Historic Landscape Prints

A collection of etchings and engravings depicting idyllic landscapes, featuring figures such as shepherds and travelers amidst hilly scenery and rivers.

Genoels, Abraham, Antwerp, Arcadian landscapes, Road through a rock, verso center bottom - stamped, Mountainous landscape with a lake. On the left a road that ends in a tunnel through a rock. In the background a classical temple. The print is part of a series of six Arcadian landscapes., print, prent, prints, prenten, height 136 mm, width 195 mm, 1640 - 1723-05-10, print maker, prentmaker, 1650 - 1723, paper, papier, etching, etsen, Work conception

Landscape with a man walking on a winding path next to a woman with a child sitting on a donkey, in the background a shepherd with flock and a view of a town along a river. Sixth print in the series six, Flight into Egypt Landscapes with Shepherds (series title), print maker: Adriaen van der Kabel, (mentioned on object), Adriaen van der Kabel, (mentioned on object), Lodewijk XIV (koning van Frankrijk), (mentioned on object), France, (possibly), 1648 - 1705, paper, etching, h 152 mm × w 222 mm

Abraham andIsaac. Artist: Unknown

Mercury with the head of Argus in his hand, from Landscapes with biblical and mythological scenes., 1558, Flanders, by Hieronymus Cock, Matthijs Cock. Gift of Bishop Monrad, 1869.

Landscape with Ruggiero that frees Angelica, Cornelis Cort, After Titian, 1565 print Landscape with the Ridder Ruggiero that frees Angelica. Ruggiero drives on a hippog company. A dragon monitors the beautiful Angelica. Scene from the epic poem 'Orlando Furioso' (1516) by Ludovico Ariosto. paper engraving Angelica. Ruggiero. (scenes from) specific works of literature: Ariosto, Orlando Furioso

Antwerpen, Jode, Gerard de, Snellinck, Jan (I), Wierix, Antonie (II), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Samson, Samson kills the lion, Antwerp, Samson kills the lion with his bare hands, by pulling apart the jaws of the animal. In the background a hilly landscape. Below the representation a reference in Latin to the Bible text in Ri. 14. This print is part of an album., print, album page, prints, height 213 mm, width 289 mm, South Netherlands, 1559 - 1604-03, print maker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Landscape with bridge traversing a river occupied with three small boats, one of which is encroaching the near river bank, in the foreground are a rocky outcrop and a figure lifting a circular dish above a seated figure ca. 1626-80 Giovanni Francesco Grimaldi Italian. Landscape with bridge traversing a river occupied with three small boats, one of which is encroaching the near river bank, in the foreground are a rocky outcrop and a figure lifting a circular dish above a seated figure 397704

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Wierix, Antonie (II), Den Grooten Figuer-Bibel, Geschiedenis van Simson, De Historie van Samson, Simson draag de poorten van Gaza, lower right - handwritten in brown ink, Simson carries the gates of the city of Gaza on his shoulders. In the background the city of Gaza. Below the image a reference in Latin to the Bible text in Judg. 16:3. This print is part of an album., print, album sheet, prints, 126, height 218 mm, width 296 mm, Southern Netherlands, 1559 - 1604-03, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), 1544 - 1638-10-01, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Amsterdam, Esveldt Holtrop, Jan Steven van, Mirror of nature and school of drawing, Arcadian landscapes, Rocky river landscape, Numbered bottom right: 4. The print is part of an album., print, prent, albumblad, prints, prenten, height 126 mm, width 160 mm, print maker, prentmaker, 1701 - 1701, paper, papier, etching, etchings, Publication (Event), Publicatie, 1777 - 1833-11-20, publisher, uitgever, 1787 - 1833

Genoels, Abraham, Antwerp, Arcadian landscapes, Road through a rock, verso center bottom - stamped, Mountainous landscape with a lake. On the left a road that ends in a tunnel through a rock. In the background a classical temple. The print is part of a series of six Arcadian landscapes., print, prent, prints, prenten, height 136 mm, width 195 mm, 1640 - 1723-05-10, print maker, prentmaker, 1650 - 1723, paper, papier, etching, etsen, Work conception

Ruin of a tower; Roman ruins (series 2). In a landscape, on the right lies a covered ruin with a tower and a staircase. In the foreground two shepherds with their cattle. Print from a series of Roman ruins, consisting of copies to a pictures of Willem van Nieulandt.

