Historic Cityscapes

Etchings and sketches depicting various historic urban scenes, featuring figures in alleyways, waterways, and architectural details.

View of the Zwanenburg in Kleve Sheets from Sketchbook 165-1651 (title series), draughtsman: Jan van Goyen, 1650 - 1651, paper, brush, h 98 mm × w 157 mm

The Rokin , City & town life. Sir David Young Cameron (1865-1945). Prints

William Strang, 1859-1921, British, From the Flemish Set: Quay of the Rosary, Bruges. Etching on laid paper.

The mast , Mooring masts, Sitting, Sewing. James McNeill Whistler (1834-1903). Lithographs

View of the Zwanenburg in Kleve Sheets from Sketchbook 165-1651 (title series), draughtsman: Jan van Goyen, 1650 - 1651, paper, brush, h 98 mm × w 157 mm

The Rokin , City & town life. Sir David Young Cameron (1865-1945). Prints

Park Lane 1904 United States. Etching on off-white laid paper . Joseph Pennell

James McNeill Whistler, Tour St Antoine, Loches, 1888 Tour St. Antoine, Loches

The Piazzetta 1879-1880 United States. Etching and drypoint with foul biting in black ink on cream laid paper . James McNeill Whistler

An Oriental Merchant with Merchandise at Riverside 17th century Thomas Wijck Dutch. An Oriental Merchant with Merchandise at Riverside 373719

Rue Grande, Le Mans, France, 1922. Paul B. Travis (American, 1891-1975). Etching;

Thames police 3. Whistler, James McNeill (1834-1903). 1859. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

James McNeill Whistler, Little Court, c 1880 1881 Little Court

Ted or N. Swain, active 1881, Ye Old King's Head, Borough, 1881. Etching.

Rose with craftsmen and children, Henri de Braekeleer (attributed to), 1850 - 1870 print paper counterproof / etching street. toddler. adult woman Antwerp

Nieulandt, Willem van (II), Roman ruins and coastal landscapes (series 2), Bridge over the river, recto center top outside the plate edge - handwritten, View of a river and an arched bridge. On the left bank houses and ruins. Some figures walk on the bridge. Print is part of a series of Roman ruins and coastal landscapes after prints by Willem van Nieulandt. This series is a copy of the series that Claes Jansz Visscher made after Van Nieulandt., print, prints, verso - stamped, 22, height 102 mm, width 157 mm, Northern Netherlands, 1584 - 1635, intermediary draughtsman, after a drawing by, 1594 - 1685, paper, papier, etching, etchings, print maker, printmaker

Print made by David Lucas, 1802-1881, British, Sir Richard Steele's Cottage, 1845. Mezzotint and drypoint on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper.

1892 Art Work - Bastille Day in Montmartre - Félix Hilaire Buhot.

Via Garibaldi, late 19th-early 20th century. Otto H. Bacher (American, 1856-1909). Etching;

Samuel Rawle, 1771-1860, British, Florence, from the Ponte alla Carraia, 1818-1820. Etching and engraving on moderatley thick, slightly textured, cream, wove paper, with cream, chine colle.

Ménorval, Eugène de (n.1829 - D.1897), Impasse des Boeufs. (Faithful title), 1902. Carnavalet museum, Histoire de Paris.

The Dark Canal, Venice. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1908. Dimensions: 94 x 120 mm (image/plate); 112 x 140 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Market, Bruges. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 95 x 132 mm (image, trimmed within plate mark); 98 x 132 mm (sheet). Etching with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

SAFFREY, Henri Alexandre (n. - D.1896), rue des Barres, 1891 (dummy title), 1891. Lead mine. Carnavalet museum, history of Paris.

Ste. Chapelle. Artist: Alfred-Louis Brunet-Debaines (French, Le Havre 1845-1939 Hyères). Dimensions: Sheet: 12 13/16 × 8 1/4 in. (32.5 × 21 cm)Plate: 9 13/16 × 7 5/16 in. (25 × 18.6 cm). Date: 1883. Museum: Metropolitan Museum of Art, New York, USA.

