Historic Church Art and Architecture

A collection of photographs showcasing intricate church altarpieces, frescoes, and detailed architecture from various periods, emphasizing religious themes and artistic craftsmanship.

Umbria Perugia Todi S. Fortunato5. Hutzel, Max 1960-1990 Exterior views of this church focus on the facade portals (1430-1436). Flanking the center portal are aediculae with statues of the Archangel Gabriel and the Virgin of the Annunciation. The portal sculpture is comprised of elaborately carved colonettes; the subjects include nude men in foliage, prophets, saints, martyrs, patriarchs, inhabited vinescroll, grapevines, fig leaves, Abraham and Isaac, and a scene of the stigmatization of St. Francis.. Views of this 13th-15th century gothic interior include details of vaulted ceilings, sacristy portals, the polygonal apse, a crucifix in olive wood, choirstalls, the marble high altar with bishops painted in the trefoil arches, choirstalls, a holy water basin, fresco fragments of the Giotto school, a painting of the Coronation of the Virgin over Todi by Polinori, and various altar paintings. In the crypt are sepulchral monuments of Jacopone da Todi and the family Tudertini, a tomb reliqu

Cartur van de annuituie; P.e 1.A N. N. 2083 Florence - Church of S. Cross. The virgin announcement. Donatello.). SCUAURUR IT SLEPELLENE FROM MONOTHEH DONATELLO DECANT IN FRIENG CHILDENCISA.

Lazio Rieti Rieti S. Giuseppe5. Hutzel, Max 1960-1990 Post-medieval: Architecture, stucco wall and ceiling decoration, painting. The church possesses two paintings by the artist Vincenzo Manenti, depicting the Holy Family and the Transito of S. Joseph. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Visso S. Maria, Collegiate Church9. Hutzel, Max 1960-1990 Detailed views of the 14th century exterior architecture of the church, including portals, and details of columns and capitals. There are general interior views, with detailed photos showing the paintings, both on the screen behind the main altar and behind side altars. There are also many photos of painting fragments from the late Medieval and early Renaissance periods. Sculptural photos include a wooden crucifix and basins or altars (perhaps antique) with human face motifs. Object Notes: Hutzel photo campaign date: June 30, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

Picture photography: W. Hermit with a dragon - a picture on the wing of the triptych John the member from the beginning of the 16th century in the church. Catherine in Krakow; Krieger, Ignacy (Kraków; Photographic Zak 1860-1926); 1888 (1888-00-00-1888-00-00);Amalia (1846-1928) - collection, Krieger

, Dr, -signaz -Seipel -Platz - Jesuitenkirche - Interior view - side chapel, Bruno Reiffenstein -, photographer

N.N., parish church, Kraftshof. (From: leaves for architecture and handicrafts, 20th year, 1907, Tafel 118.) (1907-1907): View tomb of the Hieronymus Kress von Kressenstein. Light pressure on paper, 34.3 x 27 cm (including scan edges) N.N. : Pfarrkirche, Kraftshof. (Aus: Blätter für Architektur und Kunsthandwerk, 20. Jg., 1907, Tafel 118)

Umbria Perugia Todi S. Fortunato5. Hutzel, Max 1960-1990 Exterior views of this church focus on the facade portals (1430-1436). Flanking the center portal are aediculae with statues of the Archangel Gabriel and the Virgin of the Annunciation. The portal sculpture is comprised of elaborately carved colonettes; the subjects include nude men in foliage, prophets, saints, martyrs, patriarchs, inhabited vinescroll, grapevines, fig leaves, Abraham and Isaac, and a scene of the stigmatization of St. Francis.. Views of this 13th-15th century gothic interior include details of vaulted ceilings, sacristy portals, the polygonal apse, a crucifix in olive wood, choirstalls, the marble high altar with bishops painted in the trefoil arches, choirstalls, a holy water basin, fresco fragments of the Giotto school, a painting of the Coronation of the Virgin over Todi by Polinori, and various altar paintings. In the crypt are sepulchral monuments of Jacopone da Todi and the family Tudertini, a tomb reliqu

