Historic City Landscapes

Detailed etchings of various historical cities including Frankfurt, Amersfoort, and Kungbacka, showcasing architecture, landscapes, and figures from the 17th to 18th century.

View of Amersfoort, 1726, 1726 print View of Amersfoort, in the foreground country workers. Plate no. 316 in Part XIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Amersfoort

View of Frankfurt am Main, 1726; Francfort sur le mein; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of Frankfurt am Main, a boat is being released in the foreground. Plate No. 203 in Part IX of the Picture: Les Forces de l'Europe, Asia, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

View of Amersfoort, 1726, 1726 print View of Amersfoort, in the foreground country workers. Plate no. 316 in Part XIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Amersfoort

Italian landscape with a city, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print In an Italian landscape there is a city on the water on the right. On the left in the foreground, a rider drives over a stone bridge. The rider is in conversation with the walker next to him. Print from a series of Italian landscapes. paper etching / engraving riding a horse, ass, or mule; rider, horseman. city-view in general; 'veduta'

Earth, 1628 - 1689 print Allegory on the element earth: landscape with castle, hunter and draftsman. paper etching 'Terra', 'Carro della terra' (Ripa). landscapes in the temperate zone. artist (in general) making preliminary designs, sketching - BB - out of doors

View of the city of Kungbacka, Johannes Jacobsz van den Aveele, 1713 The print is part of an album. Stockholm paper etching Kungsbacka The print is part of an album. Stockholm paper etching Kungsbacka

Vedute di Verona. Dated: 1747. Dimensions: book: 67 × 53.5 × 1.8 cm (26 3/8 × 21 1/16 × 11/16 in.). Medium: bound album with four etchings (from a set of six). Museum: National Gallery of Art, Washington DC. Author: after Tiberio Majeroni Dionigi Valesio and Giovanni Antonio Urbani.

View of Nijmegen, 1726, 1726 print View of Nijmegen, in the foreground a ferry. Plate no. 318 in Part XIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Nijmegen

View of Pozzuoli, Israel Silvestre, 1636 - 1687 drawing Coastal face, with an open tent and fishermen in the foreground. Design for a print by François Collignon, from a series of four landscapes with Italian views. paper. pencil. ink pen rocky coast. fortress

Novum Amsterodamum. 1640 - 1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. View of a city ('Daltol'); Four men perform measurements at the walls. Under this an army on the way or excerpt. In the top right the number 72 (= the number of the page in the book to which the illustration is placed).

States of Holland and West Friesland, Amsterdam, Schenk, Pieter (I), Theater of the War, Beginning with King Charles II. Up to King Charles III. Existing in IX. Historical Figures on an Elephant Sheet, as Battles, Sieges on Water and on Land, with the most important Fortresses, Theater of the War (sheet V), 1704, Sheet with nine representations of events from the year 1704 of the War of the Spanish Succession and of maps of fortified cities. Sheet V in: Schouwburg van den oorlog (edition of 1720), the printwork with the bundled series of 31 plates about the War of the Spanish Succession., print, prints, Frederik Muller Historieplaten, height 538 mm, width 635 mm, Noord-Nederlands, 1660-12-26 - 1711, print maker, printmaker, 1704 - 1706, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher, uitgever van prive

View of LVIV, Anonymous, 1650 - 1749 print paper etching prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal). coat of arms (as symbol of the state, etc.) (+ province; provincial) Lviv

Siege from Alkmaar in 1573, seen from Oudorp. Siege of Alkmaar in 1573, seen from Oudorp. Copy to the anonymous painting from 1603. In the foreground the golden Spanish soldiers in the houses of the village, behind it the city. At the top of a cartouche with a description of the toppings, supported by two angels of honor and fame.

