Historic Castle Engravings

A collection of etchings and engravings featuring historic castles and landscapes, showcasing architectural details, natural scenery, and atmospheric tones.

Harvesting farmers for a village, Jacques-Philippe Le Bas, After David Teniers (II), 1742 print Numbered below: 25. Paris paper etching / engraving harvest. outskirts of village

Joseph Mallord William Turner and Charles Turner, British (1775-1851), Norham Castle, published 1816, etching and mezzotint

Aiguade de l'Astrolabe au port du Roi Georges (N.elle Hollande), 1830 - 1835., Paris. Publisher, J. Tastu., 1830 - 1835., 33 x 53 cm. Engravings

Neapolitan Shepherd 1758 Jean Daullé French. Neapolitan Shepherd 394380

Ruines du Chateau d'Artns pres le huelgoet, Bretagne, 1845-1846. Julien Louis Jacottet (Swiss, 1806-1880). Lithograph on chine collé; sheet: 34.5 x 53.5 cm (13 9/16 x 21 1/16 in.); image: 20 x 35.5 cm (7 7/8 x 14 in.).

A Summerland David Lucas British After John Constable British 1831 View of a rural landscape with a horse drawn plow in the center.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project. View more. A Summerland. David Lucas (British, Geddington Chase, Northamptonshire 1802-1881 London). 1831. Mezzotint; first state of five. Prints

Der Kynast. Müller-Bernburg, Ernst (1874-1941), graphic artist

Neurathen W: Payne's universe. Presentation and description of the most beautiful areas, cities around the world, of portraits of excellent people, folklit scenes and genre pictures in excellent steel stings VII TOM, IX Zeszyt Payne, Albert Henry (1812 1902), publisher of the English artistry v. AH. Payne in Leipzig

Boston, Lincolnshire, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1835

Breakthrough of the Zuidhollandse Waard, 1421, 1747 - 1759 print Dike breach of the Zuidhollandse Waard, 1421. Filed villages after the Sint Elisabeth flood. Residents climb on a church tower, others in boats on the water. Northern Netherlands paper etching flood South-Holland. Dordrecht

Edward Francis Finden, 1791-1857, British, Negropont, 1834. Etching and engraving on medium slightly textured, cream, wove paper.

William Radclyffe, 1780-1855, British, Nineveh, Moussul on the Tigris, 1835-1836. Line engraving, engraver's proof.

Ancient Italy, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

At the base of a waterfall, three figures are busy with fishing nets. A fourth is on horseback, pulling a donkey with him. On a hill are some buildings. The print was made after a painting by Karel Dujardin in the Mauritshuis in The Hague, Waterfalls near Tivoli Waterfall (title on object) The Royal Museum in The Hague (series title on object), print maker: Gijsbertus Craeyvanger, (mentioned on object), Karel du Jardin, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), print maker: Netherlands, printer: Amsterdam, publisher: Amsterdam, 1833, paper, h 380 mm × w 540 mm

Erith and Belvidere, Print made by William Bernard Cooke, 1778-1855, British, after Samuel Owen, 1768-1857, British, Published by William Bernard Cooke, 1778-1855, British, 1819, Line engraving on medium, slightly textured, cream wove paper

Print made by William Sharp, 1749-1824, British, Niobe, 1792. Etching and line engraving on moderately thick, moderately textured, cream laid paper.

William Finden, 1787-1852, British, Sidon, 1836. Engraving.

Mikhaylovskoye settlement on the River Amur (in: Pamjatnaja Kniżka). Voenna Tipografi (Petersburg ; drukarnia ; fl. ca 1860-1870), printing house, unknown, graphic artist, F.A. Brockhaus (Amsterdam, Lipsk, Wiesbaden ; wydawnictwo ; 1808-1953 ), publishing house, Meyer E. (Petersburg ; fl. ca 1860-1870), draughtsman, cartoonist

Carew Castle, Pembroke, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, 3rd state on moderately thick, slightly textured, cream, wove paper, Sheet: 11 × 14 15/16 inches (27.9 × 37.9 cm), Plate: 9 15/16 × 12 inches (25.2 × 30.5 cm), and Image: 6 3/16 × 9 1/2 inches (15.7 × 24.1 cm)

Pittsburg.. Frankenstein, Godfrey N. (1820-1873). Hunt, Charles Havens. Prints. 1881. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Pittsburgh (Pa.)

Design for an Illustration for Walter Scott's 'Lady of the Lake', Loch Achray, Joseph Mallord William Turner, 1775-1851, British, ca. 1832, Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper, Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm) and Mount: 14 x 10 7/8 inches (35.6 x 27.6 cm), cattle, deer, design, illustration, lady, lake, landscape, literary theme, mountains, trees

Battery no.14, from Souvenirs dItalie Expédition de Rome 1859 France. Lithograph in black on warm ivory wove chine laid down on off-white wove paper . Denis Auguste Marie Raffet

Ceyx and Alcyone, William Woollett, 1735-1785, British, after Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), 1769, Line engraving and etching on moderately thick, slightly textured, cream laid paper, Sheet: 18 x 22 inches (45.7 x 55.9 cm) and Plate: 17 3/4 x 22 inches (45.1 x 55.9 cm), (story of) Alcyone and Ceyx, cliffs, dead, husband, legend, mythology, religious and mythological subject, seascape, waves (natural events), wife, winds

