Historic Battle Prints

Artworks depicting significant historical battles and triumphal processions, featuring warriors and elaborate depictions of conflict and victory, with detailed characters and narrative.

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, De Batavische Oft Oude Hollandtsche Oorloghe teghen de Romeynen, The Batavian Revolt, Romans defeated in a surprise attack on their camp on the Moselle, 69-70, The Romans are initially defeated in a surprise attack on their camp on the Moselle, but struck back the same day. Print number 27 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. On the back text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 164 mm, width 209 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Conference between Scipio and Hannibal before Battle of Zama. Giulio Romano (Italian, 1492/99-1546) (designed after) painter Mattens, Jan (Netherlandish (after 1600), act.1613-d.1633/34) (workshop) weaver c. 1580-1600 Tapestry Dimensions: H 13'6" x W 20' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Duke of Sesto coll., Madrid. Raoul Heilbronner coll., Paris (c.1907-1913). French & Co. purchased from Galeries Heilbronner 2/8/1913; sold to Clarence Hungerford Mackay , 6/12/1916 SS 5286. French & Co, purchased from Henry Symons, invoiced 6/9/1927; sold to William Randolph Hearst 7/14/1927 SS 30546. United States, California, San Simeon, Hearst San Simeon Historical Monument, accno. 529-9-101. Inscriptions: City mark on lower guard, left; weaver mark on right guard, bottom Inscriptions: Inscription in central field, on banners: SPQR Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO, SENECTVS, TEMP

Antwerpen, Jode, Gerard de, Groeningen, Gerard van, Muller, Harmen Jansz, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, The history of Joshua, Crossing the Jordan River, Antwerp, The Israelites cross the dried-up Jordan. Some of them pick up stones from the ground. In the background are priests with the ark of the covenant, behind them the water of the river forms a dam. Below the representation is a reference in Latin to the Bible text in Jos. 3. This print is part of an album., print, album page, prints, height 204 mm, width 285 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Italy, Titian, Triumph of Christ (eighth part), Part of the Triumph of Christ with sibyls holding large banners. French text at the top., print, prent, prints, height 380 mm, width 269 mm, print maker, prentmaker, 1510 - 1511, first quarter 16th century, second quarter 16th century, paper, papier, woodcut, Work conception, Italian, 1488 - 1576-08-27

Moses shows the tablets of the law. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 59 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

Red chalk and feather drawing by Giovanni Antonio Pellegrini depicting prisoners presented to a general, possibly Alexander, showing gestures, figures, and interaction in a historical scene.

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Collaert, Adriaen, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Rise of four world empires and four rulers from the vision of Daniel, Alexander the Great as the third king from the vision of Daniel, Alexander the Great rides a horse, in his hand a flag with the image of a mountain goat (Greece). The horse tramples King Cyrus of Persia and Ninus of Babylonia. In the background a cityscape. Next to Ninus emerges from the sea a four-headed leopard with wings, a reference to a vision of Daniel about the rise of four kingdoms in the world. Below the image a reference in Latin to the Bible text in Dan. 7. This print is part of an album., print, album leaf, prints, height 225 mm, width 260 mm, South Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1570 - 1618, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04,

Everyman. Artist: Pieter van der Heyden (Netherlandish, ca. 1525-1569); After Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels). Dimensions: plate: 9 1/8 x 11 7/8 in. (23.2 x 30.1 cm)sheet: 10 5/16 x 13 5/16 in. (26.2 x 33.8 cm). Publisher: Published by Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: ca. 1558. Museum: Metropolitan Museum of Art, New York, USA. Author: Pieter van der Heyden. after Pieter Bruegel the Elder.

Knight, Death, and the Devil. This is Dürers most famous print, and it has been subject to widely differing interpretations in the course of time. The ‘christian knight, the tireless warrior who cannot be deterred from his path, is probably depicted here. Neither Death on his emaciated overworked nag, nor the laughable, cross-eyed, pig-snouted Devil can stop him.

