Historic Battle Scenes and Cities

Engravings depicting historic sieges and battles, featuring detailed cityscapes and military actions from various European conflicts.

Il mondo festeggiante, balletto a cavallo on the occasion of the wedding of Cosimo de' Medici with Marguerite Louise d'Orléans, Della Bella, Stefano (1610-1664)

Siege of Straubing from January to April , Elias Baeck -, Copper Engraver

Cologne, Hogenberg, French, Series 10: Dutch and Foreign Events, 1587-1612, Bonn won by Schenck for Truchsess, 1587, December 23, 1587. Episode from the Cologne War. With a 16-line caption in German. Unnumbered., print, picture, news print, album page, prints, pictures, Frederik Muller History plates, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1587 - 1589, fourth quarter 16th century, paper, etching, etchings

Il mondo festeggiante, balletto a cavallo on the occasion of the wedding of Cosimo de' Medici with Marguerite Louise d'Orléans, Della Bella, Stefano (1610-1664)

The Siege of a Fortress. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 8 7/8 x 13 1/2 in. (22.5 x 34.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

View of Genoa, 1639 - 1677 print At the top left the weapon of Genoa. In the middle of the name of the city on a banderole. At the top right a weapon with three floral wreaths. In the front sail ships at sea. Under the show an eight -line praise in Latin, an eight -line praise in French and a ten -line praise in Dutch. At the bottom right a legend. This print is part of an album. paper etching city-view, and landscape with man-made constructions. sailing-ship, sailing-boat Knee

The 'Gioco del Ponte' on the Arno in Pisa, View of the Arno river in Pisa during the 'Gioco del Ponte'. People on boats sail the river. Spectators watch the spectacle from the bridges and quays. Text and coat of arms in lower margin, river, city view, and landscape with man-made constructions, Pisa, Arno, Antonio Francesco Lucini (mentioned on object), Italy, 1634, paper, etching, h 355 mm × w 500 mm

View of Munich with military spectacle (middle part), Anonymous, Hans Sebald Beham, 1530 print paper Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. City-View in General; 'Veduta'. Military parade, pageant München

Print, Siege of a City (Part 2); Albrecht Dürer (German, 1471-1528); Germany; woodcut on paper; 22 x 34.3 cm (8 11/16 x 13 1/2 in.); 1950-30-20-b

Lviv from the West, from: a.cellarius, Kingdom of Polish description Amsterdam 1659 unknown

unknown, Rome, Salamanca, Antonio, Italy, Veneziano, Agostino, Siege of Vienna by the Ottomans, verso - stamped, Bird's-eye view of the battlefield around Vienna. In the foreground the Ottoman army under the command of Sultan Suleiman I, which besieged Vienna for the second time in September 1532. On the other side of the Danube the Habsburg army under the command of Emperor Charles V is positioned. In the middle ground the battle for Vienna is being fought. Several surrounding geographical locations are depicted in the print. At the bottom center a cartouche with a twelve-line text in Latin., print, prints, height 348 mm, width 339 mm, Italian, 1490 - 1536, print maker, printmaker, 1532 - 1532, paper, papier, engraving, engraving (printing process), etching, Publication (Event), Publication, 1478 - 1562, publisher, granter of privilege

Attack of the Huguenots on bourges thin, 1569, 1565 - 1573 print Attack of the Huguenots on Bourges, December 21, 1569. View of the city where the attack of the Protestant troops is repulsed. With caption of 8 lines in German. Numbered: 31. Leaf from an album that has been taken apart. Nummered at the top right (in pen): 72. Cologne paper etching Victory, position was Bourges