Port of Dunkirk, Victor Adam, 1827 print Paris paper coast (+ landscape with figures, staffage). ships (in general). folk costume, regional costume Dunkirk

Teignmouth, Devon, George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1814, Etching and engraving, engraver's proof on moderately thick, moderately textured, cream, wove paper, Sheet: 13 1/4 × 16 7/8 inches (33.7 × 42.9 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), and Image: 6 × 9 inches (15.2 × 22.9 cm)

Print made by Edward Webb, active 1805-1854, Bowes Tower, 1834. Line engraving engraver's proof on medium, slightly textured, cream wove paper.

Morpeth North (Liber Studiorum, part IV, plate 21) March 29, 1809 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a town in Northumberland. At right, scaffolding supports a man whitewashing a wall near sidewalk vendors. At left, a road crosses a stone bridge, with a ruined tower standing above lower buildings. The letter "A" in the upper margin indicates Turner's category of Architectural landscape.. Morpeth North (Liber Studiorum, part IV, plate 21) 382924

Etched by Joseph Mallord William Turner, 1775-1851, British, The Drawing of the Clyde, 1809. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

View of Lake Nemi with a temple in the middle of the lake. Several ships on the lake. The print is part of a series depicting various places in the Mediterranean, View of Lake Nemi Lacus Nemorensis, sive Ariciae Ruinarum varii prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 175 mm × w 244 mm

On the spot drawing made after the Great Lisbon earthquake of November I, 1755. As many as 40,000 - 50,000 people may have been killed in Portugal, Spain and Morocco, and the resultant tsunami reache

Sardinia. Codrongianos. Drawing by Vormser. Engraving by Alès. Lemaitre direxit. History of Malta and Gozo, by Frédéric Lacroix. Panorama Universal, Spanish edition, printed in Barcelona, 1850. Author: Auguste-François Alès (1797-1878). French engraver.

Dumbarton Castle, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving

William Miller, 1796-1882, British, Carew Castle, Pembroke, 1827-1838. Open etching.

Sparrow, active 1773-1787, Lambeth Palace, 1773. Engraving.

Beach face; A sea beach; The Royal Museum in 's-Gravenhage. On the left on the beach, at a wooden cabin, a group of fishermen has collected. They share a meal. Right a covered wagon drives a figure and two dogs. A carriage drives over the beach by four horses. There are several bomb shuffles on the water. The print was made to a painting by Adriaen van de Velde in the Mauritshuis in The Hague.

Eugène Isabey (French, 1803 - 1886). Donjon de Polignac, 1831. From Voyages Pittoresques et Romantiques dans l'Ancienne France. Lithograph on India paper laid down.

Print made by David Lucas, 1802-1881, British, Charles Robert Leslie's "Memoirs of the Life of John Constable":Yorkminster. Mezzotint.

Landscape with skaters and sleds, Izaak Jansz. de Wit, after Jacob Cats (1741-1799), 1807 print View of frozen water with skaters and slides; Rear a walled city, with a mill and a church tower. Haarlem paper etching December and its 'labours' (+ with scenes showing human occupations ~ seasons and months). skates (winter sports). sledge, sleigh (winter sports). city-walls. windmill. parts of church exterior and annexes: tower

Frontispiece to Stations of the Cross. Giovanni Domenico Tiepolo; Italian, 1727-1804. Date: 1748. Dimensions: 210 x 185 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Godesberg near Bonn (illustration in the General Encyclopaedia). Carlsruhe im Kunst-Verlag W. Creuzbauer (fl. ca 1830-1850), printing house, unknown, graphic artist, Glücksberg, Krystian Teofil (1796-1876), publisher

Flood at the Nieuwe Haven, Wijnbergse Kaai and Werf in Vlissingen, 1808, Izaak Jansz. de Wit, after Johannes Hermanus Koekkoek, 1808 print Haarlem paper etching flood Flushing

Fireworks of the Seine on the occasion of the trip to Paris of the Emperor and the Empress of Russia in October 1896. (TF)

Inverary Castle and Town. Dated: 1816. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Charles Turner.

James T. Willmore, 1800-1863, British, Bedford, Bedfordshire, 1831. Line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper.

Ruinas de Benevibere (1861) - Parcerisa, F. J., 1803-1875.

In memory of Charles Ferdinand Duc de Berri (IT)

Etched by Joseph Mallord William Turner, 1775-1851, British, Inverary Castle and Town, Scotland, 1816. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

Artist: C. H. Moore, American, 1840-1930, Publisher: Currier & Ives, American, active 1834-1907, View On theHousatonic, Lithograph, sheet: 46 × 60.1 cm (18 1/8 × 23 11/16in.), Made in United States, American, 19thcentury, Works on Paper -Prints

Abraham se rend dans la Terre deChanaan. Artist: Gustave Doré, French, 1832-1883

Hieraniony. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

James T. Willmore, 1800-1863, British, Kilgarren Castle, Pembroke, 1829. Line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper.

