Historic Hunting and Warfare Scenes

Engravings depicting dramatic historic hunting and battle scenes with figures, horses, and weaponry in an intense, classic style.

A wolf is chased by dogs and then stabbed with spears. The print has a Latin caption and is part of a 43-volume series on hunting, Wolf hunting with spears Hunting scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, w 280 mm × h 208 mm

A wolf is chased by dogs and then stabbed with spears. The print has a Latin caption and is part of a 43-volume series on hunting, Wolf hunting with spears Hunting scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, w 280 mm × h 208 mm

Utrecht, Perfect, Hans, BIR, Netherlands, Hooghe, Romeyn de, Den Hollandschen Verre-Kyker. Narrating the present state of our Dear Fatherland, Pamphlet entitled: Den Hollandschen Verre-Kyker, 1671, 1671. With allegorical title page with a Dutchman leaning against a globe, looking through a telescope, behind him stands Mercury, in the foreground the Unity of the Country and other allegorical figures. Title page of a 28-page pamphlet in Dutch containing a dialogue between a Dutchman, a Frenchman and an Englishman about the situation in Europe between 1668-1671., print, pamphlet, prints, Frederik Muller Historieplaten, height 166 mm, width 128 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1671 - 1671, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etchings, letterpress printing, boekdruk, schrijver, Publication (Event), Publicatie, publisher

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, De Batavische Oft Oude Hollandtsche Oorloghe tegen de Romeynen, De Bataafse Opstand, Romans deceived into thinking that Civilis is dead or wounded, 69-70, Civilis falls from his horse to deceive the Romans into thinking he is dead or injured. Print number 17 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, author Othone Vaenio Lugdunobatava = The Batavian or old Dutch war against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. Text in Latin on the back., print, history print, prints, Frederik Muller History plates, height 165 mm, width 209 mm, Italian, 1555 - 1630-08-05, print maker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Rome, Salamanca, Antonio, Italy, Raphael, Abigail asks David for forgiveness, verso - stamped, Abigail kneels before David and asks him for forgiveness for the behavior of her husband Nabal, who refused David food. Behind David stand his fellow soldiers. Behind Abigail her servants and maids with food. Italian text in four columns in the bottom margin., print, prent, prints, prenten, height 296 mm, width 433 mm, print maker, prentmaker, 1543 - 1543, paper, engraving, engraving (printing process), etching, Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, Italian, 1478 - 1562, publisher

An ambush against Giovanni de 'Medici Vijdeld, Hendrick Goltzius, after Jan van der Straet, 1583 print In the foreground a rider fight, in the background the siege of a castle. Two lines of Latin under the performance. This print is part of a 22-part series of prints of the history of Giovanni de 'Medici, called' Dalle Bande Nere '. print maker: Haarlempublisher: Antwerp paper engraving surprise attack (from ambush)

The Discovery of Holofernes's Corpse, plate eight from The Story of Judith and Holofernes. Philip Galle (Netherlandish, 1537-1612); after Maarten van Heemskerck (Dutch, 1498-1574). Date: 1564. Dimensions: 202 x 247 mm (image); 205 x 250 mm (plate); 226 x 271 mm (sheet). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Paul bitten by an adder in hand, Hendrick Goltzius, after Jan van der Straet, 1580 - 1584 print Paul is bitten by a snake while he wants to throw a bunch of wood on a fire. He was surrounded by a large group of people - prisoners who had suffered shipwreck with him along the way with Malta (in the background the ship can be seen on the coast). Under the performance four lines of Latin. This print is part of a 36-part series of prints of the history of the apostles. print maker: Haarlempublisher: Antwerp paper engraving Paul bitten by a viper (when throwing wood on the fire). open fire (in general)

Autumn, Jan van Ossbeeck, after Nikolaas van Hoy, after Francesco II Bassano, in or after 1660 print The grapes are harvested. On the left two youngsters cut the bunches off the vine. A woman wears buckets with grapes with a yoke. In the middle a boy who crushes the grapes with his bare feet in a tub. On the right an ox cart with a large tub with grapes. Presentation of autumn in a press series of the four seasons. Brussels paper etching / engraving autumn landscape; landscape symbolizing autumn (the four seasons of the year). vintage, grape harvest

The Weert received by the king of Maticalo, 1603; Image of wonderful things by a Gogelaer skilled. Vice-Admiraal de Weert received by the king of Batticaloa (Maticalo) on Ceylon, April 30, 1603. In the foreground a gching player shows his arts. Part of the illustrations in the report of the first trip to the East Indies for the VOC below of Warwyck and De Weert in 1602, no. 4.

