Historic English Landscapes

Watercolor and ink paintings showcasing English castles and rural landscapes, emphasizing architectural and natural beauty.

Broadstairs. Thomas Rowlandson (1756-1827). Pencil, pen and grey ink and watercolour. 24.5 x 37.2cm.

attributed to Michael "Angelo" Rooker, 1746-1801, British, Carisbrooke Castle, Isle of Wight, undated. Watercolor and black ink on moderately thick, slightly textured, cream wove paper.

Woburn Abbey, England, by George Shepheard. Gift of Archdeacon F.H.D. Smythe, 1957.

Mannering, Hazlewood and Smugglers, William Finden, 1787-1852, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving, engraver's proof

Woolwich Warren, Paul Sandby RA, 1731-1809, British, undated, Gray wash and pen and black ink on very thick, cream, moderately textured laid paper, Sheet: 19 1/2 x 27 1/8 inches (49.5 x 68.9 cm), cart, children, dogs (animals), flag, horses (animals), portrait, river, ship, trees, women, England, Europe, Greater London, Thames, United Kingdom, Woolwich

Christian Wilhelm Ernst Dietrich stone chalk and light brown brush study of sledging, showing figures on sleds, winter landscape, and motion around 1757.

Landscape with cattle driver over a stone bridge, Richard Earlom, After Claude Lorrain, 1774 print London paper etching pastorals, Arcadian scenes. cattle driving, cattle driver. landscape with bridge, viaduct or aqueduct. dale, valley

Broadstairs. Thomas Rowlandson (1756-1827). Pencil, pen and grey ink and watercolour. 24.5 x 37.2cm.

Etched by Joseph Mallord William Turner, 1775-1851, British, Bridge and Cows, 1807. Etching and mezzotint, printed in brown ink Engraver's proof on medium, slightly textured, cream laid paper.

Sylvan Lake, Greenwood Cemetery, in: The New York Drawing Book, Containing a Series of Original Designs and Sketches of American Scenery, No. 2. Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812-1876 New York). Dimensions: Sheet: 8 1/8 × 12 11/16 in. (20.7 × 32.3 cm). Printer: Francis & Seymour Palmer (New York, NY). Publisher: W. H. Graham (New York, NY). Date: 1847. Museum: Metropolitan Museum of Art, New York, USA.

Bridge of Meulan, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, early engraver's proof, touched

Racing set of six: 1. Racing, Thomas Rowlandson, 1756-1827, British, after Thomas Rowlandson, 1756-1827, British, 1799, Hand colored etching, Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)

Obóz wojskowy w Ambala. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Thomas Rowlandson, 1756-1827, British, Rustic Scene with a River and a Bridge, 1818. Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream, wove paper.

A Moonlit Landscape with Cattle by a Pool. Date/Period: Ca. 1780. Landscape. Soft-ground etching, aquatint, black chalk, white chalk and gouache on medium, slightly textured, cream laid paper. Height: 253 mm (9.96 in); Width: 321 mm (12.63 in). Author: Thomas Gainsborough.

Figure in a rowing boat on a waterfront, 1863 - c. 1864 The masts of sailing ships can be seen in the background. Page 28 Recto from a sketchbook with 41 sheets. paper. pencil landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). rowing-boat, canoe, etc.

Drawing by Hendrik Meijer showing a landscape with a windmill, haymakers, and figures resting, executed in pen with gray and black wash.