London. General Prospect, Wenceslaus Hollar, 1607-1677, Bohemian, after Wenceslaus Hollar, 1607-1677, Bohemian, undated, Etching

Village on a River 17th century Jan Ruischer Dutch. Village on a River. Jan Ruischer (Dutch, born Franeker, ca. 1625-after 1675). 17th century. Etching and drypoint, third state of three. Prints

Entry of Archduke Ernst in Brussels, 1594, 1594 - 1596 print Festive entry of Archduke Ernst van Austria in Brussels, January 30, 1594. At the bottom left, Ernst arrives at the Stadspoort, then the procession drives past statues of Austrian emperors, triumph gates, the town hall to the top left. With caption of 12 lines in German and 4 lines in French. Nummered in the bottom left: 297. The print is part of an album. Cologne paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Brussels. Town hall

Southern landscape with partying company and antique column, Pieter van der Borcht (I) (attributed to), 1550 print Southern, hilly landscape. On the left is a partying company around a table. A figure is on his head; A love couple is on the edge of a basin. In the middle of the foreground a walking pair, on the right a few riders and hunters with dogs. In the middle plan there is prominent an antique column with a putto on the right, a naked figure and a half -broken antique image. In the background, a panoramic art landscape is depicted with a city on a bay. Boats and swimming figures have been presented in the water. paper etching / engraving celebration meal, feast, banquet - CC - out of doors. column, pillar ~ architecture. triumphal column with helical friezes

View of Paris, 1726, 1726 print View of Paris, in the foreground travelers. Plate no. 32 in part II of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching / engraving Paris

Coastal view, with in the foreground an open tent and fishermen. Design for a print, Coastal view with an open tent and fishermen Design for a print series with coastal landscapes (series title), draughtsman: Israël Silvestre, 1631 - 1691, paper, pen, h 83 mm × w 187 mm

Design by the great Heirbans of the Romans, François van Bleyswijck, after Henricus Christianus Henninius, 1732 - 1734 print Landscape with a performance what the pile -driving or roads of the Romans could have looked like. The main road runs through the landscape to a large city in the distance. On either side of the Heirbaan Roman temples and country houses. A triumph gate at the city. paper etching extinct, 'historical' peoples (with NAME). road, path

Circus Maximus; Vestigi della Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. Circus Maximus, seen from the via Appia Antica. Figures and animals in the foreground. In the underwear two lines text in Italian. The print is part of an album.

Stockholm. 1640 - 1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History

Coastal face with an open tent and fishermen; Designs for a pictures with coastal landscapes.coastal Face, with an open tent and fishermen in the foreground. Design for a print.

Jacques Callot, The Vigilant Eye, 1628 The Vigilant Eye

View of Spa with the healing source, Willem van Nieulandt (II), after Jan Brueghel (I), 1606 - 1628 print View of the city of Spa with the road to the medicinal source on the left (La Fonteyne Sauvenier) indicated by the letter B and on the right the Pouhon source on the market indicated with the letter A. Bottom in the effort, a woman shares with the saving source cups Water out to the people who are waiting behind a wooden fence. At the bottom right in the efforts are people at the Pouhon source with cups and jugs. At the bottom of the margin four two -line verses in Latin. Antwerp paper etching medicinal spring. village. mug, beaker, goblet Spa

Master CR, View across a River to a Walled City at Sunset, 1540s View across a River to a Walled City at Sunset

Maurits conquers Sluis, 1604, 1613 - 1615 print Sluis besieged and conquered by Maurits, August 20, 1604. In the foreground the Spanish ships that arrive atmosphere. With caption of 4 lines in Latin. Numbered 260. Printed on the back with text in Latin. Northern Netherlands paper etching siege, position war. capture of city (after the siege) Lock

Kraków from the northwest Leopold, Josef Friedrich (1668 1726)

View of Arras, 1726, 1726 print View of Arras (Atrecht), in the foreground some travelers. Plate no. 221 in part X of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Arras

Fields and a Village Road with Post Mill. Dated: published in or before 1676. Medium: etching retouched with engraving. Museum: National Gallery of Art, Washington DC. Author: the Elder and Lucas van Doetechum after Master of the Small Landscapes Johannes van Doetechum.