River landscape with horsemen, anonymous, After Domenico Campagnola, After Titian, c. 1600 - c. 1699 print River landscape with buildings on the waterfront. On the right three riders on horseback. Fishermen in rowing boats on the river. Title in Latin in STUDMARGE. Numbered below: 1 (with pen in brown turned into a 2). paper etching landscapes. city-view, and landscape with man-made constructions. river. riding a horse, ass, or mule; rider, horseman

The Cottages at the Bank Allart van Everdingen Dutch. The Cottages at the Bank 427737

Euntes in Emaus (Landscape with Pilgrims at Emmaus) ca. 1555-56 After Pieter Bruegel the Elder Netherlandish. Euntes in Emaus (Landscape with Pilgrims at Emmaus) 362227

Landscape with couple with a hurdy -gurdy, Domenico Campagnola, c. 1540 print A mountainous landscape with in the foreground a woman and a man with a hurdy -gurdy. Italy paper hurdy-gurdy player. couple of lovers. landscapes

The draw for the goose, print maker: Hans Bol, c. 1550 - c. 1593

Rabbit hunting; Landscapes with biblical, mythological scenes and yacht scenes. Hilland landscape with rabbit hunting. In the foreground some hunters who shoot rabbits with a crossbow. The print has an ornamental list of flowers, fish and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

In an Italian coastal landscape, the Good Samaritan takes care of the injured traveller. Next to them stands the donkey of the Samaritan. To the Bible story from Luc. 10: 25-37., Landscape with the Good Samaritan, print maker: Willem van Nieulandt (II), (mentioned on object), Paul Bril, (mentioned on object), publisher: Antoine Bonenfant, (mentioned on object), Antwerp, 1594 - 1635, paper, etching, engraving, h 233 mm × w 313 mm

River landscape with love couple and a Sater. Two naked lovers are together in a river landscape. Behind a tree is a Sater who is a love couple to talk. In the river two fishing men and a water mill. Left is the love couple with a dog. On the right is a city.

Landscape with the Merciful Samaritan, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print In an Italian coastal landscape, the Merciful Samaritan provides the wounded traveler. Next to them is the donkey of the Samaritan. To the Bible story from Luc. 10: 25-37. Antwerp paper etching / engraving a Samaritan tending the wounds of the traveller. landscapes in the temperate zone

. A boat lies in a bay, from which shipload is loaded. On the left a fishing boat. On the right is a ruin on a rock. Print from a series of Italian landscapes.

Sadeler, Aegidius, Bril, Paul, Praag, The twelve months in six Italian landscapes, November and December, verso lower left - stamped, Italian landscape with the activities of the months November (left) and December (right). On the left trees are being pruned, the branches are being gathered and transported by donkey. In the foreground a herd of pigs. On the right shepherds with a herd of goats. In the background the slaughter of a pig in a clearing in the village. In the sky the signs of the zodiac: Sagittarius (left) and Capricornus (right. Bottom left: NOVEMBER, right: DECEMBER., print, engraving, prints, engravings, the branches are being gathered and transported by donkey. In the foreground a herd of pigs eating the nuts that fall from the trees. On the right shepherds with a herd of goats. In the background the slaughtering of a pig in an open space in the village. In the sky the signs of the zodiac: Sagittarius and Capricorn., height 365 mm, width 489 mm, Zuid-Nederlands, 1570 -

Landscape with farm and tobias and the angel; Faces in the countryside.

Landscape with pedestrian and castle, Adriaen van der Kabel, 1648 - 1705 print Landscape with two people sitting in the foreground along a path on which looking at a woman with a basket on the head. In the background a castle on the water. Third print from the series of six. France (possibly) paper etching landscapes

Etching by Hans Lautensack from the mid-16th century depicting the angel comforting Hagar, showing biblical figures and a narrative scene.