Lazio Viterbo Ronciglione S. Maria della Pace1. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, ceiling and wall painting, crucifix, tabernacle. This church was started in 1581 and has been attributed to Vignola or Rainaldi. In the center of the main altar is a depiction of the Madonna of Peace, a fresco of the Viterbese school, dating to the 15th century. To each side of this central fresco are frescoes of S. Augustine and S. Bartholomew from the 17th century. Along the same wall as the altar are two more paintings, one, representing the Apparition of the Madonna to S. Francis of Sales by Sebastiano Conca, and the "Madonna del Suffragio", from the 18th century. A fresco of the Madonna of the Rosary is placed in a side altar, dating from the 16th century. In another side altar is placed a wooden crucifix of the 15th century, with an 18th century addition of the Madonna Addolorata at the foot of the cross. A Renaissance tabernacle inserted into the wall, attributed to Sans

Marches Macerata San Severino Marche Chiesa delle Clarisse5. Hutzel, Max 1960-1990 Exterior views of the 15th-century church with its 17th century baroque facade. Interior views of the main altar, four side chapels, two transept chapels, 19th century dome frescoes and a conch fresco of Saul's Conversion on the way to Damascus. The altar (17th century), of marble intarsia is held up by four putti. The Rococo altarpiece bears the inscription Altare Gregorianum Perpetuum. Views also of a gilt organ (17th century), pulpit, and marble holy water font (1598). Object Notes: There are two prints for almost every negative; one set of prints was previously identified as S. Maria del Glorioso. General Notes: Hutzel photo campaign date: April 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in I

Unknown photographer, three -wing altar (without date): View. Photo on cardboard, 41.6 x 31.6 cm (including scan edges) unbek. Künstler : Dreiflügelaltar

Albumin photograph by Otto Schmidt of S. Maria in Verona, focusing on the choir and organ, taken in 1896, showing architectural and liturgical elements.

Portal of the Purgatory church in Gravina di Puglia.

Lviv (Lviv, Ukraine). Church Because the Dominican Cias-the most of the most important heart of Jesus (1910-1912); Jaworski, Józef Ko Ciecza- (Fl. Ca 1911-Ca 1929); around 1912-1916 (negative); around 1912 1922 (print) (1912-00-00-1927-00-00);

Umbria Perugia Spello S. Lorenzo7. Hutzel, Max 1960-1990 S. Lorenzo (1120) stands on the site of the former S. Ercolano. Exterior views of the portal (13th century) and facade (remodelled in 1540). Interior views focus on the painting and sculpture (15th-18th centuries): marble intarsia baptismal font (1607); main altar baldachin (an imitation of the one in St. Peter's, Rome); wood intarsia choirstalls; wooden wardrobe and chest in the Sacristy with the intarsiaed figured of Moses, Noah and Zaccariah; wooden pulpit with bas-reliefs of the Martyrdom of S. Lorenzo; frescoes in the neoclassical Cappella dell'Incoronata; marble tabernacle in the Cappella del Sacramento; baroque altar of St. Catherine; frescoes of the Madonna and Child (by Gozzoli), S. Lorenzo, and S. Bernardino da Siena; altar painting of the Glorification of Souls in Purgatory; gilt statue of S. Nicola; and various other paintings, frescoes and statues. Antiquities: Roman spolia: funerary inscriptions and plutei around th

Marches Macerata San Severino Marche Pinacoteca Civica5. Hutzel, Max 1960-1990 The collections include: a silver reliquary (1326), a relic of Pope Peter Celestini V, a silver plate, a 13th-century clothes chest illustrating a medieval legend, a globe with constellations/signs of the zodiac, fresco fragments by the Salimbeni brothers, a fresco of St. Francis receiving the Stigmata from the church of S. Francesco in Castello (now destroyed), a fresco of St. Anthony Abbot, elaborate polyptychs by Veneziano and Salimbeni, an ivory chest with secular imagery, and various altarpieces and paintings. Of exceptional quality are paintings by Bernardino Mariotto of the Annunciation and the Pieta, and an altarpiece of the Madonna and Child Enthroned with Saints by Vittore Crivelli. Object Notes: Hutzel photo campaign date: April 11, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by