Cologne, Hogenberg, French, Series 8: Dutch Events, 1577-1583, Who the City of Breda was conquered and enumerated, Conquest of Breda by the Malcontents, 1581, Conquest of Breda by the Malcontents under Haultepenne, 18 June 1581. The castle is conquered by a ruse and from there the rest of the city. In the foreground skirmishes between the Spaniards and the defenders of the city. With caption by 12 lines in German and 2 lines in French. Numbered lower left: 170. The print is part of an album., print, prent, historieprent, albumblad, prints, prenten, Frederik Muller Historieplaten, height 212 mm, width 283 mm, Dutch, German, 1540 - 1590, print maker, prentmaker, 1581 - 1585, paper, papier, etching, etchings

Menen captured by the Malcontents, 1578, 1581 - c. 1585 print The town of Menen conquered by the Malcontents, September 24, 1578. Face in the streets where there is fighting. With caption of 12 lines in German. Nummered at the bottom left: 153. The print is part of an album. Cologne paper etching capture of city (after the siege) I will go

Return of the Army of the Duke of Parma, 1592, 1670 - 1699 Return of the Army of the Duke of Parma, 1592. Face in the Seine Valei with the cities of Rouen, Caudbec, Dieppe, Paris and Lagny. Left Dutch warships. In the middle of a cartouche with the title and the legend A-R in French. Netherlands paper etching / engraving Seine. Paris. Caudebec-lès-Elbeuf. Rouen. Dieppe Return of the Army of the Duke of Parma, 1592. Face in the Seine Valei with the cities of Rouen, Caudbec, Dieppe, Paris and Lagny. Left Dutch warships. In the middle of a cartouche with the title and the legend A-R in French. Netherlands paper etching / engraving Seine. Paris. Caudebec-lès-Elbeuf. Rouen. Dieppe

Cologne, Hogenberg, French, Series 10: Dutch and Foreign Events, 1587-1612, Krakow Castle captured, 1605, Krakow Castle (Krakow Castle) besieged near Krefeld (from 4 November) and captured for Spinola by the troops under the Count of Bucquoy, 7 November 1605. With a 13-line caption in German. Lower left numbered: 357. The print is part of an album., print, news print, album page, prints, Frederik Muller History plates, height 212 mm, width 279 mm, Dutch, German, 1540 - 1590, print maker, 1605 - 1607, first quarter 17th century, paper, etching

France, Perrissin, Jean, The defeat of S. Gilles in Langsedoc, an month ago in September 1562, Saint-Gilles relieved by the Protestants, 1562, Saint-Gilles relieved by the Protestants from Nîmes, September 1562. In the caption the legend AL in French. Unnumbered., print, picture, history print, prints, pictures, Frederik Muller History plates, height 377 mm, width 505 mm, French, 1538 - 1611, print maker, printmaker, 1570 - 1570, third quarter 16th century, paper, etching, etchings, letterpress printing, letterpress

Cologne, Hogenberg, French, Series 6: Dutch Events, 1571-1576, Alva leaves the Netherlands, 1573, December 1573. In a large procession the duke leaves Brussels for Spain in a sedan chair. He greets the new governor Requesens who is riding towards Brussels. With a 10-line caption in German. Numbered lower left: 95. The print is part of an album., print, prent, history print, album page, prints, pictures, Frederik Muller History plates, height 209 mm, width 289 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1574 - 1578, paper, papier, etching, etchings

Nuremberg, Germany, sheet 2, Dirk Eversen Lons, Nicolaes Visscher I, 1666.

Kraków from the northwest Schut, Pieter Hendricksz (1618/19 1660), Visscher, Nicolaes Jansz. (1649 1702)

GRABADO CONQUISTAD DE TUNEZ. Location: PALACIO REAL-BIBLIOTECA, MADRID, SPAIN.