Landscape with onshore fisherman and male onlooker under trees, a man in a boat bows his head ca. 1620-50 Remigio Cantagallina Italian. Landscape with onshore fisherman and male onlooker under trees, a man in a boat bows his head 397516

Hieronymus Cock, Sacrifice of Abraham, 1551 Sacrifice of Abraham

October: Ploegen (Scorpio), Antonio Tempesta, 1599 print Imagination of human activity in the month of October. Landscape with farmers sowing and plowing. In the middle of the symbol for the constellation Scorpio. Italian fresh and title in the lower margin. print maker: Italypublisher: RomeItaly paper etching the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'. Scorpio (zodiacal sign of October). ploughing. sowing. farmers

Farm on a path and vista over fields, anonymous, after Esaias van de Velde, 1614 print paper etching farm or solitary house in landscape

Nieulandt, Willem van (II), Roman ruins (series 1), Ruin of a tower, verso - stamped, In a landscape on the left is an overgrown ruin with a tower and a staircase. In the foreground two shepherds with their cattle. Print from a series of Roman ruins., print, prent, prints, height 106 mm, width 130 mm, Noord-Nederlands, 1584 - 1635, print maker, printmaker, 1594 - 1618, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, North Netherlands, publisher

Landscape with the Baptism of Christ. Giovanni Francesco Grimaldi (Italy, Bologna, 1606-1680). Italy, 1630-1689. Prints; etchings. Etching

Pulling around the goose, ca. 1600, Hans Bol, 1575 - c. 1597 print Pulling around the goose, ca. 1600. Folk entertainment in a village on a river. A boat rows under a line that hangs a goose; A boy tries to pull off the goose on the boat. On the banks on the left and right many spectators. paper etching 'pull-the-goose'

The Market at Dolo, from the series Vedute(Views). Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768

Landscape with riders, Leonard Gaultier, 1624 print print maker: Francepublisher: Paris paper engraving / etching landscape with tower or castle. riding a horse, ass, or mule; rider, horseman

In the foreground a letter carrier on horseback watches a storm at sea. A ship is wrecked in the raging waves. The print has a Dutch caption with explanation, Storm at sea Postcard (series title), print maker: Joost van Geel, Joost van Geel, publisher: Jacob Quack, (possibly), Rotterdam, in or after 1666, paper, etching, engraving, h 148 mm × w 290 mm

Bril, Paul, Nieulandt, Willem van (II), Italian landscape with Tobias and the angel, recto lower left - handwritten, In an Italian landscape with overgrown ruins, Tobias and the angel are on their way. Tobias' dog walks in front of them. Various figures and shepherds with their sheep walk in the landscape. On the other side of a river lies a city., print, engraving, prints, verso - stamped, 10, recto lower right - handwritten, Tobias 5: 24, height 235 mm, width 316 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, etching, etchings, engraving (printing process), Work conception, 1554 - 1626-10-07

Landscape with the flight to Egypt. Print from a series of twenty-two Venetian landscapes to Titian, du perac et al.

Euntes in Emaus (The Pilgrims to Emmaus), c. 1555/1557, Large Landscapes (New Holl. 10-21), etching and engraving, sheet (trimmed to plate mark): 32.4 x 42.7 cm (12 3/4 x 16 13/16 in.), New Hollstein, no. 18, State only, Lucas van Doetechum (artist) Netherlandish, active 1554-1572; died before 1589, Johannes van Doetechum the Elder (artist) Netherlandish, 1528/1532 - 1605, Pieter Bruegel the Elder (artist after) Netherlandish, c. 1525/1530 - 1569, Hieronymus Cock (publisher) Netherlandish, 1518 - 1570

China, Shen Yu, Ripa, Matteo, View of a part of the Imperial Summer Palace at Chengde (Jehol) in China, verso - stamped, View of a part of the Imperial Summer Palace, in a landscape with a river or lake, at Chengde (Jehol) in China. On the left, a large overhanging rock overhangs a pavilion on a platform on the water. In the 18th century, the emperors of the early Qing Dynasty built a mountain retreat surrounded by walls. It was provided with parks with lakes, pagodas and palaces. Title in Chinese top right., print, prints, GW, height 325 mm, width 356 mm, Italian, 1682 - 1746-03-29, print maker, printmaker, 1712 - 1714, China paper, Chinese paper, engraving, engraving (printing process), Work conception, Chinese, 1649 - 1728

Several ships in a bay, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print A boat is moored in a bay, from which ship load is loaded. On the left a fishing boat. On the right is a ruin on a rock. Print from a series of Italian landscapes. paper etching gulf, bay. merchant shipping, shipping trade. landscape with ruins