Jacques Callot, Reception at Mantua, 1612 Reception at Mantua

A first half 16th-century woodcut by an anonymous artist depicting a farmer family moving to the market, showing figures, composition, and movement.

Cartoon on Louis XIV and the Dauphin, 1689, Anonymous, After Romeyn de Hooghe, 1689 - 1690 print Cartoon on Lodewijk XIV and Lodewijk, Dauphin van France, 1689. The Dauphin on a triumphal wagon pulled by toads, his father Louis XIV is stopped by a soldier to fight. On the right the Pope and the Cardinal Von Fürstenberg. On the left, the Father Peters (Edward Petre) flee with Maria van Modena and the Prince of Wales, the Molenaarskind Jacobus Frans Eduard, on a donkey. In the background on a pole a performance of a man with a sitting dog. In the caption De Legenda 1-6 and the saying: for the win after hell. Northern Netherlands paper dogs (circus performance)

Study for an Engraving of "Songs in the Opera of Flora" ca. 1737 Hubert François Gravelot French. Study for an Engraving of "Songs in the Opera of Flora" 335486

Premier tournament (Hutter's 116, Barten 124) First tournament (Hollstein 116, Bartsch 124).

The Submersion of Pharaoh's Army in the Red Sea 1510-1520 Italy. The grand scale of Titianís twelve-sheet woodcut (see 1957.12.1ñ12) mimics history paintings and large wall hangings. The assembled composition would fit only on a massive wall, a use confirmed by the total lack of early impressions. Only this 1549 state is known, printed from woodblocks studded with wormholes, which appear in the image as tiny white dots. The inscription at lower center of The Submersion describes the Israelitesí persecution under the Egyptian pharaoh and his armyís fate when they followed Moses into the Red Sea. The publisher opportunistically refers to the ìgreat and immortal handî of Titian in this legend, though the artist was still very much alive.. Woodcut in black on ivory laid paper . Titian

Martin Luther's abduction on his way home at Altenstein Castle in 1521, Waltershausen, carriage, horses, hollow way, soldiers, weapons, swords, stop, 16th century, historical illustration around 1860

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Forty-third board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

John Baptist Jackson after Jacopo Tintoretto,English, (1701-c. 1780), The Crucifixion left plate, 1741, chiaroscuro woodcut in black trial proof of key block

Battle Between Peasants and Naked Men in a Forest. Artist: Master NH (German, active ca. 1495-ca. 1527). Dimensions: sheet: 5 7/8 x 11 5/8 in. (15 x 29.5 cm). Woodcutter: Hans Lützelburger (German, died Basel, before 1526). Date: 1522. Museum: Metropolitan Museum of Art, New York, USA.

Almanaque para el año 1715. Editado en París, año 1714. Guerra de sucesión. Asedio de la ciudad de Barcelona por el mariscal James Fitz-James Stuart, duque de Berwick (1670-1734) el 12 de julio de 1714. Recepción del rey de España Felipe V (1683-1746) a la reina consorte Isabel de Farnesio (1692-1766). Coronación de los reyes de Sicilia Víctor Amadeo II de Saboya (1666-1732) y Ana María de Orleans (1669-1728) en la Iglesia Metropolitana de Palermo por el arzobispo el 24 de diciembre de 1713.

Christ at War with the Kings of the Earth. Jean Duvet; French, 1485-after 1561. Date: 1505-1570. Dimensions: 298 × 211 mm (plate); 307 × 222 mm (sheet). Engraving in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A scene from the Old Testament Jews under the walls of Jericho Tempesta, Antonio (1555 1630), Aelst, Nicolaus van (1526 1613)

Two episodes from the murder of the De Witt brothers, 1672, Romeyn de Hooghe, 1672 print Two episodes from the murder of the De Witt brothers, August 20, 1672. Above the attack of the crowd on Johan and Cornelis de Witt and while dragging with the bodies. Northern Netherlands paper etching / engraving violent death, being killed; being mishandled and maltreated; seeking death (+ death by lynching). attempt, political murder. lynching The Hague