Canal in Venice, 1880. Otto H. Bacher (American, 1856-1909). Etching;

Face in a village, draughtsman: Jan Veth, 1874 - 1925, paper, h 114 mm × w 159 mm

Bastille Day in Montmartre Made 1892 France. Lithograph in black on ivory wove paper . Félix Hilaire Buhot

Thames Police , Boats, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

Fauconnier Street (TA) | Old Paris, 1932 (title of all)

Salvation Army, Sandwich. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 81 x 177 mm (image, trimmed within plate mark); 83 x177 mm (sheet). Etching and drypoint with foul biting on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Theater Decor: The Italian Street, Reinier Vinkeles (I), After Hermanus Numan, 1775 print The CoulissenDecor the Italian street, with a scene from: mutual son. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching stage design. theatre, theatrical performance Schouwburg Leidseplein (1774-1890)

Vignette from a lantern plug. On a square for a bookstore climbs a lantern plug on a ladder to do his job.

Casa di Dante da Castiglione. Telemaco Signorini; Italian, 1835-1901. Date: 1886. Dimensions: 373 x 238 mm (image/plate); 606 x 415 mm (sheet). Etching with drypoint on cream wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Palazzo Vecchio, Florence. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 324 x 103 mm (image); 329 x 107 mm (plate); 333 x 110 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Not Naples, but New York , Cities & towns, Streets, City & town life, Arches. Joseph Pennell (1857-1926). Prints and Drawings

Face in Workum, Cornelis Springer, 1871 drawing paper. pencil public road Workum

Charles Meryon, Bain froid chevrier, dit de l'École (Chevrier's Cold Bath Establishment, Sometimes called the School Baths), 1864 Bain-froid chevrier, dit de l'École (Chevrier's Cold-Bath Establishment, Sometimes called the School-Baths)

Under the shells.

Dolo Aan de Brenta, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of Dolo towards Molini. The River Brenta flows in the foreground. Numbered in the middle: x and bottom right: Tom: II. This print is part of an album. print maker: ItalyVenice paper etching river Brenta. Willful misconduct

St.-Jean-Pied-de-Port 1866 France. Etching on mounted cream China paper . Odilon Redon

Hôtel de Sens, plate three from the Paris Set. David Young Cameron; Scottish, 1865-1945. Date: 1904. Dimensions: 284 x 160 mm (image/plate); 310 x 180 mm (sheet). Etching and drypoint on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, USA.

James McNeill Whistler, The 'Adam and Eve', Old Chelsea, 1878 The 'Adam and Eve', Old Chelsea

Kostverloren Castle in Decay. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1652-1657. Dimensions: 109 x 175 mm. Pen and brown ink, with brush and brown wash, heightened with touches of white gouache, on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

The Stock Exchange, #4 in Iconophile ClubCollection. Artist: Joseph Pennell, American, 1857-1926

Street Corner in a Village Artist's working dates 1850-1895 France. Drypoint on cream laid paper . Henri-Emile Lessore

Auguste Louis Lepère, Marché aux légumes à Amiens, 1907, etching on paper.

Le Quai aux RINGS (IFF 149) (title fortice)

The Crane in Gdansk. Jabłczyński, Feliks (1865-1928), graphic artist

Urban view with urban architecture in the background. Jabłczyński, Feliks (1865-1928), graphic artist

Joseph Pennell, Flower Market and Butter Tower, Rouen, American, 1857 - 1926, 1907, etching

Boog by Janus Quadrifons in Rome, Hendrik Verschuring, 1637 - 1690 drawing paper. pencil brush public road San Giorgio in Velabro. Boog of Janus. Rome

Lokhorst or Oud-Teilingen. Draughtsman: Roelant Roghman (possibly). Dating: 1646 - 1650. Measurements: h 183 mm × w 303 mm. Museum: Rijksmuseum, Amsterdam.

Toledo Streets. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 217 x 282 mm. Oiled charcoal with stumping and erasing, with white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

Dome Francfort. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Eugen Hamm titled 'San Francesco Rom,' created in 1920, depicting a scene associated with Saint Francis in Rome.

Thomas Jeavons, ca. 1800-1867, British, Exeter, 1827-1838. Line engraving, engraver's proof, touched.

James McNeill Whistler (American, 1834-1903), The Bridge, 1879-1880, etching

The Magdalenenkirchlein on the Stephansfreythof , Wiener Kunstprint-Gesellschaft, Printing Press, Leopold Indra, producer

Northumberland Ave. , Monuments & memorials, Columns, Cities & towns, Nelson, Horatio Nelson, Viscount, 1758-1805. Joseph Pennell (1857-1926). Prints and Drawings

The Terechterstelling van van Oldenbarnevelt, Anonymous, 1710 - 1720 drawing Watercolor on which crowd gathered at the Binnenhof for the Terechterstelling van van Oldenbarnevelt. Belonging to series of watercolors in book. Netherlands parchment (animal material). watercolor (paint). ink pen violent death by beheading Courtyard

