Historic Landscape Etchings

A collection of monochromatic etchings and drawings featuring rural scenes, moonlit landscapes, and historical events, emphasizing atmospheric effects and detailed craftsmanship.

unknown, Amsterdam, Schenk, Pieter (I), Northern Netherlands, Meulen, Sieuwert van der, Navigiorum Aedificatio, The construction and fortunes of a ship in 16 plates, ca. 1700, A ship overtaken by a storm and smashed to pieces between the rocks, A ship is smashed to pieces on the rocks during a storm, plate no. 14, A ship is smashed to pieces on the rocks off the coast during a storm. No. 14 from a series of 16 prints depicting the construction and fortunes of a ship. With captions in Dutch and Latin., print, prent, prints, Frederik Muller Historieplaten, height 163 mm, width 191 mm, Noord-Nederlands, 1683 - 1730-06-18, print maker, printmaker, 1690 - 1710, paper, papier, etching, etchings, Publication (Event), Publicatie, 1660-12-26 - 1711, publisher, uitgever van privilege

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Weary Ploughman, 1858. Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper.

Madrid al Fresco 1900-1903 United States. Oiled charcoal, heightened with white pastel, on cream wove paper, laid down on board . Joseph Pennell

Hans Burgkmair the Elder's woodcut from *Der Weisskunig* illustrates the outcome of events in Brabant. Created between 1514 and 1516, it depicts the political and military developments in the region during Emperor Maximilian I's reign.

Oriental Rider in the Mountains 1866 France. Etching and roulette on white wove paper . Rodolphe Bresdin

Malta, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Line engraving, engraver's proof on moderately thick, slightly textured, beige, wove paper, Sheet: 11 11/16 × 16 7/8 inches (29.7 × 42.9 cm), Plate: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm), and Image: 3 3/4 × 5 5/8 inches (9.5 × 14.3 cm)

unknown, Amsterdam, Schenk, Pieter (I), Northern Netherlands, Meulen, Sieuwert van der, Navigiorum Aedificatio, The construction and fortunes of a ship in 16 plates, ca. 1700, A ship overtaken by a storm and smashed to pieces between the rocks, A ship is smashed to pieces on the rocks during a storm, plate no. 14, A ship is smashed to pieces on the rocks off the coast during a storm. No. 14 from a series of 16 prints depicting the construction and fortunes of a ship. With captions in Dutch and Latin., print, prent, prints, Frederik Muller Historieplaten, height 163 mm, width 191 mm, Noord-Nederlands, 1683 - 1730-06-18, print maker, printmaker, 1690 - 1710, paper, papier, etching, etchings, Publication (Event), Publicatie, 1660-12-26 - 1711, publisher, uitgever van privilege

William Bernard Cooke, 1778-1855, British, St. Michael's Mount, Cornwall, 1813. Line engraving and etching on moderately thick, moderately textuerec, cream, wove paper, with chine collé.

Turbulent Water in the Haarlemmermeer, 1755, 1755 print Unusually turbulent water, during quiet weather, in the Haarlemmermeer on November 1, 1755. On the water boats in need, a man looks at the bank. Northern Netherlands paper etching / engraving meteorological phenomena Haarlemmermeer

Copper engraving and etching by Bénédict Alphonse Nicolet between 1760 and 1806 titled 'Shipwrecked' depicts a maritime disaster, consistent with European printmaking of the period.

The Drachenfels, William Finden, 1787-1852, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Etching and engraving, First published state on moderately thick, moderately textured, cream, wove paper, with gray chine colle, Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm), Plate: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm), Chine collé: 6 1/2 × 8 7/8 inches (16.5 × 22.5 cm), and Image: 3 3/8 × 5 3/16 inches (8.6 × 13.2 cm)

Collapse of the Lappentoren in Nijmegen, 1784, Mathias de Sallieth, After H. Goblé, 1784 - 1785 print The collapse of the Lappentoren on the city walls of Nijmegen during Hoog Water in the Waal on March 4, 1784. print maker: Rotterdamprint maker: Rotterdamafter drawing by: Nijmegen paper etching / engraving flood Nijmegen

La barque. Dated: 1777. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Noël Le Mire after Jean-Michel Moreau.