Hanging gardens of Babylon with a lion hunt in the foreground, Crispijn van de Passe (I), After Maerten de Vos, 1614 print paper engraving hanging gardens of Semiramis at Babylon (Wonder of the World)

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Sixty-ninth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Crucifixion with a founder and his family, draughtsman: Aert Pietersz., draughtsman: Pieter Pietersz. (I), 1585 - 1590, paper, pen, brush, h 229 mm × w 350 mm

Peasants' Brawl. Hans Sebald Beham (Germany, Nuremberg, 1500-1550). Germany, 1546-1547. Prints; engravings. Engraving

Two angels hunt the elephants from Ptolemae Philopator.

Amsterdam, Luyken, Caspar, Divorce of Abraham and Lot, verso - manuscript in brown ink, print, prints, verso - stamped, 18, height 113 mm, width 147 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Copper engraving by Wenzel von Olmütz from the late 15th century depicting a lady riding a horse, showing detailed figure, clothing, and equestrian posture.

The Third Tournament, with Knights Breaking Lances. Lucas Cranach the Elder; German, 1472-1553. Date: 1509. Dimensions: 290 × 415 mm (image/block/sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Woodcut by Albrecht Dürer Workshop depicting young Maximilian, his wedding with Maria von Burgund (1477), the Battle of Thérouanne/Guinegate (1479), and the First War for Geldern (1481) as historical representations on the honorary gate, created in 1515.

Siege of Siena, 1583 print Cosimo de 'Medici pulls in the night with his troops to Siena (1555). In the background the siege of the city. The print has a Latin caption and is part of a series about the family history of the genus De 'Medici. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Siena

German 16th Century, Daniel in the Lions' Den (recto), c 1600 Daniel in the Lions' Den recto

Feder and brush drawing by Albrecht Dürer depicting Christ before Pilate in the Green Passion, showing figures, gestures, and composition on green-primed paper

It is easier for a camel to go through the eye of a needle than for a rich one to enter the Kingdom of God, Philips Galle, After Maarten van Heemskerck, 1563 print On the left in the foreground, a rich man (with a Stokkebeurs in his hand) tries by wringing a gate. Behind him a camel, driven by three men: a farmer, a judge and a merchant. They try to force the animal through a needle that is held by a hand that comes out of the clouds. On the left in the background the road to the realm of heavens that leads to Christ in the clouds. The print has a Latin caption and is part of a series on the subject of misery that wealth brings. PRINT MAKER: loudlers' loudlers designs by: lovlpubllisher: Averterphalimms paper engraving Christ addressing his disciples: 'it is easier for a camel to go through the eye of a needle ...' (Matthew 19:24; Mark 10:25; Luke 18:25). hoofed animals: dromedary. farmers. merchant, salesman. magistracy, judges. bad rich man, good poor man

David raising sword to decapitate a fallen Goliath among battling soldiers 1520-25 Marcantonio Raimondi Italian. David raising sword to decapitate a fallen Goliath among battling soldiers 342764

Sadeler, Aegidius, Gheeraerts, Marcus (I), Praag, Fable of a Farmer and His Dogs, A farmer kills an ox with a hammer. In the foreground, two dogs flee. The fable describes how a farmer slaughters his oxen during a harsh winter in order to be able to eat them. His two dogs then flee from the farm in fear for their own lives. The moral of the story teaches that a wise man recognizes danger in time., print, book illustration, prints, height 96 mm, width 112 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1608 - 1608, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, English, 1520 - 1590, after print by, after design by, Publication (Event), Publication, publisher

Etching by Augustin Hirschvogel depicting Samson toppling the temple, showing figures, posture, and composition, dated 1547.