Franz Joseph Manskirch, Horse and Cart in Quarry, 1806 Horse and Cart in Quarry

Landscape with Huis, Cornelis van Kittensteyn (attributed to), after Pieter de Molijn, 1623 - 1652 print Landscape with a house on a hill on the far left. Two countrymen arrive on the right. This print is part of a series of four prints of landscapes with landmen in the main or supporting role. paper etching landscapes in the temperate zone. farm or solitary house in landscape

Rome, Bril, Paul, Landscape with ruins and walker, verso lower left - stamped, Hilly landscape with a castle and some houses on the right in the background. On the left a wooden crucifix. In the foreground on the right a walker on a wooden bridge., print, prints, verso lower right - stamped, JU, NG, height 180 mm, width 235 mm, 1554 - 1626-10-07, print maker, printmaker, 1598 - 1602, fourth quarter 16th century, first quarter 17th century, paper, etching, etchings

Enrico Campagnola. "The musician shepherds (B 9)", etching. Museum of Fine Arts of the City of Paris, Petit Palais. 26997-5 Shepherd, countryside, etching, musician, landscape, river, village

Forest landscape with bear hunting. In the foreground, two bears are being ambushed by dogs and stabbed by hunters. The print has an ornamental frame with flowers and animals. It is part of a twenty-four-volume series of landscapes with Biblical, mythological scenes and hunting scenes., Bear Hunting Landscapes with Biblical, Mythological Scenes and Hunting Scenes (series title), print maker: Adriaen Collaert, (mentioned on object), Hans Bol, (mentioned on object), publisher: Eduwart van Hoeswinckel, (mentioned on object), Antwerp, 1582 - 1586, paper, engraving, h 142 mm × w 208 mm

Harbor and Fishermen ca. 1760 Joseph Vernet. Harbor and Fishermen. Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1760. Etching. Prints

Antwerp, Cock, Hieronymus, Bruegel, Pieter (I), Doetechum, Johannes or Lucas van, Large landscapes, Solicitudo Rustica, Landscape with resting mowers, verso - stamped, Landscape with rivers and mountains in the background. On the right in the foreground two resting mowers under a tree., print, prent, prints, height 324 mm, width 429 mm, print maker, printmaker, 1553 - 1558, paper, papier, etching, engraving, engraving (printing process), Southern Netherlands, 1525 - 1569-09-05, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Tobias en de engel, Hieronymus Cock, after Matthys Cock, 1558 print River landscape, a port city in the distance. On a path, Tobias meets a man who will guide him on his journey to Medië. The man turns out to be the archangel Rafaël. Print from a series of 13 landscapes with biblical and mythological scenes. Antwerp paper etching the meeting of Tobias and the angel Raphael

Saint Jerome in the Wilderness with Fighting Lion and Bear. Domenico Campagnola (Italy, Venice, circa 1500-1564). Italy, 1530-1535. Prints; woodcuts. Woodcut

Etching by Hans Lautensack from the mid-16th century depicting an angel confronting Bileam, showing biblical figures and dynamic interaction.

September: Making wine (Libra), Antonio Tempesta, 1575 - 1613 print Landscape that depicts the month of September. Landscape with a spinning woman and men who make wine by pressing grapes with their feet. At the top right the symbol for the constellation Libra. paper etching Libra (zodiacal sign of September). landscape symbolizing September. wine production. spindle

Rocky landscape with the burning cities of Sodom and Gomorrah in the background. In the foreground the flight of Lot and his family. His wife has been turned into a pillar of salt. In the foreground on the right Lot with his daughters, who are getting him drunk. The print has an ornamental frame with flowers and animals. It is part of a twenty-four-part series of landscapes with Biblical, mythological and hunting scenes., Lot and His Daughters Landscapes with Biblical, Mythological and Hunting Scenes (series title), print maker: Adriaen Collaert, (mentioned on object), Hans Bol, (mentioned on object), publisher: Eduwart van Hoeswinckel, (mentioned on object), Antwerp, 1582 - 1586, paper, engraving, h 141 mm × w 208 mm

