Historic Battle Prints

Artworks depicting significant historical battles and triumphal processions, featuring warriors and elaborate depictions of conflict and victory, with detailed characters and narrative.

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, De Batavische Oft Oude Hollandtsche Oorloghe teghen de Romeynen, The Batavian Revolt, Romans defeated in a surprise attack on their camp on the Moselle, 69-70, The Romans are initially defeated in a surprise attack on their camp on the Moselle, but struck back the same day. Print number 27 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. On the back text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 164 mm, width 209 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

The Triumph of Julius Caesar: Soldiers Marching with Trophies of War, 1593-99. Andrea Andreani (Italian, about 1558-1610), after Andrea Mantegna (Italian, 1431-1506). Chiaroscuro woodcut; Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius Caesar, painted a century earlier. The scenes imaginatively portray the triumphal procession of the renowned Roman general and consul Julius Caesar following his successful defeat of Gaul in 52 BC. Each section of the continuous frieze shows elements typical of these parades, sanctioned by the Roman Senate and described in ancient texts. The printed suites frontispiece features a portrait bust of Mantegna, and the text below boasts that the famous paintings attracted many viewers. People who owned sets of these woodcuts often tacked them up to create a decorative frieze. Andreani issued the prints with a sheet of classical columns that could be cut out and placed between the scen

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Amalecitae adversus Moysen qui orando vincibat, The Israelites fight the Amalekites, verso - stamped, A battle commotion of soldiers with spears on horseback and on foot. The Israelites fight the Amalekites. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever van privilege

The Betrayal of Christ, from The Large Passion Made 1510 Germany. Woodcut in black on cream laid paper . Albrecht Dürer

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, De Batavische Oft Oude Hollandtsche Oorloghe teghen de Romeynen, The Batavian Revolt, Romans defeated in a surprise attack on their camp on the Moselle, 69-70, The Romans are initially defeated in a surprise attack on their camp on the Moselle, but struck back the same day. Print number 27 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. On the back text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 164 mm, width 209 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Trajan Crowned by Victory (or: Trajan between the City of Rome andVictory). Engraver: Marcantonio Raimondi, Italian, ca. 1480-ca. 1534

Andrea Andreani (Italian, 1558/1559 - 1629) after Andrea Mantegna (Italian, ca. 1431 - 1506). The Triumphal Car, 1598. From The Triumph of Julius Caesar. Chiaroscuro woodcut. Image: 367 mm x 375 mm (14.45 in. x 14.76 in.).

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, The vanguard of the new Roman troops returns, The vanguard of the new Roman troops turns around and returns. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

All of the Horsemen Accompanying the Infantes are Slain, as Well as the Infante Fernan Gonzalez. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1612. Prints; etchings. Etching

The Last Judgment, Page I, Giorgio Ghisi, After Michelangelo, 1650 print A detail from the fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. Marked at the bottom right: I. print maker: Italyafter design by: Vaticaanstadpublisher: Rome paper engraving Last Judgement

Sheet 3: Trophies of War, from The Triumph of Julius Caesar. Artist: After Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua); Andrea Andreani (Mantua, 1558/1559-1629); Intermediary draughtsman Bernardo Malpizzi (Italian, 1555-1623). Dimensions: Sheet: 15 15/16 × 15 7/16 in. (40.5 × 39.2 cm)Image: 14 5/8 × 14 11/16 in. (37.1 × 37.3 cm). Date: 1598-99. Museum: Metropolitan Museum of Art, New York, USA.

