Historic European Landscapes

Etchings depicting various European landscapes with rural settings, featuring waterways, ruins, and village life, showcasing a blend of nature and architecture.

View of Rosmalen, Noord-Brabant, Josua de Grave, 1675 drawing Rosmalen paper. ink pen / brush church (exterior). prospect of village, silhouette of village Rosmalen

Boerenbal, Antonio Gabrieli, After Quentin Varin, c. 1783 print Landscape with farmers and farmers dancing for a villa. print maker: Italyafter painting by: FranceFrance paper engraving ball, formal dance. farmers

Firouz-abad Firuzabad. Vue de l'Atech-gah. Firouzabad. Vue d'une autre ruine connue sous le nom de l'Autel du feu.. Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Płowce. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Allegory to serve as a frontispiece / record to the king, by Mr. Necker (IT)

Landscape with man and a woman resting in a gothic ruin, Auguste Numans, after Tavernier, 1833 - 1879 print paper. etching landscape with ruins. landscape with tower or castle. (traveller) resting in the open air

Creating the Marszka Marszów prince to Józef Poniatowski; Réville, Jean-Baptiste (1767-1825), Martinet, Achille Louis (1806-1877); before 1826 (1813-00-00-1825-00-00);Biała Elster (Czech Republic, Germany-River), Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, Strzembosz, Alojzy Władysław (1875-1917), Strzembosz, Alojzy Władysław (1875-1917)- Collection, Battle of Leipzig (1813), battles, gift (provenance), Napoleonic era (1799-1815), portraits, horse portraits

Le gué, d'après Corot.. Corot, Jean-Baptiste-Camille (1796-1875). 1873. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Fords (Stream crossings)

Spiegel met jachttrofee, anonymous, after Johann Thomas Hauer, 1758 - 1820 print Design for a wall mirror with a table, decorated with garlands and a hunting trophy .. a wall with panels on the left and right. Publishing number XXIV. Ravensburg paper etching / engraving mirror. hunting trophies

Figures at a stone bridge, Anthonie Waterloo, 1773 - 1832 print A stone bridge over the water leads to a village. Three figures are depicted at the bridge and a fourth person with a dog arrives on the left. A man in a rowing boat is displayed in front. At the top left you can see the letter M. Paris paper etching landscapes (+ landscape with figures, staffage). landscapes with waters, waterscapes, seascapes (in the temperate zone). village. landscape with bridge, viaduct or aqueduct. 'en route', traveller under way. rowing-boat, canoe, etc.

University of Padua.. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Università di Padova, Padua (Italy), Universities & colleges

Grafmonument en een sculptuur; Afgod en graf op Keij.In a landscape, a brick one's brick, a grave monument in the form of a boat. On top of it a flag. To the right of it a sculpture of a deity, covered with a roof.

Cartographer; Fine Arts. Study room or library. At the table a man with a passer signs a circle on his card. A man and a woman in departure study two globes. Right a cupboard with books. Under the show four lines text in Latin. The print is part of an album.

Title page for a series of Dutch faces, Johan Barthold Jongkind, 1862 print French text with houses, mills and a tree around it. Title page for a series of six etched Dutch faces, the first two numbered. Paris paper etching landscapes in the temperate zone. trees. windmill Holland

View of the city of Jerez de la Frontera, 1575 View of the city of Jerez de la Frontera in Andalusia. Print is part of an album. print maker: Cologneprint maker: CologneThe Hague paper etching / engraving / letterpress printing Jerez de la Frontera View of the city of Jerez de la Frontera in Andalusia. Print is part of an album. print maker: Cologneprint maker: CologneThe Hague paper etching / engraving / letterpress printing Jerez de la Frontera

À droite, une rivière.... 1852 - 1882. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Boats, Rivers

Print, Lauffenbourg on the Rhine; James Mallord William Turner (British, 1775-1851); Engraved by Thomas Hodgetts (British, 19th century); England; etching and mezzotint on white paper; Sheet: 30.4 x 44.1 cm (11 15/16 x 17 3/8 in.) Platemark: 20.3 x 29.1 cm (8 in. x 11 7/16 in.)

Sechs Landschaftstudien nach der Natur. Dated: 1829. Dimensions: sheet: 35 × 49.8 cm (13 3/4 × 19 5/8 in.). Medium: portfolio with six lithographs printed in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: CARL AUGUST LEBSCHEE.

Man on his way to a house, Johannes Ludovicus van den Bos, 1815 - 1827 print Amsterdam paper etching bridge in village across river, canal, etc.