Grabdenknal de Königen Maria, Gemahlin Karls II von Anjou in der Kiorche von Donna Regina zu Neapel. Giorgio Sommer, photographer (Italian, born Germany, 1834 - 1914) 1870-1890 Simple tomb memorial within a peaked roof. Below the deceased's figure sit a row of six men. Below them are four winged angels. (Verso) upper center, in black ink: "+1323.III.25" lower center, in black ink: "Grabdenknal der Konigen Maria,/ Gemahlin Karls II von Anjou in der/ Kiorche von Donna Regina zu/ Neopel."

Pillar, Strasbourg Cathedral. Unknown, photographer 1860 Detail of an interior cathedral pillar. The pillar has rows of small carved figures running down each side. In the middle there are angels holding trumpets. Below them are bearded men in robes. Above, the feet of figures also wearing robes are visible. (Recto, print) upper left, inscribed in the negative: "N.8. backwards"; lower left, inscribed in the negative: "C.7."; (Recto, mount) lower left, pencil: "Strasbourg.-pilier 1860"; lower right, pencil: "Interieur de la Cathedrale a Strasbourg 1860"; (Verso, mount) lower left, pencil: "16";

Funeral of Victor Hugo, the catafalque (close -up) under the Arc de Triomphe, June 1, 1885. Paris, house of Victor Hugo. 58409-5 8th 8 VIIIEME VIII, triumphant arc, arrondissement, catafalque, coffin, national mourning, black sheet, French writer, funeral, close -up, obseques, place etoile, third republic, 19th XIX 19th 19th 19th 19

First pulpit used by Christians in Mexico. 1898. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Pulpits , Mexico , Tlaxcala de Xicohténcatl, Religious architectural elements

Sermon in the Baptisterium of Pisa, Italy, Giacomo Brogi (Possible), After Nicola Pisano, 1864 - 1900 photograph PisaPisapublisher: Florence cardboard. paper albumen print pulpit, ambo, chancel Bond

Abruzzo L'Aquila Tornimparte S. Panfilo, Parish church5. Hutzel, Max 1960-1990 Exterior views of the restored church: grey piers, bell tower, romanesque portal and damaged frescoes on the porch (14th-15th centuries). Views of the Renaissance-baroque interior: organ-loft (17th century), ceiling frescoes, apse frescoes, altar frescoes, altarpieces, and statues. Fresco and painting subjects include: St. Cecilia, St. Francis with Brother Leo, Paradise, Christ Arrested, the Flagellation, the Deposition, the Resurrection, the Annunciation, Madonna and Child, and God the Father surrounded by music-making angels (in the apse). Two views of the side portal are found in the Medieval core collection. Roman gravestone in the front yard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

Vilnius. "Decoration of the chapel W. Kazimierz"; Zdanowscy, Edmund and Boles; Before 1939 (1930-00-00-1939-00-00);

Parochial Cross from Saugues, c. 1850 - in or before 1857 photograph France photographic support salted paper print crucifix ~ personal devotion. Madonna: i.e. Mary with the Christ-child

Door with Madonna and child sculpture. Unknown

Church, Easter Wohle: View baptismal basin (from: sketch and photo album 29)

Paris, Guérinet, Armand, Nancy, Royer & Cie., Confessional in the Église Notre-Dame-de-Bonsecours in Nancy, recto - printed, This print is part of a cover with 103 prints on 101 sheets and a title page., photomechanical print, photographs, photographically illustrated books, Église de Bonsecours, Confessionnal en bois sculpté, Par Eugène Vallin (1884), height 401 mm, width 298 mm, photographer, 1891 - 1896, paper, papier, collotype, clichémaker, Publication (Event), Publication, French, publisher

Campania Caserta Capua Museo Campano10. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Sepulcro decorado con motivos arquitectónicos renacentistas y soportado por un entablamento clásico.