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Absolan Capilis suspensus occumbit, Absalom killed by Joab, verso - stamped, Joab kills Absalom who is hanging defenseless by his hair in a tree. He stabs him with a spear. Fleeing soldiers in the background. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publicatie, Zuid-Nederlands, 1527 - 1613, publisher, uitgever van privilege

The death of Abimelech, Antonio Tempesta, 1613 print Abimelech and his army storm a city. The inhabitants of the city fight back from the city wall. On the left is Abimelech on his horse and gets a stone thrown to his head by a woman on top of a tower. Title and caption in Latin in the lower margin. paper etching Abimelech is struck on the head by a millstone thrown by a woman

Allegory with Zeeland, print maker: Romeyn de Hooghe, Romeyn de Hooghe, (attributed to), Netherlands, 1704 - 1706, paper, etching, h 188 mm × w 264 mm

Lucas Cranach the Elder (German, 1472 - 1553), Saint Matthew, woodcut

Plate 4: The victory of Goleta, near Tunis, from the Triumphs of Charles V. Artist: After Antonio Tempesta (Italian, Florence 1555-1630 Rome); Jacques de Gheyn, III (Dutch, Amsterdam () ca. 1596-1641 Utrecht). Dimensions: sheet: 12 5/8 x 16 3/4 in. (32 x 42.5 cm). Date: 1614. Museum: Metropolitan Museum of Art, New York, USA. Author: Jacques de Gheyn, III. after Antonio Tempesta.

Workshop of Hendrick Goltzius, after Hendrick Goltzius, The Giants Climbing the Heavens, c 1589 The Giants Climbing the Heavens

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Antwerp, Wierix, Johannes, Theatrum biblicum, Geschiedenis van de Maccabeeën, Antiochus Epiphanes plunders the temple of Jerusalem, verso - stamped, After his victory over Egypt, Antiochus marches to Jerusalem with a large army. There he plunders the temple and he massacres the inhabitants. Under the representation a reference in Latin to the Bible text in 1 Macc. 1:22., print, prent, prints, prenten, height 202 mm, width 288 mm, Southern Netherlands, 1549 - 1618, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Scène uit de Dacische Oorlogen.Scene from the Dacic Wars with Left Soldiers Cutting Trees and to the right soldiers who stop their shield. To the bas-relief on the column of Trajan in Rome.

The Martyrdom of St. Erasmus. 1506. Cranach, Lucas, 1472-1553. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Title page for the pamphlet: De Spanish Carravaan, 1702, Romeyn de Hooghe, 1702 print A muzzle driver with large glasses is shocked by seeing a Spanish nobleman on horseback, in the foreground a turtle and a snail. Cartoon on sending the French court procession that accompanied Philip V on his journey to Spain. Title is on a separate text sheet. Netherlands paper etching / engraving

Soldiers around a campfire; Morals and habits of Turks. First block of fourteen, together form a frieze of seven images with the morals and habits of the Turks. Nocturnal representation of soldiers around campfires and horse bead. All on the left an atlant.

Jacques Callot (1592-1635). "The life of Ferdinand I of Medici, defeat of the Turkish cavalry. Eighth number of a series of 16 pieces finished and 2 supernumerary pieces" (Lieure 154, Meaume 541). Chisel. 1619-1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99598-4 Burin, Gravure

Andrea Andreani (active in Mantua around 1540-1623). "The triumph of Julius Caesar", according to Mantegna: men carrying vases on a stretcher followed by other men who wear trophies of weapons attached to the end of a stick (Bartsch, Tome XII, Section 6, n ° 11). Color in color. 1599. Museum of Fine Arts of the City of Paris, Petit Palais. 112278-21 16th 16th XVI 16th 16th 16 Center, engraving

Sword fights, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing violent death by sword

Junius, Hadrianus, Heemskerck, Maarten van, Amsterdam, Muller, Harmen Jansz, Seven bleedings of Christ, Carrying the Cross and the meeting with Veronica, verso - stamped, Christ carries the cross and looks back at Veronica, who shows him the cloth on which the print of Christ's face remained. At the bottom in the margin a verse in Latin. Print is part of a series about the seven bleedings of Christ., print, prints, height 204 mm, width 246 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1565, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, writer

Justice of Trajanus. Copy in mirror image to a print of Hans Sebald is on a larger format. The son of a widow is killed by a soldier of Emperor Trajanus. Kneeling at the dead body of her son she points the emperor on this injustice.