Doune Castle. Richard Parkes Bonington (English, 1802-1828); after François Alexandre Pernot (French, 1793-1865). Date: 1828. Dimensions: 165 × 232 mm (image); 269 × 342 mm (sheet). Lithograph on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Catching up and leasing the actress Adelaide Ristori by the Utrecht students, 1860, 1861 print Three scenes of the overtaking in Utrecht of the Italian Tragédienne (Marchese) Adelaide Ristori, the Serenade brought her in June 1860 and the litigation by the Utrecht students. Leaf from Student Almanac in Utrecht from 1861. print maker: Netherlandsafter drawing by: Utrechtprinter: The Hague paper student life. arrival and return ~ travelling. serenade to the beloved Utrecht

Assouan. Francis Frith (English, 1822 - 1898)

Geologists studying the basalt columns at Roccarespampani, Viterbo, central Italy. Basaltes colonnaires de Rocca Rispampani dans le territoire de Viterbe. Copperplate engraving by Milanese painter Gaetano Riboldi after a sketch by architect Giuseppe Rinelli from Scipion Breislaks Traite sur la Structure Exterieure du Globe, Treatise on the Exterior Structure of the Globe, Jean-Pierre Giegler, Milan, 1822.

Etching by Bartolomeo Pinelli from 1820 depicting Italian costumes in characteristic settings, showing figures, clothing, and contextual scenery.

Laying fox traps at maintaining Huys, 1596. The construction of fox traps at retaining Huys, 7 December 1596. Copies to the original illustrations in the travelogue of the journey of Willem Barendsz and Jacob van Heemskerck in 1596-1597 and the stay on it Island Nova Zembla, No. 17.

Ruins on the island of Tinian in Oceania, Jacques Etienne Victor Arago, 1822 print Bottom left the print maker has depicted himself as a draftsman, looking up to the ruins he discovered with his fellow travelers Gaudichaud and Bérard on the island of Tinian. Paris paper landscape with ruins. landscapes in tropical and sub-tropical regions. exploration, expedition, voyage of discovery Tinian

Landscape with skaters and sleds, Izaak Jansz. de Wit, after Jacob Cats (1741-1799), 1807 print View of frozen water with skaters and slides; Rear a walled city, with a mill and a church tower. Haarlem paper etching December and its 'labours' (+ with scenes showing human occupations ~ seasons and months). skates (winter sports). sledge, sleigh (winter sports). city-walls. windmill. parts of church exterior and annexes: tower

Glama-Stroberle, Joaõ, 1708-1792, pencil, ink, chalk, wash, 1741, Sketchbook II of III dated 14 February 1741. It is dedicated on the first leaf to Sigr Abate Gioachino Rizzi Segretario dal Regimento di Ferrara, Two recipes, one for varnish and the other for acid for etching

Shaury. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Żnin. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Bliżej Kultury Hellmuth (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

Etching by Domenico Cunego depicting a boules player, showing posture, gesture, clothing, and sporting environment, created between 1747 and 1803.

Trocadero (TI)

Etching by Jean Le Pautre from 1625-1682 showing garden facilities with ornament stitch detailing in formal landscape designs.

At a village a woman was on the line, Léopold Haeck, 1878 - 1910 print paper. etching prospect of village, silhouette of village. hanging the wash to dry

Taneran on the south side, Anonymous, Cornelis de Bruyn (Rejected Attribution), 1701 drawing paper. pencil drawing In the. Taneran

Print (France)

View of the image of Saint Carolus Borromeus in Arona, Isodore -Laurent Deroy, 1838 - 1841 print Print is part of a cover with six prints. Paris paper monument, statue. Charles Borromeo, cardinal of Milan; possible attributes: cardinal's hat, crucifix, rope round his neck, skull. lake (+ landscape with figures, staffage) Aaron

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), the traveler. (Registered title (letter)), 1828. Maison de Balzac.

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Monument for Prussia, H. Gérard (Possible), 1842 print The monument for the fallen Prussian soldiers, to be planenoit near Waterloo. Part of a series of twelve plates (supplemented to fourteen) with faces from around 1840 of the area where the Battle of Waterloo took place on June 18, 1815. Brussels paper landscape with monument Waterloo. Plancenoit

Standing and Seated Figures in a Landscape with an Obelisk. Artist: Battista Pittoni (Italian, Vicenza ca. 1520-ca. 1583 Venice ()). Dimensions: 8 3/8 x 7 1/4in. (21.3 x 18.4cm). Date: 1520-83.The drawing was listed by A.E. Popham as a work of an anonymous Venetian draftsman of the Sixteenth Century in the John B. Skippe collection catalogue of 1958 (Christie's, November 20-21, 1958, lot. 263B). The attribution was corrected to 'Circle of Nicolò dell'Abate' by Harry G. Sperling, who acquired the drawing during the Skippe sale and eventually donated the sheet to the Metropolitan Museum in 1975 (a hand-written annotation with this attribution remains on Sperling's own copy of the Skippe's catalogue in the Department of Drawings and Prints, MMA). Françoise Viatte in January of 1980 (written correspondance to Jacob Bean) recognized this drawing as a characteristic example of the work of Giovanni Battista Pittoni, a Veronese specialist in fantastic landscapes with Roman ruins. Pittoni's s

The grave of John Keats in the Protestant cemetery of Rome, Italy. Etching by J.L. Chapman, 1863.