Bird of bird face on Zierikzee during the siege by the Spaniards, 1576, Anonymous, After Frans Hogenberg, 1616 print Siege of Zierikzee by the Spaniards under Mondragon. Despite a successful attempt by the prince's ships to provide the City of Proviand, the city surrenders on June 29, 1576. View of the walled city with the positions of the besieging Spanish troops and the Spanish ships and the ships of the prince . With caption of four lines in Latin. Nummered in the bottom left: 58. paper etching attack ~ siege Zierikzee

Village view with figures on the ice: December; December; The twelve months; Duodecim Anni Mensium. A village view with kolf player and figures with cargo on sledges on the ice, representing the month of December. On the right the edge of a village with a stone bridge. At the bottom of the astrological symbol of the Sagittarius zodiac sign. Print from a series of twelve.

Stone relief with text, 1636 - 1647 print Stone relief with text in Italian. It is an explanation of the second album with reproductions of the statue collection in the Galleria Giustiniana in Rome. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture

The Twelve Months: May, 1608-18. Jan van de Velde II (Dutch, 1593-1641). Etching;

Prince of Orange leaves for Germany, 1567, 1567 - 1570 print The Prince of Orange leaves from Antwerp to Germany, April 21, 1567. procession with the prince travels through the country from Antwerp towards Breda. With caption of 8 lines in German. Numbered: 7. The print is part of an album. Cologne paper etching Antwerp. Breda

View of the city of Pavia, Willem van Nieulandt (II), 1599 - 1604 drawing paper. ink pen / brush prospect of city, town panorama, silhouette of city Pavia

Print (France)

Margaretha van Parma brought out by Alva, 1568, 1568 - c. 1572 print Margaret of Parma extended by Alva Brussels, August 30, 1568. A procession with Alva and the governors leaves the city, in the background the walled city. With caption of 8 lines in German. Nummered in the bottom left: 54. The print is part of an album. Cologne paper etching Brussels

The Barricade ten Broeck, 1616; The Baricada ten Broeck; The Baricade ten Broeck. The Barricade or Schans called Ten Broeck, probably in Malabar, 1616. Part of the illustrations in the report of the tours of Pieter van den Broecke to East Indies, 1605-1640, No. 5.

Augustin Hirschvogel, Landscape with Sail Boats (bottom plate), 1546 Landscape with Sail Boats bottom plate

Historical book illustrations with regard to Huis Marquette and other possession of the Rendorp family., Various manufacturers, c. 1599 - c. 1899 print Group of ten historical book illustrations with regard to Huis Marquette and other possession of the Rendorp family belonging to the letter bag of Joachim Rendorp Netherlands paper etching / engraving Marquette Castle

Vviek the doorstead

Dahlberg, Erik Jönssen, Perelle, Adam, Suecia Antiqua et Hodierna, Delineatio Cryptae et aquarum inde prosilientium, vulgo Grotta in horto Iacobs Dhalensi Repraesentatio, Montis Persei et Andromedæ in Horto Iacobs Dahlensi, Fountain with a Triton and the Rock of Andromeda in the park at Ulriksdal Castle, The print makes part of an album., print, album page, prints, height 277 mm, width 343 mm, French, 1640-10-08 - 1695-03-22, print maker, 1668 - 1668, paper, etching, Swedish, 1625-10-10 - 1703-01-16, supervision

River landscape with wooden church on the Left Bank, 1614 Hilly landscape with a river on the right. On the left bank a wooden church. On the right the sun behind a hill. paper etching Hilly landscape with a river on the right. On the left bank a wooden church. On the right the sun behind a hill. paper etching

Landscape with Saint Hieronymus, Johannes or Lucas van Doechum, After Lucas Gassel, 1610 - 1652 print A landscape with the domain of a monastery. In the foreground the saint Hieronymus for a crucifix. He chases himself. Next to him are his cardinal hat and the lion. The print is part of a series of landscapes with Christian stories as the theme. The print at the height of the air with pen processed in brown ink. print maker: Deventerafter design by: Antwerppublisher: Antwerp paper. ink etching / engraving / pen the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone. abbey, monastery, convent ~ Roman Catholic church. landscapes (+ landscape with figures, staffage)

Landscape with a barge and a ferry, Anonymous, After Hans Bol, 1597 - 1650 print A river flows through a mountainous landscape. A barge and a ferry sail over the river. Both banks are built on. print maker: Low Countriesafter design by: Low Countriespublisher: Antwerppublisher: The Hague paper etching tow-boat, towing-barge. ferry. mountains. river (+ landscape with figures, staffage)

Landscape with Ruins, Esaias van de Velde, Anonymous, Johannes Pietersz. Berendrecht, 1610 - 1617

Landscape with job on the manure heap. In a landscape with ruins, Job is naked on a manure heap. There is a loincloth about his legs. There are two friends for him, with whom he is in discussion. Behind them is the third friend with Jobs woman. Under the show a reference in Latin to the Bible text in Job 1. This print is part of an album.

