Historic Female Portraits

Engravings featuring prominent women from history, showcasing intricate details, attire, and expressions, with themes of spirituality and mythology.

Painting, Reproduction of the painting, Work of art, Historical, Guido Reni, called il Guido or il divino Guido (born 4 November 1575 in Bologna, died 18 August 1642) Italian painter, fresco artist and etcher of the Bolognese school, main representative of a baroque classicism in painting, here the work:, Lucretia (1640, 1642), Young woman with enraptured expression, holding her gaze to the sky

Netherlands, Monogrammist IF (engraver), Bust of a young woman, recto lower right - stamped, Bust of a woman, who looks to the left. Around her neck a chain., print, prints, verso - stamped, height 80 mm, width 55 mm, Italian, print maker, printmaker, 1650 - 1700, paper, papier, etching, etchings

The Samaritan woman at the well, a pitcher of water in her hand. In the background, the encounter between Christ and the Samaritan woman at the well. The print has a Latin caption and is part of a print series featuring famous women in the New Testament, The Samaritan Woman Famous Women in the New Testament (series title)., print maker: Jan Saenredam, (mentioned on object), Hendrick Goltzius, (mentioned on object), Balthasarus Schonaeus, (mentioned on object), print maker: Northern Netherlands, publisher: Amsterdam, 1661 - 1726, paper, engraving, h 192 mm × w 134 mm

Neaera, Print made by John Young, 1755-1825, British, after John Hoppner, 1758-1810, British, 1788, Mezzotint (first state) on moderately thick, slightly textured, cream laid paper, Sheet: 16 × 11 13/16 inches (40.6 × 30 cm), Plate: 15 × 11 inches (38.1 × 27.9 cm), and Image: 13 1/8 × 10 5/16 inches (33.3 × 26.2 cm), beads, bushes, dress, religious and mythological subject, sitting, sunlight, veil, woman

From Heilige agnes, vatura salimbeni, 1590 print Italy paper etching the virgin martyr Agnes of Rome; possible attributes: lamb, ring

Lucretia. Date/Period: 1640 - 1642. Painting. Oil on canvas. Height: 910 mm (35.82 in); Width: 730 mm (28.74 in). Author: GUIDO RENI.

Picart, Bernard, Reni, Guido, Mater Amabilis, Maria in prayer, verso lower left - stamped, print, prints, height 174 mm, width 123 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), Italian, 1575-11-04 - 1642-08-18, after, after painting by, Publication (Event), Publication, publisher

William Sherwin, 1645-1711, British, Barbara Duchess of Cleaveland as a Shepherdess, 1670. Engraving.

Painting, Reproduction of the painting, Work of art, Historical, Guido Reni, called il Guido or il divino Guido (born 4 November 1575 in Bologna, died 18 August 1642) Italian painter, fresco artist and etcher of the Bolognese school, main representative of a baroque classicism in painting, here the work:, Lucretia (1640, 1642), Young woman with enraptured expression, holding her gaze to the sky

The Agrippine sibyl. Engraving by C. de Passe II after C. de Passe I.

Woman's bust, mountain range, snow peaks, rocks, Gilles Demarteau, 1732 - 1776, paper, etching, h 223 mm × w 169 mm

La laitiere. Dated: 1783. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean Charles Levasseur after Jean-Baptiste Greuze.

Wentling Maria Magdalena. .

Adrienne Lecouvret in the role of Cornelia with an urn with the ashes of her husband Pompeus, Pieter Lyonet, After Pierre Imbert Drevet, After Charles -Antoine Coypel, 1716 - 1789 print Actress Adrienne Lecouvreur as Cornelia in Pierre Corneille's 'La Mort de Pompée'. In her hands an urn with the ashes of her husband Pompeus. France paper engraving historical persons - BB - woman. urn. portrait of actor, actress

Tuscany Siena Montalcino Farmacia dell'Ospedale0. Hutzel, Max 1960-1990 Post-medieval: Frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Catherine, draughtsman: Jan de Bisschop, after: Jacopo Palma, (possibly), 1648 - 1671, paper, pen, brush, h 260 mm × w 198 mm

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Sympathy, 1782. Line engraving.

Sybilla Delphica. unknown, painter

Bernardo Strozzi / 'Saint Veronica', 1620-1625, Italian School, Oil on canvas, 168 cm x 118 cm, P00354. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Bust of a woman with a headscarf. .