Landscape with a cart on a road in foreground, a village with a wind-mill in middle ground, a city on river-bank in background. Doetecum, Lucas van (-1584/1589), graphic artist, Doetecum, Joannes van I (1528/1532-1605), graphic artist, Bol, Hans (1534-1593), draughtsman, cartoonist, Cock, Hieronymus (ca 1510-1570), publisher

Landscape with a Double Spruce in the Foreground. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 4 5/16 x 6 5/16 in. (11 x 16 cm). Date: ca. 1521-22.Altdorfer was a prolific printmaker, but he produced only nine landscape etchings, which date from about 1518 to 1522. These luminous images, lacking any traditional historical or religious narratives, were the first to celebrate landscape as the primary subject matter. This sheet shows an expansive Alpine vista with large mountains, nestled villages, and a river that winds its way beyond the two sprices that command the foreground. This etching was probably produced for a small market of connoisseurs with a taste for intimate and unusual subjects. The sheet demonstrates remarkable spontaneity and a freedom of draftsmanship that echoes that of the artist's numerous landscape drawings. Altdorfer's revolutionary landscapes galvanized a group of artists later known as the Danube School. Museum: Me

View of a coast with a keep or lighthouse, Paul Bril, 1564 - 1626, draughtsman: Paul Bril, 1564 - 1626, paper, pen, brush, h 192 mm × w 265 mm

Mercury and Argus; Landscapes with biblical and mythological scenes. Landscape with castle. Argus rests on a stone while his cows are grazing in the area. Mercury plays on his shepherd flute, the music Sust the Shepherd Argus asleep. Later Mercury would kill Argus to free the beloved from Jupiter in a cow, io. Print from a series of 13 landscapes with biblical and mythological scenes.

Germany, Tscherning, Johann, Velde, Jan van de (II), The twelve months, with village views, copies, Ivlivs, July, verso - stamped, Landscape with resting farmers on a country road near a village: Kleppel Mans beurt near Rotterdam, representing the month of July. On the right a hay barge on the water. At the top the zodiac sign belonging to this month: Taurus. Seventh print from a series of twelve., print, prints, verso lower left - stamped, height 94 mm, width 127 mm, Work conception, Northern Netherlands, 1593 - 1641-11-04, after print by, 1684 - 1729, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, German, publisher

June, Giles Sadeler (2), after Pieter Stevens (1), after Pieter Stevens (2), 1624 - c. 1650 print June is the shaving month. Sheep are shaved in the foreground. On the left a river in which wood is transported on a raft. Hilly landscape with church in the middle. In the air the zodiac sign lobster. The print has a Latin caption. print maker: Praagpublisher: Venice paper engraving June and its 'labours' (+ with zodiacal signs). timber floating down the river. shearing (sheep)

Nieulandt, Willem van (II), Roman ruins and coastal landscapes (series 2), Roman ruin, recto center top outside the plate edge - handwritten, On the right a ruin in a landscape, on the left three figures on a road. The print is part of a series of Roman ruins and coastal landscapes after prints by Willem van Nieulandt. This series is a copy of the series that Claes Jansz Visscher made after Van Nieulandt., print, prent, prints, verso - stamped, 29, height 100 mm, width 156 mm, Northern Netherlands, 1584 - 1635, intermediary draughtsman, after a drawing by, 1594 - 1685, paper, etching, etchings, print maker, printmaker

Antwerpen, Jode, Gerard de, Snellinck, Jan (I), Wierix, Antonie (II), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Samson, Samson sets fire to the Philistines' cornfields, Antwerp, Samson sets fire to the Philistines' cornfields by tying foxes two by two by their tails and hanging a burning torch between them. Samson sends the foxes into the cornfield. Below the image is a reference in Latin to the Bible text in Judg. 15. This print is part of an album., print, album leaf, prints, height 214 mm, width 293 mm, South Netherlands, 1559 - 1604-03, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, 1544 - 1638-10-01, after design of, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

July and August. Dated: 1615. Dimensions: plate: 37.6 x 50.2 cm (14 13/16 x 19 3/4 in.) sheet: 39.7 x 52.4 cm (15 5/8 x 20 5/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Aegidius Sadeler II after Paul Bril.