First pretext: the new field; Similarity of a wedding party. The messenger comes to the first guest and invites him to the party. The guest apologizes with the pretext that he bought a new field. The print has a Latin caption and is part of a six-part series about the parable of a wedding party.

Etching by Augustin Hirschvogel depicting the biblical figures Joab and Amasa, created in 1547.

Depicts the biblical scene of the Three Kings before King Herod, created by Augustin Hirschvogel in 1548 using etching. The composition shows the kings presenting gifts and Herod observing.

TRIOMFTOCHT van Julius Caesar, Andrea Andreani, After Bernardo Malpizzi, After Andrea Mantegna, 1599 print Numbered bottom left: 2. print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper triumph of Caesar. torch. piece of sculpture, reproduction of a piece of sculpture

Two details from the triumphal arch in the courtyard of William III of Orange in The Hague, depicting victorious warriors returning from battle with a loot containing slaves. Etching.

Saint Paul, from The Martyrdom of the Apostles 1507-1517 Germany. Lucas Cranachís depiction of the martyrdom of Saint Matthew gruesomely displays his decapitated head bouncing away from his body, which is still bleeding. This single-sheet impression dates from the first printing of the series in 1512. These woodblocks were later reused in a 1548 printing of The Apostles Creed, which also included tamer views of saintsí enshrined remains from Cranachís 1509 Reliquary Book.. Woodcut in black on ivory laid paper . Lucas Cranach, the Elder

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Sadeler, Johann (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Youth of Christ, Meeting and the journey of the three kings, The three kings meet each other on a intersection and together follow the star of Bethlehem. The black king points to the star with his scepter. Below the image is a reference in Latin to the Bible text in Mat. 2. This print is part of an album., print, prent, albumblad, prints, prenten, height 211 mm, width 253 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, printmaker, 1572 - 1576, paper, papier, engraving, graveren (drukprocedé), Work conception, 1515 - 1599, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Copper engraving by Jean Duvet from 1545-1560 depicting the king and Diana receiving hunters, showing figures, hunting scene, and detailed composition.

With her car, Tullia is overlooking her father's corpse, Arnold Houbraken, 1699 print Tullia, pulled into a carriage by two horses, the corpse of her father Servius Tullius overrays. She commits this irreverent crime because she is involved in the conspiracy against him to get her eagle nut on the throne. At the top right: Fol 585. Print used in the book: Toneel der Accidents by Lambert van den Bos with a total of twenty prints by Arnold Houbraken. publisher: Dordrechtpublisher: Rotterdam paper etching

Thirty -one kings defeated by Joshua, Harmen Jansz Muller, after Gerard van Groeningen, 1579 - 1585 print Joshua is on the left in a landscape and points to the 31 kings on the ground, which he has defeated. At the bottom of the margin a reference to the Bible text in Latin. print maker: Amsterdampublisher: Antwerp paper engraving the territory of the thirty-one kings is conquered by Joshua and his army (Joshua 12:7-24)

The Triumph of Scipio who rides on a horse followed by captured slaves. Artist: Master of the Die (Italian, active Rome, ca. 1530-60). Dimensions: sheet: 7 11/16 x 9 7/16 in. (19.5 x 24 cm). Publisher: Published by Philippe Thomassin (French, Troyes 1562-1622 Rome). Date: 1530-60. Museum: Metropolitan Museum of Art, New York, USA.