Illustration at Canto IV of TASSO's 'Gerusalemme Liberata'; Jerusalem is relieved (part 2); Gerusalemme Liberata (part 2). Idraote is at Armida and Satan for the herlepoort. In the background left, Armida is in the camp of the Christian fighters. Italian rules by tasso in two columns in undermarge.

Childhood; The four ages of man and death. Childhood allegory, corresponding to the four times of the day and the four seasons. On the triumphy of the dawn (aurora) are peace (Pax), innocence (innocentia) and chastity (Castitas), accompanied by musical children. The car is drawn by two horses, ridden by negligence (Securitas) and mother nature (kind). The procession is preceded by a child with a banner on which the signs of the zodiac are depicted, ram, bull and twin, and cheerfulness (Laetitia) on horseback. Different animals and children playing in the foreground. In the margin a four-line caption, in two columns, in Latin.

Paris, Cochin, Charles Nicolas (I), Callot, Jacques, Carrying of the Cross, verso - stamped, Oval representation of Christ carrying the cross on his shoulder in a procession of people towards Golgotha. A man (Simon of Cyrene) helps carry him. In the left foreground Mary faints and is caught by several women., print, prent, prints, height 47 mm, width 66 mm, Work conception, French, 1592-08-21 - 1635-03-24, after a print by, 1698 - 1754, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, third quarter 18th century, paper, papier, etching, etchings, 1688-04-29 - 1754-07-05, print maker, prentmaker

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, The Batavian or Old Dutch War against the Romans, The Batavian Revolt, Romans burn the country but promise peace, 69-70, Romans burn the country but Cerialis promises peace and mercy to Civilis. Print number 34 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, author Othone Vaenio Lugdunobatava = The Batavian or old Dutch war against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. Without text on the back., print, picture, history print, prints, pictures, Frederik Muller History Plates, height 167 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Comparison between Oranje and Alva, with the Spanish Furie, approx. 1577. Allegorical comparison between Orange and Alva, with the Spanish Furie in the background. Left Willem van Oranje accompanied by the Personifications honor (honor), wealth (divitiae) and wise council (prud. Cons.). Right ALVA between forgery (Fallacia) and envy (Invidia). He conducts the Dutch Virgin (Belgica) naked and fascinated by the arm. At his feet the people (puds) as a poor beggar. In the background the Spanish Furie in Antwerp. In the air fame (FAMA) with bazuinen. Without the verses below the show.

Rachel Concealing Laban's Idols. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Benedetto Castiglione.

An ambush against Giovanni the 'Medici Verildeld; History of Giovanni de 'Medici (called' Dalle Bande Nere '). In the foreground an equestrian fight, in the background the siege of a castle. Under the show two Latin lines. This print is part of a 22-part set of pictures of the history of Giovanni de 'Medici, called' Dalle Bande Nere '.

Daser hunting; Yacht scenes. Hunters graves a tie, which has run into a fall. In the background a river in the landscape. Under the margin a four-line caption in Latin.

Arrival of King William III at Oranjepolder, 1691, 1691 Arrival of King William III at Oranjepolder in Zuid-Holland, January 31, 1691. Through ice formation, the rowing boat with Willem III has difficulty coming ashore. Plate no. 13 in the 'Engelants Schouwenoneel' series about the war between William III and Jacobus II in the 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French. Amsterdam paper etching Oranburg powder Arrival of King William III at Oranjepolder in Zuid-Holland, January 31, 1691. Through ice formation, the rowing boat with Willem III has difficulty coming ashore. Plate no. 13 in the 'Engelants Schouwenoneel' series about the war between William III and Jacobus II in the 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French. Amsterdam paper etching Oranburg powder

Paard van Troje is brought in, Giuseppe Maria Mitelli, After Agostino Carracci, After Annibale Carracci, After Ludovico Carracci, 1663 print A group of Trojan soldiers brings Troje's horse into the city. Other figures along the entry play musical instruments. Numbered: II. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching the Trojan horse. the wooden horse is brought into the city of Troy

Capricci di varie battaglie. Dated: 1635. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Wilhelm Baur.