View of Verona, 1726; Verone, Ville de l'Etat de Venise; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of Verona, a resting family in the foreground. Plate No. 380 in Part XVI of the Picture: Les Forces de l'Europe, Asion, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war.

Amersfo0rt.

Chinese lady with paper in landscape; New inconvested sinesen with great Moeyte complicated and given in it, by P. Schenk Jun (...), second part. A Chinese lady stands on the left with a document in a landscape. Behind her a servant with parasol. Right four figures in a building on stilts in the water. In the background ships.

Vatican City, Innocent XI, Rome, Rossi, Giovanni Giacomo de', Falda, Giovanni Battista, Nuova piante et alzata della città di Roma con tutte le strade piazze et edificii, Map of the city of Rome, verso - stamped, Part of a map of Rome., print, prints, height 396 mm, width 516 mm, Italian, 1643 - 1678, print maker, printmaker, 1676 - 1676, paper, etching, Work conception, after own design of, Publication (Event), Publication, 1627 - 1691, publisher, uitgever, 1611-05-19 - 1689-08-12, granter of privilege

Age 32 to 48 years; The Ionian Order, 1598 - 1602 print For a house, built in the Ionian order, there is a family at a table on the terrace. The woman breastfeeds her baby. Her daughter next to her is on the crafts. Three youngsters listen carefully to their father. A book is on the table in front of him. There is a young pair. A man with measuring instruments comes up the stairs. In the background, people are put to death in various ways. In the margin a four -line text in two columns, in Latin. The print is part of an album. paper engraving adult man. adult woman. Ionic order ~ architecture. child(ren) with other members of the family. death of human being. violent death, being killed; being mishandled and maltreated; seeking death

Bosjessluys on the Kolveniersdoelen Amsterdam, The Netherlands, In the air four geniuses into the arms of the A.V.O.I. Compagnie

Susanna and the elders; Casta placente superis; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. A homes with Susanna and the elders. Susanna, bathed at a fountain in a garden. The two elders come to her. From the house in the background the residents flow out to see what is going on. Right two peacocks, two chickens and a rooster. In the distance, the two parents are put to death (then. 13: 7). The print is part of an album.

View of the cities of Eksjö and Gränna, Johannes Jacobsz van den Aveele, 1707 The print is part of an album. paper etching Eksjö. Gränna The print is part of an album. paper etching Eksjö. Gränna

Gone of HAt Piazza di Spagna Te Rome, frinces, After Jean barsgalt, 1763 print print maker: Romepublisher: RomeRomeItaly paper etching city-view in general; 'veduta'. square, place, circus, etc. Piazza di Spagna. Spaen Trappen. Fountain of Barcaccia

Parma knighted in the Order of the Golden Fleece, 1585, 1585 - 1587 print The Duke of Parma is knighted at the Kallo Fort in the Order of the Golden Fleges, 11 August 1585, as a reward for conquering the city of Antwerp. With caption of 12 lines in German. Numbered: 89. Cologne paper etching knighthood order of the Golden Fleece Antwerp. Fort Kallo

Rhine, Rembrandt van, View of Amsterdam from the northwest, verso lower left - stamped, print, prints, height 111 mm, width 152 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1638 - 1642, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

View of the Rhone river near Saint-Genis-Laval, south of Lyons. Artist: Michiel van Overbeek (Dutch, active 1663-1709). Dimensions: sheet: 4 5/16 x 8 13/16 in. (11 x 22.4 cm). Date: after 1667. Museum: Metropolitan Museum of Art, New York, USA.

View of Haarlem a, right leaf. View of Haarlem, seen from the north, with buildings, which are equipped with numbers. In the foreground cattle, riders a hunter, a horse and carriage and walkers.

