Historic City Landscapes

Detailed etchings of various historical cities including Frankfurt, Amersfoort, and Kungbacka, showcasing architecture, landscapes, and figures from the 17th to 18th century.

View of Amersfoort, 1726, 1726 print View of Amersfoort, in the foreground country workers. Plate no. 316 in Part XIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Amersfoort

View of Tonnerre, Israel Silvestre, 1631 - 1691 print paper etching city-view, and landscape with man-made constructions Thunder

Prospect von einem Theil der grossen Stadt Mecha, Entwurff einer historischen Architectur: in Abbildung unterschiedener berühmten Gebäude, des Alterthums, und fremder Völcker, umb aus den Geschicht-Büchern, Gedächtnüss-Müntzen, Ruinen, und eigeholten wahrhafften Abrissen, von Augen zu stellen: alles mit grosses Mühe gezeichnet, und auf eigene Unkosten, Fischer von Erlach, Johann Bernhard, 1656-1723, Etching, 1725

From the history sheets, Extract of the Duke Alba from Brussels in December , Frans Franz Hogenberg -, Copper Engraver

Herd cattle at ruin, anonymous, 1620 - 1664 print Landscape with a shepherd with a herd of cattle in a ruin. (possibly) paper etching ruin of a building ~ architecture. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. herd, flock

View of Rome, Giovanni Battista Falda, After Cornelis Meijer, 1696 print View of Rome. In the middle of a banderole with text and coat of arms. Numbered in the top left and top right: 22. print maker: Italyafter drawing by: Italyafter design by: Italypublisher: Rome paper etching city-view in general; 'veduta' Rome. Tiber

Removing the posts, 1696 print Workers on small boats remove poles around a wall that they have built in the river. Numbered in the top left and top right: 7. print maker: Italyafter own design by: Italypublisher: Rome paper etching river. ships (in general). working class, labourers

Emperor Yang-Ti in a ceremonial vessel. Date: circa 600

Przemyśl on the San River. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

French Revolution. Directoir. 1st Vendemiaire An V (September 22, 1796). FEE OF THE FOUNDATION OF THE REPUBLIC. Champ-de-Mars. 7th arrondissement. (Dummy title)

Imaging of De Buyten Amstel, Des Zoomers / Imaging of De Buyten Amstel, Des Winters, 1767-1793 print Leaf with 2 shows. Above a face on the Amstel and Amsterdam in the summer with boats and swimmers. Under a face on the Amstel and Amsterdam with skaters and boats sailing in a broken sailing channel. The title under each image. Numbered in the top left: No. 155. paper letterpress printing city-view, and landscape with man-made constructions Amsterdam. Amstel (river)

Arena with sunbreak; Naumaohiae ID Est Navalis Pugnae EX Vetusteis / Lapidum et Nummorum Monumentis Graphica Deformatio; Speculum Romanae Magnificentiae. View of an arena where a sea battle is played. Spectators watch from the stands. Left and bottom right river gods. The print is part of an album.

Poort with traveler and muldier, Cornelis Brouwer, After Thomas Wijck, 1781 - 1782 print At a gate there are a man and a mule. On the right a water source. The print is loose in an album, see page 35. Amsterdam paper etching city-view, and landscape with man-made constructions. mule

View of Kasteel Bruëlis, Pieter Hendricksz. Schut, c. 1662 print View of Kapelle and the Bruëlis castle. In the foreground, a gentleman drops his hat off for a well -to -do walking couple. The print is part of an album. paper etching city-view, and landscape with man-made constructions. the rich. castle. baring the head, lifting one's hat Kapelle. Bruëlis Castle

Urbania (Marche - PU), Palazzo Ducale, Hall of Honor. Nicolaus Hogenberg, Triumphal procession of Emperor Charles V, etching. 1530

View of Franeker 1598. In the foreground Different walking and talking civilians, dressed according to fashion from around 1600. Left a man and woman with a veil overlooked. In the middle a musician who plays the lute and two running young men. On the right a group of three women and a man and a farmer's woman seen on the back. Cows in the meadow. Franeker with the big church in the middle. In the mid top Cartouche in which the name: Franeker.

