Historic European Illustrations

A collection of vintage illustrations depicting various historical scenes, including caricatures and biblical narratives. The artwork features intricate details and a classic aesthetic.

Moses Striking the Rock in Horeb; Nikolaas Henneman (British, 1813 - 1893); London, England; 1847; Salted paper print; 6 × 12.4 cm (2 3,8 × 4 7,8 in.)

Round painting of Europe in August MDCCCXLIX, Ferdinand Schröder -, Lithographer, Albert Arnz -, publisher

Moses Striking the Rock in Horeb; Nikolaas Henneman (British, 1813 - 1893); London, England; 1847; Salted paper print; 6 × 12.4 cm (2 3,8 × 4 7,8 in.)

Garbo, Louvre, 769. The martyrdom of St. Lucy.. Illustrations, Prints. 1903. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , Tuscany (Italy), Painters , Florence (Italy), Drawing, Daggers & swords, Oxen, Lucy, Saint, d. 304

Men Loading a Boat with Barrels, Samuel Scott, 1701/2-1772, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 x 10 5/8 inches (14 x 27 cm), barrels, boat, hats, loading, marine art, men

Cartoon in Leiden Student Almanac, 1850, 1850 Cartoon in the Student Almanac of the University of Leiden of the year 1850. Ten performances on the agricultural exhibition organized by the Dutch Society of Agriculture in 1850 in Leiden. Central at the top of a black West Indian man with the inscription 'W: Indiesche team, 1st prize'. print maker: Netherlandsafter design by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper To lead. West India Cartoon in the Student Almanac of the University of Leiden of the year 1850. Ten performances on the agricultural exhibition organized by the Dutch Society of Agriculture in 1850 in Leiden. Central at the top of a black West Indian man with the inscription 'W: Indiesche team, 1st prize'. print maker: Netherlandsafter design by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper To lead. West India

ESPAÑA E INDIAS REUNIDAS EN CORTE VIENEN A SALVAR A SU AMADA PATRIA - GRABADO SIGLO XIX. Location: CONGRESO DE LOS DIPUTADOS-ARCHIVO. MADRID. SPAIN.

Lady Diana Beauclerk, 1734-1808, British, Children with Pet Owls, undated. Graphite, black chalk and watercolor on moderately thick, slightly textured, beige wove paper.

Thomas Stothard, 1755-1834, British, November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282), undated. Gray wash with pen and brown ink on thin, smooth, cream wove paper.

Dr. Syntax Visits a Boarding School for Young Ladies, Thomas Rowlandson, 1756-1827, British, 1821, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 1/4 x 8 3/16 inches (13.3 x 20.8 cm), boarding school, genre subject, ladies, man, outside, sitting, standing, trees

Four Chinese figures with a banderole; New converted sinesen, with great Moeyte designed and given in it, by P: Schenk Jun (...), first part. A Chinese man right writes the title of a print series on a partially open rolled paper or dust. Behind the role a Chinese man and woman. In the foreground a figure on the back with a monkey on a rope. On the right a Chinese vase, a tray and a range. In the middle of numbered: 1. Print is part of an album.

Design for Wall Paper, unknown artist, after Hubert-François Gravelot, 1699-1773, French, active in Britain (1733-45), ca. 1760, Pen, brown ink, brown wash, and graphite on medium, moderately textured, cream laid paper, Sheet: 7 x 9 3/4 inches (17.8 x 24.8 cm), basket, courting, dancing, design, dog (animal), dresses, fiddle, figures (illustrations), fishing, fishing poles, grass, hats, hunter, hunting, men, picnic, walking, wallpaper, women

'Sporting Notions:' 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before', Henry Thomas Alken, 1785-1851, British, between 1831 and 1832, Graphite with red chalk and white gouache on thin, slightly textured, blued white, wove paper, Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm), boat, brook, field, galloping, horseback riders, horseback riding, horses (animals), men, plants, pole, riverbank, sporting art, tree, water

The martyrdom of Saint Constance (Costantia, Costanza). Drawing by or after A. Tempesta.