View of Biezelinge, Pieter Hendricksz. Schut, c. 1662 print View of Biezelinge with the church of Eversdijk on the left. The boat on the river is pulled by a horse. On the right a carriage. The print is part of an album. paper etching city-view, and landscape with man-made constructions. boat propelled by man or animal Biezeling. Eversdijk

Face Lock Läckö, from the Vänermeer, Willem Swidde, 1691 The print is part of an album. Stockholm paper etching Slot Läckö The print is part of an album. Stockholm paper etching Slot Läckö

Salvation (Bartsch 86) Herman van Swanevelt (1600-1655). Salvation (Bartsch 86). Floor, 17th century.

Abraham frees lots; Adomino Victoria; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Abraham falls on the army of King Kedorlaomer and his allies on the night with his men and frees destiny. Fate is taken in the middle. On the right, all recaptured possessions of fate are taken away by the liberated women (Gen. 14:16). The print is part of an album.

View of Bonneville; Bonne Ville. View of the French city of Bonneville. In the air two putti with the weapon of the Duke of Savoye. On the right in the foreground a personification of justice on a cloud, including a cartouche with a statement from the letters A-H.

Escape by Hugo de Groot in the book box from Loevestein Slot, 1621, Anonymous, After Claes Jansz. Visscher (II), 1652 print Face locking Loevestein with the escape of Hugo de Groot in the foreground in the book box, March 22, 1621. On Verso Dutch text. paper etching / engraving / letterpress printing law and jurisprudence (+ escape from prison). castle Slot Loevestein

January and February, Adriaen Collaert, After Hans Bol, 1578 - 1582 print Two round lists with winter scenes in the city. Left January, the ice month. Epiphany is celebrated. In the middle of the zodiac sign Waterman. On the right February. Outside a city, people skate on the canals. In the middle of the constellation fishing. The print is part of a series over the twelve months. Antwerp paper engraving January and its 'labours' (+ with zodiacal signs). Epiphany. square, place, circus, etc. (+ city(-scape) with figures, staffage). skates (winter sports). canals, waters (in city). February and its 'labours' (+ with zodiacal signs) Bergen op Zoom

View of the Buitenplaats Zwanenburg with Vlissingen in the background, Pieter Hendricksz. Schut, 1657 print paper etching / engraving prospect of village, silhouette of village. castle. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach Koudekerke. Flushing

Landscape with Job on the Mesthoop, 1556 print In a landscape with ruins, Job is naked on a manure heap. There is a loincloth over his legs. There are two friends in front of him, with whom he is in discussion. Behind them is the third friend with Jobs Woman. Under the performance a reference in Latin to the Bible text in Job 1. This print is part of an album. paper engraving landscape with ruins (+ city(-scape) with figures, staffage). Job on the dunghill (Job 2:7-13)

Piazza del Quirinale Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the Piazza del Quirinal on the Quirinal Hill in Rome with the Palazzo del Quirinal and the Fontana di Monte Cavallo (Fontein with Castor and Pollux). Title and explanatory list of songs in STUDMARGE. Rome paper etching one of the Dioscuri: Castor, the horse-tamer. one of the Dioscuri: Pollux, the boxer. piece of sculpture, reproduction of a piece of sculpture. square, place, circus, etc.. hôtel, i.e. small palace in city. ornamental fountain Piazza del Quirinale. Palazzo del Quirinale. Monte Cavallo fountain. Quirinaal. Rome

The Riddermatig Huys te Wissen. Draughtsman: Jan de Beijer. Dating: 1739. Measurements: h 147 mm × w 371 mm. Museum: Rijksmuseum, Amsterdam.

unknown, Paris, Morin, Jean, Plattenberg, Matthieu van, Medallions with landscapes, Winter landscape with skaters, verso lower left - stamped, Winter landscape with a frozen river on which skaters. In the background a view of a city., print, prints, height 147 mm, width 143 mm, South Netherlands, 1608 - 1660-09-19, print maker, printmaker, 1617 - 1660, paper, papier, etching, etchings, Publication (Event), Publication, 1600 - 1650-06-06, publisher, uitgever van privilege