Ice Entertainment on the Maas in Rotterdam, 1763, Paulus Constantijn La Fargue, 1763 print Very view of the frozen Maas near Rotterdam with all kinds of ice fun, January 24, 1763. On the left the old main gate. In the caption the title and assignment in Dutch and French on either side of a pedestal with the weapon of the Prince of Orange. paper etching / engraving winter sports. playing with snow and ice Rotterdam. Mesh. Head gate

Cologne, Kempen, Gottfried von, Novelanus, Symon, Hogenberg, Frans, Hafnia, View of Copenhagen, landside and seaside, verso - stamped, print, book illustration, prints, height 369 mm, width 421 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1588 - 1588, paper, papier, etching, etchings, letterpress printing, South Netherlandish, Publication (Event), Publication, publisher

View of Emden, Gaspar Bouttats, After Jan Peeters (1624-1678), 1679 print View of the city of Emden. In the foreground, outside the city walls, the sea. A sailing ship tries to lay ashore while a rowing boat defies the sea. Above the cityscape a cartouche with the name of the city and the coat of arms. The print has a Dutch and French caption. Antwerp paper etching / letterpress printing prospect of city, town panorama, silhouette of city Emden. Delfzijl

Castelnau is coming to Amboise, 1560, 1565 - 1573 print Michel De Castelnau discovers the conspiracy of Amboise, 13-15 March 1560. With caption of 8 lines in German. Numbered: 4. Leaf from an album that has been taken apart. Nummered at the top right (in pen): 38. Cologne paper etching Amboise. Amboise castle

Adriaen Collaert after Hans Bol, He that layeth up treasure for himself (Cancer), 1585 He that layeth up treasure for himself... (Cancer)

Repair work on the broken Sint -Antoniesdijk, Pieter Nolpe, After I. Colin, After Jacob Esselens, 1651 - 1653 print Two plates printed on a sheet of the repair work on the Sint-Antoniesdijk or Diemerzeedijk broken through on 5 March 1651. Above the work at De Dijk at the Jaap Hannes inn with on the Horizon Durgerdam, Muiden, Weesp and Diemen. In the top the title and the second part of the legend D-S. Under the repairs at Houtewael with on the Horizon Amsterdam and the third part of the legend T-Z. See the corresponding plate (FMH 2018). Amsterdam paper etching / engraving dike-break. building activities Diemerzeedijk. Sint-Antoniesdijk. Jaap Hannes

View of Rome. In the foreground a square with walkers. In the background, among other things, the Castle of the Angels. The print is part of a series depicting various places in the Mediterranean, View of Rome Burgus Romae Ruinarum varii prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 175 mm × w 243 mm

Cartagena: general view, with ships Date: circa 1700

Intake of Valenciennes, 1567, 1670 - 1699 print Intake of Valenciennes, 24 March 1567. The city is recaptured by Lord of Noircarmes on the Calvinists. Face from the racks of the army of NoirCarmes from which the city is shot with guns. From the city the residents from the gate come out to welcome NoirCarmes. In the middle of a cartouche with the title and the legend A-i in French, columns on either side. Northern Netherlands paper etching capture of city (after the siege) Valenciennes

Wenceslaus Hollar, 1607-1677, Bohemian, London. General Prospect, undated. Etching.

View of Oud-Arnemuiden and View of Arnemuiden, Anonymous, in Or Before 1696 print Above a face at Oud-Arnemuiden; The Arnemuiden from before the devastating storm floods from the fifteenth century, with the coat of arms of the city at the top right. Under a face on Arnemuiden around the end of the seventeenth century. paper. chalk. pencil etching prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal). church (exterior) Arnemuiden

The Parable of the Fig Tree (Libra). Dated: 1585. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Adriaen Collaert after Hans Bol.