Apollo and Daphne. Dated: 1582. Medium: punch engraving. Museum: National Gallery of Art, Washington DC. Author: Master IS.

Rome, Komarek, Giovanni Giacomo, Italy, Meijer, Cornelis, The art of rendering and navigating, in various modes, with alternative new inventions, and various other secrets, Removing the Piles, verso - stamped, Workmen on small boats removing piles from around a wall they have built in the river. Numbered top left and top right: 7., print, prent, prints, prenten, height 145 mm, width 210 mm, 1629 - 1701-08-23, print maker, printmaker, 1677 - 1677, paper, papier, etching, etsen, Work conception, after own design by, 1683 - 1683, Publication (Event), Publicatie, 1650 - 1705, publisher, uitgever, 1696 - 1696

C. Raben (-), Jellinge, 1743

Wall carpet with the siege of Zierikzee, 1575. Tapestry with the attempts of the Geuzen fleet under Boisot to break through the closure of the Gouwe north of Zierikzee and relieved by the Spaniards and to relieve the city, 11-12 April 1575. The ships of the Geuzen sail towards the barrier and are shot on the shores by the Spanish sheets. Spanish ships are attacked at the Palisade.

Viennas view of the north Vienna, Pannonie, from, Schedelsche World Chronicle, After, Michel Michael Wolgemut -, artist

Towers among ruins, Gerard ter Borch (I), c. 1607 - c. 1609, draughtsman: Gerard ter Borch (I), (signed by artist), Rome, (possibly), c. 1607 - c. 1609, paper, brush, h 102 mm × w 146 mm

Gezicht op Utrecht.In the foreground meadows with cows and on the left a meandering road along a ditch. An artist is sketching in the middle, while a man with a dog watches. In the background behind a row of the city with the Dom and other churches.

Ruins of the Thermen from Titus in Rome, Etienne Dupérac, 1575 View of the ruins of the Thermen of Titus in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Thermen from Titus View of the ruins of the Thermen of Titus in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Thermen from Titus

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. View of the siege works for a city ('Condet' = Condé). In the top right of the number 8 (= the number of the page in the book to which the illustration is placed).

View of the town of Bolsward. In the foreground, outside the city walls, igrasing cows and a shepherd. Above the townscape a cartouche with the name of the town and its coat of arms, View of Bolsward Towns and Settlements in the Republic of the Netherlands Thooneel der Steden ende Sterckten van 't Vereenight Nederlandt met d'aengrensende Plaetsen , print maker: Gaspar Bouttats, intermediary draughtsman: Jan Peeters, publisher: Gaspar Bouttats, Antwerp, 1679, paper, etching, h 70 mm × w 242 mm

The Burgundians under Charles le Temeraire are soundly thrashed by the Swiss despite having twice as many men : Charles will come back for more and lose again at Morat. Date: 2 March 1476

Page K: seventeenth and eighteenth floats, 1767, Pieter Wauters, 1767 Leaf K with the seventeenth and eighteenth floats and the fifteenth and sixteenth animals. Seventeenth floats with the allegorical imagination of the winter season. Fifteenth animal: Dromedaris. Eighteenth float with a temple with the seven free arts. Sixteenth animal: Bever. Marked: K / 32-35. Part of the parade at the celebration on 30 May 1767 of the 700-year anniversary of Saint Macarius, pattern of the city of Ghent and patron saint against the plague. Ghent paper etching / engraving Ghent Leaf K with the seventeenth and eighteenth floats and the fifteenth and sixteenth animals. Seventeenth floats with the allegorical imagination of the winter season. Fifteenth animal: Dromedaris. Eighteenth float with a temple with the seven free arts. Sixteenth animal: Bever. Marked: K / 32-35. Part of the parade at the celebration on 30 May 1767 of the 700-year anniversary of Saint Macarius, pattern of the city of Ghent and

Grote Markt in Haarlem. Draughtsman: Gerard ter Borch (II). Draughtsman: Pieter de Molijn (rejected attribution). Dating: 1634. Place: Haarlem. Measurements: h 163 mm × w 203 mm. Museum: Rijksmuseum, Amsterdam.

