Historic Italian Church Interiors

A collection of interior views showcasing ornate altars, sculptures, and architectural details from various historic churches in Italy, highlighting Baroque and Gothic styles.

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime9. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Lazio Viterbo Viterbo S. Lorenzo, Cathedral19. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic

Umbria Perugia Citta della Pieve SS. Gervasio e Protasio (Duomo)4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata San Severino Marche Chiesa delle Clarisse6. Hutzel, Max 1960-1990 Exterior views of the 15th-century church with its 17th century baroque facade. Interior views of the main altar, four side chapels, two transept chapels, 19th century dome frescoes and a conch fresco of Saul's Conversion on the way to Damascus. The altar (17th century), of marble intarsia is held up by four putti. The Rococo altarpiece bears the inscription Altare Gregorianum Perpetuum. Views also of a gilt organ (17th century), pulpit, and marble holy water font (1598). Object Notes: There are two prints for almost every negative; one set of prints was previously identified as S. Maria del Glorioso. General Notes: Hutzel photo campaign date: April 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in I

Lazio Roma Vicovaro S. Antonio Abate. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Architecture, sculpture, painting, tapestry. Within one side altar of the church is placed a Crucifix with two accompanying angels. In another side altar is a wooden statue of S. Anthony. Antiquities: Architectural sculpture. Four roman columns with decorated capitals support a portico along the side of the church. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro e Urbino Urbania S. Francesco. Hutzel, Max 1960-1990 Medieval: Gothic portal. Post-medieval: 18th century (1762) remodel of church dating from 1215. Baroque interior; paintings on canvas. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Ancona Fabriano S. Benedetto5. Hutzel, Max 1960-1990 Medieval: 13th century architecture (1244/1290); wooden crucifix. Post-medieval: Architecture, original structure rebuilt in 1590. Restored after 1741. Facade dates from c. 1764. Early Roman fragments included as decoration in exterior walls. Interior has numerous paintings on canvas, extensive stucco work, sculpture in wood and gilt, elaborately carved choir stalls, and 16th and 18th century documents. General Notes: Photos 41-44, 47-49 are missing. Possibly with the Medieval photographs. Negatives probably corresponding to those prints are numbered 50-60. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothi

Basilicata Matera Matera Duomo28. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime9. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)25. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile3. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile86. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Lazio Rieti Rieti S. Caterina3. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, metalwork, tapestry, painting. Baroque church which contains a painting of the Transfiguration by Giovanni Giacomo Pandolfi (1595). In the sacristy are displayed vestments and a silver cross with an elaborately carved base. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Minturno S. Pietro6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture, pulpit with marble and mosaic decoration, Paschal candelabrum. This church was built in the middle of the 11th century, with additions in the 13th-14th centuries, and alterations to the interior in the 17th century. A flight of steps leads up to a porticoed porch, above which rises the campanile. The interior of the church is vaulted with groin vaults, now decorated with coffers and stucco decoration. Near the altar are placed the Paschal candelabrum (1264) and the pulpit (1260), both decorated with multi-colored mosaics. The pulpit, in addition, has marble bas reliefs along the sides of the stairs depicting Jonah being swallowed by the whale, and on the other side, a lion swallowing a man. Sculpture. Statue of a Roman magistrate, known as "Scipione", dating from the late Roman period. Post-medieval: Stucco decoration, coffered ceiling, painting, pietra dura altar and tab

Umbria Perugia Citta della Pieve SS. Gervasio e Protasio (Duomo)9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Todi S. Fortunato. Hutzel, Max 1960-1990 Exterior views of this church focus on the facade portals (1430-1436). Flanking the center portal are aediculae with statues of the Archangel Gabriel and the Virgin of the Annunciation. The portal sculpture is comprised of elaborately carved colonettes; the subjects include nude men in foliage, prophets, saints, martyrs, patriarchs, inhabited vinescroll, grapevines, fig leaves, Abraham and Isaac, and a scene of the stigmatization of St. Francis.. Views of this 13th-15th century gothic interior include details of vaulted ceilings, sacristy portals, the polygonal apse, a crucifix in olive wood, choirstalls, the marble high altar with bishops painted in the trefoil arches, choirstalls, a holy water basin, fresco fragments of the Giotto school, a painting of the Coronation of the Virgin over Todi by Polinori, and various altar paintings. In the crypt are sepulchral monuments of Jacopone da Todi and the family Tudertini, a tomb reliqua