Brueghel d. Ä. Pieter, Holy Hieronimus in the Desert (1553): S. Hieronymus in Deserto, from the series of the three large landscape pictures. Pressure on paper, 32.9 x 43.1 cm (including scan edges) Brueghel d. Ä. Pieter : Heiliger Hieronimus in der Wüste

Nieulandt, Willem van (II), Roman ruins (series 1), Ruin with arches and a tower at the water, verso - stamped, A ruin with arches and a tower at the water. On the right a man with a parasol on a donkey and a walker. On the left in the foreground two figures and goats. Print from a series of Roman ruins., print, prints, height 105 mm, width 126 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1618, paper, papier, etching, etchings, Publication (Event), Publication, Noord-Nederlands, publisher

French crown, Rome, Swanevelt, Herman van, Title page and twelve views of Rome, Ruins on the Palatine, verso lower left - stamped, Some walkers can be seen in front of the ruins on the Palatine. A ruin contains the remains of a round tower., print, prints, height 90 mm, width 145 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1629 - 1655, paper, etching, etchings, Work conception, after own design by, granter of privilege

The Horseman on the Stone Bridge Allart van Everdingen Dutch. The Horseman on the Stone Bridge 427722

The Prophet Elijah Receiving Bread from the Raven in a Landscape with Mountains and a River. Savery, Roelant, 1576-1639. 1620 - 1630. Passe, Magdalena van de, 1600-ca. 1638. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Round frame city view with summer scenes.June is the shaving month. The central theme is the washing and shearing of the sheep and the sorting of their wool. At the top center is the constellation Cancer. The print is part of a twelve-part series on the twelve months, June Jvnivs The twelve months (series title), print maker: Adriaen Collaert, Hans Bol, publisher: Claes Jansz. Visscher (II), print maker: Antwerp, Antwerp, publisher: Amsterdam, 1578 - 1582, paper, engraving, h 143 mm × w 145 mm

Jan Wellens de Cock (Netherlandish, c. 1480 - c. 1527), The Temptation of Saint Anthony, 1522, woodcut

In view of me (Bartsch 14) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. Sea view (Bartsch 14). Water-strong on paper, 1645-1675.

Set and Enos, Johann Sadeler (I), After Maerten de Vos, 1586 print Set and his son Enos collect his trees and gathering wood. On the left, the woman from Set prepares the food while the rest of the family takes care of the animals. The print has a Latin caption. paper engraving story of Seth. story of Enos. woodgathering, woodgatherer. woodcutting, woodcutter ~ forestry

View of City with Fishing Boat in Foreground 1500-1699 Flanders. Pen and brown ink and brush and gray wash, over graphite, on ivory laid paper, laid down on ivory laid paper . Paul Bril

Ruin of a temple surrounded by Zuilen, Willem van Nieulandt (II), 1594 - 1618 print A ruin of a temple surrounded by Zuilen in a landscape. In the foreground two figures. Print from a series of Roman ruins. paper etching landscape with ruins

Alexandria lighthouse; Pharos; The eight world wonders. The lighthouse of the city of Alexandria. Insofarly known the first lighthouse ever built. This was commissioned by the first Hellenistic king of Egypt Ptolemae II. The tower became between 297 and 283 BC. Built and has done almost 1500 years for successively the Greeks, Romans, Byzantines and Arabs. He stood on the island of Pharos in the Mediterranean, just outside the port of the Egyptian Alexandria. In the foreground right Ptolemae II and the architect of the lighthouse, Sostratus of Knidos. The print has a Latin caption and is part of a series about the eight wonders.

Antwerp, Collaert, Adriaen, Piscivm vivae icones, Fish, Some shellfish on the beach, verso middle bottom - stamped, A lobster, two crabs and a shrimp lie together with some shells washed up on the beach. In the background a river with some ships. The print is part of a series with fish as subject., print, prints, height 124 mm, width 190 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1598 - 1618, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Vision of the fall of Spain, approx. 1630. Vision of the demise of Spain, ca. 1630. Central representation in which the Castille Castle (Spain) by the Nordic Bok (Sweden who declares the war in 1630 to the Habsburg monarchy) is rammed And among threatens to go into a sea with geese (the water boards or Dutch), whales and the fall of the Spanish Armada (1588). All kinds of animals (sandsheet, rabbits and mice) and Roman clergy and princes that regret the fall of Spain. From heaven the words: Mene Mene Tekel Upharsim. For the central show, sixteen small scenes are labeled A-Q of the cruelty of the Spaniards in the Netherlands, Portugal and Spain and against the Indians in the New World. A text sheet belongs to the print.

