Historic Landscape Prints

Etchings and prints illustrating landscapes and city views, featuring historical architecture and natural scenes.

Arakan: the harbour, with ships Date: circa 1700

View of Cologne, 1726; Cologne, Capitale de l'Arcévêché du Même Nom; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of Cologne, in the foreground travelers. Plate No 194 in Part VIII of the Picture: Les Forces de l'Europe, Asia, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

Differestes ofs the Amsterdam n � 1: Anthonis march Mort the Wahth (Huttern 13) Renier Zeeman (around 1623-1667). Different views of Amsterdam # 1: Anthonis Marckt Met De Waegh (Hollstein 13). Floor, mid-17th century.

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Marstrand, View of the city of Marstrand, View of the city of Marstrand. The right part, however, belongs to the view of Uddevalla. The print is part of an album., print, prent, albumblad, prints, prenten, height 214 mm, width 404 mm, 1655 - 1727-05-18, print maker, printmaker, 1713 - 1713, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervisie

View of Wakken and the Castle of Wakken, Reynier Blokhuysen, 1735 print View of Wakken and the castle of Wakken in a nutshell perspective. Under the face on waking a legend a-s. At the top left the weapon of Burgundy. At the top right, the weapon is waking. paper etching / engraving prospect of village, silhouette of village. coat of arms (as symbol of the state, etc.) (+ city; municipal). armorial bearing, heraldry. castle Wake

Herfst. De vier seizoenen (series title). Draughtsman: Hessel Gerritsz (possibly). Dating: 1641 - 1700. Measurements: h 140 mm × w 226 mm. Museum: Rijksmuseum, Amsterdam.

Netherlands, Vinkeles, Reinier (I), Overstorming of Woerden, 1813, verso - stamped, Overstorming of Woerden by the French, 24 and 25 November 1813. Grenades fly through the air as the French troops enter the city., print, prints, Frederik Muller Historieplaten, height 97 mm, width 145 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1813 - 1814, paper, papier, etching, etchings, engraving, engraving (printing process)

View of the sick in The Hague; View of the Ink in 's Gravenhage at the Delfse Trekvaart / Vuë & Perspective and Entrant La Haye Par Le Canal de Delft; Eighteen faces in and around The Hague (benefit / tear leather). View of the sick in The Hague, with the wall left around the garden of and part of the leprosity. A sailing ship and a drawing tray in the water. The sick was part of the migration between Delft and The Hague. Under the show the title and assignment in Dutch and French, with the family crest of the Haagse Schepen Johannes Patijn in the middle. Print from a series of eighteen faces in and around The Hague.

The Hague, Kloot, Isaac van der, Huchtenburg, Jan van, Northern Netherlands, View and Representation of the Battle of Chiari given on 1 September 1701, Battle of Chiari, 1701, The battle at Chieri (Chiari) between the Allies and the French and Spanish, 1 September 1701. Numbered lower right: Tom. I. No. 14. Illustration in the first part of: Jean du Mont, Oorlogskundige beschryving van de veldt en besiegen, der drie ... weldverfamde warchiefsten ... den Prince Eugene of Savoye, den ... Duke of Marlborough, en de Prince van Oranje en Nassau-Vriesland, in the edition of 1729. This first part is devoted to the deeds of Eugene, Prince of Savoye., print, prent, historieprent, boeken, Frederik Muller Historieplaten, height 456 mm, width 570 mm, 1647-11-20 - 1733-07-02, print maker, prentmaker, 1727 - 1729, paper, papier, etching, etsen, engraving, graferen (drukprocedé), Publication (Event), Publicatie, publisher, Publication

Windsor copy after 1644 Abraham Aubri. Windsor copy 360607

Haven Van Rouen, Yves Marie Le Gouaz, After Nicolas Marie Ozanne, 1776 - 1816 print Numbered in the bottom right: 7. print maker: Francepublisher: Paris paper etching / engraving harbour. armorial bearing, heraldry Rouen

View of Haarlem (Middle Blad), Jan van de Velde (II), After Pieter de Molijn, 1726 - 1750 print Middle leaf of a face on Haarlem, seen from the north. Above a cloud containing the personifications of caution (left) and strength (right). Between the personifications a dry tree with five coats of arms, including that of Haarlem, and two clocks (the 'Klockjes van Damiate' or 'Damiaatjes'). Under the tree a boat with a saw on the bow. This performance refers to the conquest of Damiate. The buildings, including the Sint-Bavokerk, are equipped with numbers. In the foreground a draftsman. Koetsen, riders and walkers on the second plan. print maker: Northern Netherlandsafter design by: Haarlempublisher: AmsterdamHaarlemHaarlemHaarlem paper etching prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.). coat of arms (as symbol of the state, etc.) (+ city; municipal). draughtsman at work - CC - out of doors. Fortitude, 'Fortitudo' ~ one of the Four Cardi

Valle di Muggia (Trieste). Thal von Muggia Bey Triest.