Graf monument by Hans Willem Bentinck in the Reformed Church in Rhoon, Anonymous (Monumentenzorg) (Attributed to), 1905 photograph Rhoon photographic support. cardboard grave-building, monumental tomb. interior of church Rhoon

Umbria Perugia Todi S. Fortunato0. Hutzel, Max 1960-1990 Exterior views of this church focus on the facade portals (1430-1436). Flanking the center portal are aediculae with statues of the Archangel Gabriel and the Virgin of the Annunciation. The portal sculpture is comprised of elaborately carved colonettes; the subjects include nude men in foliage, prophets, saints, martyrs, patriarchs, inhabited vinescroll, grapevines, fig leaves, Abraham and Isaac, and a scene of the stigmatization of St. Francis.. Views of this 13th-15th century gothic interior include details of vaulted ceilings, sacristy portals, the polygonal apse, a crucifix in olive wood, choirstalls, the marble high altar with bishops painted in the trefoil arches, choirstalls, a holy water basin, fresco fragments of the Giotto school, a painting of the Coronation of the Virgin over Todi by Polinori, and various altar paintings. In the crypt are sepulchral monuments of Jacopone da Todi and the family Tudertini, a tomb reliqu

Interior of the St. Peter's Basilica in Vatican City, Italy, 1851 - 1900 photograph Vatican CITY cardboard. paper albumen print interior of church St. Peter's basilica

PEEKSSTOEL MET APOCOCAT a PtytoOFlock, Uknowen, Jean-Francois Dument, Efrd Ruff Defunceries, 1745 print A pulpit with garlandes, a medallion with women's portrait and Profil, above it puts with laurel wreath and torch in clouds. On the crowning a smoking vessel, cross, book and a wreath. Paris paper etching / engraving pulpit, ambo, chancel. incense-burner ~ scents, perfumes. cupids: 'amores', 'amoretti', 'putti'

Vilnius. Church In. Micha A, tombstone of Teodora Krystyna née Tarnów Sapie Zdanowscy, Edmund and Boles; 1930s (1930-00-00-1939-00-00);

Mosaic above the altar of St. Paul outside the walls in Rome, representing Christ and Saints, c. 1875 - c. 1900 photograph Sint-Paulus outside the walls cardboard. photographic support albumen print art (+ mosaic making). interior of church. Christ Sint-Paulus outside the walls

Salt paper photograph by Pompeo Pozzi, 1854-1858, depicting the Trophy of the Gospel at the main altar in the Certosa di Pavia, showing ornamental and religious elements.

Lazio Viterbo Viterbo Sanctuary of S. Maria della Quercia74. Hutzel, Max 1960-1990 Extensive coverage of Renaissance sanctuary's exterior, with emphasis on the church portals. Several views of bell tower. Interior views of nave and altar, aisles, ceiling and cupola, tabernacle containing the miraculous tile, paintings, sacristy, choir, holy water font. Views of main cloister and cistern. General Notes: Two sets of prints fused into single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Unknown photographer, Aachen cathedral treasure chamber in Aachen (without dat.): Marienschrein. Photo on cardboard, 31.5 x 41.2 cm (including scan edges) unbek. Künstler : Aachener Domschatzkammer, Aachen

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime6. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Umbria Perugia Trevi S. Francesco7. Hutzel, Max 1960-1990 Exterior views of the 13th-century Cistercian church focus on the gothic main portal. The interior, restored in 1977, include: frescoes of saints Ventura, Nicola and Andrea (15th century); an organ (16th century); an altar fresco by Angelucci of the Madonna and Child and saints with Christ and Veronica in the lunette; a marble intarsia altarpiece with a painting of the Madonna and Child with saints Peter, Paul and perhaps scenes of the Last Judgment; a painting the Crucifixion; an Umbrian painted crucifix; tomb monuments of the Attavanti family; a tomb effigy (in relief) of the hermit St. Ventura; fresco fragments; and a holy water font. Object Notes: Hutzel photo campaign date: May 11, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical develo

