Historic Church Interiors

A collection of black-and-white photographs depicting ornate church interiors featuring altars, frescoes, and architectural details, showcasing various artistic styles and historical elements.

Lazio Viterbo Tarquinia S. Margherita, Cathedral6. Hutzel, Max 1960-1990 Old church destroyed in a fire in 1643. It was rebuilt in 1646, restored in the late 19th century, with the facade and campanile restored in 1933. Exterior views include the facade and portal. Interior photos, aside from a few of the nave and altar, focus on the set of frescoes by Pastura with their painted friezes. Prints (no negs.) of the Tree of Jesse and ecclesiastical portraits in the Sala Consigliare. Pastura's paintings include scenes from the Life of the Virgin as well as paintings of saints and sibyls. Object Notes: Hutzel photo campaign date: December 13, 1982. No negs for the "Sala Consigliare." Prints include a Tree of Jesse and portraits of ecclesiastics. General Notes: Hutzel notes nos. 1-29 can in part be found under "General Views" of Tarquinia. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referre

Lazio Frosinone Ausonia Santuario di S. Maria del Piano76. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Montefiascone S. Margherita, Duomo7. Hutzel, Max 1960-1990 Exterior views of domed church: facade comprised of a neoclassical portal (1840, by Paolo Gazola), balustrade and flanking bell-towers. Interior views of church built on an octaganal plan with radiating chapels: behind the main altar is a marble statue of the partron saint, St. Margaret; 18th century frescoes in lunette and ceiling of main altar; Madonna and Child and Saints in terracotta by della Robbia; 17th and 18th century altarpieces; wooden crucifixion (16th century); rococo organ-loft (18th century); frescoes by Pomerancio, and marble pilasters, niched saints in the domed ceiling. Object Notes: Photocampaign date: 4/16/84 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including

Lazio Viterbo Tarquinia S. Margherita, Cathedral6. Hutzel, Max 1960-1990 Old church destroyed in a fire in 1643. It was rebuilt in 1646, restored in the late 19th century, with the facade and campanile restored in 1933. Exterior views include the facade and portal. Interior photos, aside from a few of the nave and altar, focus on the set of frescoes by Pastura with their painted friezes. Prints (no negs.) of the Tree of Jesse and ecclesiastical portraits in the Sala Consigliare. Pastura's paintings include scenes from the Life of the Virgin as well as paintings of saints and sibyls. Object Notes: Hutzel photo campaign date: December 13, 1982. No negs for the "Sala Consigliare." Prints include a Tree of Jesse and portraits of ecclesiastics. General Notes: Hutzel notes nos. 1-29 can in part be found under "General Views" of Tarquinia. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referre

Lazio Viterbo Vetralla Duomo. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Magliano Sabina Cathedral5. Hutzel, Max 1960-1990 Exterior views of facade (18th century) and portals (15th century. Views of restored interior: frescoes in apse of the Coronation of the Virgin, Annunciation and the Birth and Death of the son of Uliano, nobleman of Magliano; decorative ceiling fresoes; altarpieces, and marble altars. Treasury: chasuble of silver and gold brocade decorated with saints (18th century), portraits of bishops (15th-17th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Ascoli Piceno Offida S. Agostino0. Hutzel, Max 1960-1990 Six exterior views with an an emphasis on the portals; interior views of the nave, altars, and choir. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Caterina. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, metalwork, tapestry, painting. Baroque church which contains a painting of the Transfiguration by Giovanni Giacomo Pandolfi (1595). In the sacristy are displayed vestments and a silver cross with an elaborately carved base. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photography of the end of the church; Carp, S. (Kutno, 1870-1900 (1870-00-00-1900-00-00);

Umbria Perugia Vallo di Nera S. Maria1. Hutzel, Max 1960-1990 Medieval: Exterior, architecture and architectural sculpture (12th-13th centuries). Post-medieval: Fresco painting, partially destroyed after 1973 earthquake (12th-17th centuries) General Notes: Hutzel sent sheet from earlier photo campaign of same site, comprising 92 prints. Sheet indicates mainly painting material. Able to locate only 3 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra18. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resu