An etching by Christian Wilhelm Ernst Dietrich from 1732 showing rural villages, landscapes, and an interior domestic scene, highlighting architectural and natural details of the period.

Print, Petit Impiger Ortus; Abraham Genoels (Flemish, 1640 - 1723); Published by Adam van der Meulen (Flemish, 1631/2 - 1690); Netherlands; engraving on white laid paper; Platemark: 18.7 x 17.8 cm (7 3/8 x 7 in.); 1947-131-113

An Die Schönheit, Bl. 12, vom Tode Zweiter Teil, op. XIII; Klinger, Max (1857-1920), Giescke und Devrient (Leipzig; Publishing House; 1852-); 1893 (p Yta); 1898 (edition) (1898-00-00-1898-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, acts, sea landscapes, beauty, death

Aquatint by Louis Philibert Debucourt dated 1807 depicting the meeting of two emperors on June 25, 1807.

Saint-Aubin, Gabriel Jacques de, Paris, Spectacle des Tuileries, Spectacles des Tuileries: 'Les chaises' et 'le Tonneau d'Arrosage', Spectacle in the Tuileries, verso middle - stamped, Two representations on one plate. Above: a cart pulled by four men, with a barrel on top from which water is sprayed to combat the blowing dust. Below: A large group of men and women are sitting on chairs in the park., print, engraving, prints, engravings, height 208 mm, width 195 mm, French, 1724-04-14 - 1780-02-14, print maker, printmaker, 1760 - 1763, third quarter 18th century, paper, papier, etching, etchings, Work conception, after own design by

Boog by Janus and San Giorgio in Velabro, 1624 - 1650 The arch of Janus with the bow of the money changers on the right and the San Giorgio church in Velabro in Rome. In the foreground part of the Cloaca Maxima. Women clothes wash in the water. Clothes are laid on the right. Four lines of text in Italian in the lower margin. The print is part of an album. Prague paper engraving / etching Rome. Arching of Janus. San Giorgio in Velabro. Bow of the money changers. Cloaca maxima The arch of Janus with the bow of the money changers on the right and the San Giorgio church in Velabro in Rome. In the foreground part of the Cloaca Maxima. Women clothes wash in the water. Clothes are laid on the right. Four lines of text in Italian in the lower margin. The print is part of an album. Prague paper engraving / etching Rome. Arching of Janus. San Giorgio in Velabro. Bow of the money changers. Cloaca maxima

The Hague, Esser, Wijnand, Het Dolhuijs, verso - stamped, Cartoon on Napoleon's exile on Elba, 1814. Napoleon locked up as a dangerous lunatic in a stone madhouse. He tries to bribe a guard with a knight's cross to release him. Rats roam around the prison. On top of the building flies a flag with the inscription 'Souverein in het Dolhuijs te Elba'., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 230 mm, width 276 mm, Dutch, 1779-05-21 - 1860-05-09, print maker, printmaker, 1814 - 1814, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal) 1735-46 Canaletto (Giovanni Antonio Canal) Italian. Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal). 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal). Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697-1768 Venice). 1735-46. Etching; second state of two. Prints

Chevrier's Cold Bath Establishment, Paris 1864 France. Etching in black and gold on ivory laid paper . Charles Meryon

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Grimthorp in the County of Lincoln, plate 23 from Britannia Illustrata. Jan Kip (Dutch, c. 1653-1722); after Leonard Knyff (Dutch, 1650-1721); published by David Mortier (French, 1673-1728). Date: 1707. Dimensions: 347 x 476 mm (image); 360 x 490 mm (plate); 440 x 516 mm (sheet). Etching, with engraving, in black on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Johannes Kip.

Veue du Grand Canal de Fontaine-Bel-Eau, from the Divers Veuës series, et perspectives des fontines, et iardins de fontaine Bel Eau, et autres lieux; Silvestre, Israël (1621-1691), Perelle, Gabriel (1604-1677), Henriet, Israël (Ca 1590-1661); XVII century (1601-00-00-1700-00-00);Fontainebleau (France), France, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) -, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, architecture, fountains, channels, gardens, staff

Gideon beats the Midianites, Jan Luyken, 1708 print Amsterdam paper etching pursuit of the Midianites by Gideon's men

The Fishers 1771 France. Etching and aquatint on cream laid paper . Jean Baptiste Le Prince

Black and White Illustration: "The Polling". Engraving after William Hogarth (1697 - 1764) from his series, "The Election"

Fotoreproductie van die evening bell, Anonymous, After Rubens, 1870 - 1890 Photograph. visit card cardboard. photographic support albumen print painting, drawing and the graphic arts. rowing-boat, canoe, etc.