Mosaic in the choir of the cathedral of Santa Maria Assunta in Venice, representing Maria with child and the apostles, c. 1875 - c. 1900 photograph Cathedral of Santa Maria Assunta cardboard. photographic support albumen print art (+ mosaic making). parts of church interior: choir. Madonna: i.e. Mary with the Christ-child. the twelve apostles (as a group), usually with books or scrolls (not in biblical context) Cathedral of Santa Maria Assunta

LEŻAJSK parish Church of the Holy Trinity, formerly the Order of the Holy Sepulchre altar at the end of the left aisle unknown

Church of St. Clare, Tomb of Carlo di Calabria. Giorgio Sommer (Italian, born Germany, 1834 - 1914)

Tomb with Madonna and child sculpture. Unknown

, Stephansdom - outside - bust of the suffering Jesus and all soul, viewing map, Wiener Kunstverlag E, Schreier, producer

Abruzzo Pescara Loreto Aprutino S. Maria in Piano7. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o

Part of the burial monument of Engelbrecht I of Nassau in the Onze-Lieve-Vrouwekerk in Breda, c. 1875 - c. 1900 photograph Big church cardboard. photographic support Madonna: i.e. Mary with the Christ-child. monument, statue. canopy, baldachin. grave, tomb. interior of church Big church

Sculptures of saints, middle portal of the Amiens Cathedral.

The tombstone of King Casimir the Great in the Krakow Cathedral in Wawel Krieger, Ignacy (1820 1889)

Copper Johann, St. Paulus-Dom in Münster (without dat.): Wood paneling in the chapter hall. Photo on cardboard, 32.9 x 23.8 cm (including scan edges) Kupfer Johann : St. Paulus-Dom, Münster

Lazio Viterbo Tarquinia S. Giovanni Battista8. Hutzel, Max 1960-1990 The church was built in the 13th century, and was connected to the Knights of Malta. The main portal is flanked by two other portals using fronts of sarcophagi for architraves. Photos show the exterior generally, the details of the portals and some side walls. Interior photos show the nave, altar and absidal chapels with their gothic vaulting. There are several photos of capitals with vegetal, animal and human motifs, the baptismal font and miscellaneous architectural details. The paintings include a Deposition (1400s), and two from the 18th cent. of a bishop and of S. Carlo Borromeo. There is a large crucifix over the altar (1310) and a ciborium behind the altar. Object Notes: Hutzel photo campaign dates: February 20, 1984 and December, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto

Dihm Ludwig (1849-1928), Cathedral Church of St. Marien, Fürstenwalde/Spree (without Dat.): Altar. Photo on paper, 24.1 x 18.2 cm (including scan edges)

Heart of the old churchCoswig. Heart of the old church

st, Stephansdom - outside - Capistran pulpit, postcard, Germans postcard publisher, producer

Foot bath in Topkapi Palace, orientalist photography, Abdullah frerés

Dimm Ludwig (1849-1928), Stadtkirche St. Katharinen, Schwedt/Oder. Grave monuments of Hohenstein (1888): Monument of the Count of Hohenstein. Photo on cardboard, 49.1 x 42 cm (including scan edges)

Lazio Viterbo Ronciglione S. Maria della Pace3. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, ceiling and wall painting, crucifix, tabernacle. This church was started in 1581 and has been attributed to Vignola or Rainaldi. In the center of the main altar is a depiction of the Madonna of Peace, a fresco of the Viterbese school, dating to the 15th century. To each side of this central fresco are frescoes of S. Augustine and S. Bartholomew from the 17th century. Along the same wall as the altar are two more paintings, one, representing the Apparition of the Madonna to S. Francis of Sales by Sebastiano Conca, and the "Madonna del Suffragio", from the 18th century. A fresco of the Madonna of the Rosary is placed in a side altar, dating from the 16th century. In another side altar is placed a wooden crucifix of the 15th century, with an 18th century addition of the Madonna Addolorata at the foot of the cross. A Renaissance tabernacle inserted into the wall, attributed to Sans

Sculptures of Saints, Middle Portal of the Cathedral of Amiens, Henri Le Secq, 1852 photograph France cardboard. photographic support salted paper print parts of church exterior and annexes Notre-Dame d'Amiens

Nikolaikirche, Stralsund: View Baptismal Basin (from: Sketch and Photo Album 25)

Church to Walldürn am Odenwald. .