Southern Netherlands, unknown, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, The Romans are deceived by Julius Civilis' horse that he is dead or wounded, verso - stamped, The Romans think that Julius Civilis is wounded or dead, because they see his horse. Julius Civilis lies on the ground. Behind him the Batavians are fighting the Romans. Caption in Dutch and Latin., print, prent, prints, prenten, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etsen, Work conception, 1556 - 1629-05-06, after a design by, granter of privilege

Hunting of Bears, Antonio Tempesta, 1609 print Landscape with hunters and hunting dogs hunting Bears. paper etching hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). beasts of prey, predatory animals: bear

Amsterdam, Visscher, Claes Jansz. (II), Lande, Willem van de, Cavalry fights, Cavalry fight at a wooden bridge, verso - stamped, Cavalry fight at a wooden bridge with shooting figures. The print is part of a series of six prints with cavalry fights. Print numbered to the right of the center: 1., print, prent, prints, prenten, height 143 mm, width 203 mm, Noord-Nederlands, 1610, print maker, prentmaker, 1635 - 1652, paper, papier, etching, etsen, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Christ, St. Paul, and the Twelve Apostles: Christ, c. 1578. Hendrick Goltzius (Dutch, 1558-1617), after Maarten de Vos (Flemish, 1532-1603). Engraving; plate: 20.5 x 28.3 cm (8 1/16 x 11 1/8 in.).

Triumphal trip of emperor Aurelianus in 274, Jacob Folkema, After Bernard Picart, 1720 - 1767 print Zenobia, queen of Palmyra, is taken chained on the triumphal journey of Emperor Aurelian. The emperor is driven around on a cart pulled by four deer. At the front, a prisoner runs with his hands tied to the back. paper etching the triumph of Aurelian (Lucius Domitius Aurelianus), the Roman emperor; possibly with Zenobia, queen of Palmyra, and Tetricus as captives

Battle Scene, by Antonio Tempesta, created approximately between 1601 and 1650. Engraving with plate mark measuring approximately 3 5/8 x 10 9/16 inches (9.2 x 26.9 cm) on cream laid paper/sheet measuring approximately 4 1/16 x 11 inches (10.3 x 28 cm)

The Kiss of Judas, from The LargePassion. Artist: Albrecht Dürer, German, 1471-1528

The Dirty Bride or the Marriage of Mopsus and Nisa 1570 Pieter Bruegel the Elder Netherlandish. The Dirty Bride or the Marriage of Mopsus and Nisa 338701

The Taking of the City of Jericho. Dated: 1613. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

Calaïs and Zetes in fight with the harpes, c. 1650 - 1703 print On the left is the blind king Phineus at a table. His food is constantly stolen by harpijen. The two sons of the north wind boreas, Calaïs and Zetes, the samples chase through the air to help Phineus. The guests flee. In the lower margin a three -line explanation of the show in French. paper etching Calais and Zetes chase away the Harpies that plagued Phineus

Julius Caesar as the fourth king from the vision of Daniël, Adriaen Collaert, After Maerten de Vos, 1570 - 1618 print Julius Caesar drives on a horse, in his hand a flag with the image of an eagle (Rome). The horse tramples King Cyrus of Persia, Ninus of Babylonia and Alexander the Great. A cityscape in the background. In addition to Julius Caesar, a multi -horned monster appears from the sea, a reference to a dream of Daniël (Daniël 7) about the rise of four kingdoms in the world. The print has a Latin caption and is part of a four -part series that links four antiquity rulers to Daniël's predictions. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper engraving the great devouring monster with many horns (one of them with eyes on it) ~ Daniel's visions. the world empires symbolized by four beasts (Daniel ch. 7). (story of) C. Julius Caesar

This 1553 etching by Pieter Van der Borcht depicts a lively farm festival scene, showcasing peasants engaged in various activities such as dancing, drinking, and socializing. The work reflects the vibrant rural life of the period.

