qazvin.. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

" 't Konings Huis op 't Loo", in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Dimensions: Plate: 6 9/16 × 7 3/4 in. (16.6 × 19.7 cm). Engraver: Engraved by Lorenz Scherm (Dutch, active 1619-1707). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d..Depiction of the Royal Loo palace at Apeldoorn, seen in the distance from the lane that provides access to the estate when coming from the city of Apeldoorn. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century. Museum: Metropolitan Museum of Art, New York, USA.

View from the clocktower of the Piazza San Marco, Venice, 16th century. At the left, Saint Marks Basilica with four bronze horses above the door. At right, the Campanile with three flags. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Prospect of the Hochfürstl, Schwartzenberg-Gartens Palais Schwarzenberg, from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, Drawer, Johann Gottfried Theloth -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

General view of decorations, illuminations and fireworks, from the party given by the city of Paris ... on the occasion of the marriage of Mrs. Louise Elisabeth de France and Dom Philippe Infant d'Spain. (IT)

The masked ball Moreau the young (1741-1814). "The masked ball". Etching.

Royal Hospital, Thomas Bowles, ca. 1712-died 1753, British, after Thomas Bowles, ca. 1712-died 1753, British, 1751, Engraving, Plate: 10 1/2 x 15 15/16in. (26.7 x 40.5cm)

people professions carpenter guild procession in Frankfurt am Main coloured copper engraving 1659 private collection,

Richard Parkes Bonington, 1802-1828, British, Rouen - Entre de la Salle des Pas Perdus. Lithograph.

Widok Canale Grande na wysokości Fondaco dei Tedeschi. Marieschi, Michele (1710-1744), graphic artist

George Cooke, 1781-1834, British, Frontispiece "Antiquities at Pola", 1818. Line engraving and etching, engraver's proof on moderately thick, slightly textured, beige, wove paper, with beige, chine colle.

Widok Campo San Polo, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

Prospect des Palatii iS , Excell, Eleonorae , Agnic Countess of Batthyan Palais Batthyány, Bankgasse, from, True and accurate illustration , rd part, Fig, After, Salomon Kleiner -, drawer , Johann August Corvinus -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

View of the Place Vendôme in Paris with the Saint -Ovide Kermis, Jacques Gabriel Huquier (Possible), 1735 - 1805 print In the title numbered: 8. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush / perforating square, place, circus, etc. (+ city(-scape) with figures, staffage). pleasure fair and circus Place Vendôme

View of a avenue on the left side of a garden, 1742 - 1801 print Numbered at the top right: 65 below numbered: 5. Augsburg paper. watercolor (paint) etching / brush garden. garden ornaments. garden fountain. ornamental plants

Agonalis Obelisk with the Fontana dei Quattro Fiumi, Bonaventura van Overbeek, 1708 print paper etching ruin of a building ~ architecture Rome

Design for a Stage Set. Artist: Anonymous, French, 19th century. Dimensions: sheet: 7 1/2 x 9 3/16 in. (19.1 x 23.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

MEMORIAL FOUNTAIN TO KING ALFRED

A group of young men dancing as the gods look on from above; set design from 'Il Pomo D'Oro'. Artist: Mathäus Küsel (German, 1621-1682); after Ludovico Ottaviano Burnacini (Italian, Mantua 1636-1707 Vienna (active Austria)). Dimensions: Sheet (Trimmed): 10 7/16 × 17 3/16 in. (26.5 × 43.7 cm). Date: 1668.The twenty-third of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina--also designed by Burnacini. Museum: Metropolitan Museum of Art, New York, USA.

Entry of William III by the triumph arch at the Buitenhof, 1691, Romeyn de Hooghe, 1691 print Entry of the procession with Stadhouder-Koning Willem III by the triumphal arch set up at the Buitenhof, 5 February 1691. Soldiers and public in the foreground. paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Coat of arms (as symbol of the state, etc.) (+ province; provincial) Buitenhof

Monument for Paris J.L. van Beek. "Monument for Paris". Etching. 1789.