View of Haarlem and the Spaarne from the South, Jan van de Velde (II), after Pieter Jansz Saenredam, 1628 print View of Haarlem and the Spaarne from the south. On the left on the bank three figures. At the top a banderole with four lines in Latin and two coats of arms; On the left that of the city of Haarlem and on the right one with a dry tree (reference to the Haarlemmerhout). At the bottom of a poem of three verses of four lines in Dutch. Haarlem paper etching prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal) Haarlem. Saving

Cartography, France, 16th century. Dolmen near Poitiers and city of Poitiers and Montherre, from Civitates Orbis Terrarum by Georg Braun (1541-1622) and Franz Hogenberg (1540-1590), Cologne. Engraving

Jacques Callot, The Fan, 1619 The Fan

Archduke Matthias departs from the Netherlands, 1581, 1581 - c. 1585 print The departure of Archduke Matthias from the Netherlands, October 29, 1581. Matthias says goodbye on the quay of Antwerp at a ready -to -stand ship with banners. With caption of 10 lines in German and 2 lines in French. Nummered in the bottom left: 173. The print is part of an album. Cologne paper etching Antwerp

River landscape with a barge in foreground, a city on a hill at right. Bol, Hans (1534-1593), graphic artist, Doetecum, Lucas van (-1584/1589), graphic artist, Doetecum, Joannes van I (1528/1532-1605), graphic artist, Cock, Hieronymus (ca 1510-1570), publisher

Cephalus op jacht, Philips Galle (attributed to workshop of), after Jacob Grimmer, 1547 - 1612 print Cephalus is hunting. Procris has hidden itself behind a bush. Unsuspectingly, Cephalus takes its bow. The print is part of a series about the mythological story of ProCris and Cephalus. Antwerp paper engraving Procris, hidden in a thicket, hears Cephalus calling on Aura

Vue du Louvre (View of the Louvre), from Les Deux Grandes Vues de Paris (The Two Large Views of Paris) ca. 1630 Jacques Callot French. Vue du Louvre (View of the Louvre), from Les Deux Grandes Vues de Paris (The Two Large Views of Paris). Les Deux Grandes Vues de Paris. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1630. Etching; fourth state of five (Lieure). Prints

Test of the Veepest, Jan Luyken, 1708 print View of a landscape near a city where people mourn and gestures of despair when they die or die from the plague. The print is an imagination of the fifth plague that God brought over Egypt. Amsterdam paper etching the plague of murrain in cattle: all the animals of the Egyptians die

Ansicht Regensburg (View ofRegensburg). Artist: Franz Kirchmaier, German, died 1589Woodcutter: Dietrich WinhartWoodcutter: Monogrammist I.S.

View of Warsaw from the Praga District side. Vogel, Zygmunt (1764-1826), painter

Two identical landscapes one above the other with a house on the right and a river with a rowing boat on the left. The upper landscape is a print to be worked out, the lower landscape is finished. Printed from two plates, the lower print is numbered 5 in the upper left-hand corner, Two landscapes Landscapes , print maker: Christian Friedrich Fritzsch, 1729 - 1774, paper, etching, h 98 mm × w 141 mm × h 98 mm × w 141 mm

Everts, J. (draughtsman), Northern Netherlands, Huyser, Carel Jacob de, View of the market in 's-Hertogenbosch, with the fight between the Citizens and the Fencing Guild that occurred on 1 July 1579, Street fights in 's-Hertogenbosch between the population and the fencing guild, 1579, 1 July 1579. View of the market where the fights take place. In the caption the title and the legend 1-9 in Dutch. After an old painting., print, picture, history print, prints, Frederik Muller History plates, height 255 mm, width 503 mm, 1743-03-24 - 1804-09-15, print maker, printmaker, 1774 - 1778, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, intermediary draughtsman

Conquest of Porto Calvo, 1637, Jan van Brosterhuyzen, After Frans Jansz Post, 1645 - 1647 print Netherlands paper etching / engraving maps of separate countries or regions. capture of city (after the siege) Calvo

Faces on Ransdorp, Landsmeer, Zunderdorp and Ilpendam, Abraham Zeeman, 1732 print Four performances on a magazine. At the top left: View of Ransdorp with centrally the church tower. Bottom left: View of the church of Landsmeer. At the top right: View of Zunderdorp. At the bottom right: View of the village of Ilpendam. Amsterdam paper etching prospect of village, silhouette of village. church (exterior) Ransdorp. Landsmeer. Zunderdorp. Ilpendam

October; October; The twelve months, with village scenes. Landscape with a castle on a mountain on a lake with links farmers with vessels at vines; a face on Palermo on Sicily; Presenting the month of October. At the top of the constellations belonging to this month: Scorpio. Tenth print from a series of twelve.