Lazio Rieti Magliano Sabina Cathedral9. Hutzel, Max 1960-1990 Exterior views of facade (18th century) and portals (15th century. Views of restored interior: frescoes in apse of the Coronation of the Virgin, Annunciation and the Birth and Death of the son of Uliano, nobleman of Magliano; decorative ceiling fresoes; altarpieces, and marble altars. Treasury: chasuble of silver and gold brocade decorated with saints (18th century), portraits of bishops (15th-17th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Amelia Cathedral1. Hutzel, Max 1960-1990 Medieval: Tombstones, baptismal font. Post-medieval: Original romanesque church completely remodelled 1640. Architecture, architectural sculpture, views of interior including altar and organ, baptismal font, tombs, pavement by Sangallo, paintings, frescoes. Extensive coverage of exterior, interior naves and altars, tombs, burial chapel and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Makarevsky Retreat, Inside the Church. Karl Karlovitz Bulla, photographer (Russian, 1854 - 1929) 1913 Inscription: Print vo.: title in German & English (pencil); German inscr.; artist's stamp, stamp of Pawel Barchan.

Bliżej Kultury Boretti, Wincenty Franciszek

Abruzzo Chieti Lanciano S. Maria del Ponte, Cathedral1. Hutzel, Max 1960-1990 The cathedral itself dates from the 15th cent. and incorporated Diocletian's bridge into its structure. The cathedral was heavily renovated from 1785-88, giving the Cathedral a Baroque-Neoclassical facade and interior. There are general views of the church exterior and the bridge. Interior views include the nave and cupola, both of which date from the 1785-88 restoration. The high altar contains sculptural figures; as well, there is a sculpture of the Madonna del Ponte dating from the 14th cent. Paintings include frescoes of the 4 evangelists in the pendentives of the cupola and of the Last Supper, the Holy Family, the Madonna Enthroned and saints being stoned to death. The paintings date from the 18th century. Cathedral is built around a bridge said to date from the 300s and built by Diocletian. It was renovated around 1000. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy fr

Lazio Roma Rome S. Maria in Monticelli4. Hutzel, Max 1960-1990 Medieval: 12th century mosaic, 14th century wooden sculpture, gisante. Post-medieval: 18th century architecture (altars, nave, chapels, cupola), frescos, paintings on canvas, Object Notes: No visible remains of the older church German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Tolentino S. Catervo, Duomo. Hutzel, Max 1960-1990 This church, erected in the 13th century, was completely renovated in 1830 in a neoclassical style. Exterior views are of the apse, an original bell tower and a medieval relief sculpture. Views of the vast baroque interior with its barrel-vaulted ceiling and numerous candelabra focus on the Cappella di S. Catervo--its frescoes and sarcophagus of S. Catervo and S. Settimia (14th century). Interior views also include a sculpture of the Pieta (14th century), wood intarsia choirstalls, a marble holy water stoup and a baptismal font. Object Notes: Hutzel photo campaign date: December 27, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as wel

Abruzzo Teramo Teramo S. Berardo, Cathedral1. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Lazio Viterbo Montefiascone S. Margherita, Duomo4. Hutzel, Max 1960-1990 Exterior views of domed church: facade comprised of a neoclassical portal (1840, by Paolo Gazola), balustrade and flanking bell-towers. Interior views of church built on an octaganal plan with radiating chapels: behind the main altar is a marble statue of the partron saint, St. Margaret; 18th century frescoes in lunette and ceiling of main altar; Madonna and Child and Saints in terracotta by della Robbia; 17th and 18th century altarpieces; wooden crucifixion (16th century); rococo organ-loft (18th century); frescoes by Pomerancio, and marble pilasters, niched saints in the domed ceiling. Object Notes: Photocampaign date: 4/16/84 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including