Marches Pesaro e Urbino Pergola S. Francesco2. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture (13th century); carved Trecento portal; painted crucifix (14th century Marchigian with Riminese influence). Post-medieval: 16th() century interior; paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra19. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resu

Lazio Roma Rome S. Maria in Vallicella4. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Cori S. Salvatore6. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, wooden crucifix. The church contains frescoes of the Nativity and the Adoration of the Magi by the Tuscan artist Anastasio Fontebuoni (1610). Exterior, altar, crucifix, and paintings. General Notes: There were two sets of prints which have now been integrated into a single numerical sequence. Many of the prints have duplicates. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

, Steinhof - Leopoldskirche - Interior view, postcard, Paul Ledermann -, producer

Umbria Perugia Spello S. Lorenzo3. Hutzel, Max 1960-1990 S. Lorenzo (1120) stands on the site of the former S. Ercolano. Exterior views of the portal (13th century) and facade (remodelled in 1540). Interior views focus on the painting and sculpture (15th-18th centuries): marble intarsia baptismal font (1607); main altar baldachin (an imitation of the one in St. Peter's, Rome); wood intarsia choirstalls; wooden wardrobe and chest in the Sacristy with the intarsiaed figured of Moses, Noah and Zaccariah; wooden pulpit with bas-reliefs of the Martyrdom of S. Lorenzo; frescoes in the neoclassical Cappella dell'Incoronata; marble tabernacle in the Cappella del Sacramento; baroque altar of St. Catherine; frescoes of the Madonna and Child (by Gozzoli), S. Lorenzo, and S. Bernardino da Siena; altar painting of the Glorification of Souls in Purgatory; gilt statue of S. Nicola; and various other paintings, frescoes and statues. Antiquities: Roman spolia: funerary inscriptions and plutei around th

Abruzzo L'Aquila L'Aquila S. Silvestro4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Post-medieval: Architecture, architectural sculpture, painting, fresco, baptismal font Nine exterior views, including 1320 facade. Views of interior both before and after 1968 restoration, many showing apse frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Veroli S. Maria Salome4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, stone reliquary, frescoes, inscription fragments. According to tradition, the church (and crypt below) was built in 1209 to house the relics of the mother of the Apostles James and John. The structure was restored in the medieval period (1350) after an earthquake. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco ceiling decoration. The interior and exterior of the church were largely restored in the 18th century. Triptych of the Madonna, Child and Saints signed F. D. Hispanus and dated 1561. General Notes: 2 sets of prints for the same site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Lazio Roma Rome S. Agata. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting Object Notes: Popular among inhabitants of Trastevere since it houses the "Madonna de Noantri, patron of the quarter and fulcrum of a popular series of summer festivals. Located next to San Crisogono. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Interior of the house chapel.

Bliżej Kultury unknown

Abruzzo Chieti Lanciano S. Maria del Ponte, Cathedral7. Hutzel, Max 1960-1990 The cathedral itself dates from the 15th cent. and incorporated Diocletian's bridge into its structure. The cathedral was heavily renovated from 1785-88, giving the Cathedral a Baroque-Neoclassical facade and interior. There are general views of the church exterior and the bridge. Interior views include the nave and cupola, both of which date from the 1785-88 restoration. The high altar contains sculptural figures; as well, there is a sculpture of the Madonna del Ponte dating from the 14th cent. Paintings include frescoes of the 4 evangelists in the pendentives of the cupola and of the Last Supper, the Holy Family, the Madonna Enthroned and saints being stoned to death. The paintings date from the 18th century. Cathedral is built around a bridge said to date from the 300s and built by Diocletian. It was renovated around 1000. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy fr