Cassandra Stopping Deiphobus from Killing Paris 1535-55 Jean Mignon French. Cassandra Stopping Deiphobus from Killing Paris 336830

The opposite world. The print shows a landscape where a farm in the background is looted by a group of soldiers. In the foreground a rebus is depicted that gives allegorical comment on the political situation in the Netherlands in 1576-1579. The rebus must be read from left to right. Extremely links are the necessities of envy (nijt) and war (Wryn). Together they hold a huge reverse globe. A goat (with) that capable between them and a prayer cord (Gheveijnst) completes the first sentence: 'Niet and Gheveijnst Worte Hout de Weerelt is'. In the middle of the print is the sign of faithful (two jocked hands), a duck (ende) and the sleeping, naked personification of love (love sleeps). This sentence reads as follows: 'Faithful and love Sleek appetizes'. Finally, an extreme right is a turf (SOO), a zolderak (s) and the personification of time (TYT) that opens a book with a rolling pin (well) and a ladder and the letter T on the left pages. The last sentence reads 'Soo den Tyt'.

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Pharaoh mergitur, The Egyptians are drowning in the Red Sea, verso - stamped, Moses and the Israelites are standing safely on the rocks after crossing the Red Sea. Moses is kneeling in the foreground and is raising his hands in the air. This causes the water of the Red Sea to recede. The Pharaoh's army is drowning in the background. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever van privilege

Speculum Romanae Magnificentiae: The Lion Hunt. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: sheet: 10 1/4 x 16 in. (26.1 x 40.6 cm)mount: 14 15/16 x 16 3/4 in. (37.9 x 42.6 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: ca. 1500-1534.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title p

Hyrkanus, Simons Son, turns off during the siege of the Slot Dagon, Jan Luyken, 1704 print Amsterdam paper etching John Hyrcanus appointed leader of the Maccabees (1 Maccabees 16:19-22)

Simson beats the Philistines with a donkey jaw, Antonie Wierix (II), After Maerten de Vos, 1585 print Simson kills the Philistines with the jawbone of a donkey. Under the show a reference in Latin. Antwerp paper engraving with an ass's jaw-bone Samson slays a thousand Philistines

Conversion of Paul, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 110 mm × w 158 mm

Roma kamp; Zigeunerkamp; Roma; Zigeuners.A group of Roma has stored his camp between a number of trees. Left and in the middle prepare a few of them a meal. On the right in the foreground a number of men play a card game. On the right in the background a woman brings a child in the world. At the top of the show two rules French text. This print is part of a series of four prints with representations of the life of the Roma.

Reconciliation between the Romans and the Sabines; Li Romani E Le Sabini Sono Placati Nel Furore del Combattimento Dal Coraggio Delle Donne Sabine; History of the Roman Empire; Frontespizio della Iistantia Romana. The Sabini virgins throw themselves between the two fighting armies of Sabines and Romans. They do a call to peace.

Lion hunting. Draughtsman: Antonio Tempesta. Dating: 1565 - 1630. Measurements: h 119 mm × w 227 mm. Museum: Rijksmuseum, Amsterdam.

Gideon Receiving a Share from the Spoil. Maerten van Heemskerck (after) (Holland, Heemskerck, 1498-1574). Holland, 1561. Prints; engravings. Engraving

Allegory on the peace of Aachen, 1748; The theater of the De Vreede is opened to Aachen the 19th. OCTOBR. 1748. Allegory on the Peace of Aachen closed on October 18, 1748 between the Allies (Republic, England and Austria) on the one hand and France, Prussia and Spain on the other. On the left the French virgin is welcomed and embraced between the virgins of the other kingdoms. In the middle Mercury above a group of allegorical women's figures. On the right in the background Mars as the warlike France. At the performance a text sheet includes statement.

Illustration at Canto XI from Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Gofreddo is sitting with a wounded leg in front of a tent. An angel gives herbs to the healer Erenimo. In the background, the Christians storm the city walls of Jerusalem. Italian verses by Tasso in two columns in Submarge. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. infections and wounds. battle Jerusalem

The iron age; Aetas ferrea / yseren century; The four world time limits. The Iron Age: People do a war. View of a battlefield with combat, in the background a sea fight and a burning city. Under the print a verse in Latin and Dutch of four rules. Print from a series of four prints with landscapes that depict the eras of the world.