Artist: Charles Simmoneau, French, 1645-1728, After: Charles Antoine Coypel, French, 1694-1752, Deus fecit virtutem in Israel, Judith. C.XIII, Engraving, Sheet: 26.5 × 19.5 cm (10 7/16 × 711/16in.), Made in France, French, 17thcentury, Works on Paper -Prints

Girl in a Fur by Titian (1488-1576) / Art History Museum, Vienne / c.1535 / Italy, Venetian School / Oil on canvas / Portrait / 95,5x63,7

Utrecht, Passe, Crispijn van de (I), Queborn, Crispijn van den, Sibyls, Sibylla Phrygia, Phrygian Sibyl, The Phrygian Sibyl looks up to see Christ appearing as a conqueror on a cloud. He holds a banner with a cross on it in his hand and rests his foot on a globe. He is accompanied by angels with trumpets. Below the representation is a caption in Latin. This print is part of an album., print, album sheet, prints, height 269 mm, width 192 mm, Northern Netherlands, 1604 - 1652-11-25, print maker, printmaker, 1615 - 1615, paper, engraving, engraving (printing process), Work conception, 1564 - 1637, after a design by, Publication (Event), Publication, publisher

Painting, Reproduction of the painting, Work of art, Historical, Guido Reni, called il Guido or il divino Guido (born 4 November 1575 in Bologna, died 18 August 1642) Italian painter, fresco artist and etcher of the Bolognese school, main representative of a baroque classicism in painting, here the work:, Cleopatra (1640, 1642), Cleopatra (1640, woman pulling back her blouse, in an act of religious devotion

Print made by William Faithorne, 1656-ca. 1701, British, Sancta Maria Magdalena, between 1686 and 1703. Mezzotint on medium, slightly textured, beige laid paper.

Catherine de Medici by Rosso Fiorentino, (1495-1540), Italy, Florence, Palazzo Pitti, Palatine Gallery

Melpomene The nine muses (series title), The seated Melpomene, the muse of the mourning play, holds a horn in her hand and a document on her lap. There are books to the left of her., anonymous, 1592 - 1667, paper, drypoint, h 215 mm × w 145 mm

fine arts, Schongauer, Martin (circa 1445 / 1450 - 1491), copper engraving, ""Toerichte Jungfrau"" (Foolish maiden), circa 1480, private collection,

Michal, daughter of King Saul, was the wife of King David, her mother was Ahinoam. Michal saved David's life by lifting him out of a window and giving him time to escape. Old 19th century engraved colored illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

Sappho to Phoebus consecrates her lyre 1787 Robert Strange. Sappho to Phoebus consecrates her lyre. Robert Strange (British, Orkney, Scotland 1721-1792 London). 1787. Etching and engraving. Prints

Lisabetta, c. 1740-65. James McArdell (British, 1728/29-1765), after Francesco Furini (Italian, 1603-1646). Mezzotint;

Portrait of a woman with a ring, (St Catherine), 1450-1470, (1943). Creator: Master ES.

Head of a Girl

Sibylle, Loch. Phaff, 1807 - 1809

Hendrik Goltzius (1561-1641). "The nine muses: Thalie. Second issue of a series of 9 pieces. (Hollstein 149; Bartsch 147)". Chisel. 1592. Museum of Fine Arts of the City of Paris, Petit Palais. 123048-5 Chisel, 16th 16th XVI 16th 16th 16 Center

Print made by Charles Howard Hodges, 1764-1837, British, Hebe, 1785. Mezzotint on medium, slightly textured, cream laid paper.

Wszyscy Święci w MNK Strange, Robert (1721 1792), Reni, Guido (1575 1642)

Erato; The nine muses. A series of nine muses. Four rules Latin from Franco Estius in margin under print.

The wife of Leoiten Ephraim. Old 19th century engraved illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

Portrait of an unknown woman. Portrait bust to the right of an unknown woman. She has a cloth around her head and shoulders and keeps her hands against her chest.

Sankt Cecilie spielt Orgel, Stahlstich nach einem Gemälde von Carlo Dolci, Historisch, digital restaurierte Reproduktion einer Vorlage aus dem 19. Jahrhundert 1f-4903215

HINDA, A PICTURE BY F. WYBURD, ENGRAVING 1876, UK, britain, british, europe, united kingdom, great britain, european

Artist: Hendrick Goltzius, Dutch, 1558-1617, The Nine Muses: Erato, #7 in a series of9, Engraving, 9 3/4 × 6 1/2 in. (24.7 × 16.5cm), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

Bronzino, Agnolo di Cosimo: The Holy Catharina. Oil on wood; 82 x 59 cm

La petite marchande de carpe, Print made by Franz Carl Heissig, active 1770, ca. 1775, Mezzotint on moderately thick, moderately textured, beige laid paper, Sheet: 12 1/2 x 8 3/8 inches (31.7 x 21.2 cm), Plate: 11 7/16 x 7 5/16 inches (29.1 x 18.6 cm), and Image: 10 5/16 x 7 5/16 inches (26.2 x 18.6 cm), basket, bodice, bonnet, business, carps, clouds, fish, genre subject, girl, labor, merchant, peasant, selling, smiling, turban, work

Paris, Demarteau, Gilles, Boucher, François, Head of a woman with a cloth draped around her head, verso - stamped, print, prints, height 330 mm, width 251 mm, South Netherlands (before 1775), 1722-01-19 - 1776-07-31, print maker, printmaker, 1732 - 1776, paper, etching, etchings, crayon method, color printing, Work conception, French, 1703-09-29 - 1770-05-30, after a design by, Publication (Event), Publication, publisher

Saint Agatha with her breasts on a charger. Ink drawing by Tommaso Minardi.