Tuscany Siena Monte Amiata Abbazia di S. Salvatore3. Hutzel, Max 1960-1990 Lombard church dating perhaps from the 8th century. Exterior views of facade. Interior views of nave, raised apse, few paintings and architectural details. Object Notes: No Hutzel campaign notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Ignazio di Loyola16. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Campania Caserta Aversa S. Maria Maddalena. Hutzel, Max 1960-1990 Medieval: Architecture (13th century). Post-medieval: Architecture and architectural decoration (18th century); crucifix German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Collestatte Parish Church1. Hutzel, Max 1960-1990 Exterior views of Baroque church and tower. Interior views of nave and altar. Sculpture includes statues of S. Sebastian and possibly S. Joseph, and a baptismal font. Paintings include scenes of the Presentation at the Temple and a Madonna and Child with 3 saints. Object Notes: Hutzel photo campaign is undated. This church is not documented in TCI, but only in Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sweden, Gästrikland, Gävleborg (depicted, place) Sverige, Gästrikland, Gävleborg (Avbildad, ort)

Dziedziełą/Dziedzieły Owicz/Dziedzice (Bia Ou). Church Parish of the Most of the Lord of Jesus (p. 18th century) - the sight of the grandson in the direction of the main story; around 1900-1914 (1900-00-00-1914-00-00);

Jesuitenkirche Colomea, Inne.

S UCK (white). Church parish Antoni (formerly Bernardines) - a view of the entitled to the side of the side; around 1900-1914 (1910-00-00-1914-00-00);

Bliżej Kultury unknown

Lazio Roma Rome SS. Nereo e Achilleo. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, sculpture, mosaics, intarsia. Post-medieval: Architectural sculpture, painting, fresco, tapestries Object Notes: Located on via delle Terme di Caracalla. Church dates from 4th century, actual church today conserves restorations of 8th and 9th centuries, and the later and larger restoration of the 15th century. In the 16th century, Cardinal Baronio stipulated in his will that things should remain unchanged in the design of the church. Mosaics in the apse are creation of late Byzantine during pontificate of Leone III (795-816). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, R

Interior of the Abbey Church Rolduc, Anonymous (Monumentenzorg) (Attributed to), 1890 - 1920 photograph Rolduc photographic support. cardboard albumen print interior of church Rolduc

Umbria Perugia Bevagna Santuario della Madonna delle Grazie. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Visso S. Maria, Collegiate Church1. Hutzel, Max 1960-1990 Detailed views of the 14th century exterior architecture of the church, including portals, and details of columns and capitals. There are general interior views, with detailed photos showing the paintings, both on the screen behind the main altar and behind side altars. There are also many photos of painting fragments from the late Medieval and early Renaissance periods. Sculptural photos include a wooden crucifix and basins or altars (perhaps antique) with human face motifs. Object Notes: Hutzel photo campaign date: June 30, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

Mohylew Church Interior

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile54. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Hehl Christoph (1847-1911), Herz-Jesu-Kirche, Berlin-Prenzlauer Berg (1899-1899): Perspective interior view on the choir. Light pressure on paper, 48.9 x 32.8 cm (including scan edges)

Heart of the church in Folina. .

Stalls from the Choir Top of the High Altar, Church Saint-Gervais-Saint-Protais, 4th arrondissement, Paris Choir's stalls taken towards the master altar, Church Saint-Gervais-Saint-Protais, Paris (IV�re Arr.), 1904. Photography of Eugene Atget (1857-1927).

Lazio Viterbo Viterbo Sanctuary of S. Maria della Quercia68. Hutzel, Max 1960-1990 Extensive coverage of Renaissance sanctuary's exterior, with emphasis on the church portals. Several views of bell tower. Interior views of nave and altar, aisles, ceiling and cupola, tabernacle containing the miraculous tile, paintings, sacristy, choir, holy water font. Views of main cloister and cistern. General Notes: Two sets of prints fused into single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The parish church of Santa Lucia Interior view after its bombardment, near Tolmein, Isonzo valley. Photographer: Stargl.