Voyage à Venise. André Masson (French, 1896-1987); printed by Leo Marchutz (German, active in France, 1903-1976). Date: 1951-1952. Dimensions: . Lithograph on folded paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Krüger Lothar (1846-1917), fell-like monument in Stendal. Monthly competition March 1875 (03.1875): Perspective view. Pencil watercolor on the box, 58 x 42.6 cm (including scan edges) Krüger Lothar (1845-1917): Gefallenendenkmal, Stendal. Monatskonkurrenz März 1875

One hundred; Misierowicz, Alojzy (Ca 1825-Post 1900), Orda, Napoleon (1807-1883), Fajans, Maksymilian (Warsaw; Litographic and photographic inn; 1853-1892); 1882-1883 (1882-00-00-1883-00-00);Orda, Napoleon (1807-1883). The album of the historical views of Poland (1873-1883), Stołpie (Lubelskie Voivodeship), Gothic (archite.), Polish graphics, unknown (provenance), landscapes, Poland (culture), ruins, towers (archite.)

Image reproduction: Józef Brodowski (1828-1900), Mohort; Z: "Biesiada Literacka" 1906, No. 14 (April 6), p. 271; Literary Biesiada (Warsaw; magazine; 1876-1917); 1906 (1906-00-00-1906-00-00);

View of the city of Meulan, Matthäus Merian (II), After Jan Peeters (I), 1655 print View of the city of Meulan. In the foreground the river Seine. Print is part of an album. print maker: Frankfurt am MainThe Hague paper engraving / etching city-view in general; 'veduta'. river Meulan-en-Yvelines

The Frontispiece to Liber Studiorum 1812 England. Mezzotint and etching in dark brown on cream laid paper, lined at edges with ivory wove paper . Joseph Mallord William Turner

Photo production of the painting 'Le Bateau de l'étang (Ville-d'avray)' by Camille Corot, Goupil & Cie., After Camille Corot, c. 1877 - in or before 1882 photomechanical print paper rowing-boat, canoe, etc. Ville-d'Avray

Map of Zeeland, Anonymous, 1662 print At the top left the title and the weapon of Zeeland surrounded by tritons. At the top right a bowl: Milliaria Germanica Communia. At the bottom right a cartouche with the assignment on and the weapon of Simon van Beaumont. To the left of a female figure as a personification of caution (prudentia), on the right a female figure as a personification of moderation (temperantia). Degree distribution along the edges. On Verso Latin text. paper engraving / letterpress printing maps of separate countries or regions. coat of arms (as symbol of the state, etc.) (+ province; provincial). armorial bearing, heraldry. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. triton(s) Zeeland

Zamość. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Cos Cob Dock. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: sheet: 11 13/16 x 9 1/4 in. (30 x 23.5 cm)plate: 8 3/8 x 6 1/4 in. (21.3 x 15.9 cm). Date: 1915. Museum: Metropolitan Museum of Art, New York, USA.

Figural Letter, Capital B from a Story of Louis XIV of France, Etching with engraving on paper, Shown against a battery firing at a town. Ten horses pull a cannon in the foreground. Moulded frame., Europe, France, ca. 1700, Print, Print

Night face with church tower and devils, Léon Becker, 1869 print printer: Brusselspublisher: Paris paper etching devil(s) and demons. parts of church exterior and annexes

Federley, Alex, work, Birkkala, Satakunta, 1885, marker and watercolor, drawing, 45.5 cm x 39.5 cm

Tombeau du Sultan Kaït-Bay, au Kaire. Artist: Maxime Du Camp (French, 1822-1894). Dimensions: Image: 6 in. × 8 9/16 in. (15.3 × 21.8 cm)Mount: 12 5/16 × 18 11/16 in. (31.2 × 47.5 cm). Date: December 1849-January 1850. Museum: Metropolitan Museum of Art, New York, USA.

An den Giersdorfer Teichen. Müller-Bernburg, Ernst (1874-1941), graphic artist, Verlag Georg D.W. Callwey (Monachium ; wydawnictwo ; 1884-2009), publishing house

Print made by David Lucas, 1802-1881, British, Frontispiece, Artist's Home at East Bergholt, Suffolk, 1831. Mezzotint on medium, slightly textured, cream laid paper.

Anefo photo collection. Painting grandchildren exhibition in Goois Museum, painting by Jan De Clerq. March 21, 1966

Tuckermann Wilhelm (1840-1918), Villa Borghese, Rome (1872): View of the garden fountain. Tusche watercolor on the box, 22.3 x 31.3 cm (including scan edges) Tuckermann Wilhelm (1840-1918): Villa Borghese, Rom

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