Peep-show, Vue d'Une Des Maison de Plaisance et d'Une Partie du Comte de Burlington du Côté de la Tamise, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Open Landscape with Horsemen and Covered Cart, Thomas Gainsborough RA, 1727-1788, British, between 1780 and 1788, Gray and black wash, with traces of black and white chalk on medium, slightly textured, cream laid paper, Sheet: 10 3/4 x 14 inches (27.3 x 35.6 cm), cart, figures, genre subject, grass, horsemen, horses (animals), houses, houses, laborers, landscape, path, people, pool, puddle, stump, tower (building division), trees, wagon, water

Collection of Prints by Notable Dilettanti, Print made by George Simon Harcourt, 1736-1809, British, annotated by James Chelsum, 1738-1801, British, 1764, Etching

Haarlem, Spilman, Hendrik, View of the village of Aartswoud, drawing, prints, topography, height 72 mm, width 99 mm, draughtsman, draftsman, 1752 - 1752, paper, watercolor (paint), watercolor, ink, pencil, pen, brush, Work conception, Northern Netherlands, 1721-02-17 - 1784

George Garrard, 1760-1826, British, Colonel Thornton Driving Tandem on His Sporting Tour of Scotland, 1786. Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige, laid paper.

Park Scene. Jean-Baptiste Oudry (French, 1686 - 1755)

Dike breakthrough near Kedichem, 1809, Jan Anthonie Langendijk Dzn, 1809, Breakthrough of the Lingedijk near Kedichem during the flood on January 30, 1809. Several people climb trees to escape the water, to the left and right of the breached dike groups of people flee. With pendant., draughtsman: Jan Anthonie Langendijk Dzn, (signed by artist), Netherlands, 1809, paper, pen, brush, h 330 mm × w 445 mm

The Hamlet, De Lindt, in the Zwijndrechtse Waard near Meerdervoort, draughtsman: Aert Schouman, (mentioned on object), 1742, paper, brush, h 140 mm × w 254 mm

Etched by Joseph Mallord William Turner, 1775-1851, British, Winchelsea, Sussex, 1812. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

John Wootton, 1682-1764, British, The Meet, undated. Pen, in gray ink, black ink, gray wash, and graphite on medium, slightly textured, blued white, laid paper.

The Quai d'Orsay Pierre Antoine de Machy (1723-1807). The Quai d'Orsay. Paris (VIIth ARR.). Feather, red ink and pencil.

Joseph Mallord William Turner, Hedging and Ditching, May 23, 1812, Etching and mezzotint printed in brown inks.

La grande chasse (The great stag hunt), circa 1619, Nancy, by Jacques Callot. Gift of Sir John Ilott, 1961.

A Country Scene 1848 United States. Graphite with smudging, heightened with lead white gouache, on blue wove paper . John La Farge

Racing October 20, 1811 Thomas Rowlandson A horse race with a group of spectators at left. At the center of the field are various carriages and horse riders.. Racing. Thomas Rowlandson (British, London 1757-1827 London). October 20, 1811. Etching. Thomas Tegg (British, 1776-1846). Prints

Dance In The Campagna Hubert Robert (1733-1808 French) Pen Drawing Musee du Louvre, Paris, France

William Daniell, 1769-1837, British, Windsor Castle from the South, 1827. Watercolor over graphite with pen in brown ink and black ink with white gouache on moderately thick, slightly textured, cream wove paper.

Ashdod, 1839. David Roberts (Scottish, 1796-1864). Color lithograph;

Capt. Thomas Hastings, 1778-1854, British, Padmore, Isle of Wight, 1832. Graphite on medium, slightly textured, cream wove paper.

Boat and Figures on Shore of a Lake, John Baverstock Knight, 1785-1859, British, undated, Watercolor and graphite on medium, rough, cream wove paper, Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm)

James Miller, active 1773-1814, Dandelion Farm, near Margate, undated. Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper.

Paul Sandby RA, 1731-1809, British, Carreg Cennen Castle, ca. 1800. Watercolor and graphite on thick, moderately textured, cream laid paper.

Lulworth Castle, Dorset. Date/Period: Ca. 1820. Painting. Watercolor. Height: 156 mm (6.14 in); Width: 238 mm (9.37 in). Author: J. M. W. Turner.