Atget, Eugène (Jean Eugène Auguste Atget, dit) (n.1857-02-12-D.1927-08-04), detail of the candelabra of the master altar, interior of the Saint-Sulpice church, 6th arrondissement, Paris. (Dummy title), 1903. Draw on albumin paper. Carnavalet museum, history of Paris. Religious architecture. Detail of the candelabra of the master altar, interior of the Saint-Sulpice church, 6th arrondissement, Paris.

Evangelical village churches Rühstädt: Interior view (from: sketch and photo album 28)

st, Stephansdom - outside - Capistran pulpit, postcard, Germans postcard publisher, producer

Unknown photographer, Aachen cathedral treasure chamber in Aachen (without dat.): Marienschrein. Photo on cardboard, 28.9 x 35.7 cm (including scan edges) unbek. Künstler : Aachener Domschatzkammer, Aachen

Lazio Roma Subiaco Sacro Speco2. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organize

Saint Isaac, Paroi Laterale de la Grande Iconostase. Pierre-Ambrose Richebourg (French, 1810 - after 1872)

Umbria Perugia Spoleto SS. Giovanni e Paolo0. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans a

Ryglice (currently in Kowalowa) the church of St. Katarzyna Portal and Confessional unknown

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime3. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Image of John the Baptist in an Italian church, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights in Italian cities and artworks. Italy photographic support albumen print John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff Italy

Photo production of a photo of a church interior with a chandelier, 1890 - 1905 photograph paper cyanotype parts of church interior Pisa

Relics' cabinet of the Holy Servaas in the Sint-Servaas Basilica in Maastricht, Anonymous, c. 1882 - in or before 1887 photomechanical print Sint-Servaas Basilieparwerp paper collotype / photolithography relics (and reliquaries) Sint-Servaas Basilica

Anderson, James, 2126 - ROMA, Tomb of Cardinal Cristoforo della Rovere in S. Maria del Popolo in Rome, photograph, photo, photos, 2126 - ROMA - Monumento al Cardinale Cristoforo della Rovere - S. Maria del Popolo, height mm, width mm, English, Italian, 1813 - 1877, photographer, 1857 - 1875, third quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

ZARAGOZA. ALTAR MAYOR DE LA BASILICA DEL PILAR. GRABADO DE MARTINEZ HEBERT , AÑO 1878. ILUSTRACION ESPAÑOLA Y AMERICANA. Author: MARTINEZ HERBERT.

Umbria Perugia San Giacomo di Spoleto S. Giacomo8. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Cathedral - Vorhall, John the BaptistMeissen. Cathedral - Vorhall, John the Baptist

Abruzzo Teramo Teramo S. Berardo, Cathedral7. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Atget, Eugène (Jean Eugène Auguste Atget, dit) (N.1857-02-12-D.1927-08-04), Le Buffet d'Orgue, interior of the Saint-Sulpice church, 6th arrondissement, Paris. (Dummy title), 1903. Draw on albumin paper. Carnavalet museum, history of Paris. Religious architecture. The organ buffet, interior of the Saint-Sulpice church, 6th arrondissement, Paris.