A copper engraving by Marcantonio Raimondi from around 1520-1525 depicting David and Goliath, showing figures, weapons, and battle composition.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Den Grooten Figuer-Bibel, The History of Gideon, Destruction of the idols, lower right - handwritten in brown ink, The Israelites destroy the idols of Baal to show remorse for their sins before God. Below the image a reference in Latin to the Bible text in Judg. 10:15. This print is part of an album., print, album leaf, prints, 115, height 201 mm, width 230 mm, print maker, printmaker, 1570 - 1612, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher, uitgever, Publicatie, 1592 - 1656-04

The Triumph of Julius Caesar: Caesar Triumphant, 1593-99. Andrea Andreani (Italian, about 1558-1610), after Andrea Mantegna (Italian, 1431-1506). Chiaroscuro woodcut; Enthroned in an elaborate chariot, Caesar rides past a triumphal arch. He holds a palm branch, the traditional attribute of Victory, depicted here as the winged allegorical figure holding a laurel crown above Caesars head. Ancient reports of triumphs agree this task was typically assigned to a slave. The words VENI, VEDI, VICI on the banner famously translate as “I came, I saw, I conquered.”

Amsterdam, Visscher, Claes Jansz. (II), Italy, Tempesta, Antonio, Alexandri magni praecipvae res gestae, The deeds of Alexander the Great, Alexander the Great leads a battle, verso - stamped, Alexander the Great, on a chariot, leads the way in battle. Four-line verse in Latin in two columns in the lower margin., print, prints, height 224 mm, width 285 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1608 - 1608, paper, papier, etching, etchings, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

David and Abigaïl, Lucas van Leyden, 1505 - 1509 print Landscape with in the foreground David on horseback with group soldiers. In the distance Abigaïl on foot with bustle animals wearing food. Low Countries paper engraving meeting of David and Abigail, who kneels before him

The King as the strongest in the world, Zacharias Dolendo, after Karel van Mander, 1600 - 1652 print Several people bring their treasures to the king sitting on his throne. Two men wear large vases with coins, another man brings a bale of expensive fabrics. A new palace is being built in the background and an army is battle. Presentation from the book 3 Ezra 3-4. print maker: Netherlandspublisher: Amsterdam paper engraving the first guardsman says (writes) that wine is the strongest of all things ~ contest of the three guardsmen. king

William Hogarth, The Cockpit, 1759 The Cockpit

Lafrery, Antoine, inventor: Rafael, work, Pyrrhus' battle against the Romans, (1000 - 2000), copper engraving, graphics, plate width 53, 8 cm, plate height 40.7 cm, leaf width 55.3 cm, leaf height 41.7 cm

The peasant captain is prevented from fighting. View of a village being raided and plundered by soldiers. A ragged man, the captain of the village, wants to fight but is stopped by two women and a child. With 4-line caption in Dutch, The peasant captain is prevented from fighting, ca. 1600, print maker: Floris Balthasarsz. van Berckenrode, (mentioned on object), Aegidius van Saen, (mentioned on object), publisher: Covens & Mortier, (mentioned on object), print maker: Delft, publisher: Amsterdam, 1720 - 1772, paper, engraving, drypoint, h 227 mm × w 319 mm

Allegory on East and West Indian society.

Triumph of glory, leaf from the consequence of triumphs to Petrarca. .

Triumphar with peace (Pax); Circulus vicissitudinis Rerum Humanarum. Triumphag decorated with garlands of fruits, drawn by two horses (Concordia and Utilitas). The car is stated by amor. On a seat, the peace, olive branches in the right hand and on the head, laurel wreath is in the left hand. To the right of her is wealth (opulentia) that ceases a crown. In addition to the car, Truth, Vlijt and Justice (Veritas, Diligentia and Justice). Print from a series of nine prints with triumph trolles from the Antwerp circumcision-circumction of 1561. The personifications on the cars represent the cycle of human acting together.

The Large Passion: The Betrayal of Christ, 1510. Albrecht Dürer (German, 1471-1528). Woodcut;

Death of Timothy, Chereas and Apollophanes; History of the Maccabeans; Thesaurus Sacrarum historiarum Veteris Testamenti (...). The Army of Judas Makkabeër states the walls of the castle. They set fire to the towers. Timothy and his brothers Chereas and Apollophanes are killed. Under the show a reference in Latin to the Bible text in 2 MAKK. 10.