Kruskopf, Pehr Adolf, work name: Kyröskoski, 1830s, technique text: marker and watercolor, drawing, 34.5 cm x 20.3 cm

Landscape with Ruins, Pastoral Figures, and Trees. Dated: c. 1650. Dimensions: overall: 20.2 x 26.6 cm (7 15/16 x 10 1/2 in.). Medium: pen and brown ink with graphite and brown wash over black chalk, heightened with white chalk, on apricot-prepared paper. Museum: National Gallery of Art, Washington DC. Author: Claude Lorrain.

François Lefèbvre drawing of a bird-shooting event in Schoonenberg/Laeken park, executed in graphite pencil, gray lavated with gray pen, 1785.

Henry Angelo and Madame Cain Fencing, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and red-brown and gray-brown ink on moderately thick, moderately textured, wove paper, mounted on cream, thick, rough wove paper with gray ink and wash line borders, Mount: 9 11/16 x 13 3/16 inches (24.6 x 33.5 cm) and Sheet: 6 7/16 x 9 15/16 inches (16.4 x 25.2 cm), crowd, fencing, genre subject, hats, men, sporting art, woman

Commin needs on the occasion of the death of Wilhelmina van Prussen; Tribute to the memory of H.K.H. Mrs. Mrs. Frederika Sophia Wilhelmina, Princess Customs of Orange Nassau. .

CANAL DE SUEZ-VIAJE INAUGURAL EMPERATRIZ EUGENIA DE MONTIJO 11/1869. Author: EDUARD RIOU (1833-1900). Location: CASTILLO. Compiègne. France. EUGENIA DE GUZMAN. EUGENIA EMPERATRIZ. TEBA CONDESA DE. PALAFOX PORTOCARRERO Y KIRKPATRICK MARIA EUGENIA. EUGENIA DE MONTIJO (1826-1920) ESPOSA NAPOLEON III.

Possibly Henry Thomas Alken, 1785-1851, British, The Leicestershire Hunt - The Death, undated. Watercolor, graphite, and gouache, with pen, in brown ink, black ink, and gray ink on thick, moderately textured, beige, wove card paper.

William Ellis, 1747-1810, British, Canal at Shenstone's, The Leasowes, 1806. Watercolor, gouache, and graphite on medium, slightlhy textured, cream wove paper.

Paris, Engelmann, Gottfried, Sèvres, Bacler d'Albe, Louis Albert, Promenades pittoresques et lithographiques dans Paris et ses environs, Picturesque views of Paris and its surroundings, Le Départ de St. Cloud, Carriages and passengers at the stop of Saint-Cloud on the Seine, print, prints, height 274 mm, width 428 mm, 1761 - 1848, print maker, printmaker, 1822 - 1824, paper, papier, lithografie (techniek), Frans, 1788 - 1839-04-25, printer, drukker

Rome from Monte Mario, Joseph Mallord William Turner, 1775-1851, British, ca. 1818, Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper, Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm), children, city, cityscape, genre subject, Grand Tour, hills, landscape, men, river, trees, women, Europe, Italy, Lazio, Roma, Rome, Tiber

Robert Adam, 1728-1792, British, Figures in a Lakeside Romantic Landscape, 1787. Watercolor and graphite on medium, beige, moderately textured wove paper mounted on medium, cream, slightly textured laid paper.

Beach face with boats and fishermen, Herman Frederik Carel ten Kate, 1832 - 1891 drawing paper. watercolor (paint). pencil brush beach. ships (in general). commercial fishery

Shakespearean Scene (): A Pilgrim, Joseph Farington, (landscape), 1747-1821, British, Robert Smirke, (figures), 1752-1845, British, 1796, Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper, Mount: 18 1/2 × 15 5/8 inches (47 × 39.7 cm) and Sheet: 16 × 13 1/8 inches (40.7 × 33.3 cm), capes, coats, costume, feathers, fire, gesture, landscape, literary theme, men, play, steps, trees, walking

Robert Smirke, 1752-1845, British, One from Illustrations to Shakespeare.

Edward Lear, 1812-1888, British, The Gardens of the Villa Albani, 1840. Graphite, black chalk and white gouache on medium, slightly textured, brown wove paper.