Print (France)

Wie die Neapolitanische Edel Frauen al'Fresco sehen fahren. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Gezicht op een stad aan het water. Gezichten rond de Middellandse Zee (series title). Draughtsman: Johan Teyler. Dating: 1679 - 1683. Measurements: h 118 mm × w 232 mm. Museum: Rijksmuseum, Amsterdam.

Woodcut from the Strasbourg Virgil,1502. Artist: Unknown

At Woolwich with part of the Town, Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after T. & I. Milton, 18th century, 1753, Color engraving

Letter with a face in Veenvliet. Draughtsman: Pieter van Loon. Dating: 1870. Measurements: h 210 mm × w 238 mm. Museum: Rijksmuseum, Amsterdam.

The Taking of the City ofWashington. Engraver: Unknown

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Vellert, Dirk (Ca 1480 1547)

Dorps fair (left part), Anonymous, After Hans Sebald Beham, in or after 1539 print paper public festivities

States of Holland and West Friesland, Amsterdam, Schenk, Pieter (I), Theater of War, Beginning with King Charles II. Up to King Charles III. Existing in IX. Historical Figures on an Elephant Sheet, as Battles, Sieges on Water and on Land, with the most important Fortresses, Theater of the war (sheet XVI), 1715, Sheet with nine representations of events from the year 1715 and two maps. Sheet XVI in: Theater of the war (edition of 1720), the print work with the bundled series of 31 plates about the War of the Spanish Succession., print, prints, Frederik Muller Historieplaten, height 538 mm, width 635 mm, Noord-Nederlands, 1660-12-26 - 1711, print maker, printmaker, 1715 - 1720, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher, uitgever, verlener, verlener van privilege

A Building on a Hill with Saint Peter's in the Distance. Dated: 1744/1750. Dimensions: sheet: 12.9 x 18.5 cm (5 1/16 x 7 5/16 in.) page size: 42.5 x 27.7 cm (16 3/4 x 10 7/8 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph-Marie Vien.

September one October, Adriaen Collaert, After Hans Bol, 1578 - 1582 print Two round lists with autumn landscapes and Najaart scenes. Left September, the fruit month. Central is the fruit harvest. Men and women pick apples from an orchard. In the middle of the constellation Libra. On the right October, the wine month. Central is the grape picking and making and tons of wine. Men, women and children pick and press grapes. The wine is then poured into tons. In the middle of the constellation Scorpio. The print is part of a series over the twelve months. Antwerp paper engraving vintage, grape harvest. picking fruit. October and its 'labours' (+ with zodiacal signs). picking fruit. September and its 'labours' (+ with zodiacal signs). fruit harvest

LERIDA - DIBUJO - AGUADA - SEPIA - 1563 - 283X1276MM. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: BIBLIOTECA NACIONAL-COLECCION. WIEN. AUSTRIA.

Print (Germany)

Kudde Goats at a Poort, Cornelis Brouwer, After Simon van der Does, 1781 - 1786 print A shepherd with a herd of goats at a gate. In the background cypresses. The print is loose in an album, see magazine 39. Amsterdam paper landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. goat

Dutch East Indiaman 1647 Wenceslaus Hollar Bohemian Dutch East Indiaman; six men on a raft caulking the planks of hull of vessel in harbour, with carpenters at work on the deck; fully fitted-out ship careened in the water to right, with sailors on a raft treating the under-water timber among clouds of black smoke.. Dutch East Indiaman 361533

Triumph procession with elephants, triumph trolleys and a triumphal arch; The Iure Triumphali Ioannes Zonara Historiam Tomo 2 Plutarch; Roman triumphs; Amplissimi Ornatißimiq Triumphi, Uti. L. Pavlvs de Rege Macedonum Perse Capto, P. Africanus Aemilianus de Carthage: Nensibus Excisis. C N. Pompeius Magnus Ex Oriente, Julius August: Tus, Vespasian (...). Procession of elephants, triumph trolles that are continued by horses and women with children who go under a triumphal arch. Title in Latin in undermarge. Print is part of an album.