Lazio Frosinone Vallecorsa S. Michele. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, wooden crucifix. This church was destroyed in WWII, and all that remains of the original structure are some paintings by Jacopo Zucchi. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Environs of Jerusalem. El Kubeibeh. Franciscan church. Main aisle of restored Crusader church. Catholic church at al-Qubaybah (al-Qubeibah), Jerusalem Governate, West Bank. 1920, West Bank, al-Qubaybah, Al-Qubaybah, Israel

Lazio Rieti Casperia Chiesa dell'Annunziata4. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting. Church was built in 1609 by Girolamo Saraceni. Painting by Sassoferrato depicting the Annunciation above main altar. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Choir of the new synagogue in Berlin; Berliner Synagogan. Part of travel album European cities, presumably Swedish.

Tuscany Grosseto Pieve ad Lamulas Parrocchiale. Hutzel, Max 1960-1990 The foundations of this parish church date from before 1000, and the church itself dates from the 13th century. It was restored 1932-40. Exterior photos include a view, the facade, and the semicircular apsidal chapels (the oldest remaining portion of the church). Views of the interior include the nave, altar and aisles. Sculptural photos include a wooden Madonna & Child and architectural details, such as capitals with vegetal and animal motifs. Object Notes: Hutzel photo campaign is undated. There are missing negatives. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque mo

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio3. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annunciat

Umbria Perugia Gubbio S. Domenico3. Hutzel, Max 1960-1990 Exterior views of the church in the Medieval core collection show a 14th-century facade. Most views are of the restored baroque interior (1765): the altar paintings which line the nave, chapel ceiling frescoes of the four Evangelists, wood intarsia choirstalls and a pulpit. Painting subjects include: the Last Supper, S. Domenico, S. Vincenzo Ferreri, S. Chiara, S. Martino, St. Peter Martyr, St. Francis, St. John the Baptist, the Annunciation, the Three Magi, the Flagellation, Mary Magdalene, and Christ Entombed. Object Notes: Hutzel photo campaign date: November 8, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Collotype - Interior of a Roman Catholic church, Maisonneuve, Montreal, QC, about 1910

Marches Macerata Mevale Pieve6. Hutzel, Max 1960-1990 Parish church dating from the 13th century with interior decoration dating until the 16th century. Mevale is the home of the Angelucci family, who were artists and woodworkers in the 15th and 16th centuries. The interior frescoes include a Last Judgment (1601), a Trinity (1560), Apostles in the Oratorium, a Madonna of the Rosary (1571), and a chivalric tournament (15th cent.). A Pieta in the lunette in the Oratorium is believed to have been painted by Perugino, in whose workshop one of the Angelucci worked. There is also a Madonna in the Byzantine style, dating from the 13th century. The confessional is used as well for a chancel, the work of Ancanio Poggini (1580). Object Notes: Hutzel photo campaign date: September 26, 1983. Negs. of columns and stone lion may belong to another site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

Umbria Perugia S. Mamiliano S. Biagio7. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (Hutzel attributes to Mezzastris School); painting by Iacopo Siculo (1530); sculpture including statues, busts, baptismal font, monstrance German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Leżajsk church of St. Of the Trinity (formerly WYCHOGRABCH) altar .. unknown

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral2. Hutzel, Max 1960-1990 Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a radical restoration in the 18th cent. in the Baroque style. The campanile was built in 1335. Photos include exterior views of the facade and the campanile along with several details. The interior views show the Baroque nave with its vaults and cupola. There are paintings in the vaults and over the altars, including one of St. Thomas & Christ over the main altar. There are also photos of the marble paliotto in front of the altar (17th cent.). Other interior details are the baptismal font, a wooden statue of the Madonna & Child, and wooden statues of two saints, one St. Peter. There are also several photos of the crypt, including a few of the painting fragments remaining there. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Roermond, Hegemann & Bingen, Altar in the Munsterkerk in Roermond, verso - handwritten, photograph, photo, photos, topography, Hegemann & Bingen, CG Weers, court photographer, Roermond, recto - printed, 15th century altar, Munsterkerk Roermond, topography, Joseph Cuypers, verso - stamped, 18, height 359 mm, width 298 mm, Dutch, photographer, 1890 - 1910, photographic paper, photo paper, cardboard, daylight collodion silver print