James C. Allen, active 1821-1831, British, Dunwich, 1819-1826. Line engraving and etching, 1st state on moderately thick, slightly textured, cream, wove paper, with cream, chine colle.

Illustration by Gustave Dore 1832-1883 French artist and illustrator for Paradise Lost by John Milton Book IV lines 172 and 173

Dover, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Engraver's proof (b)

Illustration from the work of Camille Flammarion of whirlwinds. Dated 1873

Netherlands, Pijnacker, Adam, Landscape with square tower, verso lower left - stamped, Hilly landscape with a square tower. In the foreground a shepherd with two cows., print, prints, height 119 mm, width 147 mm, Noord-Nederlands, 1622-02-15 - 1673-03-28, print maker, printmaker, 1649 - 1673, second quarter 17th century, third quarter 17th century, paper, papier, etching, etchings

Copper engraving and etching by J. B. Poly in the 18th century titled 'Shipwrecked' depicts a maritime disaster, reflecting European engraving of the period.

Ships at Dover in heavy weather, James Tibbits Willmore, After Joseph Mallord William Turner, 1851 print print maker: Englandpublisher: London paper etching / engraving sailing-ship, sailing-boat. rocky coast. storm at sea

Storm (Un orage). Medium: drypoint and (etching) on light green paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

DijkBrraak in Arnhem, 1855, Cornelis Springer, After Jacobus Pelgrom, 1855 print The breakthrough of the Arnhemmer Broekdijk in Arnhem at the flood in March 1855. Amsterdam paper etching Dike-Break Arnhem

Edward Francis Finden, 1791-1857, British, Bally-Burgh Ness, 1836. Line engraving, late published state.

Shipwreck. A ship has been beaten on the rocks, there are draggins in the sea. On the beach there are figures that want to shoot the across boards, on the right there is a figure that causes a wrinkled drowning. On the versitch side is a printed text in Dutch in which the show is explained in more detail. PRENT Left and at the top right labeled: II. PART - PAG: 190.

Allegory against Pelegianism, Claude Mellan, 1608 - 1688 print Book on a rock in a turbulent sea. paper engraving False Church personified. rocky coast. storm at sea

Paris, Delâtre, Auguste, Bresdin, Rodolphe, Le lac dans les montagnes, Mountain landscape with lake, verso bottom - stamped, Mountain landscape with a lake. In the foreground on the right are gnarled bare trees and travelers are walking on a path along the lake. Above the image is the text Revue Fantaisiste, print, prent, prints, prenten, verso middle - stamped, height 142 mm, width 128 mm, height 199 mm, width 149 mm, French, 1822-08-13 - 1885-01-14, print maker, printmaker, 1861-09-01 - 1861-09-01, third quarter 19th century, chine collé, etching, etchings, Work conception, after own design by, 1822 - 1907-07-26, printer

Fable III, plate three from Lehrreiche Fabeln aus dem Reiche der Theire 1743 Germany. Etching on ivory laid paper . Johann Elias Ridinger

Canaletto, Landscape with the Pilgrim at Prayer (upper left), c 1735 1746 Landscape with the Pilgrim at Prayer upper left

A tramp , Tramps, Alphonse Legros (1837-1911)

The Lonely Tower. Samuel Palmer (British, 1805-1881). Etching;

Year 1720. The hunting scene was recently drawn by nature; Ridinger, Johann Elias (1698-1767); 1746 (1700-00-00-1800-00-00);