Veeue de la Tour des Paqueurs, from the album: Description de la Fameuse ville d'Amsterdam ...; Leth, Hendrick de (1703-1766); around 1740 (1701-00-00-1800-00-00);Amsterdam (Netherlands), Netherlands, albums, architecture, shoulders (transport), Dutch graphics, Dutch (culture), relay, inland waterway transport, weduty, city views, towers, towers (archite.), Team, boats, water locks

Henry Swinburne, 1743-1803, British, Blois, From the West, undated. Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Landscape with a castle on a mountain, Adriaen van Stalbemt, 1590 - 1662 print There are a castle and a church on a mountain. On the right in the foreground two travelers on the road and a sitting man. A bay on the right in the background. Antwerp paper etching landscape with tower or castle

Karel la Fargue, Castle by a River, 1748-1793, black chalk on paper.

BARCELONA - DIBUJO - AGUADA - 1563 - 422X980MM. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: BIBLIOTECA NACIONAL-COLECCION. WIEN. AUSTRIA.

View of Serinhaem, ca. 1637, 1645 - 1647 View of the city of Serinhaem, ca. 1637. In the foreground an ox wagon near a stream. In the air the winged banderol with the title and a weapon with a horse. In the caption the explanation of the letters A-e in Latin. Plate nr. 12 In a series of 55 performances from the trip to and the stay in Brazil by Count Johan Maurits van Nassau in the years 1636-1644. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Serinhaem View of the city of Serinhaem, ca. 1637. In the foreground an ox wagon near a stream. In the air the winged banderol with the title and a weapon with a horse. In the caption the explanation of the letters A-e in Latin. Plate nr. 12 In a series of 55 performances from the trip to and the stay in Brazil by Count Johan Maurits van Nassau in the years 1636-1644. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Serinhaem

The Tower of London, plate five from Britannia Illustrata. Jan Kip (Dutch, c. 1653-1722); after Leonard Knyff (Dutch, 1650-1721); published by David Mortier (French, 1673-1728). Date: 1707. Dimensions: 322 x 476 mm (image); 352 x 484 mm (primary support, platemark not visible); 443 x 500 mm (secondary support). Etching in black on buff laid paper, laid down on cream wove paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Johannes Kip.

Maria de 'Medici and Karel I at the Guildhall, 1639 Maria de 'Medici and Karel I at the Guildhall. There are three carriages and various considerable people watch. A garden and fields in the distance. The print is part of a book about the reception of the French king mother Maria de 'Medici to England. London paper etching Guildhall Maria de 'Medici and Karel I at the Guildhall. There are three carriages and various considerable people watch. A garden and fields in the distance. The print is part of a book about the reception of the French king mother Maria de 'Medici to England. London paper etching Guildhall

Print (France)

Venice, Canaletto, Vedute altre prese da i Luoghi altre ideate da Antonio Canal, Views of existing and imaginary places, Landscape with a wagon on a bridge, Landscape with a bridge over a river. A wagon drawn by oxen goes over the bridge. In the foreground men in a boat., print, prints, height 143 mm, width 126 mm, Italian, 1697 - 1768-04-20, print maker, printmaker, 1707 - 1768, paper, papier, etching, etchings, Work conception, after own design by

Proclamation in Ghent of Karel II of Spain as Count of Flanders (page 2), 1666, 1666 - 1667 print Ceremony on the Vrijdagmarkt in Ghent at the proclamation of the Spanish King Charles II as Count of Flanders, May 2, 1666. Page 2 in an unassembled ensemble of 12 plates of the ceremony and cavalcade on the square and 118 portraits of the high -quality skiers who are at the ceremony. Numbered at the top right: 2. Southern Netherlands paper etching / engraving ceremonial procession, parade, pageant ~ installation of a ruler. festivities (+ parade, pageant, cavalcade ~ festive activities) Friday market

Jacopo de' Barbari, View of Venice (upper center block), 1500 View of Venice upper center block