Antwerp, Jode, Gerard de, Bol, Hans, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Jeptes, History of Jephthah, Jephthah sacrifices his daughter, Jephthah raises his sword to kill and sacrifice his daughter. The daughter kneels at the altar. On the left, the lamenting friends of Jephthah's daughter. On the right, soldiers look on. In the background, a city in the landscape. Below the representation, a reference in Latin to the Bible text in Judg. 11. The print is part of an album., print, prent, albumblad, prints, prenten, height 201 mm, width 274 mm, Work conception, 1534 - 1593-11-20, after a design by, 1579 - 1579, paper, papier, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Noord-Nederlands, 1509 - 1591-02-05, publisher

Copper engraving from 1520-1550 depicting a lion hunt, showing hunters, lions, weapons, and landscape elements.

Rome, Rossi, Giovanni Giacomo de', Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Scenes from the life of Pope Leo Gonzagae Bozoli eripitur, cui accepta fide protinus est deditus, Battle of Ravenna, The defeat of the Holy League against the French at Ravenna (1512). Two groups of soldiers fight on boats and two groups of soldiers fight on land. On the left a reclining river god. Title in bottom margin. Numbered bottom center: 6. The print is part of an album., print, album sheet, prints, height 119 mm, width 267 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, 1627 - 1691, publisher

Celebration of a Circumcision from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks). Artist: After Pieter Coecke van Aelst (Netherlandish, Aelst 1502-1550 Brussels). Dimensions: Sheet: 14 × 27 1/2 in. (35.5 × 69.9 cm). Published in: Antwerp. Publisher: Mayken Verhulst (Netherlandish, 1518-1593/96). Date: 1553. Museum: Metropolitan Museum of Art, New York, USA.

De berg van calvarie Golgotha. Date/Period: 1517. Print. Engraving. Height: 286 mm (11.25 in); Width: 414 mm (16.29 in). Author: LUCAS VAN LEYDEN.

Justice of Trajan, Anonymous, After Hans Sebald Beham, 1622 print Copy in mirror image to a print by Hans Sebald Beham in a larger size. The son of a widow was killed by a soldier of Emperor Trajan. Kneeling at the dead body of her son, she points out the emperor to this injustice. paper engraving the emperor riding out is stopped by the mother of the dead baby ~ justice of Trajan

Sadeler, Vos, Maerten de, Antwerp, Passe, Crispijn van de (I), Triumphus Martyrum, Triomf van het martelaarschap, Saul avenges himself on the priests of Nob, recto top right - handwritten in brown ink, Saul's servant, the Edomite Doeg, murders the priest Ahimelech and his family on his orders. In the background all the inhabitants of the priestly city of Nob are also killed (1 Sam. 22). In the margin a two-line caption in Latin., print, prent, prints, prenten, verso - stamped, 66., height 194 mm, width 141 mm, 1564 - 1637, print maker, printmaker, 1591 - 1591, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Karel V victory over Frans I at Pavia, 1525, 1614 print Charles V's victory over Frans I, King of France in the Battle of Pavia in 1525. The soldiers of Charles V beat the French soldiers in fight. On the right in the background a city on a coast. With caption of four lines in Latin. This print is part of a series of eight prints, each representing a triumph from Karel V. print maker: Netherlandspublisher: Amsterdam paper etching / engraving battle, fighting in general Pavia

Netherlandish 15th Century, The Betrayal, 15th century, engraving

All the riders who come to help the sons of Lara are slaughtered; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Relief in battle between the Romans and the Dacians; Roman sculpted reliefs; Icone et segment (...). Relief in battle between the Roman army of Emperor Trajanus and the Dacians. Text in Latin in undermarge. Print is part of an album.