Bathing Machines (An Excursion to Brighthelmstone) June 1, 1790 Drawn and etched by Thomas Rowlandson One of a set of eight aquatints devoted to a journey from London to Brighthelmstone (Brighton), together with attractions of the seaside resort, this print represents figures descending wooden stairs down a steep cliff, to reach a windy beach and horse-drawn bathing machines. The related text tells us that, "The bathing machines are under the care of the attentive Smoaker. The number of beautiful women who every morning court the embraces of the watery god, far exceeds that of any other bathing place in the kingdom.". Bathing Machines (An Excursion to Brighthelmstone). An Excursion to Brighthelmstone. Drawn and etched by Thomas Rowlandson (British, London 1757-1827 London). June 1, 1790. Etching. G. G. J. & J. Robinson (London). Prints

Dance prints from L'Illustration, created between 1847 and 1857, feature various choreographic works and ballet performances from 19th century France. The collection includes 77 black-and-white wood engravings, showcasing notable ballet figures and their performances. Each print measures up to full sheet size of 37 x 27 cm or smaller

Copper engraving and etching around 1800 depicting John Hill Fischer and his wife at Fels, showing portrait-like representation of the couple.

Etching by Christian Haldenwang from 1794 depicting a parade scene with the St. Maurice bridge in the Valais region.

Peter P. Benazech, 1767-1794, The Storm, 1779.

Print made by John Bell, 1811-1895, British, The City of the Pestilence, between 1826 and 1852. Etching on medium, slightly textured, beige wove paper with cream chine collé.

Sun-set at Sea after a Storm, Frederick Christian Lewis the Elder, 1779-1856, British, after Francis Danby, 1793-1861, Irish, 1826, Mezzotint, Sheet: 7 1/2 x 12in. (19.1 x 30.5cm)

Etching and copper engraving by Pieter Bruegel the Elder from 1555-1556 depicting a view of Tivoli, showing landscape, architecture, and natural elements with detailed composition.

The foam pulling the cord. .

Antiqvvs circi martial cvm monvm adiacentia prospectvs ad Viam Appiam , Cities & towns, Sculpture, Tombs & sepulchral monuments, Fantastic architecture, Conjectural works. The Antonio Cardinal Tosti Collection

The Deluge, Engraved by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, between 1813 and 1823, Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper, Sheet: 14 × 18 inches (35.6 × 45.7 cm), Plate: 8 7/8 × 11 7/8 inches (22.5 × 30.2 cm), and Image: 7 7/8 × 11 inches (20 × 27.9 cm), bird, deluge, drowning, literary theme, men, Old Testament, rain, religious and mythological subject, rocks (landforms), suffering, swelling, trees, water, women

Bally-Burgh Ness, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1836-1837, Line engraving

SolicitudoRustica. Etcher: Johannes van Doetecum, the Elder, Dutch, active 1554-ca. 1600Etcher: Lucas van Doetecum, Dutch, died before 1584 After: Pieter Brueghel the Elder, Flemish, ca. 1525-1569 Publisher: Hieronymus Cock, Flemish, ca. 1510-1570

Two sailing ships lifted by the waves during a storm, Johann Wilhelm Baur, in or after 1809 print print maker: Viennapublisher: Augsburg paper etching storm at sea. sailing-ship, sailing-boat

Flood in Erichem, 1809, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1809 print Flood of the village of Erichem during the flood of January 1809. Houses, people and cattle are dragged with the water. print maker: Netherlandsafter drawing by: Erichem paper etching / engraving Dike-Break Erichem

Robert Wallis, 1794-1878, British, Stone Henge, Wiltshire, 1829. Line engraving and etching, 1st state on moderately thick, slightly textured, cream, wove paper, with cream, chine colle.

Jonasz. Plersch, Jan Bogumił (1732-1817), draughtsman, cartoonist

Landscape with mill on Terp on Water, Albertus Brondgeest, c. 1796 - c. 1849 print Landscape with a wooden mill on a terp on the water. On a stone wall is the weapon of the city of Amsterdam. Two fishermen are on the bank with rods. Netherlands paper etching water course. windmill in landscape

It takes the earth. The old world will come. The cities burn and flood, and the zodiac goes up in flames.

