Historic City Scenes

Charming illustrations of urban landscapes from the 19th century, featuring bustling streets, iconic architecture, and lively market scenes in various cities.

'A diversity of creatures', c1927, (1927). Artist: Henry Franks Waring.

Félix Hilaire Buhot, La Place Pigalle en 1878 (Place Pigalle in 1878), 1878 La Place Pigalle en 1878 (Place Pigalle in 1878)

Edinburgh Illustrated, Allan Ramsays Shop, High Street, - , The Old White Horse, in the Cannongate, - , John Knox, - , Advocates Close , Scenes from Edinburgh, Portrait of John Knox, Scottish Reformer from The Graphic , Unknown

Quai des Grands Augustins, Paris, 1886. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Munich Published 1833 England. Lithograph in black on grayish-ivory chine, laid down on ivory wove paper . Samuel Prout

'A diversity of creatures', c1927, (1927). Artist: Henry Franks Waring.

Piazza del Quirinale Te Rome, 1748 - 1778 print View of the Piazza del Quirinal on the Quirinal Hill in Rome with the Palazzo del Quirinal and the Fontana di Monte Cavallo (Fontein with Castor and Pollux). Title and explanatory list of songs in STUDMARGE. paper etching one of the Dioscuri: Castor, the horse-tamer. one of the Dioscuri: Pollux, the boxer. piece of sculpture, reproduction of a piece of sculpture. square, place, circus, etc.. ornamental fountain. hôtel, i.e. small palace in city Piazza del Quirinale. Palazzo del Quirinale. Monte Cavallo fountain. Rome

S'Omer, Strasbourg. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

CREATION OF THE BADAYS / Der Kompagnie Vrywillige Jagers der Utrechtsche Hooge School

Equestrian statue of Willem III, Prince of Orange, in Hull, Anonymous, 1800 - 1899 print Equestrian statue of Willem III in Hull. Figures ride on the street. Low Countries paper letterpress printing equestrian statue Hull

La Rue Victor Cousin. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Boulevards, Paris, Thomas Higham, 1796-1844, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving on Not signed

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

High market with marriage fountain, Adolphe Rouarge -, artist

Fontana in Piazza Navona Fontana del Moro. From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'. 1691 or after Giovanni Battista Falda Italian View of the Fountain of the Moor on Piazza Navona in Rome. The fountain was originally designed by Giacomo della Porta, but was restored by Bernini 1673. The latter also added the sculpture of the Moor to which the fountain owes his name.. Fontana in Piazza Navona Fontana del Moro. From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'. 414693

New market template for the colored copper engraving, published by Artaria, Carl Schütz -, artist

Corso removed in Vicenza, Cristoforo Dall'Acqua, 1744 - 1787 print View of the Corso Tolta in Vicenza. Along the road, among others, the Palazzo Chiericati. Around the show an edge of putti, birds and flower vines. In the four corners of cartouches with performances of houses in the countryside. In the middle of a medallion with a representation of a man and woman with a piano. Explanatory list of numbers and title in Cartouche in Submarge. Italy paper etching hôtel, i.e. small palace in city. street. foliage ~ ornament. cupids: 'amores', 'amoretti', 'putti'. city-view, and landscape with man-made constructions Vicenza. Chiericati Palace

Waterloo Place , Plazas, Monuments & memorials. Joseph Pennell (1857-1926). Prints and Drawings

Part of the City of Paris at the End of the Seventeenth Century, 1861. Charles Meryon (French, 1821-1868). Etching; sheet: 32.5 x 48.2 cm (12 13/16 x 19 in.); platemark: 15 x 32.3 cm (5 7/8 x 12 11/16 in.).

Remotie in Delft, 1787, Reinier Vinkeles (I), After Jacobus Buys, 1787 - 1795 print View of the Town Hall in Delft that is occupied by Patriots demanding the replacement of the eleven council members, August 21, 1787. Northern Netherlands paper etching / engraving occupation ~ war (+ citizen soldiery, civil guard, citizen militia) Town hall

The departure of the Queen Maria de Médicis from Amsterdam, 1638; Displays in honor of Mria de Medicis. Arrival at the floating theater on the Rokin, the visit and many others in boats on the water. Many spectators in the quays. Signature at the bottom right: bl. 244. Part of the festivities in the visit by Maria de Médicis to Amsterdam, August 31 - September 5, 1638.