Alexander the Great Meet Thalestris, Queen of the Amazons, Leonaert Bramer, c. 1655 - c. 1665 On the left is Alexander the Great, followed by his soldiers, with Thalestris on the right, queen of the Amazons, followed by a number of armed Amazons. Thalestris kneels and presents Alexander Gifts. Numbered at the top right: 31. Drawing is part of an album. paper. ink pen / brush On the left is Alexander the Great, followed by his soldiers, with Thalestris on the right, queen of the Amazons, followed by a number of armed Amazons. Thalestris kneels and presents Alexander Gifts. Numbered at the top right: 31. Drawing is part of an album. paper. ink pen / brush

Thomas Rowlandson, 1756-1827, British, The Vicar of Wakefield: The Departure from Wakefield, ca. 1817. Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, blued white wove paper.

Kitty Overcome. Date/Period: 1821. Painting. Watercolor. Height: 216 mm (8.50 in); Width: 279 mm (10.98 in). Author: Thomas Rowlandson.

Mr. Claypole as he appeared when his master was out , Eating & drinking, Spying, Dickens, Charles, 1812-1870. Oliver Twist. George Cruikshank (1792-1878). Prints and Drawings

Birth of Alexander the Great, Leonaert Bramer, c. 1655 - c. 1665 The birth of Alexander the Great, on the same day that the Temple of Artemis in Ephesus burned down. Numbered at the top right: 2. Drawing is part of an album. paper. ink pen / brush The birth of Alexander the Great, on the same day that the Temple of Artemis in Ephesus burned down. Numbered at the top right: 2. Drawing is part of an album. paper. ink pen / brush

Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc., George Morland, 1763-1804, British, 1791-1795, Hand colored soft-ground etching, Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)

Sheet of Figure Sketches, William Payne, active 1850s, British, undated, Brush and gray and black wash and graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 17 3/4 inches (29.2 × 45.1 cm) and Sheet: 13 1/8 × 21 5/8 inches (33.3 × 54.9 cm)

Print, LAUTOMNE; Designed by François Boucher (French, 1703-1770); Print Maker: Louis-Félix Delarue (French, 1730 - 1777); Published by Gabriel Huquier (French, 1695-1772); France; etching on laid paper

August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! Pretty Janet (Vol. 2, p. 286), Thomas Stothard, 1755-1834, British, undated, Gray wash with pen and brown ink, and pen and black ink on thin, smooth, cream wove paper, Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm), doorway, doublet, dresses, footstools, genre subject, horse (animal), Kenilworth, by Walter scott, 1821, man, panels and panelling, women

Netherlands, Letter of greeting with various animals and figures, verso - stamped, Letter of greeting with blank cartouche within a decorative frame with representations of various animals, figures and playing children. Numbered lower right: No. 21., print, folk print, letter of greeting, prints, folk prints, height 427 mm, width 337 mm, print maker, printmaker, 1780 - 1899, paper, lithography (technique), colours, Publication (Event), Publication, publisher

Painted scene of a feast day from the new fullonica (fuller's shop), Regio VI, Insula XIV, 21. Illustration drawn by Discanno and lithographed by Victor Steeger from Emil Presuhn's "Pompeji. Die Neuesten Ausgrabungen von 1874-1881," Weigel, Leipzig, 1882. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno and Miss Amy Butts, made exact copies of many wall paintings that are now lost.

Un caballero español mata un toro despues de haber perdido el caballo.. Goya, Francisco (1746-1828). 1815. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bulls , Spain, Horses, Bullfighters , Spain, Bullfighting , Spain

Christian Wilhelm Ernst Dietrich drew a Leiermann with dancing children and their mother using lead pencil and dark gray spring lavings in 1730.

Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Admiral De Winter Raising the Colors 1798 John Singleton Copley American. Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Admiral De Winter Raising the Colors 10540

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand, Henry Thomas Alken, 1785-1851, British, between 1818 and 1822, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm), cane, crash, galloping, genre subject, hats, horseback riders, horseback riding, horses (animals), meeting, men, patient, portrait, saw, sporting art, surgeon, surgery

Interior of Temple of Glory and Figured Details, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two drawings interior of temple of glory with tuba blowing Nike (), detail drawing of the same person and ground plan of stage setting. Group of men and two women in landscape., Italy, ca. 1796-1801, theater, Drawing, Drawing

Ducking a Scold April 12, 1803 Thomas Rowlandson A woman is lowered into a body of water, seated in a chair, while a group of people watch in amusement from above.. Ducking a Scold. April 12, 1803. Hand-colored etching. Prints

Family Ch Opska before chat; Smokowski, Wincenty (1797-1876); around 1841-1842 (1840-00-00-1845-00-00);

Turkish and Armenian Ladies Abroad. Van-Lennep, Henry J. (Henry John), 1815-1889. W. Endicott & Co.. Prints, Portraits. 1862. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Turkey , Social life and customs, Clothing & dress , Turkey, Veils , Armenia, Veils , Turkey, Armenians , Clothing & dress

To say the book of Józef Poniatowski from his families; unknown, Agustoni et you (couples; Publisher; 181.-182.); around 1820 (1815-00-00-1825-00-00);Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, Strzembosz, Alojzy Władysław (1875-1917), Strzembosz, Alojzy Władysław (1875-1917)-collection, gift (provenance), children, era Napoleońska (1799-1815), riders, legend of Prince Józef Poniatowski (iconogr.), Farewell, Family

The Family of Children, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and red-brown ink over graphite on medium, slightly textured, blued white, wove paper, Sheet: 4 5/16 x 7 1/4 inches (11 x 18.4 cm), allegory, chairs, children, crib, curtains, dogs (animals), doorway, family, family room, fireplace, genre subject, kettle, man, mirror, reading, skeleton, table (support furniture), toys (recreational artifacts), women

Interior of Egyptian temple, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Horizontal rectangle: interior of Egyptian temple showing statues of holy animals, etc., with middle altar with 'Apis' bull., Italy, ca. 1796-1801, theater, Drawing, Drawing

Drawing, Sheet of cartoons of contemporary life; A. Bonaventure (French); France; pen and black ink on glazed linen; Mat: 71.2 x 91.6 cm (28 1/16 x 36 1/16 in.) 42.6 x 80.3 cm (16 3/4 x 31 5/8 in.)

Drawing by Cornelis Ploos van Amstel showing the Ploos of Amstels coat of arms with four putti holding allegorical attributes, executed in gray pen with wash and graphite pencil.

A new way to pay the national-debt design'd by Helagabalis ; executed by Sejanus.. British Cartoon Prints Collection , Exhibited: Gillray and the Art of Caricature. George,III,King of Great Britain,1738-1820. , Charlotte,Queen, consort of George III, King of Great Britain,1744-1818. , Pitt, William,1759-1806. , George,IV,King of Great Britain,1762-1830. , Miserliness,1780-1790. , Monetary policy,Great Britain,1780-1790. , Public debt,Great Britain,1780-1790. , Avarice,1780-1790. , Quadriplegics,1780-1790.

John James Chalon, 1778-1854, French, active in Britain, Skating in the Park, undated. Sepia wash and watercolor on moderately thick, moderately textured, cream, wove paper.

Photo production of drawing by F. Barrias: Virgilius Scene from the Aeneidos, Goddess prevents murder of woman.

Sketch for the painting Tatar captive" [?; verso: study of a galloping rider, sketch of architecture. Pawliszak, Wacław (1866-1905), draughtsman, cartoonist

The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Isaac Weld, 1774-1856, Irish, Two Women in Colorful Costume, ca. 1816. Watercolor and graphite on thick, slightly textured, cream, wove paper.

Samuel Collings, active 1784-1795, British, The Struggles of Virtue, undated. Pen and black ink with graphite and gray wash on medium, moderately textured, white wove paper.