Burcht aan de Water, Anthonie Waterloo, 1725 - 1832 print On the water is a castle with a round tower. In the front, a man controls a rowing boat with figures and cows. At the top left the letter f. publisher: Amsterdampublisher: Parispublisher: Paris paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). landscape with tower or castle. rowing-boat, canoe, etc.. cow

Sadeler, Johann (I), unknown, Qvi habet, det non habenti, Charitas nvnqvam exidit, Landscape with the lame man leading the blind, verso lower left - stamped, The lame man sits on the back of the blind man who is walking over a small bridge along a wide river. He leads the way. In the background a view of a city with a large church and a bridge., print, prints, height 214 mm, width 271 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1560 - 1600, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Souvenir of the 1867 exhibition

. A landscape in which Europe is raised by Jupiter in the form of a bull over the water. On the left side of the shore, two service stations watch. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Castle of Egmond (Egmond aan den Hoef), 11th century. Egmond castle on Den Hoef, the Hof van Egmond in Welstand, surrounded by water. Left in the distance the village of Egmond aan Zee, right Alkmaar. In the foreground examples of people from all kinds of grades and positions. Two angels with a weapon in the air. Under and above the legend. To a painting in the Six van Hillegrom collection, earlier on loan in the Rijksmuseum (no. 62).

Slot Ericsberg in Vogdluchtspectief, Willem Swidde, 1694 The print is part of an album. paper etching Slot Ericsberg The print is part of an album. paper etching Slot Ericsberg

Landscape with Ruined Monuments, from Vedute 1735-1744 Italy. Curiously, Canaletto never printed either of these energetic capriccio landscapes (depictions of fantastic architecture or ruins) individually. Instead, they exist only as a pair on a single sheet (for the right half, see 1922.1381.14). While both images include fictional antiquarian architectural elements, it is not known why the artist combined them. Perhaps it was their mirrored compositions when placed side by side, both images slope inward toward a church that straddles the margin between the plates and connects the two scenes.. Etching in black on ivory laid paper . Canaletto

Etching on paper by Filippo Marinelli depicting Schloßplatz at the royal palace in Naples with prepared fireworks for the birthday of Emperor Charles VI in 1722.

Siege of La Rochelle. From 10th January 1627 to 28th October 1628. ca. 1640. Detail. Anonymous. Oil on canvas. FRANCE. ëLE-DE-FRANCE. YVELINES. Versailles. National Museum of Versailles.

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Floor plan for a fortress, fort or reinforcement. Below that a face on a city at the foot of a mountain on which is a fortress (Orange). In the foreground two soldiers with a cannon. In the corner at the top left the number 85 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching fortifications, military engineering. mathematics. prospect of city, town panorama, silhouette of city. (high) hill. firearms: cannon Orange

Jacques Callot (1592-1635). "Voyage to the Holy Land, tenth board" (Lieure 319). Etching and chisel. 1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99610-3 Chisel, etching, engraving

Print (France)

Print made by unknown artist, twentieth century, From Hollar's `View of London, 1647' (Sheet III), 1907. Reproduction.

View of Bolsward, Jacob Folkema, 1702 - 1725 print View of the city of Bolsward above which a banderole with the name and weapon of the city is adorned. In the margin there are two lines of text in Dutch, completely marked in the bottom right: 2. The print is part of a series of prints with cityscapes on various cities in Friesland. paper etching city-view, and landscape with man-made constructions Bolsward

Insert map of Delfland Water Board. Delfland Delfland Water Board insert on the map Figurative from Delft. To the left of the map a clearer: Milliare Hollandicu Sive 2000 Virgae Rhynlandicae. Around the map the weapon of the water board (above); putti, objects and animals that refer to agriculture, yacht and fishing; And below an image of Honselaarsdijk Palace (left) and one from home ter Nieubvil (right) surrounded by the weapons of the thirteen main crafts of the water board.