Figures in seventeenth-century clothing. At the top left a figure ties his skates underneath. Above right is slid. Bottom left a figure skating. Sheet 53 from a sketchbook with 91 pages, Figures in seventeenth-century clothing., draughtsman: Cornelis Springer, after: Gerrit Battem, (mentioned on object), Netherlands, 4-Jan-1882, paper

Landscape with barge with merchandise near a castle, Jan van Lockhorst, after Jan Gabrielsz. Sonjé, 1776, draughtsman: Jan van Lockhorst, after: Jan Gabrielsz. Sonjé, 1776, paper, brush, h 314 mm × w 374 mm

Isaac Weld, 1774-1856, Irish, Mountainous Landscape with a Bridge and House, ca. 1816. Black chalk, white gouache, graphite and gray wash on moderately thick, rough, beige, laid paper.

The Sporting Parson: 'He Sheweth Them the Way They Should Go', Hablot Knight Browne, 1815-1882, British, undated, Black chalk, watercolor and gouache on moderately thick, moderately textured, gray-brown wove paper, Sheet: 10 3/4 × 15 1/16 inches (27.3 × 38.3 cm), caricature, dogs (animals), fence, field, horseback riders, horseback riding, horses (animals), hounds (dogs), hunt, hunters, hunting, jumping, men, parson, sporting art

Captain James Cook being welcomed on his third visit to Hapace, in Polynesia, engraving by John Webber, 18th Century.

William Payne, active 1850s, British, Entrance to Stonehouse Creek, between Plymouth and Dock, Devon, undated. Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper.

Design for a fan blade with a landscape, c. 1780 drawing Design for a fan blade with a Dutch landscape, a Bijenkorf on the left and a nest on the right with two birds. Netherlands parchment (animal material). deck paint brush / brush

Winter: Assembling for Shrove Tuesday, Jan van der Meer (II), 1705, draughtsman: Jan van der Meer (II), Haarlem, 1705, paper, pen, brush, h 183 mm × w 290 mm

Samuel Howitt, 1756-1822, British, Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports", 1807. Watercolor, with pen, in gray ink, black ink and graphite on medium, moderately textured, cream, laid paper, mounted on, very thick, smooth, cream, cardboard.

Hablot Knight Browne, 1815-1882, British, The Sporting Parson: "He Sends Mother Eve's Apples Flying", undated. Black chalk, watercolor, and gouache on moderately thick, slightly textured, brown, wove paper.

Labourers, Richard Earlom, 1743-1822, British, after George Stubbs, 1724-1806, British, landscape after Amos Green, 1735-1807, British, 1790, Mezzotint, printed in color on moderately thick, slightly textured, cream laid paper, Sheet: 17 1/8 x 26 inches (43.5 x 66 cm) and Image: 15 3/8 x 17 inches (39.1 x 43.2 cm), cart, cottage, dog (animal), genre subject, genre subject, horse (animal), horse (animal), houses, laborers, labourers, landscape, landscape, men, road, trees, trees, wagon, workers

The War of Independence, Jean-Julien Deltil, 1791 - 1863, Block-printed paper, canvas mount, The background of 'Scenic America' is used for scenes of the American Revolution. The taking of an English redout on the hills of Weehawken by American Militia and volunters, assisted by French troops. Across the bay is New York City. Strips 1 and 2 from a set of 32., Rixheim, Alsace, France, 1852-53, Wallcoverings, Scenic panel, Scenic panel

Fox-hunting set of four: 3. Fox Chase / Scene near maidenhead thicket, Thomas Rowlandson, 1756-1827, British, after Thomas Rowlandson, 1756-1827, British, 1801, Aquatint, hand-colored including borders, Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)

Tucumán, Argentina, Godfrey Thomas Vigne, 1801-1863, British, 1854, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 13 inches (23.5 × 33 cm), figures, historical subject, horses (animals), wagon

The arts coming out of the temple of taste will make their petition at the National Assembly (IT)