Delft, Molenbroek, JH, Rotterdam, Nijgh, H., Netherlands, IJzerdraat, Willem Bernardus, Fourth Lustrum of the Royal Academy of Delft - Ao. 1862 - Costumed Procession, Delft procession of 1862, sixth group, verso - stamped, Sixth group: tribute wagon of the Acehnese embassy, numbered 81-94. Part of the series of eight plates of the costumed procession held by the students of the Royal Academy of Delft on the fourth lustrum on 8 June 1862, plus subscription list and membership list. The procession represents the embassy of the Sultan of Aceh to Prince Maurits and the States on September 4, 1602., print, prints, Frederik Muller Historieplaten, height 270 mm, width 670 mm, 1835-10-31 - 1907-02-17, print maker, printmaker, 1862 - 1862, paper, papier, chromolithografie, Publication (Event), Publicatie, publisher, uitgever, printer, drukker

Four figures; one man beats another who is chained to a weight.. Paintings, Prints. 1850. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting, Chinese, Punishment & torture , China, Costumes , Chinese

Harvesters Resting in a Corn Field. Date/Period: Between 1805 and 1810. Landscape. Watercolor with pen and black and red ink, over graphite, with some blue chalk on medium, slightly textured, blued white, wove paper. Height: 205 mm (8.07 in); Width: 284 mm (11.18 in). Author: Thomas Rowlandson.

The dance of death: Death sees two quakers. Colour lithograph by Edward Hull, 18--.

Prince Józef Poniatowski parting with his family. unknown, graphic artist, Agustoni et Cie (Paryż ; wydawca ; 181.-182.), publisher

Archers, Anonymous, After David Teniers (II), 1626 - 1690 print Archers shoot arrows at a goal. Other men watch. Two houses on the left. paper etching archer's weapons: bow. landscapes

Monk, a woman and figures for a home. Leaf 4 recto from a sketchbook with 52 sheets.

A chalk, spring, and brush draft by Matthäus Günther from 1775 showing Peter and Paulus passing demons for a ceiling image in the church in Götzens near Innsbruck, emphasizing figures, action, and composition.

Banderillas de fuego.. Goya, Francisco (1746-1828). 1815. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bulls , Spain, Bullfighters , Spain, Bullfighting , Spain

Design for illustration for Holland stands a house: silhouette of the family who chases the cat the house, Nelly Bodenheim, 1884 - 1917 drawing Design for a print. paper. deck paint. pencil brush .

Return From the Chase, After a Fall, Samuel Howitt, 1756-1822, British, undated, Watercolor, pen and black ink, and graphite on thick, moderately textured, beige, wove paper, Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm), Contemporary drawn border: 11 3/8 × 15 3/8 inches (28.9 × 39.1 cm), and Image: 11 × 14 15/16 inches (27.9 × 37.9 cm), building, dogs (animals), falling, gate, horseback riders, horseback riding, horses (animals), hounds (dogs), hunt, hunters, hunting, landscape, men, sporting art, trees, women

Andreas Flinch (1813-1872); Johan Thomas Lundbye (1818-1848), Abd-El-Caders prisoners, 1839

GRABADO-TIPOS COLONIALES E INDIGENAS. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Dr Graham's Bathing Establishment. Genre subject. Watercolor with pen black and gray ink over graphite on thick, moderately textured, cream, wove support. Height: 325 mm (12.79 in); Width: 473 mm (18.62 in). Author: Thomas Rowlandson.

Gebethner, Feliks (1832-1887), Gebethner, Feliks (1832-1887)-collections, Gebethner, Gustaw Adolf (1831-1901), Gebethner, Gustaw Adolf (1831-1901)-collections, Society of Fine Arts (Warsaw-1860 -1940), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, children, collection stickers, genre scenes, collective scenes, school (architect), students, games (iconogr.), Collective signs

Thomas Rowlandson, 1756-1827, British, The Exhibition Stare-Case, Somerset House, ca. 1800. Watercolor and pen and ink on medium, slightly textured, cream wove paper.

Henry William Bunbury, 1750-1811, British, The Prince Regent and the Moneylenders, undated. Watercolor and pen and black ink on medium, slightly textured, cream wove paper.

More miseries. Being overpersuaded to stand up in a country dance... , Dance parties, Dancers, Musicians. Thomas Rowlandson (1756-1827). Prints and Drawings

Hablot Knight Browne, 1815-1882, British, The Sporting Parson: "Next a Little Low Church", undated. Black chalk, watercolor and gouache on moderately thick, slightly textured, gray, wove paper.