Max Klinger, Eine Mutter I (A Mother I), 1883 Eine Mutter I (A Mother I)

Church, Amsterdam. James McNeill Whistler; American, 1834-1903. Date: 1889. Dimensions: 219 x 130 mm (plate); 223 x 131 mm (sheet). Etching with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Vitré: The Canal. James McNeill Whistler; American, 1834-1903. Date: 1893. Dimensions: 236 x 153 mm (image); 367 x 243 mm (sheet). Transfer lithograph in black with stumping, on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Piazetta (The Piazzetta) 1879-80 James McNeill Whistler American. The Piazetta (The Piazzetta) 372735

Face in a street with pedestrians and a car. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 76 mm × w 99 mm. Museum: Rijksmuseum, Amsterdam.

Festa della sensa (second part); AnkeFt und Herkvommen der Weitberümbten Herrlichen Statt Screw Sambt Derselben Waident Herrschafft. Procession of the Doge on Ascension Day over the San Marco Square in Venice. The procession leads to the Bucintoro, the galei of the Doge. Once a year 'married the Doge during the DELLA SENLA Sensa festa with the Adriatic Sea by throwing a ring in the water from this galei.

Street with sitting man by a wall, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing paper. India ink (ink). pencil pen street (+ city(-scape) with figures, staffage). sitting figure

Overgrown ruin containing two men and a dog. The men are both wearing hats and one of them is resting on a walking stick., Overgrown ruin, print maker: Hendrik Kobell, (mentioned on object), Rotterdam, 1761 - 1779, paper, etching, h 218 mm × w 162 mm

Design for the title page for the play by J.G.L.L. Liepddus 'De Schoenlapper-Capityn of Krispyns Koddige Schakinge', Design for the title page for the play De Schoenlapper-Capityn of Krispyns Koddige Schakinge., draughtsman: Adolf van der Laan, 1694 - 1755, paper, pen, brush, h 139 mm × w 90 mm

Print made by Richard Parkes Bonington, 1802-1828, British, Caen - Eglise Saint-Sauveur, 1824. Lithograph with yellow tint on moderately thick, smooth, cream wove paper.

The Bridge of Toledo, Madrid. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 254 x 191 mm. Oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

The City in1915. Artist: Joseph Pennell, American, 1857-1926

The view of Canal Grande from the side of Palazzo vendramin calergi, in: urbis venetiarum prospectus celebris ex antonia canal tabulis xl aere expressi ab antonio visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (State), album, gondolas, Italian graphics, channels, city landscapes, reproductive graphics, relay, weduty, Italian (culture), boats

Quattro Coronati, Rome. Artist: Alfred-Louis Brunet-Debaines (French, Le Havre 1845-1939 Hyères); Possibly after Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: Sheet: 6 15/16 × 9 7/16 in. (17.6 × 23.9 cm)Plate: 4 7/16 × 6 5/8 in. (11.2 × 16.8 cm). Date: 1875. Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury H. Kleinmann & Co Haarlem, Rembrandt van Rijn (1606 1669)

The Rising Sun. Frank Short (British, 1857-1945). Etching;

Country Neighbors, 1879-1880. Félix Hilaire Buhot (French, 1847-1898). Etching, drypoint and aquatint; sheet: 22.2 x 27.9 cm (8 3/4 x 11 in.); platemark: 13.4 x 18.2 cm (5 1/4 x 7 3/16 in.).

Town Gate, plate two after Pictures of Farms, Country Houses and Rustic Villages (Praediorum villarum et rusticarum casularum icones). Claes Jansz. Visscher (Dutch, 1587-1652); after Unknown Flemish Artist, misidentified as Pieter Bruegel, the elder (Flemish, 1525/30-1569). Date: 1612. Dimensions: 101 x 155 mm (image); 105 x 158 mm (plate); 117 x 172 mm (sheet). Etching in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Claes Jansz. Visscher, II.