Lazio Rieti Rieti S. Caterina. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, metalwork, tapestry, painting. Baroque church which contains a painting of the Transfiguration by Giovanni Giacomo Pandolfi (1595). In the sacristy are displayed vestments and a silver cross with an elaborately carved base. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Agata2. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting Object Notes: Popular among inhabitants of Trastevere since it houses the "Madonna de Noantri, patron of the quarter and fulcrum of a popular series of summer festivals. Located next to San Crisogono. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Trevignano Romano Assunta. Hutzel, Max 1960-1990 Three exterior views of 16th c. church. Interior views of nave and altar, with detail views of apse fresco. View of side altar fresco and Pieta sculpture, a tryptych, edicola, holy water stoop, baptismal. Antiquities: Roman tablet fragment German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Narni S. Giovenale, Cathedral96. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Marches Macerata San Severino Marche S. Agostino, Cathedral5. Hutzel, Max 1960-1990 Exterior views of the 15th-century facade with its gothic portal. Views also of the oratory and baroque portal. The interior, restored in 1776 and 1827, is neoclassical. Views in prints H-6 and H-9 show a small barrel-vaulted chapel with a modern main altar painting of the Last Supper. This is either the oratory or a misidentifed church interior. Other views include: wooden crucifixes; an intarsia door to the sacristy and intarsia panels by Indivini; various altar paintings; a silver statue of St. Severino with a crozier, a painting of the Madonna and Child with angels and a kneeling donor by Pinturicchio; a reliquary; a silver plate; a small painted ceramic statue of the Pieta; and a series of sketches from an album of an artist from San Severino Marche. Object Notes: Hutzel photo campaign date: April 8, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ear

Lazio Viterbo Soriano nel Cimino S. Eutizio2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Norma Parrocchiale6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

st, Passauer Platz - Maria am Gestade - interior view - view against high altar, Bruno Reiffenstein -, photographer

Umbria Terni Collestatte Parish Church7. Hutzel, Max 1960-1990 Exterior views of Baroque church and tower. Interior views of nave and altar. Sculpture includes statues of S. Sebastian and possibly S. Joseph, and a baptismal font. Paintings include scenes of the Presentation at the Temple and a Madonna and Child with 3 saints. Object Notes: Hutzel photo campaign is undated. This church is not documented in TCI, but only in Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Civita Castellana S. Maria, Cathedral. Hutzel, Max 1960-1990 Views of the central nave, the altars, and the crypt ciborium. Antiquities: There is one view of the sarcophagus that serves as an altar, the print of which is missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Montefranco S. Bernardino2. Hutzel, Max 1960-1990 Post-medieval: Architecture, fresco fragments, fresco paintings, architectural sculpture, painting, sculpture, tomb sculpture Object Notes: Some of the architecture exterior and interior derive from ancient/medieval structure, but are here filed with Post-Medieval for sake of unity of collection. Hutzel provides text which describes the location as "Monzano" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Tossicia S. Maria Assunta0. Hutzel, Max 1960-1990 External views of church and facade with its carved human heads, although in most part rather rustic. Photos of late Renaissance interior (1570) with its curved moldings and ornamentation in the time between the Renaissance and Baroque. It is not as ornate as later Baroque interiors. There are details of a painting of the Assumption, the pulpit and the ornate high altar of wood decorated with gold. There are also a few photos of restoration taking place. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by pro

College church of Innichen.

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime2. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Abruzzo Teramo Teramo S. Berardo, Cathedral1. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Lazio Viterbo Viterbo S. Maria Nuova5. Hutzel, Max 1960-1990 Exterior and interior views of nave and altar in Medieval collection. In Hutzel collection are views of paintings, frescoes, architectural details, throne. Owner: S. Maria Nuova General Notes: Seventy-one catalogued views in Medieval core collection and fifty-one uncatalogued, some of which do not have matching negs. Two numerical sequences have been fused into one; see guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata San Severino Marche Duomo Vecchio1. Hutzel, Max 1960-1990 Exterior views of this 14th-century church include a bell tower (11th century), belfry, buttresses, portals, and a cloister walk, well-head, loggia, columns and capitals (13th century). Views of the baroque interior (17th century) include an ornate wooden ceiling with the Papal coat-of-arms in the center, an organ, and an altarpiece with angels. Most views are of intarsia choirstalls (1483-1513) and the frescoes of the story of St. John the Evangelist (or St. Joseph) by the Salimbeni brothers. There are also views of a room containing the sculpted tomb effigies of St. Severino and St. Vittorino, with paintings and mosaics of the life of St. Severino. This room or aisle may be incorrectly identified by Hutzel. Object Notes: Hutzel photo campaign date: April 8, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