CARNICERO , ANTONIO PINTOR ESPAÑOL.SALAMANCA 1748 - 1814 " SUERTE DE BANDERILLAS " GRABADO COLOREADO MUSEO MUNICIPAL . MADRID TAUROMAQUIA. Author: ANTONIO CARNICERO (1748-1814).

Orientals Tafereel; East subjects ..

Et tout pour la trippe, livre IV, ch. LVII.. 1872. Rabelais, François (ca. 1490-1553). Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A Legal Wrangle. Drawing. Watercolor with pen and black, gray and brown ink over graphite on medium, slightly textured, beige, laid paper. Height: 162 mm (6.37 in); Width: 310 mm (12.20 in). Author: Thomas Rowlandson.

Man and Woman with a Bag of Game, Marcellus Laroon the Younger, 1679-1772, British, undated, Graphite and watercolor on medium, slightly textured, beige, laid paper, Sheet: 8 × 11 15/16 inches (20.3 × 30.3 cm), bird, figure study, game (hunted animal), hare, man, sporting art, woman

Design for a room piece: Dorinda gives Silvio his dog back.design for a painting.

Print, Two Shepherdesses in a Landscape; Designed by François Boucher (French, 1703-1770); Print Maker: Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Pencil sketches by Ferdinand Georg Waldmüller from 1829 showing a variety of subjects and forms

The diwan room in a manor house by Russian master Russian State Archive of Literature and Art, Moscow 1833 Watercolour on paper Russia Russian Painting of 19th cen. Architecture, Interior Painting

Les barbiers ambulants above; Boutique de barbiers below.. Debret, Jean Baptiste (1768-1848). Prints, Illustrations. 1834 - 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Brazil , Social life and customs, Blacks , Brazil, Barbershops, Grinding wheels, Shaving, Street vendors, Barbers, Scissors and shears

A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background, Thomas Stothard, 1755-1834, British, undated, Watercolor and graphite on medium, moderately textured, cream laid paper, Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm), dancing, drum (musical instrument), fainting, figure study, genre subject, hats, shepherdess, men, oars, rescue, rowboat, sea, storm, waves (natural events), woman

Scene picture with Nestroy as Eberhart Ultra in Freedom in Krähwinkel, Johann Christian Schoeller -, artist

Thomas Rowlandson, 1756-1827, British, An Artist's Studio, 1814. Watercolor with pen and red-brown, brown, and gray ink, over graphite on moderately thick, slightly textured, cream, wove paper.

The Triumph of Music, Walter Crane, 1845-1915, British, ca. 1876, Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 10 5/8 x 14 5/8 inches (27 x 37.2 cm), bird, clock, feathers, gesture, Greek, historical subject, men, music, piano, pointing, pushing, scroll (motif), spears, togas, women

At Campfire by Tolstoy, Fyodor Petrovich (1783-1873)/ State Russian Museum, St. Petersburg/ 1806/ Russia/ Watercolour and coal on paper/ Classicism/ Genre

Postman.. Alexander, William, 1767-1816. Prints, Illustrations. 1814. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , Great Britain, Great Britain , Social life and customs, Postal service employees

Bound Print (France)

Thomas Rowlandson, 1756-1827, British, Doctor Syntax loses his Money on the Race Ground at York, 1820. Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium medium, slightly textured, cream, wove paper.

Henry William Bunbury, 1750-1811, British, Patience in a Punt, undated. Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, rough, cream, wove paper.

Trap of Old Age, Rudolph Jacob Schierbeek, 1832 - 1885 print A staircase of the old age: a men's staircase. On the steps of the stairs men aged 0 to 100 years. Under the stairs the personification of the time. Numbered at the top right: No. 50. Groningen Publisher: Rotterdam paper letterpress printing the ages of man represented by a staircase (9). Father Time, man with wings and scythe

Noah's Ark with Animals. Dated: c. 1936. Dimensions: overall: 22.9 x 28.9 cm (9 x 11 3/8 in.) Original IAD Object: 14 3/4" long; 5 3/4" high; 4 1/2" wide. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Twisting a man's ears. Mason, George Henry. Wilson, William, active 1811-1839. Prints, Illustrations. 1804. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Punishment & torture, Criminal justice, Administration of, Clothing & dress, Manners & customs, China