Print made by Charles Turner, 1774-1857, British, Branch of the Meuse, Liege, undated. Mezzotint on moderately thick, moderately textured, cream, wove paper.

Came at Lowositz in the Leitmeritzer Circles, taken by Fürstinn Pauline v. Schwarzenberg reiterated by J. Venuto 1809.

Scheepswrak in the Branding, Théodore Gudin, 1829 print Paris paper. salvaging a wreck

Beilstein on the Moselle, from Picturesque Selections. James Duffield Harding, (English, 1798-1863); Published by W. Kent and Co. Date: 1860. Dimensions: 278 × 385 mm (image, primary support); 430 × 560 mm (secondary support). Lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

La Pointe-a-Pitre, Guadeloupe, 19th century. Artist: E de Berard

Gezicht op Polignano. Vue de la ville Polignano (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 139 mm × w 269 mm. Museum: Rijksmuseum, Amsterdam.

Blois, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and engraving, Engraver's proof on moderately thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm), Plate: 5 15/16 × 9 inches (15.1 × 22.9 cm), Chine collé: 5 1/2 × 8 5/8 inches (14 × 21.9 cm), and Image: 3 11/16 × 5 3/8 inches (9.4 × 13.7 cm)

William Birch, 1755-1834, British, A View in Kew Gardens, 1789. Stipple engraving and etching on medium, slightly textured, cream wove paper.

Florence, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1827, Line engraving, Engraver's Proof on medium, slightly textured, beige, wove paper, with beige, chine colle, Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm), Plate: 6 × 8 7/16 inches (15.2 × 21.4 cm), Chine collé: 5 5/8 × 8 1/8 inches (14.3 × 20.6 cm), and Image: 3 7/16 × 5 1/8 inches (8.7 × 13 cm)

Print made by James T. Willmore, 1800-1863, British, Farne Island - Shipwreck, 1853-1874. Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

Georgia.. Prints. 1850. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Georgia, State seals, Seals (Insignia) , Georgia

Bivouac am xing, from the series "Skizzen zu dem Tagebuche von Adalbert Prinz von Prussen. 1842-1843.", Figure reflected on the Factis album card; Templtei, Julius Friedrich (1802-1870), Adalbert (Ksi Prussian; 1811-1873); 1847 (1847-00-00-1847-00-00);

Sir Richard Colt Hoare, 1758-1838, British, One from Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper.

Kügelgen, Carl von, manufacturer: printed in St. Petersburg 1823-1824, Loviisa, 1822, lithography, graphics, sheet width 54.7 cm, sheet height 44 cm, image width 40.5 cm, image height 31 cm

Uiterste punt van grote haven van Syracuse. Fonds du Grand Port de Syracuse (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 200 mm × w 375 mm. Museum: Rijksmuseum, Amsterdam.

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

Ulanding of a Cutter, Benjamin Thomas Pouncey, active 1772-1799, British, after John Kitchingman, c. 1740-1781, British, 1785, Engraving with watercolor, Sheet: 9 x 12in. (22.9 x 30.5cm)

The outside of part of the cone of Solfatara showing lavas of different tints (yellow and grey). Coloured etching by Pietro Fabris, 1776.

LITOGRAFIA PARA EL LIBRO RECUERDOS Y BELLEZAS DE ESPAÑA 1839. LERIDA. Author: FRANCISCO JAVIER PARCERISA BOADA (1803-1876). Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN.

Denver,Colorado. Artist: Alfred Edward Mathews, American, 1831-1874

Amsterdam, Numan, J., Claus jr., Netherlands, The breach behind Durgerdam. Incidents, in the evening of February 4, 1825, Dike breach at Durgerdam, verso - stamped, View of the flooded land as a result of the dike breach at Durgerdam, February 4, 1825. On the right a seated woman is breastfeeding her child, in the middle and left several groups of people. See also the pendant., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 397 mm, width 515 mm, print maker, prentmaker, 1825 - 1825, paper, papier, aquatint, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

Interieur van grot Santa Maria Capella. Vue du fond de la Grotte (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 275 mm × w 427 mm. Museum: Rijksmuseum, Amsterdam.

Robert Brandard, 1805-1862, British, Beaugency, 1833. Line engraving on medium slightly textured, cream, wove paper.

Giant's Causeway, County Antrim, Northern Ireland, early 19th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Florence, 1847.

Kriend ice on the Waal, 1789, Reinier Vinkeles (I), After Jacobus Buys, 1789 - 1795 print A mountain of Kruiende Ice in the Dijk near the Waal, January 23, 1789. With a few spectators. Northern Netherlands paper etching drift ice Waal

Serenade. Night cityscape with a singer and spectators.

Torzhestvennoe osviashchenie postoiannago tsepnago mosta v Kieve. Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Rouen, looking down the River, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving

Der Platzregen. The downpour.. Bürkel, Heinrich, 1802-1869. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Cows, Floods, Downspouts

'The Sphinx', 1890. Creator: Unknown.

A Platriere, vintage engraved illustration. Magasin Pittoresque 1867.

unknown artist, The Bear Garden, 1810. Engraving.

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