Jacques Callot (French, 1592 - 1635), House of Pilate, 1619, etching and engraving on laid paper restrike

View of Haarlem, consisting of three parts, Jan van de Velde (II), after Pieter de Molijn, 1726 - 1750 print View of Haarlem, seen from the north. At the top left a cloud containing the weapon of Haarlem with weapon preach (Vicit Vim Virtus), worn by two tritons. To the right of that the weapon of the Graafschap Holland. The buildings (Sint-Bavokerk in the middle) are equipped with numbers. Bottom left, on a stone, the names of the buildings in question in a legend 1-23. At the top in the middle a cloud with the personifications of caution (left) and strength (right). Between the personifications a dry tree with five coats of arms, including that of Haarlem, and two clocks (the 'Klockjes van Damiate' or 'Damiaatjes'). Under the tree a boat with a saw on the bow. This performance refers to the conquest of Damiate. To the right of the middle cloud the weapon of Maurits van Oranje. At the top right a cloud with a coat of arms with a dry tree (reference to the Haarlemmerhout), supported by

Marche aux Fleurs and Pont-au-Change, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, engraver's proof

Bremen in the Middle Ages in 1620, Germany, illustration from 1880 / Bremen im Mittelalter im Jahre 1620, Deutschland, Illustration aus 1880, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,.

Three seascapes; Vere; Den Briel; Landscapes and marines. Three plates printed on a sheet of paper. Above a seascape with a boat at a rocky coastline. In the middle a seascape on veere, under a face on the port of Brielle.

Augustin Hirschvogel, Landscape with Castle at Right, Surrounded by Rocks, 1546 Landscape with Castle at Right, Surrounded by Rocks

A 1496 woodcut by Johann Reger depicting a fleet at sea, illustrating 15th-century European maritime and military subjects.

Amsterdam, Allart, Johannes, Netherlands, Vrijdag, Daniël, Beeld van het Groote Vlot te St. Malo, Vlot van Saint-Malo, 1797, verso - stamped, French raft or floating castle which had to be able to transport 15, 000 with horses and artillery. Designed by the French engineer Le Blanc for the invasion of England from France, February 1797. In the center of the raft a fortress or castle, on the four corners wheels in the water driven by windmills or horsepower. In the caption the legend 1-5., print, prent, prints, Frederik Muller Historical Plates, height 272 mm, width 453 mm, Northern Netherlands, 1765 - 1765, print maker, printmaker, 1798 - 1798, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, Dutch, publisher

View of Amsterdam, seen from the West, Pieter Bast, 1601 print View of Amsterdam, seen from the West. On the left in the foreground is a man, possibly the artist, to draw the city. Before him lying on the grass his cloak and swords. Right in the foreground a child, wife and two men. In the middle plan cows in a meadow, a cow is mixed and a woman with a milk juice walks on her shoulders. In the background the city, with the new church to the right of the middle and the old church on the left. At the far left of the harbor, with masts that protrude above the city wall. At the top left a cartouche with the Wapen van Holland and the assignment to the city council of Amsterdam. At the top in the middle two angels with a banderole with the title. At the top right a cartouche with the Wapen van Amsterdam and the assignment to the Admiralty of the city. paper engraving prospect of city, town panorama, silhouette of city. milkmaid. milking. carrying something with yoke. cow. portrait, self-por

Two faces on Antwerp (), draughtsman: Gilles Neyts, draughtsman: Josua de Grave, (rejected attribution), 1633 - 1687, paper, brush, h 173 mm × w 290 mm

Application of the new fire spray snakes, 1677, 1675 - 1677 Leaf with a large representation of the application of the new hose fire sprayers invented by Jan and Nicolaes van der Heyden when extinguishing a fire in a building in an imaginary city. At the bottom four small representations of fires in houses and on a ship and a model of the pump. Hereby the legend A-m. Belongs to the incentives at the fire spray book by Jan van der Heyden. print maker: Northern Netherlandsprinter: Amsterdam paper etching Leaf with a large representation of the application of the new hose fire sprayers invented by Jan and Nicolaes van der Heyden when extinguishing a fire in a building in an imaginary city. At the bottom four small representations of fires in houses and on a ship and a model of the pump. Hereby the legend A-m. Belongs to the incentives at the fire spray book by Jan van der Heyden. print maker: Northern Netherlandsprinter: Amsterdam paper etching

View of a city on the water. Draughtsman: anonymous. Draughtsman: Beerstraten (rejected attribution). Intermediary draughtsman: Jan van Goyen. Intermediary draughtsman: Simon de Vlieger. Dating: 1610 - 1703. Measurements: h 162 mm × w 239 mm. Museum: Rijksmuseum, Amsterdam.