S.S. "Europa" Norddeutscher Lloyd Bremen. 1937. Buttolph, Frank, 1850-1924. Menus. Rare Book Division

Grote Markt After the unveiling of the statue of Laurens Coster, 1856, 1856 print View of the Grote Markt in Haarlem After the unveiling of the statue of Laurens Coster, 15-17 July 1856. Part of a series of six records of festivities around the unveiling of the statue. print maker: Netherlandsprinter: The Hague paper monument, statue. rejoicing on special occasions Haarlem. Large market

8. Fevrier The brothers AGASSE going to torture, their bodies are / handed over to their families. This table marks the time of abolition (...) (IT)

Place de l'Opéra, plate seventeen from Le Long de la Seine et des Boulevards 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

Fontaine Moliere at Richelieu, Paris, vintage engraved illustration. Magasin Pittoresque 1844.

Nantes, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1828-1837, Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper, with gray chine colle, Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm), Plate: 6 1/16 × 8 9/16 inches (15.4 × 21.7 cm), Chine collé: 5 5/8 × 8 1/4 inches (14.3 × 21 cm), and Image: 3 7/16 × 5 1/8 inches (8.7 × 13 cm)

St James's Street 1878 United States. Etching and drypoint with foul biting in black ink on cream laid paper . James McNeill Whistler

Widok Canal Grande od strony Piazzetty i kolumny św. Teodora, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

Thomas Rowlandson, 1756-1827, British, Newport High Street, Isle of Wight, between 1797 and 1800. Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream, wove paper.

Brienne, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, first published state

Santi Giovanni E Paolo and Scuola Grande di San Marco, in: Urbis Venetiarum Prospectus celebriores ex antonii canal tabulis xl aere expressi ab antonio Visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (state), album, gondolas, Italian graphics, channels, churches (architect), city landscapes, squares, reproductive graphics, schools, relay, weduty, Italian (culture), boats

Lady on horseback in Florence, monogrammist flb, after Jan van der Straet, 1575 print A lady, possibly Johanna van Austria, drives on horseback through a street in Florence. She is accompanied by four men and a boy. Right front is a beggar. Left front a dog. At the bottom of the margin a four -line caption in Latin. Antwerp paper engraving riding a horse, ass, or mule; rider, horseman. street Florence

Print made by Albert Henry Payne, 1812-1902, British, Rouen, 1845. Line engraving on medium, slightly textured, cream wove paper.

Sir David Young Cameron, 1865-1945, British, St. German l'Auxerrois Paris Set: No. 2, 1904. Ethcing and drypoint on laid paper.

House Where Whistler Died. Dated: 1904. Dimensions: plate: 21.75 × 27.94 cm (8 9/16 × 11 in.) sheet: 28.58 × 31.75 cm (11 1/4 × 12 1/2 in.). Medium: etching in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

The departure of the Queen Maria de Médicis from Amsterdam, 1638; Intogness of Maria de Medicis in Amsterdam. The four Amsterdam mayors say goodbye to Maria De Medicis on the Dam between the old town hall and the Waag. Closing the festivities when the visit by Maria de Médicis to Amsterdam, August 31 - September 5, 1638.

Cathedral at Mayence. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Paris, Villain, Jean-François, Sèvres, Bacler d'Albe, Louis Albert, Promenades pittoresques et lithographiques dans Paris et ses environs, Picturesque views of Paris and its surroundings, Fontaine de la Place de l'École, View of the fountain of the Place de l'École in Paris, There is a market on the square. In the foreground, in front of the fountain, are a few female street vendors and a peddler., print, engraving, prints, engravings, height 429 mm, width 274 mm, 1761 - 1848, print maker, printmaker, 1822 - 1824, paper, papier, lithografie (technique), Frans, 1790, printer, drukker

Inauguration of the Boulevard du Prince Eugène by S. The Emperor, December 7, 1862. - ...