Lazio Viterbo Viterbo Sanctuary of S. Maria della Quercia73. Hutzel, Max 1960-1990 Extensive coverage of Renaissance sanctuary's exterior, with emphasis on the church portals. Several views of bell tower. Interior views of nave and altar, aisles, ceiling and cupola, tabernacle containing the miraculous tile, paintings, sacristy, choir, holy water font. Views of main cloister and cistern. General Notes: Two sets of prints fused into single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Gubbio S. Pietro. Hutzel, Max 1960-1990 Immured in the 13th-century facade of this gothic church are some remnants of 11th-century architectural sculpture. In contrast to the stark exterior, the interior views reveal a rich baroque remodelling. Shallow niched altars line the nave. Organs stand above the entrance and the main altar. The seventeenth-century altar paintings include the following subjects: S. Ubaldo, the Archangel Michael, the Martyrdom of S. Bartolomeo, S. Bernardo Tolomei, S. Chiara, S. Mauro, S. Nicola, S. Placide, S. Sebastiano, the Nativity and the Visitation. Interior views also include the fresco by Raffaellino del Colle (16th century) and painted stucco decoration (17th century). Object Notes: Hutzel photo campaign date: November 17, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentatio

Lazio Viterbo Vallerano Madonna del Ruscello6. Hutzel, Max 1960-1990 Exterior views of 17th c. church, including cupola and inner courtyard, with detail views of facade sculpture, doors and windows. Interior views of nave and altars, stucco decoration, organ, wooden choir, frescoes and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Sessa Aurunca S. Pietro (Duomo)09. Hutzel, Max 1960-1990 Medieval: Architecture (c. 1103), architectural sculpture, pavement (12th century), pascal candle, baptismal font with re-used Roman fragments. Post-medieval: Frescoes (13th century) Baroque interior (c. 1758), sculpture Object Notes: Site restored 1980 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Collotype - Interior of St. Finnian's Cathedral, Alexandria, ON, about 1910

Lazio Roma Ariccia S. Maria di Galloro3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, crucifix, stucco ceiling decoration, marble and mosaic altar frontal. This church is a latin cross in plan with a cupola, started in 1624 and enlarged in 1661 with a facade designed by Bernini. The main altar, also believed to be a design of Bernini's, contains a painting of the Madonna and Child with a frame of gilded metal rays. In lateral chapels, paintings of S. Tommaso of Villanova by G. Gimignani (1663) and of S. Francis of Sales by Borgognone (1663). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments

Bliżej Kultury unknown

Lazio Viterbo Capranica Chiesa della Madonna del Piano7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, wooden ceiling decoration. Structure with simple classical facade by Vignola. In the main chapel are frescoes depicting the Nativity, the Death of Mary and the Assumption, all of which are attributed to Francesco Cozza or to Antonio Carracci. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sardinia Oristano Ghilarza S. Palmerio0. Hutzel, Max 1960-1990 Medieval: Archaic Romanesque architecture and architectural sculpture (begun 12th century) with simple form using alternate light and dark stones. Post-medieval: Sculpture; paintings; crucifix German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro e Urbino Urbania S. Giovanni Battista. Hutzel, Max 1960-1990 Post-medieval: 18th century architecture built upon a Greek cross plan. Contains paintings on canvas and a wooden pulpit. Object Notes: Urbania environs. Located within the Parco Ducale. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury unknown

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio8. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annunciat