Event of July 15, 1789. / Louis XVI coming out of the National Assembly .... (registered title) | Historical engravings of the main events since the opening of the general states of 1789. (Title of the whole)

The ghosts on the Oude-Schans, 1834 print Appearance of spirits on the Oudeschans in Amsterdam, in the evening of 8 and 9 October 1833. Along the quay, the spooky white shadows of women move in long robes. In the foreground the collected spectators. The 'spirits' were produced by any students with the help of magic lanterns. Netherlands paper materialization, appearance of spirit or ghost. student life Oudeschans

Panel with naked man and woman and sitting man; Ornements de Paneaux a la romaine. The man left from a leaf drink and holds a drapery above the woman.

Parisian Week / Album National PL.6 / Wednesday 28 July 1830./sous The Cannon Who Tonnes / All Paris On The Bridges takes place in column / (Death of Arcole) (TI)

. The festive meal held on January 27, 1786 in the shrimp goals (Handboogoolse) in Amsterdam to celebrate the Alliance with France (closed on November 10, 1785). Large company seated at a table decorated with table pieces.

Watercolor and brown pen drawing by an anonymous artist depicting a Venetian castle park with masked men and a nude woman.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Colored etching by Jean Baptiste Debret, after 1818, depicting the ceremony of the Faustissima Acclamation of King João VI in Rio de Janeiro on February 6, 1818, showing figures, regalia, and setting.

J. Couse, active 1750, The Theatre of Water... Hand-colored engraving on wove paper.

The German comedy costume picture for the theater newspaper, No, Anton Bogner -, Copper Engraver, after, Johann Christian Schoeller -, artist

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Paris, Villain, Jean-François, Sèvres, Bacler d'Albe, Louis Albert, Promenades pittoresques et lithographiques dans Paris et ses environs, Picturesque views of Paris and its environs, Le Pont des Arts, View of the Seine with the Pont des Arts, In the foreground are workers and a woman by a boat. Horses bathing in the Seine., print, prints, height 273 mm, width 428 mm, 1761 - 1848, print maker, printmaker, 1822 - 1824, paper, papier, lithografie (technique), French, 1790, printer, drukker

Triumph of BYNQ / MAHON Port (TI)

Fontana del Moro OP Piazza Navona Te Rome, Giovanni Battista Fonda, 1653 - 1691 Numbered below: 21. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Fountain of the Moro. Piazza Navona. Rome Numbered below: 21. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Fountain of the Moro. Piazza Navona. Rome

Luthmer Ferdinand (1842-1921), fallen in Erfurt. Monthly competition July 1874 (07.1874): Perspective view. Pencil watercolor on the box, 50.2 x 43.5 cm (including scan edges) Luthmer Ferdinand (1842-1921): Gefallenendenkmal, Erfurt. Monatskonkurrenz Juli 1874

Venice, Viero, Teodoro, Italy, Moretti, Giovanni Battista, Sandi, Antonio, Views of Venice, Superba moles Pontis Rivoalti ad orientalem plagam, View of the Rialto Bridge over the Canal Grande in Venice, verso - stamped, Title in Latin in bottom margin. Numbered lower right: 9., print, prent, prints, prenten, width 321 mm, height, 441 mm, Italian, 1733-10-09 - 1817-09-04, print maker, printmaker, 1743 - 1817, paper, papier, etching, etchings, engraving, engraving (printing process), after, after painting by, Publication (Event), Publication, 1740-03-19 - 1819-08-02, publisher, uitgever

The revolution, decoration on Koningsplein, 1795; Ten plates of the decorations at the Alliantief festival in Amsterdam in 1795. The revolution, allegorical decoration established on Koningsplein in Amsterdam at the Alliance party on 19 June 1795. Truncated column with oval chassinet with Hercules (Batavian bravery and courage) that the yoke of the Aristocracy breaks. He plays a crown and chain under his foot. At the top of Dutch and French flags. Part of a series of ten plates.

Design for the monument to commemorate Albert van Saksen-Coburg and Gotha, Mason Jackson, 1863 print paper monument, statue Albert Memorial

Procession of Louise de Lorraine in 1584 going from the Louvre to the House of Charity.