Abruzzo Chieti Lanciano S. Maria del Ponte, Cathedral6. Hutzel, Max 1960-1990 The cathedral itself dates from the 15th cent. and incorporated Diocletian's bridge into its structure. The cathedral was heavily renovated from 1785-88, giving the Cathedral a Baroque-Neoclassical facade and interior. There are general views of the church exterior and the bridge. Interior views include the nave and cupola, both of which date from the 1785-88 restoration. The high altar contains sculptural figures; as well, there is a sculpture of the Madonna del Ponte dating from the 14th cent. Paintings include frescoes of the 4 evangelists in the pendentives of the cupola and of the Last Supper, the Holy Family, the Madonna Enthroned and saints being stoned to death. The paintings date from the 18th century. Cathedral is built around a bridge said to date from the 300s and built by Diocletian. It was renovated around 1000. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy fr

BYDGOSZCZ The Church of the Holy Trinity interior

Miechów, the Church of the Gods (Basilica of the God's grave), interior, view towards the presbytery unknown

Lazio Roma Rome S. Lucia del Gonfalone. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting, stucco, coffers. on via dei Banchi Vecchi General Notes: Church was built primarily in the 14th century for the antique confraternity of the Gonfalone. The foundation was refurbished in 1764 by Marco David in Baroque style, restored in 1866 by Azzurri. No information provided by Hutzel. Negative #12 was missing from shipment. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Amatrice S. Francesco. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture. S. Francesco is a large Romanesque/Gothic church, dating to the late 14th century. The facade has a richly ornamented portal. In the lunette of the portal are figures of polychromed terracotta representing the Madonna and Child with 2 angels. Post-medieval: Views of the exterior and interior, including: wooden pulpit, Baroque altar and tabernacle, sculpture, frescoes. The walls within the church are covered with fresco decoration from the 15th century by artists of the Marche school. The Nativity, the Madonna Enthroned with Saints, the Tree of Jesse, the Coronation of the Virgin, and the Last Judgment are some of the scenes depicted. The church also contains a Baroque altar created by Giovanni Battista Gigli, created to house a gothic reliquary attributed to Pietro Vannini (1472). Object Notes: Coverage offers views of the exterior and interior of the church, including the main por

Abruzzo L'Aquila Pescocostanzo Basilica0. Hutzel, Max 1960-1990 Medieval: Wood statues (2) (9-10, 12th century); stone bust (10th century Post-medieval: Architecture, architectural sculpture, painting, sculpture, objects in the museum German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Choir from the South Transept - Notre Dame Cathedral, circa 1902

Lazio Roma Poli S. Pietro, Parish church. Hutzel, Max 1960-1990 Two exterior views of 17th c. church bell tower. Views of baroque interior nave, side altars, and altar paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Lorenzo fuori le Mura (Church). Hutzel, Max 1960-1990 Interior photos only. They show the nave, aisles and arcade. There are specific photos of the ciborium. Near the altar is a 6th century mosaic of Christ in Majesty between Ss. Peter, Lorenzo, Paul, Stephen, Hyppolite and Pope Pelagio. Object Notes: Hutzel photo campaign undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Teramo S. Berardo, Cathedral6. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Choir of the new synagogue in Berlin, Anonymous, 1878 - 1890 photograph Part of travel album European cities, presumably Swedish. Berlin photographic support albumen print choir in Synagogue ~ Jewish religion Berlin