Schiller, Frederick von.

Campi Flegrei, 1624 - 1650 The Campi Flegrei (burning fields) or Flegreean fields, north of Naples. The Solatara volcano or forum Vulcani is part of this. In the foreground men and horses. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Flegreeism fields. Solfatara The Campi Flegrei (burning fields) or Flegreean fields, north of Naples. The Solatara volcano or forum Vulcani is part of this. In the foreground men and horses. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Flegreeism fields. Solfatara

In Borrowdale, Cumberland. Draughtsman: Joshua Cristall (mentioned on object). Dating: 1805. Measurements: h 124 mm × w 207 mm. Museum: Rijksmuseum, Amsterdam.

A stormy sea scene depicting animals and Noah's Ark, drawn in brown ink with gray wash by Albert Flamen.

JACOB'S DREAM, BY REMBRANDT

Triomf van amphitrite, Etienne Fessard, After Edme Bouchardon, 1739 print Paris paper etching / engraving triumph of Amphitrite

David offers his sword in loyalty to Saul King of Israel, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (18321883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.

Mutilation of the bodies of the de Witt brothers, 1672. Draughtsman: Romeyn de Hooghe. Dating: 1672. Place: Northern Netherlands. Measurements: h 398 mm × w 292 mm. Museum: Rijksmuseum, Amsterdam.

The Interment of Jesus. Antonio Piccinni (Italian, 1846-1920); after Domenico Morelli (Italian, 1826-1901). Date: 1878. Dimensions: 360 x 243 mm (plate). Etching in black on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Gustave Doré, The Legend of the Wandering Jew, 10: On thro' the storm he speeds..., 1856, wood engraving on wove paper.

Luigi Sabatelli I, Daniel's Vision, 1809 Daniel's Vision

. Print at the top right labeled: fol. 14.

The Weary Plowman, begun 1858. Samuel Palmer (British, 1805-1881). Etching;

Marskramers for a house, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print France paper etching pads

Bridge over a waterfall at Mühlethal; Chute de la Tritt; Vues Remarquables des Montagnes de la Suisse. View of the waterfall in the Mühletal in Switzerland. A wooden bridge over the gorge. In the foreground a rainbow and on the shore a man drawing. Under the presentation text and a coat of arms.

Catwater, Plymouth, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Engraver's proof

Robert Wallis, 1794-1878, British, Sinai's Thunder (Vignette), 1837. Line engraving.

Théophile Alexandre Steinlen, Thunder Storm (Temps d'orage) Thunder Storm (Temps d'orage)

Three Hunters and Two Dogs near a Pool. Dated: 1609. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Aegidius Sadeler II after Roelandt Savery.

Downfall of Pompeii, c. 1797 - c. 1817 print A burning Doric Collonade with a large group of people and prancing horses. Is part of the 'Antiquités de la Grèce' series. Downfall of Pompeii on August 24, 79 AD. whole: Paper etching eruption (of volcano) Pompeii

L'Eclair (Lightning). Dated: 1868. Dimensions: plate: 21.7 x 14.5 cm (8 9/16 x 5 11/16 in.) page size: 35.5 x 25.5 cm (14 x 10 1/16 in.). Medium: etching in black on laid paper (facing _L'Eclair_ by Paul Meurice). Museum: National Gallery of Art, Washington DC. Author: VICTOR HUGO.