Triumphal tour of Bacchus and Silenus: the element earth, Abraham van den Hecken, c. 1620 - 1655 print Bacchus' triumph with his followers, led by the drunk Silenus on a donkey, as an allegory on the Earth element. Presentation in an oval around which an edge in Latin. Print from a series of four. Low Countries paper engraving earth (one of the four elements). offspring, companion(s), train etc. of Bacchus. (story of) Silenus - offspring, companion(s), train etc.

Adoration of the Shepherds ca. 1549-50 Master of Liechtenstein Netherlandish. Adoration of the Shepherds 381950

Hercules kills Geryon and his dog; Working from Hercules. Hercules beats the three-player giant Geryon and his two-headed dog. In the background you can see how Hercules catches the boar of Erymanthus and brings to town.

. Pluto sway trailer, drawn by four horses, drives through a river. Pluto has Proserpina in his arms, opposed to her kidnapping. A second Nymph holds the car.

The Conversion of Saint Paul. Dated: c. 1637. Dimensions: sheet (cut to platemark): 41.2 x 30.9 cm (16 1/4 x 12 3/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Laurent de La Hyre.

Princess Maria says goodbye to her departure to England, 1689; Her Koninglyke Hoogheyt The princess of Orangie, takes a lot of investigating members of state, and greatly says, and leaves after an Engeant; Englants Schoustenel imagending the Glorieuse voids with the croons of William III and Maria II to king and queen of Great Brittany and Vrankryk and Yrlant, etc. II part .. The princess of Oranje Maria II Stuart says goodbye to government representatives at her departure from Brielle op February 20, 1689 to England. Numbered at the top right: 186. Plate H in the 'Engeants stage' series over the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French.

David and Goliath ca. 1520-27 Ugo da Carpi Italian Early chiaroscuro woodcuts involved printing with two or more woodblocks, each in a different hue, to attain light and dark tonal values similar to those achieved in wash drawings. Ugo da Carpi was the first Italian artist to use this technique. He claimed to have invented a new way to print in "light and dark" (chiaro et scuro), though German artists had started experimenting with similar woodcuts several years prior. To protect his "invention," the Venetian Senate granted Ugo an exclusive privilege in 1516, and he also received a papal privilege in 1518. In this print, Ugo used three blocksa keyblock inked in black for the outlines and two tone blocks inked in different shades of green. The subject is based on a design by Raphael, whose name appears alongside Ugo’s at the bottom of the woodcut. David and Goliath. Ugo da Carpi (Italian, Carpi ca. 1480-1532 Bologna). ca. 1520-27. Chiaroscuro woodcut from three blocks in green. Prints

The Betrayal. 1509. Cranach, Lucas, 1472-1553. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Reconciliation between the Romans and the Sabines; Famous Roman women. The Sabini virgins throw themselves between the two fighting armies of Sabines and Romans. They do a call to peace. The print has a Latin caption and is part of a six-part series about famous Roman women.

Frederik Willem, Elector of Brandenburg and Louise Henriëtte, Princess of Oranje-Nassau during Valkenjacht, Cornelis van Dalen (I), After Jacob Martsen, 1647 print Frederik Willem, Elector of Brandenburg at the age of 27 and Louise Henriëtte, princess of Oranje-Nassau at the age of 19, both on horseback during the falcon hunt in landscape with Palace. In the margin inscriptions in Latin and German with names and titles of both portrayed people. Netherlands paper etching / engraving equestrian state-portrait

Amsterdam, Luyken, Jan, Death of Ahab on his chariot, verso - manuscript in brown ink, print, prints, verso - stamped, 140, height 112 mm, width 149 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Kolos van Rhodos, Antonio Tempesta, 1608 print View of Rhodes beach. There are an army, workmen and camels on the beach. In the background is the large bronze statue the colossus of Rhodes. A second image is placed in the foreground. paper etching the Seven Wonders of the World. Colossus of Rhodes (Wonder of the World). hoofed animals: camel

The trip from Barcelona to Genoa; Entry of Ferdinand in Antwerp in 1635 (no. 7), Theodoor van Thulden, after Peter Paul Rubens, 1642 print Ferdinand's journey by sea from Barcelona to Genoa in Italy (11 April - 5 May 1633). In the foreground Neptunus in his chariot with sea emphins, dragging the Noorderwind Boreas. The left show on the welcome stage. Marked top left: p. 15. With caption of 5 lines in Latin. Page No. 7 in a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on 5 May 1635 as the new governor for the Spanish Netherlands. Antwerp paper etching / engraving North Wind, 'Aquilo', 'Boreas', 'Septentrionarius' (One of Eight Directions). Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. specific aspects, allegorical aspects of neptune; Neptune as boss