Ships and playing yachts, 1682 - 1733 Bay with different ships and playing yachts from India and China: canoe, yacht, merchant ship, warship etc. In the foreground aspects of shipbuilding in India. A man cuts a canoe from a tree trunk. With a legend in Dutch and French. The print is part of an album. Leiden paper etching East-India. China Bay with different ships and playing yachts from India and China: canoe, yacht, merchant ship, warship etc. In the foreground aspects of shipbuilding in India. A man cuts a canoe from a tree trunk. With a legend in Dutch and French. The print is part of an album. Leiden paper etching East-India. China

Plowing farmers at a fortified city, Anonymous, Jörg Breu (I) (Possible), 1490 - 1537 print Print is part of an album. paper letterpress printing fortified city. ploughing

Hogenberg, Frans, Northern Netherlands, The fort at Willebroek conquered by the States, 1579, Conquest of the fort at the locks of Willebroek by the States, 19 September 1579. In the foreground the captured fort, in the background battles at the village of Willebroek and the Brussels canal. With a 4-line caption in Latin. Numbered: 114. Printed on the back with text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 132 mm, width 158 mm, print maker, printmaker, 1613 - 1615, first quarter 17th century, paper, etching, etchings, Work conception, Dutch, German, 1540 - 1590

Northern Netherlands, Visscher, Claes Jansz. (II), Occupations in North Holland, Peat cutting, ca. 1600, ca. 1600. Cutting, stacking, drying and transporting peat. On the left a mill, on the right a peat ship is being loaded. No. 8 from a series of occupations in North Holland., print, prints, Frederik Muller History plates, height 103 mm, width 155 mm, North Netherlands, 1586 - 1652-06-19, print maker, printmaker, 1608 - 1608, first quarter 17th century, paper, etching, etchings

February; Febrrvarivs; The twelve months. Round list with a winter scenes in the city in the month of February. People on the canals outside the city. In the middle of the constellation. The print is part of a twelve-part series over the twelve months.

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Hohenlimburg in Westphalia won for Truchsess, 1584, Schloss Hohenlimburg in Westphalia won for Truchsess, November 12, 1584. Episode from the Cologne War. With a 12-line caption in German. Numbered: 78., print, picture, news print, album page, prints, pictures, Frederik Muller History plates, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1584 - 1586, fourth quarter 16th century, paper, etching, etchings

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Le Pont-Neuf, in Paris. (A. de Vesme 850; Dutuit 112) (Main title), 1646. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Paumgartner, Hieronymus .

. .

Hogenberg, French, Northern Netherlands, German troops leave Antwerp, 1577, The German troops withdraw from Antwerp at the Nieuwstad and the Oostershuis, August 2, 1577. In the background on the right the Germans leave the city, on the horizon on the left the ships of the Prince's fleet. With a 4-line caption in Latin. The number scratched off and unprinted on the back., print, picture, historical print, prints, Frederik Muller Historieplaten, height 133 mm, width 160 mm, print maker, printmaker, 1613 - 1615, first quarter 17th century, paper, papier, etching, etchings, Work conception, Dutch, German, 1540 - 1590

Murder on the Markt in Maastricht, 1576, Frans Hogenberg, 1576 - 1578 print Murder and looting by Spanish and German soldiers on the Markt in Maastricht, October 20, 1576. Fights and murder on the market for the town hall. With caption of 12 lines in German. Numbered: 5. Cologne paper etching massacre ~ war Town hall. Market. Maastricht

EXPUGNACION DE VALENCIANAS, MARGARITA DE PARMA GOBERNADORA, 1670, 26x33. Author: HOOGE R DE. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. MARGARETE VON PARMA. MARGARITA DE AUSTRIA Y PARMA. AUSTRIA Y PARMA MARGARITA.

View of Haarlem a, Right sheet, Jan van de Velde (II), After Pieter de Molijn, 1621 print View of Haarlem, seen from the north, with buildings, which are equipped with numbers. In the foreground cattle, riders a hunter, a horse and car and walkers. Northern Netherlands paper etching prospect of city, town panorama, silhouette of city. cattle Haarlem

View of the Castle of Versailles with the Orangerie, Adriaen Frans Boudewyns, After Adam Frans van der Meulen, 1654 - 1690 print paper etching / engraving palace. riding a horse, ass, or mule; rider, horseman. low hill country Versailles