Villa Borghese gardens after the revolution, Rome. Italy, Europe. Old 19th century engraved illustration from Trip to Rome by Francis Wey, Le Tour du Monde 1870

Henri Fantin Latour, Siegfried and the Rhine Maidens Siegfried and the Rhine Maidens

Guillot, prend un morceau de bois sur la membrure: scène IX. Duclos, Antoine Jean, 1742-1795. Prints. 1770. Spencer Collection. Duni, Egidio, 1708-1775. Deux chasseurs et la laitière , Illustrations, Operas , Characters, Operas & operettas, Falls (Accidents), Ruins , Disasters

Stage Design, Caves, Pen and brown ink, brush and wash, ruled border in graphite on white wove paper, laid down on white laid paper, Horizontal rectangle. Caves with several stories connected by staircases., Italy, early 19th century, theater, Drawing, Drawing

1. et 2.Bataille de Sédymann.. Denon, Vivant, 1747-1825. Denon, Vivant, 1747-1825. Prints, Illustrations. 1829. Rare Book Division. Egypt , Description and travel, Campaigns & battles

A young maid feeding turkeys in the yard. Etching by G. Scotin after H. Gravelot.

The Turfschip is being overtaken Breda Het Kasteel, 1590, 1782 - 1785 print The peat ship will be overtaken in Breda the castle, March 4, 1590. The barrier is pulled out of the water and the bridge is collected. Northern Netherlands paper etching Breda

The Siege of a Fortress. Artist: Carlo Antonio Buffagnotti (Italian, Bologna 1660-after 1710 Ferrara). Dimensions: 9 5/8 x 8 1/16 in. (24.5 x 20.5 cm). Date: ca. 1680-1715. Museum: Metropolitan Museum of Art, New York, USA.

Netherlands, Ver Huell, Alexander, Craeyvanger, Reinier, The Flood Disaster of 1855. Sketched in 24 illustrations, drawn and etched from nature by members of the Society Arti et Amicitiae, Ice Crawling in Front of the Sabelspoort in Arnhem, 6 March, Ice Crawling at the Sabelspoort in Arnhem, 1855, verso - stamped, 6 March 1855. Part of the series of 24 prints about the flood of March 1855, by members of the Society Arti et Amicitiae. Publication for the benefit of the victims of the flood., print, prent, prints, Frederik Muller Historieplaten, height 300 mm, width 422 mm, Dutch, 1812-02-29 - 1880-01-10, print maker, printmaker, 1855 - 1855, paper, papier, etching, etchings, 1822 - 1897-05-28, intermediary draughtsman

Gustave Doré (1832-1883), designer and HélioDore Pisan (1822-1890), engraver. "Le Chastel du Bonhomme Bruyn." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101780-8 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

News. / 255 // A landscape in 1870. / 70

Michel Strogoff au Théâtre du Chatelet, 1880, Les Bois du Monde illustré, Volume XX (plate 747), wood engraving, Auguste Lepère (artist) French, 1849 - 1918, Daniel Vierge (artist after) Spanish, 1851 - 1904

Inverness, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Etching and engraving, engraver's proof

'To Verdun'. Lithographer/Illustrator: Claude A Shepperson (d. 1921). Refers to World War I, Battle of Verdun, France, 1916

Letter A and a seascape with a setting sun and allegorical objects, Emil Ost, After Charles Rochussen, 1856 - 1926 print Belgium paper fancy letters. sea (seascape). sunset

Wandering at Castel SantAngelo, c. 1781 - c. 1785 print View of the Engelenburcht with above it a magisterial fireworks that illuminate the entire area. A large mass of people watches the banks of the Tiber River and on the Engelen Bridge. Title and caption in STUDMARGE. paper etching bonfire, fire-works Engelenburcht. Angel Bridge. Tiber

Windmills at Montmartre. Date: February-June 1886, Paris. Dimensions: 10.9 cm x 19.8 cm. Museum: Van Gogh Museum, Amsterdam.

Charles François Daubigny, Cabin Boy Fishing (Le Mousse a la peche), 1862 Cabin Boy Fishing (Le Mousse a la peche)

Isaiah sees Babylon destroyed in a dream, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (18321883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful

Henry Wolf, Northeaster, 1910, wood engraving on white wove paper.