Gluttony (Gula) from The Seven Deadly Sins 1558 After Pieter Bruegel the Elder Netherlandish. Gluttony (Gula) from The Seven Deadly Sins 361946

Wine triumph, anonymous, after Gerard van Groeningen, 1564 - 1600 print Bacchus, seated on a wine barrel, is carried in triumph and supported by the personifications of violation and abundance. A beggar and a king are at the forefront: drinking poor and rich wine. Two men with fools wear vineyards. Behind Bacchus run freedom, which takes a sip of wine, and agency, which tries to keep a measure. Behind a merchant with cup wine and bill in hand. Entirely at the back of a fight caused by the wine. Under the show a four -line verse in Latin. Low Countries paper engraving Triumphs (Allegorical and Symbolic). Triumph of Bacchus; 'CARRO Di BACCO' (ripe). Glass of Wine. abundance; 'abondanza', 'abondanza Maritima' (ripe). King. Beggar

The middle world, 1664; T Zy Ionck or Oudt Wys or Sot Elck gives the round Godt; The great scene of foolishness. Allegory on the middle world, or the collection and demise of the action trade. Centrally a figure sitting on a globe with a stop of King Philip IV from Spain from 1664 as head. The show has been further filled with all kinds of the foolishness of man in his sigh to money, fights, quacks, farmers, etc. at the top of a verse in four columns in Dutch, also in the show some inscriptions. The example for PRENT 70 in the series The large scene of foolishness with cartring prints at the wind trade or action trade of 1720.

Rome, Rossi, Giovanni Giacomo de', Italy, Carracci, Ludovico, Annibale, Agostino, Mitelli, Giuseppe Maria, L'Enea Vagante pitture dei Caracci, The Wanderings of Aeneas, Scandit equus ruptos Fatalis machina muros, verso - stamped, A group of Trojan soldiers bring the Trojan Horse into the city. Other figures along the entry play musical instruments. Numbered: II., print, prints, Trojan Horse is brought in, height 250 mm, width 425 mm, Italian, 1634 - 1718-02-08, print maker, printmaker, 1663 - 1663, paper, etching, etchings, 1557 - 1602-03-22, after a painting by, 1560-11-03 - 1609-07-15, 1555 - 1619-11-13, 1627 - 1691, printer

Jupiter and Juno in conversation, Crispijn van de Passe (I), 1613 print Jupiter and Juno discuss the course of the Trojan War. In the margin a four -line caption, in two columns, in Latin. Utrecht paper engraving the Trojan war (94C - 94H)

Laocoön and his sons strangled by sea serpents Ultores Sceleris, quod robur læserat, angues Lacoonta uorant, et binœ corpora prolis still image. 1650. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Serpents , Mythology, Death, Mythology, Altars, Sea monsters, Laocoön (Legendary character), Trojans, Animal sacrifice

Engraver: Giulio di Antonio Bonasone, Italian, ca. 1510-after 1576, After: Francesco Primaticcio, Italian, 1504-1570, The Trojans bring the wooden horse into thecity, Engraving, sheet: 40.8 × 64 cm (16 1/16 × 25 3/16in.), Italian, 16thcentury, Works on Paper -Prints

The Temptation of St. Anthony, on the right,a kneeling St. Anthony leaning against a rock. Doetecum, Lucas van (-1584/1589), engraver, Doetecum, Joannes van I (1528/1532-1605), engraver, Cock, Hieronymus (ca 1510-1570), publisher, Bosch, Hieronymus (ca 1450-1516), painter

The Triumph of Bacchus 1633-63 Jan Popels. The Triumph of Bacchus. Jan Popels (Flemish, active Antwerp, 1633-63). 1633-63. Etching. Prints

Capricci di varie battaglie. Dated: 1635. Dimensions: sheet: 11.3 x 14 cm (4 7/16 x 5 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Wilhelm Baur.