View of Haarlem C, right sheet, Jan van de Velde (II), After Pieter de Molijn, 1652 print View of Haarlem, seen from the north, with buildings, which are equipped with numbers. In the foreground cattle, riders a hunter, a horse and car and walkers. Amsterdam paper etching prospect of city, town panorama, silhouette of city. cattle Haarlem

Cologne, Hogenberg, French, Northern Netherlands, Margaret of Parma leaves Brussels, 1567, Margaret of Parma is led out of Brussels by the Duke of Alva on her departure from Brussels, 30 December 1567. The procession of horsemen rides out of the city gate. With a 4-line caption in Latin. Numbered: 14. The back is unprinted., print, historical object representation, prints, Frederik Muller Historieplaten, height 138 mm, width 176 mm, print maker, printmaker, 1613 - 1615, first quarter 17th century, paper, papier, etching, etchings, Work conception, Dutch, German, 1540 - 1590

After a Long March, Francesco I d'Este Passes with the River of Cassano with his Army, thus Causing Great Harm to the Spanish, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 15/16 × 6 5/16 in. (12.5 × 16 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Je

Francesco I d'Este Quickly Makes Himself Available at the Request of Pope Urban VIII, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este Quickly Makes Himself Available at the Request of Po

View of Lembeek, Flemish Brabant, Josua de Grave, 1675 drawing Lembeek paper. ink pen / brush prospect of village, silhouette of village Lembeek

"... I am the door of the sheep" (Leo). Dated: 1585. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Adriaen Collaert after Hans Bol.

View of Naples and Vomero. Draughtsman: Gerard ter Borch (I) (signed by artist). Dating: 1610. Place: Naples. Measurements: h 137 mm × w 202 mm. Museum: Rijksmuseum, Amsterdam.

GRABADO DEL S XVI-PUEBLO FORTIFICADO DE LOS INDIOS TUPIS DEL BRASIL.

Jacques Callot, French (1592-1635), Fireworks on the Arno, Florence, c. 1622, etching

Sint Elisabeth flood, 1421. Breakthrough from the South Holland Dijk at Dordrecht in the night from 18 on 19 November 1421. View of the country around Dordrecht. With the top right in a cartouche the names of the 44 villages and indication of the rescued child in a cradle, according to surrender the origin of the name Kinderdijk.

After a Few Days of Seige with the French Army, Francesco I d'Este Takes Prossession of Mortara, The Last of his Great Victories, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. After a Few Days of Seige w

Lighthouse of Alexandria, 1572 print The lighthouse of the city of Alexandria. As far as is known, the first lighthouse ever built. This was commissioned by the first Hellenistic king of Egypt Ptolemy II. The tower became between 297 and 283 BC. Built and served for almost 1500 years for the Greeks, Romans, Byzantines and Arabs. He stood on the island of Pharos in the Mediterranean Sea, just outside the port of the Egyptian Alexandria. In the foreground on the right Ptolemy II and the architect of the lighthouse, Sostratus from Knidos. The print has a Latin caption and is part of a series about the eight wonders of the world. print maker: Antwerpafter design by: HaarlemHaarlempublisher: Antwerp paper engraving Pharos of Alexandria (Wonder of the World). lighthouse, lightship. island (in tropical and sub-tropical regions). non-aggressive activities of Ptolemy Philadelphus

SEVILLA. OSUNA. VISTA GENERAL. GRABADO DE PIETER VAN DER AA , AÑO 1707. SEVILLA PINTADO.