Inferno XVIII, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Four Horsemen of the Apocalypse by Peter von Cornelius, Historical, digital reproduction of an original from the 19th century

Costumes and pastimes of the nobleman. Etching by J. Amman and VZ, 1579.

Antwerp, Cock, Hieronymus, Haarlem, Heemskerck, Maarten van, Bos, Cornelis, Coornhert, Dirck Volckertsz., Divi Caroli. V. imp. opt. max. victoriae, ex multis praecipuae, Victories of Charles V, Capture of Francis I during the Battle of Pavia, verso bottom center - stamped, The capture of Francis I, King of France, during the Battle of Pavia in 1525. The king on horseback is surrounded by three knights, also on horseback. In the foreground lies the body of a defeated knight. In the background tents and armies with the city of Pavia in the distance. The print has a Latin, Spanish and French caption and is part of a twelve-part series on the victories of Charles V., historical print, prints, height 158 mm, width 233 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1555 - 1556, paper, papier, deck paint, opakverf, engraving, engraving (printing process), etching, etchings, brush, schilder, Nederlands, 1510 - 1566, Work conception, Noord-Nederlands, 1498 - 1574, after a

Italy, Titian, Rome, Andreani, Andrea, Triumph of Christ (second part), recto top left - handwritten in brown ink, Part of the Triumph of Christ including Abraham with the young Isaac and David with a harp. Center bottom: B., print, prent, prints, prenten, 2, height 375 mm, width 278 mm, Italian, 1559 - 1629, print maker, prentmaker, 1510 - 1629, first quarter 16th century, second quarter 16th century, paper, papier, houtsnede, Work conception, 1488 - 1576-08-27

Washing for tin. After digging out a substantial amount of material, the miners would alter the course of a stream. The flow of the water would wash away the light material, leaving behind the tin-bearing ore. From De re metallica, by Agricola, pseudonym of Georg Bauer (Basle, 1556). Woodcut.

Léonard Gaultier, If I only Touch His Garments, I shall be Made Well, 1578 If I only Touch His Garments, I shall be Made Well

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "Autres exploits." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101780-12 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Triumph from Isaac, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1559 print In the foreground Isaac, driving on a dromedary. In his right hand a cross with a banner. On the banner two buoys as a sign of his voluntary passibility. He draws a cart with attributes of his patience: the ram that was sacrificed in his place, the sword of Abraham and the sacrificial pile. In the background the sacrifice of Isaac. With a Latin caption of six lines and is part of an eight -part series about the triumph of the passibility. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper etching / engraving triumphs (allegorical and symbolic). the sacrifice of Isaac (Genesis 22). male persons from the Old Testament (with NAME) (not in biblical context). hoofed animals: dromedary

A Poultry Market in a Dutch Town 1621 Willem Pietersz. Buytewech Dutch. A Poultry Market in a Dutch Town 351996

Rafael Ximeno y Planes / 'Battle scene'. XVIII century. Grey-brown wash, Pencil ground on laid paper. Museum: Museo del Prado, Madrid, España.

THE WELLINGTON SHIELD. The Wellington shield 1820, Thomas Stothard, 1755 - 1834, engravings. The silver shield itself was made by Benjamin Smith. The shield commemorate the victories of the Duke of Wellington. UK, britain, british, europe, united kingdom, great britain, european

The Bridge of Dessau, Illustration, Ridpath's History of the World, Volume III, by John Clark Ridpath, LL. D., Merrill & Baker Publishers, New York, 1897

Copper engraving by Sebald Beham, created in 1544, depicting Hercules robbing Jole with detailed figures and mythological composition.

The Peasants' Revolt of 1381in England began in Brentwood, Essex as a protest at the collection of poll tax and reached a climax at Smithfield, London. Richard II (1367-1800) met the Kentish peasants who, under Watt Tyler (d1381), were demanding the end of serfdom. During the meeting William Walworth (d1385) Lord Mayor of London, wounded Wat Tyler who was taken to St Bartholomew's Hospital but was later dragged out of the hospital and beheaded. Engraving c1860.