View of a fountain of the Plaza Puerta del Sol in Madrid, Jacques Gabriel Huquier, 1735 - 1805 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush square, place, circus, etc. (+ city(-scape) with figures, staffage). ornamental fountain (+ city(-scape) with figures, staffage) Puerta del Sol Plaza

Venetian View 1835-1882 England. Brush and brown ink and wash, over traces of graphite on cream wove paper . Elizabeth Murray

June 21, 1791. Leakage of the king with his family. From 7 am the sound of this night event was soon spread ... (IT)

Bologna. Dated: 1826/1827. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Richard Parkes Bonington.

The Sign of White Horse, Parson's Green. Theodore Roussel; French, worked in England, 1847-1926. Date: 1906. Dimensions: 120 × 81 mm (image/plate); 127 × 81 mm (sheet). Etching in black, with graphite, on cream Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Grote Markt te Rotterdam, ca. 1790; Groote Markt, te Rotterdam / Grand Marché et Statue d'Erasme à Rotterdam.View of the Grote Markt with the statue of Erasmus, in Rotterdam, ca. 1790. Part of a sheet metal from approx. 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and several morals and customs in the United Kingdom of the Netherlands .

Illustration originally published in Hesse-Warteggs Nord Amerika Illustration originally published in Hesse-Warteggs Nord Amerika, swedish edition published in 1880. The image is currently in public domain by the virtue of age. Copyright: xZoonar.com/J.xSandvikx 3636714

Den Haag, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Nederland, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Sluitingsbespiegeling van den Kamerbewaarder, Cartoon on the resignation of the Heemskerk ministry, 1873, The Hague, Netherlands, Cartoon on the resignation of the Heemskerk ministry just before the closing of the States-General. Plate published with the weekly De Nederlandsche Spectator, no. 35, 1873., print, prent, cartoon, prints, Frederik Muller Historieplaten, height 215 mm, width 275 mm, Nederlands, 1830-04-30 - 1907-11-14, print maker, printmaker, 1873 - 1873, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publication, Dutch, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

A Bird's Eye View of Smithfield Market, Taken from the Bear & Ragged Staff January 1, 1811 After Thomas Rowlandson. A Bird's Eye View of Smithfield Market, Taken from the Bear & Ragged Staff. After Thomas Rowlandson (British, London 1757-1827 London). January 1, 1811. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

James T. Willmore, 1800-1863, British, Nantes, 1828-1837. Line engraving, engraver's proof.

Fifth Avenue at noon , Commercial streets, City & town life, Vehicles, Pedestrians. Childe Hassam (1859-1935). Prints and Drawings

Schuldeiser en armoedzaaier, 1720; Het Groote Tafereel der Dwaasheid.Sprinkled leaf with the signed design for the representation of the crowd of victims of the wind trade collected on the dam at the KalverstraatClotheiser, part of the print with the upset and demise of the promotionists. Design for a part of print 7 in the series The large scene of foolishness with cartrents at the wind trade or action trade of 1720. Design for a print.

In and around the city of Danzig Series of 14 numbered prints, Aegidius Dickmann, Frederik de Wit, 1605 - 1705

Funeral of Marshal Exelmans at the invalids in 1852 Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Funeral of Marshal Exelmans at the invalids in 1852. Pencil, Lavis. Paris (VIIth ARR.), Around 1852.

Fifth Avenue, Noon Frederick Childe Hassam (American, 1859-1935). , 1916. Etching on paper, Sheet: 12 1/2 x 9 9/16 in. (31.8 x 24.3 cm). American Art 1916

Fresco, escena idilico-sacral con edificios. Museum: MUSEO ARCHEOLOGICO NAZIONALE NAPOLES ITALIA.