Right-hand leaf of a view of Haarlem, seen from the north. Top left the coat of arms of Maurice of Orange. Top right a cloud containing a coat of arms with a barren tree (reference to the Haarlemmerhout), carried by two hairy savages. Bottom right a cartouche with the dedication in Latin. The buildings are numbered. On the second plan are cattle, horsemen, a hunter, a horse and cart and walkers., View of Haarlem (right panel) Haerlem, print maker: Jan van de Velde (II), Pieter de Molijn, publisher: Reinier Ottens (I) & Josua, print maker: Northern Netherlands, Haarlem, publisher: Amsterdam, Haarlem, Haarlem, Haarlem, 1621 and/or 1726 - 1750, paper, etching, h 420 mm × w 550 mm

Cologne, Hogenberg, French, Series 7: Dutch Events, 1576-1577, Retreat of the Spaniards from Ghent, 1576, Retreat of the Spaniards under safe conduct from the citadel of Ghent after a siege by the Dutch army, 9 November 1576. In the foreground the wife of the Spanish army commander Mondragon. With 10-line caption in German. Numbered: 12., print, picture, news print, prints, pictures, Frederik Muller History plates, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1576 - 1578, fourth quarter 16th century, paper, etching, etchings, hand coloring

View of Nuremberg, to the east, left plate. Artist: Hanns Lautensack (German, Bamberg () ca. 1520-1564/66 Vienna). Dimensions: sheet: 17 7/16 x 20 1/16 in. (44.3 x 51 cm). Date: 1552. Museum: Metropolitan Museum of Art, New York, USA. Author: Hanns Lautensack.

Entry of Don Juan in Brussels, 1577, 1581 - c. 1585 print Festive entry of Don Juan in Brussels on 1 May 1577. The procession with the governor is welcomed at the gate of the city. With caption of 12 lines in German. Nummered in the bottom left: 127. The print is part of an album. Cologne paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Brussels

The prince's fleet in the port of Hellevoetsluis, 1688, 1688 print The fleet is prepared in the port of Hellevoetsluis for the journey of Prince William III with his army to England, October 28, 1688. A panorma image of the fleet of Stadholder Willem III, with an explanation in a frame at the bottom (where also the title ), Left and right half a palm tree and a crowned shield with trumpets above. The fleet seems to be largely ready at sea, but a few ships are still loaded with cannons that are ready on the quay. At the front left is a ship that is marked (with a C) like the ship of 'sijn Hoogheijt in which were Mr. van Odijck and the Marschalk van Schombergh'. We find the latter on the right on the quay (marked with a B) where he is the fleet in the company of the 'den Grave Carel sijn Soon and Mr. Dela Caillemotte Soon of the Marquis de Ruvignij'. Left and right palm trees, angels in the air with the prince's weapon. Northern Netherlands paper etching traffic and transport (+ loading)

SITIO DE GIBRALTAR. 1779-1783. REINADO DE CARLOS III ( 1759 - 1788 ). GRABADO DEL AÑO 1782.

Boat trip; Gardens of Minne. Hoftuin with a small lake in the foreground. Spread over the print are couples walking together. In the foreground three boats sail in the water. The couples play music in the boat and sail to the other side. The series shows various aspects of court maker and some examples from the Old Testament.

Gezicht op Breda vanuit het noordwesten; Breda Nobilissimis amplissimis consultissimis D Dis Satrapae ac. Magistratui urbis Bredae.Justitia and the personification of abundance sit on either side of a cartouche. Next and behind them are weapons, parts of armor and agricultural tools. In the distance a face of the city of Breda with the Grote Kerk in the middle.

Cartography, Poland, 16th century. Gdansk. From Civitates Orbis Terrarum by Georg Braun (1541-1622) and Franz Hogenberg (1540-1590), Cologne. Engraving

View of Lepanto, Jan Luyken, Hendrick and Dirk Boom, 1679.