Trophy with text at the portrait of Leonardos Philaras, Claude Mellan (Attributed to), 1651 print France paper engraving / letterpress printing trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. historical persons

Amsterdam, Schenk, Pieter (II), Newly invented Chinese drawn with great effort and given in light, by P. Schenk Jun, second part, Chinese gentleman receiving tea from a servant in a landscape, Landscape with a Chinese Servant Bringing Tea to a Master, verso - stamped, Landscape with a Chinese Gentleman Being Offered Tea on a Tray by a Servant. Behind the head two women, one with a parasol. In the background two sailing ships on the water., print, engraving, ornamental print, prints, engravings, height 162 mm, width 260 mm, Noord-Nederlands, 1693-02-15 - 1775-01-14, print maker, printmaker, 1715 - 1725, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Berghem, Nicolas, work, The shepherd playing the flute at the edge of the well, (1000 - 2003), line etching, graphics, plate width 20.9 cm, plate height 26.4 cm

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Delftware (glased earthenware). Pottery factory in Bolsward. Horse mill for grinding clay. Atrributed to Dirk Danser (1698-1763). c. 1745-1765. Rijksmuseum. Amsterdam. Netherlands.

The stairs of the old age, 1850 - 1870 print A staircase of old age: a parentrope. On the steps of the stairs, in the form of a bridge, there are men and women between the ages of 0 and 100. Under the bridge an allegorical representation with different objects, including a column base, a skull, a crown and a miter. Under the show a twelve -line verse in two columns. Numbered at the top right: No. 47. Amsterdam paper letterpress printing the ages of man represented by a staircase

Amsterdam, Staden & Co., PCL van, Staden, Numan, Hendrik, Hermanus, De trap des ouderschaps, verso - stamped, A trap des ouderschaps: een parentap. On the steps of the staircase, in the form of a bridge, are men and women aged 0 to 100. Under the bridge is an allegorical representation with various objects, including a column base, a skull, a crown and a mitre. Under the representation is a twelve-line verse in two columns. Numbered at top right: No. 47., print, folk print, folk prints, prints, height 305 mm, width 396 mm, 1744 - 1820-03-09, print maker, printmaker, 1850 - 1870, paper, papier, houtcut, kleuren, letterpress printing, boekdruk, 1736-03-21 - 1788, Publication (Event), Publicatie, publisher, uitgever, Nederlands

Beggar in a high cap, standing and leaning on a stick, Giuseppe Sardi, after Rembrandt van Rijn, 1791 print Japanese paper (handmade paper) etching head-gear: cap (+ men's clothes). beggar

William Pitt and John Bull fear for an invasion, James Gillray, 1792 Cartoon from 1792 in which William Pitt and John Bull fear for an invasion. Both are on a stronghold with guns, Pitt is staring through binoculars to a flight geese that pulls along the moon. print maker: Englandafter own design by: Englandpublisher: London paper etching personifications of countries, nations, states, districts, etc.. geese (domestic waterbirds). political caricatures and satires

Reverse Copy of La Place du Dome, a Florence (The Piazza del Duomo, in Florence), from Les Caprices Series A, The Florence Set 17th century Anonymous. Reverse Copy of La Place du Dome, a Florence (The Piazza del Duomo, in Florence), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Anonymous. 17th century. Etching. Prints

Comment Bridoye expose les causes pourquoy il visitoit les procés qu'il decidoit par le sort des dez, livre III, ch. XL.. 1872. Rabelais, François (ca. 1490-1553). Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Plate 6, Outlines of Figures, Landscapes and Cattle...for the Use of Learners June 20, 1790 Thomas Rowlandson. Plate 6, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757-1827 London). June 20, 1790. Hand-colored etching. S. W. Fores (London). Prints

Charles Samuel Keene, 1823-1891, British, Street Scene, undated. Gray wash with pen and brown ink, touched with white gouache over graphite on medium, slightly textured, cream wove paper.

circle of John Sell Cotman, 1782-1842, British, Errand Boy Asleep in a Church, ca. 1825. Watercolor over graphite on medium slightly textured cream wove paper.

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