Triumph of De Tijd, Georg Pencz, 1537 - 1541 print The winged time when an old man on crutches stands on a car drawn by deer. Children and adults run in the procession. On the right a child walks with a walking rack, helped by another child. Latin inscription in two lines: TempvS Edax Rervm ... Erant AVT Fverint paper engraving 'Trionfo del tempo', 'Triumph of time'; "Carry del tempo" (Ripa)

Cadmus Building Thebes. Artist: Anonymous, French, School of Fontainebleau, 16th century; After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Attributed to Master of the Story of Cadmus (active ca. 1542-47). Dimensions: Sheet: 9 13/16 x 11 1/2 in. (25 x 29.2 cm). Date: ca. 1542-45. Museum: Metropolitan Museum of Art, New York, USA.

Plate 6: The Israelites Defeated by the Canaanites for Having Disobeyed Moses, from 'The Battles of the Old Testament' ca. 1590-ca. 1610 Antonio Tempesta Italian. Plate 6: The Israelites Defeated by the Canaanites for Having Disobeyed Moses, from 'The Battles of the Old Testament'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-ca. 1610. Etching. Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

Murder of Agamemnon and Cassandra, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print After arriving in Mycene, Agamemnon is murdered by Aegisthos at the banquet. In addition, Klytaimnestra kills Cassandra. Paris paper etching / engraving the murder of Agamemnon: he is killed when sitting at a banquet. Clytaemnestra kills Cassandra

Italy, Nobili, Pietro de', Primaticcio, Francesco, Bonasone, Giulio, Trojans bring in the wooden horse, recto lower right - handwritten in brown ink, A procession Trojan soldiers bring the wooden horse into the city of Troy., print, prints, verso - stamped, 32, height 401 mm, width 636 mm, Italian, 1510 - 1576, print maker, printmaker, 1545 - 1545, paper, engraving, engraving (printing process), 1504-04-30 - 1570-09-14, after, after painting by, Publication (Event), Publication, publisher

Yacht yacht yacht. Meleager killed the calydonian boar with a lance. He is surrounded by dogs and hunters who watch how his lance pierces the beast.

TRIOMFTOCHT van Julius Caesar, Andrea Andreani, After Bernardo Malpizzi, After Andrea Mantegna, 1599 print print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper triumph of Caesar. horn, trumpet, cornet, trombone, tuba. torch

Amsterdam, Mortier, Pieter (I), Haarlem, Luyken, Jan, Destruction of the Egyptian army in the Red Sea, verso lower left - written, print, prints, verso lower middle - stamped, 28, height 109 mm, width 157 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Publication (Event), Publication, Frans, 1661 - 1711, publisher

Ball game in a garden, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing ball games

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Truimph of David Over Goliath 1500-1700 Italy. Pen and brown ink, with brush and brown wash, over traces of graphite on ivory laid paper, laid down on card . Andrea Passanini

Artist: Jean Mignon, French, active 1535-ca. 1555, After: Luca Penni, Italian, ca. 1505-1556, The Trojans Bringing the Wooden Horse into TheirCity, ca.1545, Etching, image: 31.8 × 43.7 cm (12 1/2 × 17 3/16in.), Made in France, French, 16thcentury, Works on Paper -Prints

Woodcut by Lucas Cranach the Elder from around 1512 depicting the martyrdom of St. Simon, showing detailed figures, gestures, and narrative composition.

A black ink drawing with gray laved by Monogrammist BHS depicting a Priapus victim, created in 1547, showing figure and mythological subject matter.

The Death of Don Juan and the Humiliation of Alva, 1578. Political allegory in which Don Juan is shot through with an arrow by Death on horseback. On the left in the foreground, the Duke of Alva crawls chained over the ground like Nebuchadnezzar. On the right, the hand of God writes words on the wall. On the ground, a pile of bodies of Spaniards who died earlier in battle; on the left, a group of standing figures, including Egmond and Horne, look on. In the background the statue of Alva from the Citadel of Antwerp. With inscriptions and bible texts in the representation Dutch and French, with a caption of 4 verses of 4 lines in Dutch and French., print, picture, propaganda print, prints, pictures, Frederik Muller Historieplaten, height 225 mm, width 286 mm, print maker, printmaker, 1578 - 1578, fourth quarter 16th century, paper, engraving, engraving (printing process)