Leżajsk church of St. Of the Trinity (formerly Gods) a side altar. unknown

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime3. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Marches Macerata San Severino Marche Chiesa delle Clarisse6. Hutzel, Max 1960-1990 Exterior views of the 15th-century church with its 17th century baroque facade. Interior views of the main altar, four side chapels, two transept chapels, 19th century dome frescoes and a conch fresco of Saul's Conversion on the way to Damascus. The altar (17th century), of marble intarsia is held up by four putti. The Rococo altarpiece bears the inscription Altare Gregorianum Perpetuum. Views also of a gilt organ (17th century), pulpit, and marble holy water font (1598). Object Notes: There are two prints for almost every negative; one set of prints was previously identified as S. Maria del Glorioso. General Notes: Hutzel photo campaign date: April 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in I

Lazio Rieti Rieti S. Agnese6. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting. This church was constructed in the first half of the 16th century and altered in 1748. Also from this period are the ceiling frescoes and two paintings, the Madonna of the Rosary, and S. Agnese e la Beata Colomba, by Emanuele Alfani. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Visso S. Maria, Collegiate Church. Hutzel, Max 1960-1990 Detailed views of the 14th century exterior architecture of the church, including portals, and details of columns and capitals. There are general interior views, with detailed photos showing the paintings, both on the screen behind the main altar and behind side altars. There are also many photos of painting fragments from the late Medieval and early Renaissance periods. Sculptural photos include a wooden crucifix and basins or altars (perhaps antique) with human face motifs. Object Notes: Hutzel photo campaign date: June 30, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissanc

Abruzzo L'Aquila Sulmona S. Francesco della Scarpa. Hutzel, Max 1960-1990 Views of the Baroque interior include: a baroque organ, a dome frescoed with perspectival architecture, a loggia and confessional, wooden ciborium (16th century), altar statues and architectural sculpture, altar paintings of the Visitation, Saint Anthony of Padua, and the Assumption of the Virgin, wooden crucifix, wooden statue of St. Francis, holy water font, and a marble sarcophagus with a life-size dead Christ lying on the top. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Marches Macerata San Severino Marche S. Agostino, Cathedral. Hutzel, Max 1960-1990 Exterior views of the 15th-century facade with its gothic portal. Views also of the oratory and baroque portal. The interior, restored in 1776 and 1827, is neoclassical. Views in prints H-6 and H-9 show a small barrel-vaulted chapel with a modern main altar painting of the Last Supper. This is either the oratory or a misidentifed church interior. Other views include: wooden crucifixes; an intarsia door to the sacristy and intarsia panels by Indivini; various altar paintings; a silver statue of St. Severino with a crozier, a painting of the Madonna and Child with angels and a kneeling donor by Pinturicchio; a reliquary; a silver plate; a small painted ceramic statue of the Pieta; and a series of sketches from an album of an artist from San Severino Marche. Object Notes: Hutzel photo campaign date: April 8, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the earl

Abruzzo, Alanno, Madonna delle Grazie, Italy, 20th century, photo, photography, Europe

Lazio Roma Rome S. Maria in Monterone. Hutzel, Max 1960-1990 Medieval: Sculpture (baptismal font). Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes Object Notes: Near the Largo di Torre Argentina, an antique basilica structure which has been restored numerous times, simple facade dates from 1682. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Radicondoli Collegiate church6. Hutzel, Max 1960-1990 Six exterior views of 16th c. church, including facade, clock tower, 17th c. portal, right and left flanks. Interior views of nave, altars, altar paintings, and painting details. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Montesanto S. Maria, Parish church1. Hutzel, Max 1960-1990 coverage includes views of the church facade, interior views of the nave and altar, and views of paintings by Virgilio Nucci, Camillo Angelucci, and others. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Gesu e Maria4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco, gilding General Notes: Located next to S. Giacomo in Augusta, built by Rainaldi in 1675. Church was built for the Bolognetti family, and has come to be called "church of the beautiful tomb monuments" (Hutzel notes), making it resemble a Baroque theater. Restoration of fresco cycle depicting life and death of a martyr from 13th century Roman school. Site has been sent in duplicate. One set of negatives (37) and two sets of prints (72). There should be one more print, but no. 15 from the original set is missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Campania Caserta Roccamonfina Santuario di Maria SS. dei Lattani3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (15th century). Post-medieval: Architecture, architectural sculpture, frescoes, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)5. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Lazio Roma Poli S. Pietro, Parish church. Hutzel, Max 1960-1990 Two exterior views of 17th c. church bell tower. Views of baroque interior nave, side altars, and altar paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Poli S. Pietro, Parish church. Hutzel, Max 1960-1990 Two exterior views of 17th c. church bell tower. Views of baroque interior nave, side altars, and altar paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Marcianise Chiesa dell' Annunziata54. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Collotype - Church interior, St. Telesphore, QC, about 1910