Corn Exchange, Mark Lane, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, John Bluck, British, 1791-1832, Aquatint, brush and watercolors on paper, Large room with tables loaded with filled bags. Men in groups discussing. Columns under a rectangular balcony. Title, artists', and publisher's names below., Europe, London, England, 1808, Print, Print

Mounting Guard, St. James's Park February 1, 1809 Designed and etched by Thomas Rowlandson. Mounting Guard, St. James's Park. Microcosm of London, pl. 56. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). February 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Thomas Higham, 1796-1844, British, Boulevards, Paris, 1835. Line engraving,, on steel, engraver's proof.

Basle Published 1833 England. Lithograph in black on grayish-ivory chine, laid down on ivory wove paper . Samuel Prout

Local of Jan van Speijk, 1832, 1833 print The corpse with the remains of Jan van Speijk sails through the harbor along the Schreierstoren. Part of the funeral of Jan van Speijk in Amsterdam on 4 with 1832. Amsterdam paper etching / engraving cortege, funeral procession. public funeral - AA - festivities on the water Writestraces

Cloister of the Certosa di San Martino, Naples. Artist: Louis Jean Desprez (French, Auxerre 1743-1804 Stockholm). Dimensions: 8 7/8 x 13 1/4 in. (22.5 x 33.7 cm). Former Attribution: Jean Augustin Renard (French, 1744-1807). Date: ca.1777-1779.This drawing came to the museum in 1961 with an attribution to the architect Jean Augustin Renard based on an inscription on the back of the sheet. As pointed out by Petra Lamers in 1995, however, the composition corresponds to an engraving featured in the abb de Saint Non's Voyage pittoresque which bears an inscription noting that the model for the print was drawn by Louis Jean Desprez, as were many other prints in the same publication. Museum: Metropolitan Museum of Art, New York, USA.

View of a lane on the left side of a garden; Spazier walk Zur Lincken Seite des Lust Gartens; Gardens. At the top right numbered: 65 Left below Numbered: 5.

GRABADO-OXFORD. Location: PRIVATE COLLECTION. France.

Environs de Rome, Charles Melchoir Descourtis, 1753-1820, Pierre Antoine Demachy, French, 1723 - 1807, Charles Melchoir Descourtis, 1753-1820, Engraving in color ink on paper, In foreground at right, ruins of an Ionic temple with three girls, a boy and a horse in front of it. In distance, left, a pyramid and colliseum., France, 1784, Print, Print

Memories of Theophrastus Paracelsus in Salzburg, Court, Theophrastus Paracelsus, Tomb, Paracelsus Haus, Paracelsus room, Museum , Memories of Theophrastus Bombastus von Hohenheim = Paracelsus in Salzburg, portrait, residential building, courtyard, room, museum, grave from illustrated world , August Stefan Kronstein -, artist

Place Royale, around 1660, passage from the royal carriage. Anonymous painting. Paris, Carnavalet museum. 23830-1 CARROSSE, IIIEME III 3rd 3rd 3rd arrondissement, Le Marais, Passage, Place Royale, Place Vosges, Quartier du Marais, Royal

Prospect of the square at the iron Schmidlinisches Haus, Stock-Im-Eisen-Platz, from, True and accurate illustration , part , Fig, After, Salomon Kleiner - , Drawer, Carl Rembshart -, Copper Engraver, Johann Andreas the,

View of the garden of Versailles, Louis -Joseph Hijndel, 1759 - c. 1796 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush garden. garden ornaments. garden fountain. ornamental plants Garden of Versailles

View of the Canal Grande from the side of Santa Maria della Salute, in: Urbis Venetiarum Prospectus celebroses ex antonia Canal tabulis xl aere expressi ab Antonio Visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (state), album, gondolas, Italian graphics, channels, churches (architect), city landscapes, reproductive graphics, relay, weduty, Italian (culture), boats

The Grand Entrance to Hyde Park, Richard Rosenberg, active 1828-1848, And Charles Rosenberg, active 1828-1848, after James Pollard, 1792-1867, British, 1844, Aquatint, hand-colored

Engraving from 'The Return of the Prodigal Son'. Dated 1860

Washing the hihe mark tears to Of the hookmarks. In Het Middy the presuming wands.

Francis Jukes, 1747-1812, British, The First Balloon Ascent in England, September 1784, from the Artillery Ground, Moorfields, c. 1784. Hand colored etching.

STATUE OF GODFREY DE BOUILLON, BRUSSELS

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