A Resting Place of Prisoners Vasily Vereshchagin (Russian, 1842-1904). A Resting Place of Prisoners, 1878-1879. Oil on canvas, 71 7/8 x 119 1/8 x 2 1/4 in. (182.6 x 302.6 x 5.7 cm). Vasily Vereshchagins two monumental paintings depicting wartime violence stem from the artists own experience as a volunteer correspondent and combatant during the Russo-Turkish War in 1877-78. In A Resting Place for Prisoners, a snowstorm beats down on Turkish prisoners who are monitored by Russian soldiers wielding lances while a horse and carriage are buried under the snow in the foreground. The Road of the War Prisoners depicts bloodied, frozen prisoners in the storms aftermath. Crows perch atop the telegraph wires and pick at the lifeless prisoners strewn across the road. Openly antiwar in its biting realism and unflinching portrayal of death, The Road of the War Prisoners was rejected for the czars collection. In 1891, Vereshchagin sold both canvases to New York collectors still haunted by the ho

Enceladus onder de Etna, Bernard Picart (workshop of), after Bernard Picart, 1731 print The Gigant Enceladus is buried under Mount Etna. In the air, Jupiter flies on his eagle, in his hand the lightning bolt with which he killed the giant. In the margin the title in French, English, German and Dutch. The performance is decorated with an ornamental edge. Amsterdam paper etching / engraving single named Giants. the Giants, Gigantes (with serpents for feet), and their battle against the gods (+ variant). scrollwork, strapwork ~ ornament

Landscape with ruins and fantasy architecture and a burning city; Landscapes with ruins and fantasy architecture and figures in antique and exotic pregnancy. Landscape with ruins and fantasy architecture with a burning city (presumably troy) in the background. Print from a series of landscapes with ruins and fantasy architecture.

Buys, Jacobus, Northern Netherlands, Bogerts, Cornelis, Vinkeles, Reinier (I), The blowing up of the grave of Capellen, Blowing up the burial place of the Van der Capellen family, 1788, verso - stamped, The blowing up with gunpowder of the family grave of the Van der Capellen family in the Gorsselse Veld near Zutphen, August 7, 1788. Marked top right: XXI.D.Pl.IX., print, prent, prints, Frederik Muller Historieplaten, height 126 mm, width 100 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1788 - 1795, paper, papier, etching, etchings, engraving, engraving (printing process), 1745 - 1817-02-03, 1724-11-19 - 1801-04-07, intermediary draughtsman

School pons and a ray. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 450 mm × w 380 mm. Museum: Rijksmuseum, Amsterdam.

Paul and Virginie ", volume I page 161: Nafe of Virginie de Bernardin de Saint-Pierre (1737-1814). Illustration of B. Roger after Pierre-Paul Prud'hon (1758-1823). Museum of Fine Arts from the city of Paris, Petit Palais. 33899-4 Child, illustration, sea, shipwreck, ship, literary work, temperature, engraving

Fire in the fairground stalls on the Buitenhof in The Hague, 1758, 1758 print Fire in the fairground stalls on the Buitenhof in The Hague, 9 May 1758. In the background the Stadhouderlijk Kwartier and three Masts with decorated initials. In the foreground, people try to save goods in panic. Amsterdam paper etching / engraving pleasure fair and circus. (annual) fair, trade fair Buitenhof

Coytesville on the Hudson. Artist: George Overbury "Pop" Hart (American, Cairo, Illinois 1868-1933 New York). Dimensions: Plate: 7 5/8 × 11 15/16 in. (19.4 × 30.3 cm)Sheet: 10 1/4 × 14 1/8 in. (26 × 35.9 cm). Date: 1925. Museum: Metropolitan Museum of Art, New York, USA.

Blowing up the ship bridge in the Scheldt, 1585, 1730 print Blowing up with burners from the Schipbrug laid out by the Duke of Parma in the Scheldt before Antwerp, in the night of 4 to 5 April 1585. In the caption the title and the legend 1-5 in Dutch. Amsterdam paper etching / engraving pontoon bridge Antwerp. Scales

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