Amsterdam, Esveldt Holtrop, Jan Steven van, Silvestre, Israël, Spiegel der natuur en school der teekenkunde, Landscape with church, Landscape with a church in the distance. In the foreground some shepherds. The print is part of an album., print, prent, albumblad, prints, prenten, height 111 mm, width 204 mm, print maker, prentmaker, 1600 - 1699, paper, etching, etchings, French, 1621-08-21 - 1691-10-11, printmaker, Publication (Event), Publication, 1777 - 1833-11-20, publisher

Sketchbook by Josef von Führich begun February 2, 1806 in Cratzau containing pencil drawings of figures, compositions, and study exercises.

Apollo en Daphne, 1572 - print A putto with arrow and arch floats in the air. From series of 8 magazines Germany (possibly) paper

Intake of Oldenzaal by Spinola, 1605, 1605 - 1607 print Intake of Oldenzaal by Spinola, August 10, 1605. View of the city and the surroundings by the army of Spinola. With caption of 12 lines in German. Nummered at the bottom left: 352. The print is part of an album. Cologne paper etching capture of city (after the siege) Oldenzaal

Paniek in de Parijse Tuilerieën, 1720; opkomst en gevolg der accieonnisten; Het Groote Tafereel der Dwaasheid.Sprinkled leaves with the drawn design for the representation of the panic in the Parisian Tuileries, part of the print with the upset and demise of the promotionists. Design for a part of print 7 in the series The large scene of foolishness with cartrents at the wind trade or action trade of 1720. Design for a print.

Map of Rosendael Castle with surrounding area, Jan Smit (I), 1718 print Map of Rosendael Castle with surrounding area in a nutshell perspective. At the top right a cartouche with title, legend and a bowl: Schale of 40 Rynandsche rods. Around four putti. At the bottom of a hunting party on horseback, with dogs that chase a deer. Amsterdam paper etching / engraving French or architectonic garden; formal garden. castle. hunting, chase Rosendael Castle. Rudder

Haarlem, New Year's, Health and Blessing Wish 1848. By the Fire Extinguishers and Fuel Deliverers of this City, New Year's wish from the fire extinguishers and fuel deliverers of Haarlem for the year 1848, verso - stamped, New Year's wish from the Haarlem fire extinguishers and fuel deliverers for the year 1848. The fire brigade moves out with a fire engine to extinguish a fire in several buildings on a canal. With a verse in two columns., print, image, New Year's wish, prints, images, Frederik Muller Historieplaten, height 423 mm, width 339 mm, print maker, printmaker, 1847 - 1848, paper, papier, letterpress printing, letterpress, woodcut

Amsterdam, Wit, Frederik de, Northern Netherlands, Arras, View of Arras, ca. 1675, View of the city of Arras (Atrecht). In the foreground some merchants on their way to the market. In a frame, decorated at the top with ribbons., print, prints, Frederik Muller History plates, height 216 mm, width 274 mm, print maker, printmaker, 1650 - 1699, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1631 - 1706, publisher

The Ponte Vecchio, Florence, c. 1622. Jacques Callot (French, 1592-1635). Etching;

A 1631 travel sketch by Valentin Wagner showing Mr. V. Wagner walking in front of the walls of Darmstadt, drawn in ink and feather.

View of Nuremberg (leaf 2), Dirk Eversen Lons, 1666 print View of the German city of Nuremberg. Outside the city walls are a group of wealthy gentlemen and a woman in the foreground. On the right two figures suspended in beams. All over a (halved) portrait of Albrecht Dürer. paper etching city-view, and landscape with man-made constructions. violent death by hanging Nuremberg

of 3