Abruzzo L'Aquila Tornimparte S. Panfilo, Parish church6. Hutzel, Max 1960-1990 Exterior views of the restored church: grey piers, bell tower, romanesque portal and damaged frescoes on the porch (14th-15th centuries). Views of the Renaissance-baroque interior: organ-loft (17th century), ceiling frescoes, apse frescoes, altar frescoes, altarpieces, and statues. Fresco and painting subjects include: St. Cecilia, St. Francis with Brother Leo, Paradise, Christ Arrested, the Flagellation, the Deposition, the Resurrection, the Annunciation, Madonna and Child, and God the Father surrounded by music-making angels (in the apse). Two views of the side portal are found in the Medieval core collection. Roman gravestone in the front yard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

, Freyung at - Schottenkirche - Interior view - view against the organ gallery, Bruno Reiffenstein -, photographer

Marches Macerata San Severino Marche S. Agostino, Cathedral. Hutzel, Max 1960-1990 Exterior views of the 15th-century facade with its gothic portal. Views also of the oratory and baroque portal. The interior, restored in 1776 and 1827, is neoclassical. Views in prints H-6 and H-9 show a small barrel-vaulted chapel with a modern main altar painting of the Last Supper. This is either the oratory or a misidentifed church interior. Other views include: wooden crucifixes; an intarsia door to the sacristy and intarsia panels by Indivini; various altar paintings; a silver statue of St. Severino with a crozier, a painting of the Madonna and Child with angels and a kneeling donor by Pinturicchio; a reliquary; a silver plate; a small painted ceramic statue of the Pieta; and a series of sketches from an album of an artist from San Severino Marche. Object Notes: Hutzel photo campaign date: April 8, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the earl

San Giovanni near Duino Italian hit on the church; Isonzo front; photographer: Kriegsvermessung 5.

Lazio Viterbo Soriano nel Cimino S. Agostino7. Hutzel, Max 1960-1990 Post-medieval: Architecture (18th century); fresco "Apotheosis of S. Agostino," and paintings by Taddeo Kuntz. Madonna and Child unkown Sienese school of 1343 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Krzespitz. Heart of the Marienkirche

Lazio Rieti Rieti S. Caterina0. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, metalwork, tapestry, painting. Baroque church which contains a painting of the Transfiguration by Giovanni Giacomo Pandolfi (1595). In the sacristy are displayed vestments and a silver cross with an elaborately carved base. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Teramo S. Berardo, Cathedral1. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Poll photo collection. Nebok monastery Nijmegen 1932. Interior of the monastery church: high altar with murals and mosaics representing the worship of the Lamb from the Apocalypse and H. Maria as a framework. January 1, 1932. Gelderland, Nijmegen

Umbria Terni Amelia Madonna del Latte1. Hutzel, Max 1960-1990 Medieval: Church, 15-16th () centuries. Post-medieval: Views of interior include main altar in marble & gilt wood, a 13th century fresco of nursing madonna (Madonna del Latte) as altarpiece, 17th & 18th century paintings over the 2 Baroque-style side alters Object Notes: Hutzel photo campaign date: September 1985. Notes for this church are part of the notes for S. Maria di Porta and the Via del Teatro. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila S. Giuliano S. Giuliano8. Hutzel, Max 1960-1990 Two exterior views and numerous interior views, including altars, sacristy, and paintings; several views of the cloister with intensive coverage of the lunette frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Vicovaro S. Antonio Abate4. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Architecture, sculpture, painting, tapestry. Within one side altar of the church is placed a Crucifix with two accompanying angels. In another side altar is a wooden statue of S. Anthony. Antiquities: Architectural sculpture. Four roman columns with decorated capitals support a portico along the side of the church. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Interior of St. Aloysius Church, Washington (D.C.), 1850 - 1930, Medium: Albumen prints, Subject: Interiors, Catholic churches