Schouwburg van den War (page XVI), 1715, 1720 - 1722 print Leaf with nine performances of events from the year 1715 and two cards. Page XVI in: Schouwburg van den War (edition of 1720), the print work with the bundled series of 31 plates on the Spanish Succession War. Amsterdam paper etching deathbed. battle (+ land forces). battle (+ naval force). maps of cities. confinement, birth. Native peoples of North America United States of America. Stralsund. To reprimand. Preston. Vistula

Jan van Goyen, A Wooden Mill near a House in a Wooded Landscape, a Small Castle with a Moat Beyond, black chalk on paper.

View of the departure of two ships, Martin Engelbrecht, 1708 - 1756 print On the left and right are reinforced buildings on the waterfront. In the foreground, the ships are loaded with goods. The sea in the background. publisher: Augsburgprint maker: Germany paper. cardboard. prepared paper. watercolor (paint). deck paint etching / brush / cutting / perforating sea (seascape) (+ landscape with figures, staffage). sailing-ship, sailing-boat. rowing-boat, canoe, etc.. civic architecture; edifices; dwellings

Onna Shorei Shu. 1660. Prints. Spencer Collection

Cumae, Pieter van der AA (1), 1682 - 1730 print View of the ruins of the city of Cumae, on a hill on the Italian west coast. Sailing ships at sea sail in the background. paper etching landscapes. sailing-ship, sailing-boat. landscape with ruins. gulf, bay. coast Simply

Charles Meryon (French, 1821 - 1868), College Henri IV, 1863, graphite with touches of red chalk on laid paper

Map of the province of Groningen, consisting of four parts, Cornelis APEUS, After Wilhelm Coenders van Helder, After Frederik Coenders van Helder, 1678 print On the map itself at the bottom left of the title cartouche with a putto, a woman with a helmet on her head and a caduceus in her hand, a farmer and cattle. At the bottom in the middle two bowls: common Duytsche Mylen of 15 in a Graedt, common French mylen a uyre gaens. At the top right a cartouche with the assignment, around Putti and Fama. On the decorative edge at the top left the coat of arms of Stadholder Hendrik Casimir II of Nassau-Dietz, at the top right the coat of arms of the province of Groningen. At the far left images of twelve Groningen guarantees, to the right of it a Corinthian column with the accompanying family weapons. At the far right images of twelve Groningen guarantees, on the left a Corinthian column with the accompanying family weapons. At the bottom of the decorative edge, from left to right, the coat of

Panorama of Rome. Panorama of Rome, to a drawing of Hendrick van Cleef, probably made between 1551 and 1555. The print consists of five parts, which connect horizontally.

Print made by William Thomas, active 1783- died 1800, Gallion near Vernon the Palace of the Archbishop of Rouen, 1793. Etching and line engraving on medium, slightly textured, cream wove paper.

Nathan the wise, Satire for the revolution in using Lessings ring parabola, Hahn, Lithograph

Widok Campo Santi Giovanni e Paolo. Marieschi, Michele (1710-1744), graphic artist

Chteau de Mauvezin, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm) and Sheet: 5 15/16 × 6 5/8 inches (15.1 × 16.8 cm)

Fontein OP Piazza Navona Te Rome, Domenico Parasacchi, 1637 print Print is part of an album. paper etching ornamental fountain Piazza Navona

The Siege of La Rochelle plate 16 of 16; set comprises 1952.8.97-112. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Israel Henriet or Abraham Bosse after Jacques Callot.

Drawing by Hendrick van Cleve depicting Kastell am More, executed in brown ink with brown and blue wash.

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