The Peasant Wedding or the Twelve Months: No. 9, 1547. Hans Sebald Beham (German, 1500-1550). Engraving;

Antwerp, Jode, Gerard de, Junius, Hadrianus, Heemskerck, Maarten van, Haarlem, Galle, Philips, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Shadrach, Meshach and Abednego, Nebuchadnezzar sees that Shadrach, Meshach and Abednego are unharmed, Nebuchadnezzar comes to look at the furnace and sees with amazement that Shadrach, Meshach and Abednego remain unharmed. He also sees a fourth man standing among them with a halo. The burned guards lie on the ground in front of the furnace. An explanatory text in Latin below the representation. The print is part of an album., print, prent, albumblad, prints, enten, height 205 mm, width 250 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, printmaker, 1565 - 1565, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, 1511-07-01 - 1576-06-16, write

Amsterdam, Visscher, Claes Jansz. (II), Coxie, Michiel (I), Sadeler, Johann (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Joseph, Joseph sold by his brothers, Joseph is pulled out of the pit and sold by his brothers to a group of Ishmaelites. Below the image a reference in Latin to the Bible text in Gen. 37. This print is part of an album., print, prent, albumblad, prints, prenten, height 211 mm, width 264 mm, Southern Netherlands, 1550 - 1600-08, print maker, prentmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1499 - 1592-03-10, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher

Cloelia escapes from the Porsenna camp, Pierre Milan (Attributed to), after Giulio Romano, 1553 - 1554 print paper engraving Cloelia and her companions escape Porsena's camp: she crosses the Tiber on horseback and persuades her companions to swim after her

America, Etching on paper, mounted, France, 1740-1770, Print, Print

Sheet 6: Men carrying trophies, from "The Triumph of Julius Caesar" 1599 Andrea Andreani Italian. Sheet 6: Men carrying trophies, from "The Triumph of Julius Caesar". Andrea Andreani (Italian, Mantua 1558/1559-1629). 1599. Chiaroscuro woodcut from four blocks printed in pink. Prints

. Achilles gets help from Neptune and Minerva during his fight with the Xanthus River. In the margin a four-line caption, in two columns, in Latin.

Trumpet, plate 12, 1615 - 1620 print Bazuinen, Plate 12. Procession of Charles V with the Pope Clemens VII in Bologna after his coronation to Keizer, 24 February 1530. print maker: Mechelenpublisher: The Hague paper etching / engraving festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

Antwerp, Jode, Gerard de, Vos, Maerten de, Collaert, Adriaen, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Abraham, Abraham and Lot leave for Canaan, Abraham leaves with his family, slaves, slave girls and cattle for Canaan. In the foreground in the landscape Abraham, his wife Sarah and his nephew Lot are walking. Below the representation a reference in Latin to the Bible text in Gen. 12. This print is part of an album., print, prent, albumblad, prints, prenten, height 264 mm, width 200 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Southern Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

. Jonah in conversation in the port of Joppa. He points to the ship with which he wants flights. In the margin a two-legged caption in Latin.

Triumph of Bacchus, Midden Plaat, Cornelis Bos, After Giulio Romano, After Maarten van Heemskerck, 1543 print Procession in honor of the God Bacchus. Saters and putti walk in the procession. Some play on whistles and tambourines. The car with Bacchus is drawn by two men and a donkey. Middle part of a print consisting of three plates. Antwerp paper engraving Triumph of Bacchus; 'Carro di Bacco' (Ripa)

Men Hunting Ibexes with Hounds 1578 Flanders. These two drawings, Men Hunting Ibexes with Hounds (Mountain Goat Hunt) (2001.502) and The Capture of a Swarm of Bees in a Farmyard (2013.1031) relate to a series of prints of hunting scenes that Johannes Stradanus, an artist based in Florence, designed in collaboration with the publisher Philips Galle, who was based in Antwerp. The drawings communicated Stradanusís ideas directly with the members of Galleís workshop who prepared the printing plates. It is curious that Stradanus chose to create such elaborate and colorful designs even though they were to be made into monochromatic prints. In Men Hunting Ibexes with Hounds (Mountain Goat Hunt), Stradanus was clearly dissatisfied with an earlier attempt to represent the subject. The center-most foreground figure has been redrawn on a separate piece of paper that replaced another passage.. Pen and brown ink, brush and brown wash, and white opaque watercolor, over black chalk, on pieced cream l