Marches Macerata Visso Santuario di Macereto0. Hutzel, Max 1960-1990 Exterior photos of temple and other buildings in the sanctuary complex. Temple is in the style of Bramante, but was designed by Giovanni Battista da Lugano. There are many photos of the exterior architectural details. Interior photos show the vaulting and cupola as well as the "Tempietto" or baldacchino in the classical style which stands under the cupola. Object Notes: Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Interior of the Basilica of Gethsemane (Church of All Nations), Jerusalem. 1925, Israel

Abruzzo L'Aquila Sulmona S. Panfilo, Cathedral. Hutzel, Max 1960-1990 Exterior views of the facade, various portals and apses. Details of the main gothic portal include statues of Saints Panfilo and Pelino, and a lunette fresco of the Pieta and mourners. Interior views include: ceiling frescoes, cupola paintings of music-making angels (19th-20th centuries), low-relief sculptures of the Four Evangelists in the pendentives, sarcophagi, a baroque marble high altar, choirstalls, a baptismal font, a wooden crucifix (13th-14th centuries), a gilt bust of St. Panfilo, 13th century frescoes by the Sulmona School, altar paintings of St. Joseph and St. Carlo Borromeo. In the 11th century crypt are capitals of various styles (including one figural in an orans gesture), a 12th century relief sculpture of the Madonna and Child, a throne, frescoes and sarcophagi. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this

Bliżej Kultury unknown

Umbria Perugia Gubbio S. Domenico. Hutzel, Max 1960-1990 Exterior views of the church in the Medieval core collection show a 14th-century facade. Most views are of the restored baroque interior (1765): the altar paintings which line the nave, chapel ceiling frescoes of the four Evangelists, wood intarsia choirstalls and a pulpit. Painting subjects include: the Last Supper, S. Domenico, S. Vincenzo Ferreri, S. Chiara, S. Martino, St. Peter Martyr, St. Francis, St. John the Baptist, the Annunciation, the Three Magi, the Flagellation, Mary Magdalene, and Christ Entombed. Object Notes: Hutzel photo campaign date: November 8, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesq

Lazio Roma Rome S. Lucia del Gonfalone. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting, stucco, coffers. on via dei Banchi Vecchi General Notes: Church was built primarily in the 14th century for the antique confraternity of the Gonfalone. The foundation was refurbished in 1764 by Marco David in Baroque style, restored in 1866 by Azzurri. No information provided by Hutzel. Negative #12 was missing from shipment. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

th, Mariahilfer Straße at - Laimgrubenkirche, Josef - interior view - high altar, postcard, Unknown

Lazio Roma Rignano Flaminio SS. Vincenzo e Anastasio. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: 16th century architecture and architectural sculpture, including stucco decoration; 16th century wooden crucifix; sculpted marble altars and tombs; frescos; paintings on canvas; stoup (1578) Antiquities: Fragments of architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Sulmona S. Francesco della Scarpa9. Hutzel, Max 1960-1990 Views of the Baroque interior include: a baroque organ, a dome frescoed with perspectival architecture, a loggia and confessional, wooden ciborium (16th century), altar statues and architectural sculpture, altar paintings of the Visitation, Saint Anthony of Padua, and the Assumption of the Virgin, wooden crucifix, wooden statue of St. Francis, holy water font, and a marble sarcophagus with a life-size dead Christ lying on the top. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Umbria Perugia Spello S. Lorenzo8. Hutzel, Max 1960-1990 S. Lorenzo (1120) stands on the site of the former S. Ercolano. Exterior views of the portal (13th century) and facade (remodelled in 1540). Interior views focus on the painting and sculpture (15th-18th centuries): marble intarsia baptismal font (1607); main altar baldachin (an imitation of the one in St. Peter's, Rome); wood intarsia choirstalls; wooden wardrobe and chest in the Sacristy with the intarsiaed figured of Moses, Noah and Zaccariah; wooden pulpit with bas-reliefs of the Martyrdom of S. Lorenzo; frescoes in the neoclassical Cappella dell'Incoronata; marble tabernacle in the Cappella del Sacramento; baroque altar of St. Catherine; frescoes of the Madonna and Child (by Gozzoli), S. Lorenzo, and S. Bernardino da Siena; altar painting of the Glorification of Souls in Purgatory; gilt statue of S. Nicola; and various other paintings, frescoes and statues. Antiquities: Roman spolia: funerary inscriptions and plutei around th