Heavy wind on the coast of Malmö, 1679, Caspar Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing storm on land Malmö

Landscape with the return of the lost son, Virgilius Solis, 1524 - 1562 print Nuremberg paper the prodigal son returns home, where his father awaits him. landscapes (+ landscape with figures, staffage)

Sleeping Shepherds, Anonymous, After Valentin Lefèbvre, After Titian, 1652 - 1750 print Landscape with sleeping shepherds with their herd. There is a city in the distance. paper etching city-view, and landscape with man-made constructions. herd, flock. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. sleeping; unconsciousness - BB - out of doors

Lighthouse of Alexandria, Philips Galle, After Maarten van Heemskerck, 1646 print The lighthouse of the city of Alexandria. As far as is known, the first lighthouse ever built. This was commissioned by the first Hellenistic king of Egypt Ptolemy II. The tower became between 297 and 283 BC. Built and served for almost 1500 years for the Greeks, Romans, Byzantines and Arabs. He stood on the island of Pharos in the Mediterranean Sea, just outside the port of the Egyptian Alexandria. In the foreground on the right Ptolemy II and the architect of the lighthouse, Sostratus from Knidos. Under the show a verse in Latin. This print is part of an album. paper engraving Pharos of Alexandria (Wonder of the World). lighthouse, lightship. island (in tropical and sub-tropical regions). non-aggressive activities of Ptolemy Philadelphus

Allegory of justice, The personification of justice (Justitia) sits on a lion with a scales and a sword in her hands. Her right foot stands on a weapon with the image of two crowned fish, her left foot kicks Deception down. In the background putti fly with a strainer. To the left and right of Justice are columns connected by a rope on which putti hang various coats of arms., Justice, 'Justitia', 'Giustitia divina' (Ripa), one of the Four Cardinal Virtues, cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry, Jacob Folkema (mentioned on object), 1702 - 1767, paper, etching, h 84 mm × w 150 mm

Landscape with a Cannon 1518 Albrecht Dürer German. Landscape with a Cannon 360204

Delft, Clerck, Nicolaes de, Gheyn, Jacob de (II), Netherlands, Stock, Andries Jacobsz., Landscapes, Landscape with the Temptation of Christ, verso lower left - stamped, Mountainous landscape by a water. On the left Satan opposite Christ. On the right Christ and Satan standing on a mountain top. Below the image one line of Latin text. This print is part of a series of six (except one) numbered prints with landscapes., print, prints, height 107 mm, width 177 mm, Northern Netherlands, 1582 - 1648, print maker, printmaker, 1608 - 1612, first quarter 17th century, paper, engraving, engraving (printing process), etching, Work conception, 1565 - 1629-03-29, after a design by, Publication (Event), Publication, 1570 - 1623, publisher

Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks). Artist: Pieter Coecke van Aelst (Netherlandish, Aelst 1502-1550 Brussels). Dimensions: Sheet: 14 in. × 14 ft. 11 7/16 in. (35.5 × 455.7 cm). Publisher: Mayken Verhulst (Netherlandish, 1518-1593/96). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA. Author: Pieter Coecke van Aelst.

Antwerp, Hoeswinckel, Eduwart van, Bol, Hans, Collaert, Adriaen, Landscapes with biblical, mythological scenes and hunting scenes, Moses is found by the daughter of pharaoh, verso center bottom - stamped, Coastal landscape. In the foreground left Moses is found by the daughter of the pharaoh on the banks of the Nile. The print has an ornamental frame with flowers and animals. It is part of a twenty-four-part series of landscapes with biblical, mythological scenes and hunting scenes., print, prints, height 141 mm, width 208 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1582 - 1586, paper, engraving, engraving (printing process), Work conception, 1534 - 1593-11-20, after a design by, Publication (Event), Publication, publisher

Bril, Paul, Nieulandt, Willem van (II), Italian landscapes, Landscape with Abraham and Isaac, recto lower right - handwritten, Abraham and his son Isaac, who is carrying the wood, walk over a wooden bridge in a wooded and hilly landscape to the place of sacrifice. They have left the two servants and the donkey behind them. Print from a series of Italian landscapes., print, prints, verso - stamped, Genesis 22:4, recto lower left - handwritten, 1, height 234 mm, width 316 mm, Noord-Nederlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, etchings, brush, Borstel, Work conception, 1554 - 1626-10-07

Overtoom; The art of rendering navigable rivers, in various ways, with other new inventions, and other secrets. A Boat is pulled over an overtoom at a difference in Water Level in A River. Numbered Top Left and Top Right: 6.