Vienna, - High market , Brothers Kohn KG B, Producer, Rudolf Konopa -, Drawer

Statue of the Maid of Orleans at Rouen, France

Artwork: "Street Scene - Riga", Latvia, 1944, watercolor, 14-3/4"x 12". Artist: Nordmann. Catalog Number: G.W.1.5144.47. US Army Art Collection. Country: Unknown

L'Abaye St Amand, Rouen Made 1839 England. Color lithograph on paper . Thomas Shotter Boys

Fons in area Iudaeorum = Fontan auf dem Juden-Platz, Der römischen Fontanen wahre Abbildung: wie solche, so wohl auf offentlichen Plätzen und Palatien, als auch zu Frescada Tiuoli und denen Lust-Gärten, mit ihren Prospecten, der Zeit allda zu ersehen sind, Falda, Giovanni Battista, ca. 1640-1678, Etching, 1685

The departure of the Queen Maria de Médicis from Amsterdam, 1638, 1800 - 1899 print Arrival at the floating theater on the Rokin, the visit and many others in boats on the water. Many spectators on the quays. Marked at the bottom right: bl. 244. Part of the festivities during the visit of Maria de Médicis to Amsterdam, 31 August - 5 September 1638. Netherlands paper Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Rock

Zuil der Victory, 1599, 1599 Zuil crowned with a statue of victory, December 1599. During the arrival in Antwerp. Part of: Historica Narratio Profectionis et Inaugurationis Serenissimorum Belgii Principum Alberti et Isabellae Austriae Archiducum, the description of the entry of the couple in Brussels, Antwerp, Ghent and Valenciennes, 1599. print maker: Southern Netherlandspublisher: Antwerp paper engraving Antwerp Zuil crowned with a statue of victory, December 1599. During the arrival in Antwerp. Part of: Historica Narratio Profectionis et Inaugurationis Serenissimorum Belgii Principum Alberti et Isabellae Austriae Archiducum, the description of the entry of the couple in Brussels, Antwerp, Ghent and Valenciennes, 1599. print maker: Southern Netherlandspublisher: Antwerp paper engraving Antwerp

The Halles / Decorative Panel Town Hall of Paris

Destruction of the Royal Statue in New York. Date/Period: 1771/1781. Line etching with polychrome watercolor on laid paper. Width: 49.2 cm. Height: 40 cm (sheet). Author: Balthasar Friedrich Leizelt.

Trafalgar Square, George Hawkins, 1819-1852, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 19 1/4 × 13 3/4 inches (48.9 × 34.9 cm), architectural subject

The Mail Arriving at Temple Bar, James Baily, active 1815-1834, after Charles B. Newhouse, fl. c.1820-1836, British, 1834, Aquatint, hand-colored

Nuremberg Published 1833 England. Lithograph in black on grayish-ivory chine, laid down on ivory wove paper . Samuel Prout

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Félix Hilaire Buhot, L'Hiver à Paris, la neige à Paris, 1879, etching, aquatint and drypoint on paper.

People walking on Skeppsbron. Watercolor by Fritz von Dardel Nordic

James T. Willmore, 1800-1863, British, Nantes, 1828-1832. Line engraving, first published state on moderately thick, slightly textured, cream, wove paper, with gray, chine colle.

The History of Jack Sheppard, his wonderful exploits and escapes. A romance founded on facts. With original illustrations, from drawings by J. Sketch, 19th century engraving

Venetian Architecture Capriccio with the Colleoni by Andrea Verrochio, Felice Giani, Italian, 1758-1823, Black chalk with traces of graphite on laid paper, Very high somewhat altered monument of Colleoni, seen from right corner of back with mourning figures beside. In background, fantastical Venetian structures; at left, sepulchral monument at wall of church. At right, monument with equestrian statue in front of upper part of structure which has appearance of mausoleum. Front, variation of monument to Nicola Orsini, Church of St. John and Paul in Venice. Framing lines. Inscribed by Giani in graphite: Piazza per sepolchri. Written in upper right corner, horizontally in ink: 14., Italy, 1800-1825, sculpture, Drawing, Drawing

Eugène Isabey (French, 1803-1886), Intérieur d'un port, 1833, lithograph

Piazza Navona Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of Piazza Navona in Rome with the Sant'agnese on the left in Agone and in the middle the four -stream fountain by Gian Lorenzo Bernini. Title on banderol right. Rome paper etching square, place, circus, etc.. ornamental fountain. church (exterior). parts of church exterior and annexes: façade Rome. Piazza Navona. Sant'Agnese in Agone. Vierstromenfontein