Kultura w sieci Kultura+ Mankel, Otto August (1838 1885)

Sadeler, Aegidius, Stevens, Pieter (II), Prague, Eight Bohemian landscapes, Rocky landscape with two riders, verso bottom center - stamped, A landscape with some travelers on horseback in the foreground. They pass a wooden house between two rocks. In the left background mountains and a castle. The third print in an eight-part series with Bohemian landscapes., print, prints, height 215 mm, width 288 mm, South Netherlandish, 1570 - 1629, print maker, printmaker, 1597 - 1629, paper, papier, etching, etchings, engraving, engraving (printing process), 1567 - 1624, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

New York from the Heights near Brooklyn. Artist: William Guy Wall (Irish, Dublin 1792-after 1864 Ireland (active America)). Dimensions: 16 x 25 1/4 in. (40.6 x 64.1 cm). Date: ca. 1820-23.Painted as the pendant of "New York from Weehawk," (54.90.109) this watercolor represents the eastern face of New York City from the former "Bergen's Hill" in what is now Brooklyn Heights, looking west-northwest across the East River. In the two watercolors the artist not only opposed the points of view and the times of day of the two prospects but also introduced here the sublime effect of a departing storm. Consonant with it, a brittle conifer tree in the foreground serves as a counterpoint to the lyrical form of the deciduous tree in the companion picture. In both views, the artist projects an impression of youthful New York City as an abiding Utopia cradled in a vast riparian environment. Both watercolors were engraved as a pair by John Hill in 1823, just as Wall and Hill were collaborating on th

Cattle at the River. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 17 3/8 in. × 11 in. (44.1 × 28 cm)Plate: 14 13/16 × 10 5/8 in. (37.6 × 27 cm). Series/Portfolio: Outlines. Date: August 6, 1790. Museum: Metropolitan Museum of Art, New York, USA.

Smugglers attacked by Bourgeois, Sir Peter Francis (1756-1811) / Private Collection / 1795-1798 / Great Britain / Mezzotint / Genre / 48,4x66,4

Study of a Farm Cart, William Alexander, 1767-1816, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 6 1/8 × 5 inches (15.6 × 12.7 cm), agriculture, basket, cart, farmhouse, figure, genre subject, wagon

Tail star above Alkmaar, 1681. Night landscape with the large comet (tail star) seen on a field outside the Geesterpoort in Alkmaar in January 1681. Some watchers lift the poor to heaven.

From the house and terrace looking south: overlay up, Humphry Repton architecture and landscape designs, 1807-1813, Report concerning the gardens at Ashridge, respectfully submitted to the Earl of Bridgewater, Repton, Humphry, 1752-1818, Pencil, ink and watercolor on paper, 1813, Two-page spread with overlays for different views. View from the house.

Fox-hunting set of four: (2) Fox Breaking Cover / At Upper Gatton Seat of the Duke of St. Alban's, Dean Wolstenholme, 1798-1882, British, after Dean Wolstenholme, 1757-1837, British, no date, Aquatint, hand-colored, Sheet: 9 1/4 x 12 3/4in. (23.5 x 32.4cm)

Koenigl. Bergstadt Přibram and the salvation. Mountains, Berauner Kreis to Döbller raided by Joan Venuto 1817.

Tombeau du chef Tongamana. (Tonga-Tabou.).. Dumont d'Urville, Jules-Sébastien-César, 1790-1842. Prints. 1830 - 1835. General Research Division

Thomas Bradshaw, Born 1767, British, Album of Landscape and Figure Studies: A Desolate Harbor Surrounded by Moors. Graphite, pen and ink, watercolor, scratching out; verso: graphite.