Frontispiece: Fantasy of ruins with a statue of Minerva in center foreground. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, circa 1748. Prints; etchings. Etching

September, Adriaen Collaert, After Hans Bol, 1578 - 1582 print Round list of an autumn landscape and Najaart scenes. September is the fruit month. Central is the fruit harvest. Men and women pick apples from an orchard. In the middle of the constellation Libra. The print is part of a twelve -part series over the twelve months. Antwerp paper engraving picking fruit. September and its 'labours' (+ with zodiacal signs). fruit harvest

Jésus au Jardin des Oliviers (Jesus in the Garden of Olives), from La Petite Passion (The Little Passion) 1624-25 Jacques Callot French. Jésus au Jardin des Oliviers (Jesus in the Garden of Olives), from La Petite Passion (The Little Passion). La Petite Passion. Jacques Callot (French, Nancy 1592-1635 Nancy). 1624-25. Etching; first state of two (Lieure). Prints

Pyramus and Thisbe. On the right in the foreground at a fountain, the corpse of Pyramus, in beautiful clothing. Left Thisbe on her knees in despair the hands keeping heavenly. In the background on the left there is a saddled horse, with a tree.

Lot and his daughters; The disaster days of the Jewish people. Love is with one of his daughters in a cave and is making love. The second daughter sits with the head on the knees for the cave. In the background a landscape with ruins of antique buildings.

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Print at the top right numbered: 827.

Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Netherlands, Landscape with Job on the dunghill, verso lower left - stamped, In a landscape with ruins Job sits naked on a dunghill. A loincloth lies over his legs. In front of him are two friends, with whom he is arguing. Behind them is the third friend with Job's wife. In the margin is a one-line caption in Latin from Job. 1, print, prent, prints, prenten, height 210 mm, width 305 mm, print maker, prentmaker, 1556 - 1556, paper, papier, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1518 - 1570-03-10, publisher

The Parable of the Husbandman and the Vineyard, from Old and New Testaments 1549 Augustin Hirschvogel. The Parable of the Husbandman and the Vineyard, from Old and New Testaments. Augustin Hirschvogel (German, Nuremberg 1503-1553 Vienna). 1549. Etching. Prints

The Market at Dolo, from Vedute. Canaletto; Italian, 1697-1768. Date: 1735-1744. Dimensions: 140 x 209 mm (image); 146 x 212 mm (plate); 435 x 583 mm (sheet). Etching in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Bathseba receives the message from Uria; David's life.

Elia strikes his cloak for his face; Landscapes with scenes from the history of Elijah. Seascape with a ship on a wild sea and a fire raging on a hill. The sky is darkened by clouds. Left in the foreground Elijah who has become scared and flight, with his cloak he covers his face. In the margin a bible quote from 1 could. 19 in Latin.

Phaëthon drives in the solar car, Anonymous, After Philips Galle, After Hans Bol, c. 1550 - c. 1650 print Phaëthon drives his father's car De Zonnegod Helios. He loses the reins and the horses run wild. This has serious consequences for the earth. Ships suffer shipwreck, animals and people die Southern Netherlands paper etching Phaethon drives the chariot of the sun; the earth is threatened with conflagration

Landschap met de zelfmoord van Thisbe.In the background a fantasy landscape with a castle. In the foreground Thisbe, who looks through themselves with a sword when seeing Piramus. In addition to the corpse of Piramus de Leeuw that torn the mantle of thisbe. The print has a Latin caption.

Coastal landscape with sailing ship, Raphaël Sadeler (I), After Paul Bril, 1570 - 1632 print Coastal landscape with a sailing ship on the foreground that sails towards a port. unknown paper engraving / etching rocky coast (+ landscape with figures, staffage). harbour. sailing-ship, sailing-boat

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