Design for a print, Fire in the Boymans house in Rotterdam, 16 February 1864, draughtsman: Cornelis van der Griendt, 1864, paper, pen, h 83 mm × w 118 mm

Nizhny Novgorod by Vereshchagin, Pyotr Petrovich (1836-1886) / State Art Museum, Nizhny Novgorod / Russian Painting of 19th cen. / / Russia / Oil on canvas / Landscape / 26x48

Study for Mounting Guard, St James Park, from Microcosm of London 1807-1809 England. Graphite on cream wove paper . Augustus Charles Pugin

St. Nicholas, Prague. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Félix Hilaire Buhot, L'Hiver à Paris (Winter in Paris), 1879 L'Hiver à Paris (Winter in Paris)

Obeliske in the K, Garden of Schönbrunn , Obelisque dans Le Jardin Imp, Et Roy, de Schoenbrunn later, changed edition of the sheet, which was first moved in , Artaria , Co, Verlag, Publishing House, Johann Andreas Ziegler -, Copper Engraver, After, Laursenz Janscha -, Drawer

Makata-embroidered picture; Ma Achowska, Benigna; 1838-1839 (1838-00-00-1839-00-00);poet

William Walcot, Ludgate Hill, c. 1915, etching, drypoint, and aquatint on wove paper.

Uiber flood of the suburb of Leopoldstadt , through the ice gear on March , Ferdinand Hofbauer -, Drawer, Joseph Trentsensensky -, Lithographer, Trentsensky Verlag, publishing house

A lithograph depicting a large raffle on Markusplatz in Venice on February 15, 1835, illustrating early 19th-century public events and urban gathering scenes.

L'hiver à Paris ou la neige à Paris.. Buhot, Félix Hilaire (1847-1898). 1874 - 1888. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Snow, Winter, City & town life, Paris (France)

Wilde Karl (born 1862), Brunnen (approx. 1887/1888): Perspective view. Pencil watercolor on the box, 82.6 x 72.1 cm (including scan edges) Wilde Karl (geb. 1862): Brunnen

View of the Graben, Vienna, watercolour, 1888

, Kärntner Straße , to the golden white elephants, postcard, Friedrich Jasper, Printer, Josef Löwy -, Reproduction Technician, Verlag d, Association v, gold, Cross, Producer, after, Rudolf von Alt -, drawer

Recorded the French in Vienna in , Thomas Charles Naudet -, drawer

Last of Old London, Cloth Fair. Joseph Pennell; American, 1857-1926. Date: 1907. Dimensions: 225 x 179 mm (image); 275 x 213 mm (sheet). Etching on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Das allgemeine erste deutsche Kriegerfest 1883 in Hamburg, Deutschland, around 1885, Historical, digitally restored reproduction from a 19th century original, The general first German warrior festival 1883 in Hamburg, around 1885, Historical, digitally restored reproduction from a 19th century original

Oh, Bitsy, Look at the Balloon!, Hot Air Balloons & Derigibles

Victims of the March Revolution in Berlin Lying in State or The Laying-Out of the Fallen March Revolutionaries, 1848, by Adolph Menzel (1815-1905), oil on canvas, 45x63 cm.

GRABADO-PARIS. Location: PRIVATE COLLECTION. France.

Auguste Lepère and Louis Tinayre (French, 1849 - 1918), Les Funérailles de L'Amiral Courbet, 1885, wood engraving

Spain. Madrid. Fountain in the Puerta del Sol at the end of 18th century and the beggining of 19th century. Colored engraving.

Universal exhibition of 1867

Maurice Brazil Prendergast, The Piazza San Marco, American, 1858 - 1924, 1898, watercolor over graphite

Sauerkraut Row Joseph Pennell (American, 1860-1926). , 1881. Etching and drypoint, plate: 8 3/8 x 11 11/16 in. (21.2 x 29.7 cm). American Art 1881

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