The Skill of the White King Dealing with Different Nations in Wartime, from Der Weisskunig. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Author: Written by Marx Treitz-Sauerwein von Ehrentreitz (died 1527). Dimensions: Sheet: 8 11/16 × 7 7/8 in. (22.1 × 20 cm). Engraver: Jost de Negker (1480-1546). Series/Portfolio: Der Weisskunig. Date: 16th century.Der Weisskunig (the white king) is a loosely biographical account of the life of Emperor Maximilian I. The text, composed by Maximilian's secretary Marx Treitz-Sauerwein, is accompanied by illustrations by Burgkmair, as well as Leonhard Beck, Hans Schäufelein, and Hans Springinklee, with proofs completed between 1514-16. However, they remained unpublished until the blocks were rediscovered in 1775, at which point they were published as a book in Vienna by Hoffstätter. The first edition was published again in 1799 by S. Edward in London with the French title, "Tableaux des principaux evénemens de la vie et du regne de l'em

A 1548 etching by Augustin Hirschvogel depicting the flight to Egypt, showing the Holy Family with detailed figures, landscape, and architectural elements.

Lazio Roma Rome S. Croce in Gerusalemme50. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Offering to Bacchus, plate one of four from Le Travaux de la Vendange 1750 France. Etching on paper . Joseph Marie Vien, I

Brosamer, Hans, Germany, Hunting scenes, Deer hunt, verso left - stamped, Print from a series of five prints on the theme Hunting scenes., print, prent, prints, prenten, height 33 mm, width 175 mm, 1500 - 1554, print maker, printmaker, 1510 - 1552, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Burgkmair, Hans (I), Triumphs of Emperor Maximilian I, Hunters on foot at the bear hunt, recto lower left - stamped, Hunters walking with large spears at the bear hunt, they make arm gestures. In the series of the triumph of Emperor Maximilian I, the hunters walk to the right behind bears. These bears are depicted in the print that adjoins this sheet on the right., print, prent, prints, prenten, height 395 mm, width 350 mm, German, 1473 - 1531, print maker, prentmaker, 1483 - 1526, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, paper, papier, houtsnede

Suicide of Ajax; Metamorphoses from Ovid. After Ajax has lost the battle to the weapons of Achilles, he deposits himself in his own sword. Where his blood falls on the ground flower hyacinths. In the margin a four-line caption, in two columns, in Latin.

St George Killing the Dragon. Artist: Engraved by Enea Vico (Italian, Parma 1523-1567 Ferrara); After Giulio Clovio (Italian, Brizane 1498-1578 Rome). Dimensions: sheet: 10 1/16 x 13 9/16 in. (25.6 x 34.4 cm). Published in: Rome. Publisher: Published by Antonio Salamanca (Salamanca 1478-1562 Rome). Date: 1542. Museum: Metropolitan Museum of Art, New York, USA.

A man thrusting a spear into the mouth of a dragon. In the background women with their arms raised in the air. Top right: Pl. II. Bottom right: Page 71., Man stabs a dragon (...). and stabbed there the Dragon (...) flat mêe in his waffle , print maker: Daniël Veelwaard (I), intermediary draughtsman: Jacob Smies, publisher: François Bohn, Haarlem, 1802 - 1809, paper, etching, h 198 mm × w 118 mm

Edelmoedigheid van Alexander de Grote.The mother of Darius, Sisygambis, kneels down for the victor Alexander the Great. Alexander stretches his hand to help her stand up, servants and soldiers watch. On the right, Darius' woman and his two daughters who had taken Alexander together with Sisygambis. Presentation in a semicircle, in the margin equipped with a line text in Latin.

The Betrayal. Dimensions: Overall: 8.7 x 5.8 cm (3 7/16 x 2 5/16 in.) support: 16.1 x 12.8 cm (6 5/16 x 5 1/16 in.). Medium: pen and black and violet ink with gray wash and graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Virgil Solis.