Father time in the midst of scenes with bad behavior, Gerard de Jode, c. 1547 - c. 1591 print In the middle the winged father time, accompanied by a rooster. Workers are sleeping in the field while the devil sows weeds (Matt. 13:25). On the right in the foreground a sleeping satar, lying on a pillow in a woman's lap. In the background various scenes with bad behavior: drinking farmers, a yacht, a fight, a competition, a man climbs through a window with a woman in bed. In the margin a caption in Latin. Print from a series of four with moralizing allegories in time. paper engraving Father Time, man with wings and scythe. Bad Behaviour

Venice, Titian, Boldrini, Nicolò, The Flood (right half), verso - stamped, Men and women trying to save themselves and others during the Flood. On the right a temple and on the water Noah's ark., print, prent, prints, height 475 mm, width 325 mm, Italian, 1500, print maker, prentmaker, 1540 - 1540, second quarter 16th century, paper, woodcut, Work conception, 1488 - 1576-08-27

Key trip of Charles V and his brother Ferdinand I after the liberation of Vienna, 1529, Cornelis Boel, After Antonio Tempesta, 1614 print Emperor Charles V and his brother Ferdinand I are driven through the crowd in an open carriage, after the liberation of Vienna of the Turks in 1529. On the left the soldiers show their loot, walk imprisoned on the right. With caption of four lines in Latin. This print is part of a series of eight prints, each representing a triumph from Karel V. paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Vienna

Psyche admitted toOlympus. Etcher: François Perrier, French, 1594-1649 After: Raphael, Italian, 1483-1520

Rudolph of Hapsburg accompanying Bishop Werner II. Artist: Hugo Bürkner, German, 1818-1897

Allegory on Good Government in France. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 14 3/8 x 18 15/16 in. (36.5 x 48.1 cm)plate: 11 x 14 3/16 in. (28 x 36 cm). Date: 1685. Museum: Metropolitan Museum of Art, New York, USA.

Riderslag in antique antiquity, Anonymous, 1590 - 1610 drawing Italy (possibly) paper. deck paint. gouache (paint)

Alexander the Great as third king from the vision of Daniel; Of the four monarchs; Rise of four world riches and four rulers from the vision of Daniel; Den Grooten Figuer Bibel (...). Alexander the Great rides a horse, in his hand a flag with the image of a mountain goat (Greece). Horse tramples King Cyrus from Persia and Ninus from Babylonia. A cityscape in the background. In addition to Ninus, a four-member leopard with wings emerged from the sea, a reference to a vision of Daniel about the rise of four kingdoms in the world. Under the show a reference in Latin to the Bible text in. 7. This print is part of an album.

Nijmegen intake by the French, 1672, Caspar Luyken, 1698 print Leiden paper etching / letterpress printing Victory, position was Nijmegen

Victory over the Assyrians; History of Judit and Holofernes; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The Israelites attack the fleeing Assyrian army. At the city wall of Betulia, in the background, the head of Holofernes hangs on a stake. Under the show a reference in Latin to the Bible text in Judit 14: 8. This print is part of an album.

Jager on horseback, Jan van Scorel, 1540 - 1545 print Second block of six that together form a Frisian with a lion hunt. Man without a saddle on horseback with spear in the right hand. Netherlands paper riding a horse, ass, or mule; rider, horseman. hunter

Peasant Wedding, Cornelis van Dalen (I), after Adriaen Pietersz van de Venne, 1622 - 1665, Peasant wedding with guests seated at table with feast and dancing peasants. The scene incorporates several obscene details, a dog eats the vomit of a man and another dog licks the dirty buttocks of a child. In the margin below a mocking verse in three stanzas by C. Tiel., print maker: Cornelis van Dalen (I), (mentioned on object), Adriaen Pietersz. van de Venne, (mentioned on object), publisher: Carel Allard, (mentioned on object), Amsterdam, 1622 - 1665, paper, engraving, h 408 mm × w 505 mm

'Een Schip met coren gheladen blyft op een drooghte Sitten; de Duytschen pooghent naer hen te trecke Artist: Antonio Tempesta.

Triumphop trip from the king of Pegu, 1604; Afteeckeninge van des conincks from Pegu Triumphe. Triumphop trip from the king of Pegu during the feast of Sapan Giachie, 1604. Procession with elephants, warriors and the king in a car. Part of the illustrations in the report of the second trip to East Indies for the VOC under Steven van der Hagen, 1603-1608, No. 9.