Paris (5), interior France of the Saint-Julien-le-Pauvre church , (French - Paris ( Ve arr. ) , France Intérieur de l' église Saint-Julien-le-Pauvre). Church, Christianity, Orthodox Church, candlestick, inner view, altar, furniture, arc , arcade , arceau, Middle Ages, religious architecture, Religion , Habitat , Architecture , Art, France, Paris, interior of the Church of St Julien-le-Pauvre

Umbria Perugia Castel San Felice S. Felice di Narco1. Hutzel, Max 1960-1990 Extensive coverage of surrounding town and exterior church facade, including portal, windows, and bell tower. Interior views of altars and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Seggiano Santuario della Madonna della Carita6. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, NEGATIVES PROCESSED6 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Collotype - Interior of L'Epiphanie Church, L'Epiphanie, QC, about 1910

Umbria Perugia Montefalco S. Illuminata6. Hutzel, Max 1960-1990 Exterior views of the 15th century architecture of the church; interior views of the 16th century fresco decoration. Object Notes: Hutzel shot this campaign in 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Ancona Fabriano Oratorio del Gonfalone. Hutzel, Max 1960-1990 Post-medieval: Baroque architecture (1610-1636) with highly carved and decorated wooden ceiling; paintings, some with elaborately carved frames; wooden furniture, crucifix, and altar. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Albumin paper photograph depicting the Baroque high altar in Hohenberg Church opposite Friedstein, taken by R. Prziborsky around 1890, showing detailed altar architecture and interior decoration.

Interior of the Church of the Holy Sepulchre. Calvary altar with candles and decoration removed ca. 1934.

Umbria Terni Orvieto S. Domenico6. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Calvi dell'Umbria S. Maria. Hutzel, Max 1960-1990 Exterior views of the Medieval architecture of the church; interior views of the nave and main altar show it's Baroque paintings and noted late 16th century baptismal fountain. Object Notes: Hutzel shot this in 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Żółtowski, Stefan priest

st, Passauer Platz - Maria am Gestade - interior view - view against high altar, Bruno Reiffenstein -, photographer

Marches Macerata San Severino Marche Chiesa delle Clarisse2. Hutzel, Max 1960-1990 Exterior views of the 15th-century church with its 17th century baroque facade. Interior views of the main altar, four side chapels, two transept chapels, 19th century dome frescoes and a conch fresco of Saul's Conversion on the way to Damascus. The altar (17th century), of marble intarsia is held up by four putti. The Rococo altarpiece bears the inscription Altare Gregorianum Perpetuum. Views also of a gilt organ (17th century), pulpit, and marble holy water font (1598). Object Notes: There are two prints for almost every negative; one set of prints was previously identified as S. Maria del Glorioso. General Notes: Hutzel photo campaign date: April 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in I

Samler Constantin, church interior in Aschaffenburg (without date): View of the choir, Lettner and pulpit. Photo, 16.8 x 11.2 cm (including scan edges) Samhaber Constantin: Kircheninnenraum in Aschaffenburg (ohne Dat.)

'Lady Chapel, Buckfast Abbey', late 19th-early 20th century. Artist: Unknown.

Abruzzo Chieti Lanciano S. Maria del Ponte, Cathedral9. Hutzel, Max 1960-1990 The cathedral itself dates from the 15th cent. and incorporated Diocletian's bridge into its structure. The cathedral was heavily renovated from 1785-88, giving the Cathedral a Baroque-Neoclassical facade and interior. There are general views of the church exterior and the bridge. Interior views include the nave and cupola, both of which date from the 1785-88 restoration. The high altar contains sculptural figures; as well, there is a sculpture of the Madonna del Ponte dating from the 14th cent. Paintings include frescoes of the 4 evangelists in the pendentives of the cupola and of the Last Supper, the Holy Family, the Madonna Enthroned and saints being stoned to death. The paintings date from the 18th century. Cathedral is built around a bridge said to date from the 300s and built by Diocletian. It was renovated around 1000. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy fr

Umbria Perugia San Giacomo di Spoleto S. Giacomo. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (1

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