Armed Spaniards look down from rocks from completely wild living people, ca. 1600 / murder of reformed in Tirano, 1620 / carriage and the horses of King Louis XIII destroyed by explosing a hellish machine, ca. 1625 / battle of the Russians and Polaks in Moscow, where the city is largely laid out, 1611, Jan Luyken, 1698 print Uncuted leaf with four prints. Amsterdam paper etching exploration, expedition, voyage of discovery. Native peoples of South America. persecution of heretics. gunpowder disaster. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. battle Tirano. Moskou

Study for an illustration in Tacitus Tibère, ou Les Six Premiers Livres des Annales , Book III, Vol 2, 1st Study 1758-1773 France. Pen and black ink, with graphite and traces of red chalk, on gray laid paper, incised for transfer and perimeter mounted on ivory laid paper . Hubert François Gravelot

The Death of Pentheus. Antonio Tempesta (Italy, Florence, 1555-1630)Wilhelm Janson (Holland, Amsterdam). Italy, published 1606. Prints; etchings. Etching

Claudius Civilis is imprisoned and his brother Paulus beheaded, 69-70, 1612 print Claudius Civilis is imprisoned by the Romans and his brother Paul is beheaded. Print number 3 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. On the back of text in Latin. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Netherlands

Rome, Rossi, Giovanni Giacomo de', Italy, Bella, Stefano della, Entrata in Roma dell' Eccel.mo Ambasciatore di Pollonia, Entry of the Polish Ambassador into Rome, Part of a procession with men on horseback, verso - stamped, Part of a procession with men on horseback. On the right a more richly dressed winged man horse. Legend (GH) in Italian in the lower margin. Top left: 1, top right: 2., print, ornamental print, prints, recto - stamped, height 155 mm, width 427 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, 1627 - 1691, publisher

Charles VII holds a public audience Date: 1458

Twelve voivodes (Duodecim Palatini), according to a woodcut from: `Chronicle of the Poles` (Chronica Polonorum), by Maciej Miechowita, Kraków 1521, p. V. Lesser, Aleksander (1814-1884), draughtsman, cartoonist, unknown, woodcutter

Jacques Callot, Entry of Monseigneur Henry de Lorraine, Marquis de Moy, under the Name of Pirandre, 1627 Entry of Monseigneur Henry de Lorraine, Marquis de Moy, under the Name of Pirandre

Stoning of St Stephen by Marcello Venusti, oil on wood, 1512/15-1579, Roman School, Russia, St Petersburg, State Hermitage, 94x72

Genseric's Vandals in Italy, Anonymous

Copy of The King of Colchin, from Set of Exotic Races. Artist: after Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Dimensions: Sheet (trimmed): 9 5/8 × 10 3/16 in. (24.5 × 25.8 cm). Series/Portfolio: Set of Exotic Races. Museum: Metropolitan Museum of Art, New York, USA.

Rubens, Peter Paul, Liemaker, Nicolas de, Zuidelijke Nederlanden, Schoor, Jacobus van, Tabula II. Argonautae cum Ferdinando navigante collati, Ausi sunt vada salsa cita decurrere puppi, Ferdinand and the Argonauts; entry of Ferdinand into Ghent in 1635 (no. 14), Southern Netherlands, back - stamped, Ferdinand of Austria sails on the ship with Jason and the Argonauts. Representation at the top right on the back of the triumphal arch Arcus Fernandi on the Vrijdagmarkt. Sheet no. 14 in a set of 42 plates illustrating the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria into Ghent on 28 January 1635 as the new governor of the Spanish Netherlands., print, prent, prints, prenten, Frederik Muller Historieplaten, height 371 mm, width 277 mm, print maker, prentmaker, 1635 - 1636, second quarter 17th century, tweede kwart 17th century, paper, engraving, engraving (printing process), 1601 - 1644, after, after a painting by, Work conception, 1577-06-28 - 1640