Via Dolorosa, beginning at St. Stephen's Gate Chapel of Condemnation 1900, Jerusalem, Israel

N.N., Catholic parish church, priment. (From: Leaves for architecture and handicrafts, 18th year, 1905, Tafel 34.) (1905-1905): Interior view Altar side. Light pressure on paper, 34.5 x 26.9 cm (including scan edges) N.N. : Katholische Pfarrkirche, Priment. (Aus: Blätter für Architektur und Kunsthandwerk, 18. Jg., 1905, Tafel 34)

Berdyczów (Berdycziw, Ukraine). Church of the Immaculate Conception of the Blessed Virgin Mary and the monastery of the Discalced Carmelites - the interior towards the main altar; around 1910 1919 (1910-00-00-1922-00-00);

Lazio Rieti Poggio Mirteto Assunta, Cathedral5. Hutzel, Max 1960-1990 Exterior views of apse, flanks, and brick, two-story facade of 17th c. cathedral, with details of tympanum and crest. Interior views of naves, altar, chapels, details of baroque stucco decoration, altar painting by Giovanni Baglione, other paintings, statues, cupola, and 16th c. silver processional cross in sacristy. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Heart of the Catholic parish churchSalzschlirf. Heart of the Catholic parish church

Sardinia Sassari Ardara S. Maria del Regno8. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (1170), recently restored. Typically Sardinian (influenced by Lombard and Pisan forms of the 11th century) with slender pilasters, bifora window, small decorative arches along the cornice, semi-circular apse, and short campanile. Triple aisled basilica plan. Central nave has bare, beamed ceiling while side aisles are cross vaulted; sculpted inscription from 1107. Post-medieval: Polychromatic, gilded wooden sculpture (Madonna and Child); 15/16th century pulpit. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized

The twelfth century tide of St. Willibrord

N.N., Catholic parish church of St. Nicolaus, Lissa. (From: leaves for architecture and handicrafts, 18th year, 1905, Tafel 8.) (1905-1905): View tomb of Raphael Leszczynski. Light pressure on paper, 34.6 x 27 cm (including scan edges) N.N. : Katholische Pfarrkirche St. Nicolaus, Lissa. (Aus: Blätter für Architektur und Kunsthandwerk, 18. Jg., 1905, Tafel 8)

Lazio Roma Frascati Chiesa del Gesu4. Hutzel, Max 1960-1990 Views of facade, altars, painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Cecilia in Trastevere35. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, architectural fragments, sculptural fragments, sculpture, mosaics, floor tiling. Post-medieval: Painting, frescoes, architectural sculpture, sculpture, architecture, stucco, marble, gilding Antiquities: Mosaics, architectural fragments Object Notes: Built over an already existing church of the 5th century by Pope S. Pasquale I in the 9th century. Suffered damaged and plundering; rebuilt in 1110. Completely redone in 15th century, 17th century and 18th century. Styles from 10th-present century are existent here. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Rena