Young Woman with Her Head Covered. Dated: 1767. Dimensions: Overall (2nd framing line): 33.1 x 25.1 cm (13 1/16 x 9 7/8 in.) image: 32.2 x 24.4 cm (12 11/16 x 9 5/8 in.). Medium: chalk-manner printed in red and black inks. Museum: National Gallery of Art, Washington DC. Author: the Elder after François Boucher Gilles Demarteau.

Visus / face; The five senses. Bust of woman looking in mirror. In round list in rectangular frame with in the four corners attributes that refer to eyesight: glasses, lantern etc.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Bellini, Giovanni (1430 1516)

Anton Raphael Mengs / 'Penitent Magdalene'. Ca. 1765. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Rebecca admires the clothes and jewellery given to her by Abraham's servant. Watercolour painting by Juliana Howard, 1824.

The European sibyl. Engraving by M. de Passe after C. de Passe.

Long, Jane .

Portrait of Maria Eversdijck, Wife of Nicolaes Blancardus, Willem Eversdijck, 1666

MademoiselleGreuze. Artist, style of: Jean-Baptiste Greuze, French, 1725-1805

Urania. Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, 1592. Prints; engravings. Engraving

Head and Shoulders of Veiled Woman. Unknown French artist; after Sebastiano del Piombo (Italian, c. 1485-1547). Date: 1695-1705. Dimensions: 295 × 221 mm. Black crayon, on blue laid paper, laid down on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Buste of a young woman, Louis Marin Bonnet, After François Boucher, 1768 - 1769 print Bust of a young woman with flowers in her hair. France paper adolescent, young woman, maiden

Priestess; Tête de Prêtresse. Bust of a young woman with a headscarf and a floral wreath on her head.

The Artist's Wife and Children 1665-1677 Flanders. The oldest of five artist brothers, Wallerant Vaillant was a successful Dutch artist who made several portraits of royalty. He frequently used the newly discovered technique of mezzotint, as he has done in this print, in which the surface of a copper plate is entirely roughened by a rocker and then burnished to achieve tonal effects.. Mezzotint on paper . Wallerand Vaillant

'Archangel Gabriel'. Italy, 17th century. Dimensions: 56x47 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown artist of the Bologna school. 17th century.

Nemesis by Paolo Veronese, Fresco, 1551, 1528-1588, Italy, Castelfranco Veneto, 200x100

Sybilla Cumana. unknown, painter

Richard Tompson, died 1693, British, Madame Davis. Mezzotint.

Portrait of Young Woman by Parmigianino, Oil on wood, 1534-1540, 1503-1540, Italy, Florence, Galleria degli Uffizi, 216x132

Morghen, Raphael, inventor: Ant. Raphael Mengs, work, Charles III King of Spain, (1000 - 2000), copper engraving, graphics, plate width 13.7 cm, plate height 20, 2 cm, leaf width 27.7 cm, leaf height 38.5 cm

Print made by Pieter Schenck, 1660-1719, Dutch, Dulce Officium, undated. Mezzotint on medium, slightly textured, blued white, laid paper.

Schalcken, Godfried, Smith, John (printmaker, publisher), St. Mary Magdalene with the lamp, print, prints, height 354 mm, width 252 mm, English, 1664 - 1743, print maker, printmaker, 1693 - 1693, paper, papier, mezzotint, Noord-Nederlands, 1643 - 1706-11-16

Smerelda Bandineli, Botticelli painting, 15th c. Italy.

Portrait of a courtesan, by Girolamo Forabosco ( ca 1605- 1679).

Image of the Republic or Freedom (TF)

A work by Wallerand Vaillant titled 'Painful Material' depicting a stubble composition, emphasizing texture and material representation.

Saint Cecilia with organ S. Caecilia (title on object), print maker: Schelte Adamsz. Bolswert, Peter Paul Rubens, publisher: Cornelis Galle (II), (mentioned on object), 1596 - 1659, paper, engraving, h 128 mm × w 89 mm

Madame Du Barry, Jeanne Becu, Comtesse Du Barry, 1743-1793. Geliebte Ludwigs XV., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated

Apollo (Autumn), 1778, unknown artist, school of Andrea Appiani (1754-1817), oil on canvas, Sala Brasera (Brasera Hall), ground floor, Palazzo Spinola, Milan, Lombardy, Italy.