Five amoritic kings hung, Harmen Jansz Muller, after Gerard van Groeningen, 1579 - 1585 print The five amoritic kings are hung in trees on the command of Joshua, with the commander staff in his hand. On the left the cave in which the kings were held imprisoned. At the bottom of the margin a reference to the Bible text in Latin. print maker: Amsterdampublisher: Antwerp paper engraving the five Amorite kings are killed either on Joshua's command or by his own hand, and their bodies are hanged as a display

Collection of Christ, Robert Picou, after Jacopo Bassano, 1603 - 1671 print paper engraving / etching Peter draws his sword and cuts off Malchus' ear

Promotyprent van Ludovicus Nicolaus Le Tellier in Ludovicus Franciscus Le Tellier, Jean Baptiste de Poilly, After Pierre Mignard (1612-1695), 1684 print This is the upper half of the promotion print. Louis XIV stands for a city with Hercules by his side. On the left is a group of figures that proposes the countries subject to France. paper engraving personifications of countries, nations, states, districts, etc.. city-view in general; 'veduta'. group of women (folk dancing)

Copper engraving by Sebald Beham from 1547 depicting peasants making baskets, showing detailed figures, gestures, and rural craft activity.

Woodcut by Heinrich Vogtherr the Elder showing the biblical scene of the Crossing, depicting figures moving across a river with detailed landscape, 1527.

Saint Philip, from The Martyrdom of the Apostles. Lucas Cranach the Elder; German, 1472-1553. Date: 1507-1517. Dimensions: 164 x 129 mm (image/block/sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Emperor Freeing the Slave Androcles 1511-1521 Italy. In Aesopís Fables, the escaped slave Androcles is thrown to a lion for the amusement of the emperor. Miraculoush, the beast greets him like a puppy instead of tearing him limb from limb. Androcles had once removed a thorn from the lionís paw, and in gratitude the animal spares his life in the arena. The emperor is so touched by the story that he too spares Androclesí life and sends the lion back to the wild. Agostino Veneziano may have used a drawing by Raphael as the model for this engraving. Its subject matter reflects the early-16th-century fascination with ancient literature and sculpture.. Engraving in black on ivory laid paper . Agostino dei Musi

Children's murder in Bethlehem, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing the massacre of the innocents

Thirty -one kings defeated by Joshua, Harmen Jansz Muller, after Gerard van Groeningen, 1585 print Joshua is on the left in a landscape and points to the 31 kings on the ground, which he has defeated. Under the performance a reference in Latin to the Bible text in JZ. 12. This print is part of an album. paper engraving the territory of the thirty-one kings is conquered by Joshua and his army (Joshua 12:7-24)

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Den Grooten Figuer-Bibel, History of Gideon, The History of Gideon, Gideon overvalt de Midjanieten, lower right - handwritten in brown ink, Gideon and his men attack the Midianites. Around the camp, Gideon's men blow ram's horns. In their hands they hold water jars with torches in them. The Midianites think they are being attacked, draw their swords and begin to fight their own men. Below the scene is a reference in Latin to the Bible text in Judg. 7:19. This print is part of an album., print, album sheet, prints, 114, height 196 mm, width 265 mm, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Southern Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Floris II, Dirk VI, Floris III and Dirk VII, Jacob Cornelisz van Oostsanen, 1518 print Leaf from series of nine magazines. The Counts Floris II, Dirk VI, Floris III and Dirk VII on horseback, with coats of arms and names, without text. paper equestrian state-portrait

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