Scene from the siege of Toulouse showing the death of Simon IV de Montfort, 25 June 1218. His head was smashed by a stone from a mangonel catapult. Bas-relief from the church of Saint Nazaire, Carcassonne, 13th century. Episode du siege de Toulouse representant la mort de Simon de Montfort. Woodcut by Etienne Huyot and Jules Huyot from Paul Lacroixs La Vie Militaire et Religieuse au Moyen Age et a lEpoque de la Renaissance, Military and Religious Life in the Middle Ages and the Renaissance, Paris, 1873.

Procession of Princes, detail, figures of Frederick the Bitten, the Serious, the Austere, 14th century, mural on tiles of the Meissen Porcelain Manufactory, Dresden Residence Palace, Dresden, Saxony, Germany, Europe

Emrik & Binger, Carving in ivory. (13th century), Carving in ivory, 13th century, Ivory carving with deer hunt, print, picture, historical object representation, book illustration, prints, pictures, Frederik Muller Historieplaten, height 292 mm, width 375 mm, print maker, printmaker, 1857 - 1864, third quarter 19th century, paper, papier, toonlithografie, printer, drukker

Cartoon on the English, 1652; Predozoaked Ziva image, on the state of the English and Dutch. Cartoon on the English, 1652. Oliver Cromwell and another Englishman (Admiral Blake) Lying on the Wheel of Fortune twisted by the Dutch sailor and the Dutch lion. From the mouth of Cromwell, the Realed Riches are spudted, a fleet of warships is dismissed with the other. A sea battle in the background. At the top two small scenes. Pressed under the plate a verse of 3 columns in Dutch.

River fishing. Engraving. Modern period.

Noordelijke Nederlanden, Cartoon in which Spinola is compared to the spinning Hercules, 1607, Northern Netherlands, On the left Spinola is spinning arrows from the Spanish crown, with which he is compared to the spinning Hercules. The Dutch reproach him for his hesitant attitude in military affairs. Next to Spinola stands Bucquoy with a reel, who was more energetic and pulls Fortuna (Occasio) floating above them towards him by the hair. On the left stand Maurits and a warrior on the broken thorn branches from the Spanish banner. They chase away a woman with a Janus head (Deceit or Duplicity). Top right the Dutch lion spitting fire and holding a conquered city under its claws. Glued below the print is a text sheet with a 28-line verse in Latin and a 36-line German verse., print, prent, caricature, prints, prenten, Frederik Muller Historieplaten, height 500 mm, width 334 mm, print maker, prentmaker, 1607 - 1607, first quarter 17th century, paper, papier, engraving, engraving (printing pr

GRISALLA DEL PALACIO DE ORIZ - LUCHAS DE CARLOS V CON LOS PROTESTANTES - SIGLO XVI. Location: MUSEO DE NAVARRA. Pamplona. NAVARRA. SPAIN. Charles I (V of the Holly Roman Empire). CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).

Black chalk and gray wash drawing by Charles Le Brun depicting Ninus and Semiramis entering Babylon, showing figures, chariots, and architecture, circa 1678-1679.

Landing of Scipio Africanus near Carthage, designer: Michiel Coxie (I), (attributed to), draughtsman: anonymous, Brussels, c. 1555, paper, h 2480 mm × w 2570 mm × t 40 mm, h 260 cm × w 264 cm × d 5.2 cm

Cavaliers. Theodor de Bry (Flemish, 1528-1598). Engraving;

The Hague, Hondius, Hendrick (I), Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Fountain with wine and drunkenness, plate 36, plate 36. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, news print, propaganda print, album sheet, prints, engraving, Frederik Muller Historical Plates, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, first quarter 17th century, paper, papier, etching, etchings, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1573-06-09 - 1650-10-25, publisher, uitgever, 1615 - 1620