Venus and Cupid. Dating: 1575 - 1590. Measurements: h 97 cm × w 71 cm; d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Paolo Veronese (workshop of). Benedetto Caliari (attributed to).

Lady Sarah Bunbury Sacrificing to the Graces, Print made by Edward Fisher, 1722-1785, British, after Sir Joshua Reynolds RA, 1723-1792, British, ca. 1766, Mezzotint ( 1st state ) on medium, slightly textured, cream laid paper, Sheet: 23 3/4 × 15 inches (60.3 × 38.1 cm), Plate: 23 3/8 × 14 1/2 inches (59.4 × 36.8 cm), and Image: 23 3/8 × 14 3/8 inches (59.4 × 36.5 cm), altar, arches, dress, ewers, flowers (plants), garlands, goddesses, Graces (Charites), generally three in number; 'Gratie' (Ripa), incense, portrait, religious and mythological subject, snake, tree, vase, women

'Mrs W West as Cordelia', 1820.Artist: Thomas Charles Wageman

Young Valencian woman dressed in traditional typical costumes, Comunidad Valenciana. Journey to Spain, 1862 by Jean Charles Davillier (1823-1883) Drawing by Gustave Dore (1832-1883) Le Tour du Monde 1862

Woman with Mirror, Lambert Sustris (circle of), 1540 - 1570 painting Standing woman with bare upper body and a mirror in the right hand. The Personification of Prudentia. Part of a series of four allegorical women's figures (SK-A-3424/3427). panel. oil paint (paint) Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

La Donna Velata or Woman with Veil probably the Fornarina, c.1515

'Saint Agatha of Sicily', 1630-1633, Oil on canvas. Author: FRANCISCO DE ZURBARAN. Location: MUSEO FABRE. Montpellier. France. SANTA AGUEDA SIGLO III.

Countess Luise von Voss - Wrapped in a cashmere shawl, her manor glimpsed in the background, Countess Luise von Voss's (1780-1832) - Friedrich Bury

The architecture, Louis Fabritius Dubourg, 1747 drawing paper. ink. watercolor (paint). chalk brush / pen 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa)

Hannah is the wife of Elkanah who is mentioned in the books of Samuel. According to the Bible she was Samuel's mother. Old 19th century engraved colored illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

'The Listening Girl', 18th century, (1912).Artist: Jean-Baptiste Greuze

Europa and the Bull. Date/Period: 17th century. Painting. Oil on canvas Oil. Height: 1,152 mm (45.35 in); Width: 886 mm (34.88 in). Author: GUIDO RENI.

Woman with a Red Shawl; La Mujer del Chal Rojo. Diego Rivera (1886-1957). Oil on canvas. Painted in 1920. 80 x 75cm.

Illustration with woman by Bernardino Fungai, oil on wood, circa 1497, 1460-1516, Private Collection, 97x43

Print made by John Smith, 1652-1743, British, Cleopatra, undated. Mezzotint on medium, slightly textured, cream, laid paper.

Francoise Louise de La Baume Le Blanc, Duchess of La Valliere and Vaujours, called Louise de La Valliere (born 6 August 1644 in Tours, died June 1710 in Paris) was mistress of the French King Louis XIV from 1661, Historical, digitally restored reproduction from a 19th century original, Record date not stated

THEATRUM PICTORIUM 1660-JOVEN CON FLAUTA-GRABADO SEGUN BASSANO. Author: TROYEN J. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.

Saskia as Flora by Rembrandt Harmensz van Rijn Painted 1634

The singer, 1645-1650, by Bernardo Cavallino (born in 1616 or 1622 -died in 1655 or 1656), oil on canvas, 75x64 cm.

Portrait of a Poetess

Woman with Mandolin, by Jean-Baptiste-Camille Corot (1796-1875).

Bliżej Kultury unknown

Woman spinning by anonymous artist, painting, Russia, Tver, Regional Art Gallery, 32, 3x27, 3

Paris, Bourgeois de la Richardière, Antoine Achille, Greuze, Jean-Baptiste, Expressions, L'Attention, Young woman with a string of pearls in her hair, verso - stamped, print, prints, height 310 mm, width 220 mm, 1777, print maker, printmaker, 1810 - 1810, paper, papier, stippelwerk, engraving, engraving (printing process), French, 1725-08-21 - 1805-03-21, after, after painting by, Publication (Event), Publication, publisher

A semi-nude woman with exaggerated staring eyes and chained wrists representing madness. Mezzotint by W. Dickinson, 1775, after R. Pine.

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