Peter I at the Pruth River by Ivanov, Mikhail Matveevich (1748-1823)/ State Tretyakov Gallery, Moscow/ 1804/ Russia/ Watercolour on paper/ Classicism/ 49,4x70,6/ History

Rome, Armi, Giovanni Dall', Voogd, Hendrik, Italian landscapes, Tentamina Lithographica, Woman at a well, verso - stamped, A woman with a jug on her head at a well., print, engraving, prints, engravings, School for the graphic arts in Utrecht, height 392 mm, width 498 mm, Dutch, 1768-07-10 - 1839-09-04, print maker, printmaker, 1820 - 1820, paper, tone lithography, 1777 - 1829, printer, drukker

L'Avenue des Champs Elysées, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Albenga, Edward Lear, 1812-1888, British, 1864, Watercolor with pen in brown ink and gouache, over graphite on moderately thick, moderately textured, brown wove paper, Sheet: 7 5/16 x 21 1/4 inches (18.6 x 54 cm), baskets, buildings, cityscape, field, figures (representations), grass, hills, landscape, mountains, river, riverbank, sky, towers (building divisions), trees, village, wall, water, windows, Albenga, Italy, Savona

Saint Petersburg by Eugene Pluchart, Lithograph, watercolor, 1825,Classicism, 1809-1880, Russia, Moscow, State Museum of A.S. Pushkin, 23,4x30,8

Attributed to Robert Home, 1752-1834, British, Traveller in a Palanquin in India, undated. Pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, beige, laid paper.

William Miller, 1796-1882, British, Nantes, 1833. Line engraving, (First Published State).

Carnavalet Museum, Collection Drawings

Peep-show, Vue de l'Ecluse d'Amstel Regardant Par le Dehors d'Amsterdam, Engraving in ink with washes of watercolor on paper, mounted on scrapbook paper, Peep-show print, France, ca. 1750, Print, Print

Sketchbook Carle Vernet, 1758-1836, pencil, ink, watercolor, studies of hunt scenes, horses, figures, and notes about the colors.

Hunting set of four: 2. The Chace (titles are also inscribed in French), Thomas Burford, ca. 1710-after 1774, British, after James Seymour, 1702-1752, British, 1766, Hand colored mezzotint, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)

Lobrowitzischen Garden in Vienna, Austria 18th Century.

Enraged Vicar, from Miseries of Human Life 1807 England. Hand-colored etching on ivory wove paper . Thomas Rowlandson

Paris, Rigaud, Jacques, Veüe du Canal, de Fontainebleau, View of the Grand Canal in the Garden of the Palais de Fontainebleau, print, optic print, prints, optic prints, height 228 mm, width 469 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, papier, cardboard, watercolor (paint), watercolour, etching, etchings, brush, Borstel, French, 1681 - 1754, print maker, printmaker

The Hague, Beeck, Anna, Hoefnagel, Joris, Keulen, Hogenberg, Frans, Novelanus, Symon, Vallisoletum, View of the city of Valladolid, View of the city of Valladolid. In the foreground various fields. Print is part of an album., print, picture, book illustration, album page, prints, pictures, height 349 mm, width 465 mm, height 531 mm, width 630 mm, South Netherlandish, German, print maker, printmaker, 1572 - 1572, paper, etching, etchings, engraving, engraving (printing process), hand colouring, letterpress printing, tearing, Dutch, 1540 - 1590, 1542 - 1600-09-09, intermediary draughtsman, after a drawing by, 1657 - 1717, colourist

Posting in Germany , Carriages & coaches, Horses, Passengers, Covered wagons, Taverns Inns. Thomas Rowlandson (1756-1827). Prints and Drawings

Louis XV (king of France), Paris, Rigaud, Jacques, L'Isle Royalle, View of the Île Royale in the Garden of Versailles, In the bottom margin two lines of French text., print, optical print, prints, optical prints, height 241 mm, width 474 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, paperboard, cardboard, watercolor (paint), watercolour, etching, etchings, brush, French, 1681 - 1754, print maker, printmaker, 1710-02-15 - 1774-05-10, granter of privilege

Thomas Weaver, 1774-1843, British, Coursing, 1800. Watercolor, graphite, and white gouache on medium, smooth, beige, wove paper.

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