View of Trier, 1726, 1726 print View of Trier, in the foreground baskets are loaded with grapes on a donkey. Plate no. 189 in part VIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Trier

Summer; The four Seasons. The topping of the house in Gennep.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), a loaded carriot whose desired horses graze the grass while the carter sleeps on the ground near a dog. Eighth number of a suite of 12 pieces (A. de Vesme 253. Dutuit 92) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Fights with the Portuguese at Sao Tiago, 1598, 1617 - 1619 print Fighting with the Portuguese at Sao Tiago on the Cape Verde Islands, September 6, 1598. The ships The love and hope are off the coast. Copies to the original illustrations in the report of the journey through the street from Magalhaes to the East Indies by Sebald de Weert under Mahu and the Cordes in 1598-1600. No. 2. Northern Netherlands paper etching / engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Capeverdian islands. Sao Tiago

MONTBLANC, ENGRAVING. 17TH CENTURY. Museum: Museo de Historia, Barcelona.

Fall of the tower of Babel. The tower of Babel collapses and the inhabitants try to flee for the falling debris. In the foreground in the middle left, Nimrod, the king of Babel is on the ground. In the air a banderole with a spell in Dutch, right a cloud with a reference to Genesis 14, this must be Genesis 11.

Dahlberg, Erik Jönssen, Stockholm, Swidde, Willem, Suecia Antiqua et Hodierna, Tuuna, Stiärnorp, View of the Tuna estate and Stjärnorp castle, verso - stamped, The print is part of an album., print, album sheet, prints, height 266 mm, width 385 mm, Northern Netherlands, 1661 - 1697-06, print maker, printmaker, 1697 - 1697, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Hooghe, Romeyn de, Noordelijke Nederlanden, Stopendael, Bastiaen, Illustratie van de Stad en Revier van Rochester, Chattam Waar in isgemaakt de Victorieuse uitwerke van 's Landts Oorloghs fleet onder 't Beleyt van de, Raid on the Medway, 1667, Northern Netherlands, The Dutch Raid on the Medway, Landscape representation of the Raid on the Medway and the destruction of the English fleet on 20 June 1667 by the Dutch fleet under De Ruyter. In the caption the legend 1-36 in Dutch. Marked top right: Pag. 574., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 266 mm, width 350 mm, 1636 - 1693-09-07, print maker, prentmaker, 1685 - 1687, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etsen, Work conception, Noord-Nederlands, 1645-09-10 - 1708-06-15

View of Florence, c. 1650 print paper etching / engraving prospect of city, town panorama, silhouette of city. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Florence

FLUVIUS GRANDIS-GRABADO. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Antwerpen, Galle, Theodoor, Vredeman de Vries, Hans, Doetechum, Johannes of Lucas van, Variae Architecturae formae, Kleine architecturale perspectiefgezichten, View of a city with palaces and a canal in bird's-eye perspective, Antwerp, View of a city with palaces and a canal in bird's-eye perspective. From the stairs of the building on the right, a man greets a horseman. This print is part of an album., print, prent, albumblad, prints, prenten, height 154 mm, width 211 mm, print maker, printmaker, 1562 - 1562, paper, papier, etching, etchings, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1571 - 1633, publisher

Fair on a square in The Hague, 1845, 1845 print Cartoon with a fair on a square in The Hague, 1845. Square full of all kinds of stalls and attractions, such as a puppet show, cord dancers, magician, merry -go -round, etc. Everywhere groups of spectators, dancing people, caricatural characters. All parts numbered 1-82. According to a inscription, the print includes a statement, but it is lacking. Possibly a cartoon on politics in The Hague. print maker: Netherlandspublisher: The Hague paper pleasure fair and circus The Hague

Print at the top right labeled: fol: 384.