Interior of Meissen Cathedral, Statues of Saint Zachary, 1914, Meißen, Dom, Vorhalle, Zacharias, Germany

Umbria Perugia Trevi S. Francesco0. Hutzel, Max 1960-1990 Exterior views of the 13th-century Cistercian church focus on the gothic main portal. The interior, restored in 1977, include: frescoes of saints Ventura, Nicola and Andrea (15th century); an organ (16th century); an altar fresco by Angelucci of the Madonna and Child and saints with Christ and Veronica in the lunette; a marble intarsia altarpiece with a painting of the Madonna and Child with saints Peter, Paul and perhaps scenes of the Last Judgment; a painting the Crucifixion; an Umbrian painted crucifix; tomb monuments of the Attavanti family; a tomb effigy (in relief) of the hermit St. Ventura; fresco fragments; and a holy water font. Object Notes: Hutzel photo campaign date: May 11, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical develo

, Stephansdom - inside - Wiener Neustädter Altar, postcard, Wiener Kunstverlag E, Schreier, producer

Vilnius. "Coast of Mikha A, image of the Mother of God "Coast of Mikha Zdanowscy, Edmund and Boles; 1930s (1930-00-00-1939-00-00);

Interior of the Sint-Pietersbasiliek, c. 1880 - c. 1904 photograph Saint Peter's Basilica with a statue of Saint Peter on the right. Rome paper. photographic support. cardboard albumen print St. Peter's basilica

Sermon in the Dom of Pisa, Anonymous, After Giovanni Pisano, 1851 - 1900 photograph Pisa paper. cardboard albumen print pulpit, ambo, chancel Dom

The tombstone of King Jan Olbracht in the Cracow cathedral in Wawel Krieger, Ignacy (1820 1889)

Baptismal font in the Sint -Janskathedral in Den Bosch, anonymous (monument care) (attributed to), 1890 - 1920 photograph Sint-Janskathedral photographic support. cardboard albumen print baptismal font. interior of church Sint-Janskathedral

Pulpit, Siena Cathedral, Italy, late 19th or early 20th century. Artist: Unknown

Sculpture group of the mockery of Christ in the Dom of Xanten, Anonymous, 1890 - 1902 photograph This photo is part of an album. Xanten photographic support mockings of Christ, who may be blindfolded Xanten

Relief in the cathedral of Reims, J.A.G. de Leur (Possibly), 1850 - 1900 photograph Reims photographic support. cardboard albumen print Communion ~ Holy Mass. knight Reims

Dom, Altar imageMeissen. Cathedral, altar image

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral3. Hutzel, Max 1960-1990 Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a radical restoration in the 18th cent. in the Baroque style. The campanile was built in 1335. Photos include exterior views of the facade and the campanile along with several details. The interior views show the Baroque nave with its vaults and cupola. There are paintings in the vaults and over the altars, including one of St. Thomas & Christ over the main altar. There are also photos of the marble paliotto in front of the altar (17th cent.). Other interior details are the baptismal font, a wooden statue of the Madonna & Child, and wooden statues of two saints, one St. Peter. There are also several photos of the crypt, including a few of the painting fragments remaining there. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Umbria Perugia San Giacomo di Spoleto S. Giacomo8. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Shrine to Osiris

Graftombe of Hertog François II in the cathedral of Nantes, c. 1875 - c. 1900 photograph Nantes cardboard. photographic support albumen print grave, tomb. sculpture. effigy, 'gisant' (portrait-figure on closed coffin or in 'castrum doloris'), transi. angels. beasts of prey, predatory animals: lion. coat of arms (symbol of sovereignty). interior of church. the Four Cardinal Virtues Nantes

Birth grot in the birth church in Bethlehem, Maison Bonfils, c. 1867 - c. 1895 photograph Part of Reisalbum with photos of Jerusalem and other biblical places. Bethlehem cardboard. paper. photographic support albumen print cave, grotto. interior of church Bethlehem

Saint Gilles Abbey, 12th-13th century church provencal Romanesque style, World Heritage by UNESCO, road to St Jacques de Compostela, Gard. Languedoc Roussillon, France. Old 19th century engraved illustration from Jesus Christ by Veuillot 1890

Millstatt: Tomb of a grandmaster of the Greaterord. .

Chantya. Cave No. 26, interior view, Adjanta. Unknown

'Cathédrale D'Avignon. - Tomb of the Pope Benedicte XII', c1925. Artist: Unknown.

Post-Mortem portrait of Petrus Mathias Snickers (1816-1895), Archbishop of Utrecht ..

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