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo76. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Civitaretenga Madonna dell'Arco4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Mevale Pieve1. Hutzel, Max 1960-1990 Parish church dating from the 13th century with interior decoration dating until the 16th century. Mevale is the home of the Angelucci family, who were artists and woodworkers in the 15th and 16th centuries. The interior frescoes include a Last Judgment (1601), a Trinity (1560), Apostles in the Oratorium, a Madonna of the Rosary (1571), and a chivalric tournament (15th cent.). A Pieta in the lunette in the Oratorium is believed to have been painted by Perugino, in whose workshop one of the Angelucci worked. There is also a Madonna in the Byzantine style, dating from the 13th century. The confessional is used as well for a chancel, the work of Ancanio Poggini (1580). Object Notes: Hutzel photo campaign date: September 26, 1983. Negs. of columns and stone lion may belong to another site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

College Church Innichen, taken on August 28, 1916.

Fürstengruft in the cathedralFreiberg. Fürstengruft in the cathedral

Tuscany Siena Sinalunga S. Bernardino8. Hutzel, Max 1960-1990 Exterior views of portal. Portal and vestibule date from the 15th cent. The church, with its octagonal cupola, date from the 17th cent. Interior views include: 4 of the Stations of the Cross, located in the vestibule; and frescoes of the Annunciation, a Baptism of Christ, and a Madonna & Child, which was painted in 1486 by Guidoccio Cozzarelli. There are also photos of architectural details of the octagonal cupola and of a wooden crucifix. Object Notes: Hutzel photo campaign date: March 7, 1983. Although there are notes for only one campaign, there is a second set of photos similar to, but not exactly like, the recorded set. The original numbers of this second set do not correspond to the numbers on the notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation o

Tuscany Grosseto Sovana SS. Pietro e Paolo, Cathedral. Hutzel, Max 1960-1990 This cathedral was largely built in the 12th and 13th centuries over a preexisting 9th-11th century structure. Exterior views of the romanesque facade focus on the portal and apse where older medieval architectural sculptures have been reused. Interior views also include reused sculptural fragments. Most views are of the 12th-century capitals which have geometric, foliate, animal and Old Testament figural motifs including Adam, Eve, Daniel, Abraham and Isaac. Prints in the Hutzel collection include paintings, the tomb effigy of S. Mamiliano, a holy water font (1456), a baptismal font (1484) and a marble tabernacle (1510). Object Notes: Hutzel photo campaign date: November 22, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historica

Collotype - Interior of church, Dorval, QC, about 1910

, Karmeliterplatz at - Carmelite church - interior view - view against high altar, postcard, Verlag Reinhold Gftmann , Sohn, producer

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral3. Hutzel, Max 1960-1990 Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a radical restoration in the 18th cent. in the Baroque style. The campanile was built in 1335. Photos include exterior views of the facade and the campanile along with several details. The interior views show the Baroque nave with its vaults and cupola. There are paintings in the vaults and over the altars, including one of St. Thomas & Christ over the main altar. There are also photos of the marble paliotto in front of the altar (17th cent.). Other interior details are the baptismal font, a wooden statue of the Madonna & Child, and wooden statues of two saints, one St. Peter. There are also several photos of the crypt, including a few of the painting fragments remaining there. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Lazio Latina Sezze S. Lucia1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Freiberg. In the cathedral

Lazio Latina Minturno S. Pietro1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture, pulpit with marble and mosaic decoration, Paschal candelabrum. This church was built in the middle of the 11th century, with additions in the 13th-14th centuries, and alterations to the interior in the 17th century. A flight of steps leads up to a porticoed porch, above which rises the campanile. The interior of the church is vaulted with groin vaults, now decorated with coffers and stucco decoration. Near the altar are placed the Paschal candelabrum (1264) and the pulpit (1260), both decorated with multi-colored mosaics. The pulpit, in addition, has marble bas reliefs along the sides of the stairs depicting Jonah being swallowed by the whale, and on the other side, a lion swallowing a man. Sculpture. Statue of a Roman magistrate, known as "Scipione", dating from the late Roman period. Post-medieval: Stucco decoration, coffered ceiling, painting, pietra dura altar and tab

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