Napoleon Bonaparte in Egypt by anonymous artist, print, Private Collection

Relief van Leiden, 1574, Frans Hogenberg, 1574 - 1576 print The relief of Leiden on 3 October 1574. Troops of the Prince sail over the flooded polders of Delft along The Hague to Leiden, under the command of Admiral Louis de Boisot. Spanish besiegers flee from their racks. Margin with caption and number cut off. Printed on the back with text in Latin. Added a small leaf with a description of the subject of the performance in handwriting. paper etching raising the siege with outside assistance, relief To lead. Delft. The Hague. Sweeterwoude

View Utrecht (plate I), Herman Saftleven, 1648

The tower of Babel collapses and the inhabitants try to flee from the falling debris. In the foreground in the middle left is Nimrod, the king of Babel on the ground. In the sky a banderole with a spell in Dutch, on the right a cloud with a reference to Genesis 14, this must be Genesis 11., Fall of the tower of Babel, print maker: Cornelis Anthonisz., (mentioned on object), Amsterdam, 1547, paper, etching, h 322 mm × w 382 mm

Landscape with wheat fields and view of the church and houses of Corbeil In the foreground three people picnicking and a shepherd with a herd of cows, Landscape with view of Corbeil Veu de la Ville de Corbeil, du coste de la Maladerie Landscapes, country houses and castles , print maker: Albert Flamen, (mentioned on object), Albert Flamen, Lodewijk XIV (koning van Frankrijk), print maker: Paris, Paris, France, 1648 - 1672, paper, etching, h 112 mm × w 213 mm

Fluvius Grandis. Ogilby, John, 1600-1676. Maps, Atlases. 1671. Lionel Pincus and Princess Firyal Map Division. America, West Indies, British , History

The Field of the Cloth of Gold. Site of the meeting between Henry VIII of England and Francis I of France. From The National and Domestic History of England by William Aubrey published London circa 1890

"For many are called, but few are chosen" (Sagittarius). Dated: 1585. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Adriaen Collaert after Hans Bol.

Face Lock Läckö, from the South, Willem Swidde, 1693 The print is part of an album. Stockholm paper etching Slot Läckö The print is part of an album. Stockholm paper etching Slot Läckö

Tabula Cebetis 16th century David Kandel German The Table of Cebes, or The Journey of Human Life, is an allegorypopular in Europe from the fifteenth through the eighteenth centurythat represents the dangers and temptations that beset man and threaten to divert him from an existence predicated upon piety and study, including the study of mathematics. It is often depicted in the form of three concentric walled enclosures, each accessible by a single gate and populated with a variety of figures engaged in the pursuit of knowledge and self-knowledge. Kandel’s print subverts the traditional values of the inward spatial progression, whereby each move closer to the center symbolizes a greater degree of moral purity. Here, even the innermost sanctum is not immune to worldly desiresa Reformation-era commentary on the hypocrisy of institutions claiming to uphold standards of human behavior.. Tabula Cebetis. David Kandel (German, ca. 1520-ca. 1596). 16th century. Woodcut; second state of two.

Die Mauern von Babylon (from the series 'The Eighth Wonders of the World') After Maarten van Heemskerck by Galle, Philipp (1537-1612) / Museum Boijmans Van Beuningen, Rotterdam / 1572 / The Netherlands / Etching / Mythology, Allegory and Literature,Histo

Landhuis in Rijksdorp, Cornelis Elandts, 1663 - 1670 print Rickxdorp estate, the current Rijksdorp near Wassenaar. Above a few rows of trees, the country house stands out, behind the polder with a few villages. Two men are depicted in the foreground, one of which holds a shotgun. The Hague paper etching Wassenaar

View of Montfoort, Thomas Doesburgh, 1692 - 1714 print paper etching / engraving prospect of city, town panorama, silhouette of city Montfoort

The Siege of a Fortress, an illustration for the work on fortress construction, woodcut by Albrecht Duerer, historical, digital improved reproduction of an old woodcut

View of Copenhagen, Jan Diricks van Campen, after Jan Classen van Wick, 1570 - 1622 print Netherlands paper engraving city-view in general; 'veduta' Copenhagen (city)

Taking Gulik, 1610. Leaf with the intake of Gulik on September 2, 1610. At the top Round portrays of Prince Maurits and Christiaan I, Frost from Anhalt on either side of the plan of a fortress or castle. In the caption the legend A-L in French. Middle under hand numbered: 9.

of 3