Amsterdam, Visscher, Claes Jansz. (II), Leiden, Dolendo, Bartholomeus Willemsz., 2. Could violence exist for justice, Soo was 't beter Heer dan Knecht, The bailiff carries away the farmer's cow, The bailiff carries away the farmer's cow after having exchanged it for an inferior one. In the background the farmer and his family look on helplessly. Image no. 2 in a series of six small scenes of the successive episodes of the story of the Judiciary of Count Willem III in the year 1336. These small prints belong on either side of the large central image. Each representation is accompanied by a caption consisting of a saying and a verse of two columns of eight lines., print, historical print, prints, height 179 mm, width 189 mm, Northern Netherlands, 1560 - 1626-05-27, print maker, printmaker, 1613 - 1613, first quarter 17th century, paper, engraving, engraving (printing process), Publication (Event), Publication, 1586 - 1652-06-19, publisher

Southern Netherlands, Tribute to Spinola, ca. 1607, On the left Spinola is spinning arrows from the Spanish crown. He is sitting on the Petra fidei and the crown is on a pedestal: Sicut scabellum. Next to Spinola stands Bucquoy who is pulling Fortuna (Occasio) floating above him towards him by the hair. On the right Maurice and a warrior are standing on the broken thorn branches from the Spanish banner. They are chasing away a woman with a Janus head: Fuge fuce. With a caption of 4 verses of 4 lines each in Latin. Glued below the print a sheet with 3 columns of text in Latin and German., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 490 mm, width 332 mm, print maker, printmaker, 1607 - 1607, first quarter 17th century, paper, papier, engraving, engraving (printing process), letterpress printing, letterpress

COLON DESCUBRE LA ESPAÑOLA Y HACE PONER UNA CRUZ- GRABADO FLAMENCO- SIGLO XVII. Author: BOUTTATS PETER-BALTHAZAR. CRISTOBAL COLON.

Lebey de Batilly, Denis, Frankfurt am Main, Bry, Theodor de, Boissard, Jean Jacques, Denis Lebey de Batilly, Emblemata, 1596, COSILIV ET PERSEMBATIAM PL. POSSE QA. VERES, Two men with a broken cart, stamped on the reverse, A cart with a wine barrel stands on a stony road with a breakdown. Two men trying to get the cart back on the road., print, book illustration, emblem, prints, height 67 mm, width 85 mm, South Netherlands, 1528 - 1598-03-27, print maker, printmaker, 1596 - 1596, fourth quarter 16th century, paper, engraving, engraving (printing process), 1528 - 1598, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, writer

Heemskerck, Maarten van, Haarlem, Galle, Philips, History of Elijah and Baal Priests, Elijah kneels before the burning sacrifice, verso - stamped, Elijah kneels before the pyre with the bull in flames. The Israelites stand around the pyre and look at the fire. In the background you can see how the sacrificial altar is constructed from stones and around it a trench is filled with water., print, prints, height 206 mm, width 253 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1567 - 1570, paper, engraving, engraving (printing process), Work conception, North Netherlands, 1498 - 1574

Columbus on the deck of his ship on his way to America, Theodor de Bry, after Johann Theodor de Bry, 1594 print Christoffel Columbus on the deck of his ship that is on his way to America. The goddess Diana moves in the ship in the right direction. She is accompanied by sea monsters and nymphs. On the left you can also see the God Neptunus. paper engraving / letterpress printing celebration on board while crossing the equator (Neptune). companions, nymphs of Diana; 'Ninfe di Diana' (Ripa). (story of) Diana (Artemis). ships (in general)

The Roman wall Ford, H. J. (Henry Justice), 1860-1941. still image. 1913. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Archers, Walls, Armies , Roman , To 499, Britons , To 499, Towers , To 499, Hadrians Wall (England)

The Fchoot / Madame Compagnie fcoot / lader in Den Fchoot. (Ti)

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