Battle of Marciano, 1583 The battle at Marciano in 1554. The army of the 'Medici led by Gian Giacomo de' Medici opposite the French army of Pietro Strozzi. In the background the city of Marciano. In the foreground a river god with a cornucopia. In the lower margin two lines of text in Latin and numbered 4. The print is part of an album. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Marciano della Chiana The battle at Marciano in 1554. The army of the 'Medici led by Gian Giacomo de' Medici opposite the French army of Pietro Strozzi. In the background the city of Marciano. In the foreground a river god with a cornucopia. In the lower margin two lines of text in Latin and numbered 4. The print is part of an album. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Marciano della Chiana

Nuño Salido Learns of Ruy Velazquez's Treachery and Rides to Warn the Infantes. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1612. Prints; etchings. Etching

Jacques Callot after Donato Mascagni, The Hangman, 1619 The Hangman

Plate 23: Judith and Holofernes, from 'The Battles of the Old Testament' ca. 1590-ca. 1610 Antonio Tempesta Italian. Plate 23: Judith and Holofernes, from 'The Battles of the Old Testament'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-ca. 1610. Etching. Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

Start of the flood.

Etching by Augustin Hirschvogel depicting Abraham sacrificing Isaac, created in 1547, showing figures, gestures, and composition.

Allegory with Groningen and Ommelanden, print maker: Romeyn de Hooghe, Romeyn de Hooghe, (attributed to), Netherlands, 1704 - 1706, paper, etching, h 172 mm × w 295 mm

Tereus cuts the tongue of Philomela, Crispijn van de Passe (I), 1602 - 1607 print After arriving in Thrakia, Tereus Philomela, the sister of ProCne, brings to a stable in the forest where he rapes her. Philomela threatens to tell what Tereus has done to her. On this he panic and cuts off her tongue with his sword. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Tereus cuts out Philomela's tongue, and hides her in a lonely place

Frontispiece, Relation du voyage de la mer du Sud aux cotes du Chili, du Perou, et du Bresil, fait pendant les années 1712, 1713 and 1714, Frézier, Amédée François, 1682-1773, Picart, Bernard, 1673-1733, Etching, black-and-white, 1717, B. Picart del. 1716--lower left.

Two women being abducted by three masked men works on paper

Utrecht city council offers Louis XIV's keys to the city, 1672; D'Heeren van Utrecht present the Stadts Keys Anden king of Vrankryk, Waer on the King Personally within Utrecht Intreckt, Den 5 July, Anno 1672. The city council of Utrecht hands over the city's keys to Louis XIV, king of France. The king standing for an army tent between his officers. Presentation of a fictional event.

Hunting scene with Lord a lady watching, Antonio Tempesta, 1590 print Landscape with hunters and hunting dogs hunting wolves, wild boar and deer. In the foreground on the left a gentleman and a lady on horseback. In the middle of a coat of arms and cartouche with assignment. Italy paper etching hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). boar-hunting. stag-hunting. beasts of prey, predatory animals: wolf

Three harnessed men on horseback, riding to the left, each holding a raised sword in his right hand. This print is part of a series of 22 numbered prints: a title print, 20 prints depicting one or several different types of (mostly harnessed) horsemen, and one print depicting an equestrian fight., Three horsemen with swords raised, facing right The Equestrian School (series title), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Leiden, 1599, paper, engraving, h 158 mm × w 207 mm

Venice, Sadeler, Justus, Tempesta, Antonio, Landscape with manhunts, verso bottom center - stamped, A forest landscape with several manhunts. In the foreground a noble company on horseback. The man has a hunting falcon on his arm. On the right a wolf is attacked by hunters and hunting dogs. In the background the hunt for a wild boar and deer., print, prints, verso bottom - stamped, width 255 mm, height, 209 mm, South Netherlands, 1583, print maker, printmaker, 1600 - 1620, paper, engraving, engraving (printing process), Work conception, Italian, 1555 - 1630-08-05, after a design by, Publication (Event), Publication, publisher

Famine in Germany, 1637, Johann David Zunnern, 1701

Diogenes and Alexander, 1662, Italy, by Salvator Rosa. Gift of Bishop Monrad, 1869.

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