La rue Pirouette aux Halles, Paris.. Méryon, Charles (1821-1868). 1860. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Paris (France), City & town life, Streets , France , Paris

Design for the title page for the play De Schoenlapper-Capityn or Krispyns Koddige Schakinge. Draughtsman: Adolf van der Laan. Dating: 1694 - 1755. Measurements: h 139 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

Camille Bourget. Rue de la Parcheminerie, merchant of the four seasons. Paris (5th arr.), 1801-1900. Pencil on cream paper. Paris, Carnavalet museum. 77657-12 Arrondissement, cart, pencil, drawing, sign, facade, woman, building, vegetable, merchant, Parisian district, four seasons, rue Parcheminerie, transport, veme ve v 5e 5e 5, saleswoman, hotel

Serenade, nocturnal cityscape with a singer and spectators, city view in general, 'veduta' (city (-scape) with figures, staffage), Cornelis van der Grient, Netherlands (possibly), 1852, paper, etching, h 117 mm × w 158 mm

Serenade, nocturnal cityscape with a singer and spectators, city view in general, 'veduta' - II - ideal city with figures, staffage, Cornelis van der Grient, 1852, paper, etching, h 117 mm × w 158 mm

Execution by Johan van Oldenbarnevelt, 1619; Abbildung Der Iustitien seized in s'graven Haege den 13 May A. 1619 An Iohan von Olden Barnefelt Gewenerger Lawyer of Hollandt; Series 11: Varia foreign events, 1571-1631. Season by Johan van Oldenbarnevelt in 's-Gravenhage on May 13, 1619. Oldenbarnevelt kneels on the scaffold for the Binnenhof, a large number of spectators on the square. With caption of 6 lines in Latin and 12 rules in German. At the bottom right with pen numbered: 394. The print is part of an album.

Haven Van Dolo en de Rivier de Brenta, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of the port of Dolo and the River Brenta. Two gondolas sail on the water. Numbered in the middle: VIII and bottom right: Tom: II. This print is part of an album. print maker: ItalyVenice paper etching river. tow-boat, towing-barge Brenta. Willful misconduct

Relay Caillard Messaging Emmanuel Fr�miet (1824-1910). Relay Caillard messaging. Black pencil on paper.

Isle de la Cité, Paris. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1859. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Une matinée dhiver au Quai de lHôtel-Dieu (A Winter Morning at the Hotel-Dieu Cabstand). Artist: Félix Hilaire Buhot, French, 1847-1898

A. v. Velden "19th-century handwriting pencil vero L.B.

L'Avenue Trudaine. 1872. Guérard, Henri-Charles, 1846-1897. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Streets , France , Paris, Cityscape prints

Street at Saverne 1858 James McNeill Whistler American After visiting the Alsatian town of Saverne in the summer of 1858, Whistler produced his first etched "Noctunre." Sharp recession heightens the irregular forms of old buildings, with a gas lantern hanging at right casting deep shadows. The choice of paper and "artistic" inking, carried out by the leading Parisian printer Auguste Deltre, enhance the effect. Whistler included this work in his first published set, "Douze eaux-fortes daprès nature" (Twelve Etchings from Nature), which he always referred to as the "French Set." This impression belonged to Thomas Winans, a Baltimore friend who financed the artist's move to Paris in 1855; Winans kept the print in an album that descendants gave to the Museum.. Street at Saverne 372466

Amsterdam, Israels, Isaac, Halvemaansteeg in Amsterdam, Gasthuismolensteeg in Amsterdam, recto lower right - handwritten, A group of people are walking in the alley., print, prints, verso - stamped, no 1612, seen from Herengracht 232. Mirror image., height 200 mm, width 150 mm, Dutch, 1865-02-03 - 1934-10-07, print maker, prentmaker, 1894 - 1894, paper, papier, zinkets

Fitzroy Square. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

PUESTOS CALLEJEROS - 1918 - DIBUJO PLUMILLA - 11X15 CMS. Author: FRANCISCO LLORENS DIAZ (1874-1948).

La rue Lacépède: le cour de l'Aciereur Cottens. Gustave Leheutre (French, 1861-1932). Etching;

The wharf of the clock Armand Guillaumin (1841-1927). "The wharf of the clock". Charcoal on white paper, nineteenth century. Museum of Fine Arts of the city of Paris, small palace.

Dordrecht. Dated: 1870-1877. Dimensions: sheet: 37.78 × 26.83 cm (14 7/8 × 10 9/16 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Walter Shirlaw.

Pavillon de Flore, Tuileries. Thomas Shotter Boys (English, 1803-1874); published by Charles Joseph Hullmandel (English, 1789-1850). Date: 1839. Dimensions: 344 × 292 mm. Color lithograph on paper. Origin: England. Museum: The Chicago Art Institute, FLORENCIA, USA.

Street in Seville Made 1905 England. Gouache and oil on paper . Charles Conder

Chteaux, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, gray wash and graphite on medium, moderately textured, blued white, laid paper, mounted on moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 3 3/16 × 4 1/16 inches (8.1 × 10.3 cm)

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