Panoramic face on Adhesive and surroundings, draughtsman: Aelbert Cuyp, 1630 - 1691, paper, h 192 mm × w 276 mm

A farmer with a horse on the reins on a road past a castle. In front of the castle gate are three figures and a dog. Tenth print in a series with 36 prints of landscapes, divided into six parts, Farmer with a horse on a road along a castle Playsante lantschappen ende vermakelycke gesichten (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, h 150 mm × w 280 mm

The fleet for anchor at CALLAO, 1624; Display of 't Callao de Lima. The fleet for anchor at CALLAO at Lima in Peru, May-June 1624. In the Haven Spanish merchant ships. Part of the illustrations in the travel report to the world of the Nassausche fleet among Jacques l'HEREMIT, 1623-1626, No. 2.

unknown, The Hague, Hondius, Hendrick (I), Southern Netherlands, Liere, Josse van, Bril, Matthijs, Northern Netherlands, Frisius, Simon, Topographia variarum regionum, Various landscapes, Cityscape with a river, verso bottom right - stamped, Cityscape with a large bridge over a river. Two nude figures are seated in the foreground., print, prints, height 110 mm, width 147 mm, 1575 - 1628, print maker, printmaker, 1614 - 1614, paper, etching, etchings, Work conception, 1550 - 1583-06-08, after a design by, 1530 - 1583, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisher, granter of privilege

Fishermen on the coast near Naples, Isidore Stanislas Henri Helman, Jacques-Philippe Le Bas, After Claude Joseph Vernet, c. 1766 print Numbered in the top left: No. 21. Paris paper etching / engraving harbour. rocky coast. fisherman Naples

Ponte Vecchio, Florence. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Coastal Landscape with a Round Tower, Hendrick Avercamp, after Gerard van der Horst, c. 1600 - c. 1630, Coastal landscape with rocks; on the left a tower and at sea ships under sail., draughtsman: Hendrick Avercamp, draughtsman: Gerard van der Horst, (attributed to), in or after c. 1600 - in or after c. 1630, paper, pen, brush, h 179 mm × w 292 mm

View of Amsterdam from the Kadijk. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1636-1646. Dimensions: 114 x 153 mm (image/plate); 114 x 157 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, unknown, Palaces and Freitreppen in Rahmen, Palaces on the water in frames, Palace and stairs on the water, Palace with stairs on the water in rocaille frame. Figures on the quay look at the sailing ship and the boats on the water. Publisher's number 170., print, ornamental print, prints, ornamental prints, height 197 mm, width 281 mm, print maker, printmaker, 1731 - 1775, paper, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Galei in an Italian harbor, Cornelis Bol, after Abraham Casembroot, c. 1623 - 1666 print A Galei is anchor in a port. An Italian city can be seen in the background. Print from a series of five prints with faces on Italian port cities. Paris paper etching harbour. warfare; military affairs (+ oared ships, e.g.: galley). river

Haarlem, Numan, Hendrik, Dark man with a feather headdress, arrows and a pipe sitting in a Dutch landscape, verso lower left - stamped, print, prints, height 100 mm, width 156 mm, 1736-03-21 - 1788, print maker, printmaker, 1746 - 1788, paper, papier, houtcut

Landscape with a pond, Adriaen Collaert, after Jacob Grimmer, 1578 - 1618 print Landscape with a few walkers walking on a path next to a pond. In the distance a village and a castle. The print is part of a twelve -part series with landscapes around Antwerp. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper engraving pond, pool (+ landscape with figures, staffage). outskirts of village (+ city(-scape) with figures, staffage)

Coupling stick in front of the gate van den Briel, 1572, 1787 print The Veerman Koppelstok is negotiating on behalf of the Watergeuzen of Lumey at the Stadspoort van den Briel, April 1, 1572. print maker: Northern Netherlandsafter drawing by: Netherlands paper etching / engraving Brielle

Drowning of two pastors in Bonn, 1584, 1587 - c. 1591 print Drowning of two pastors in Bonn, February 6, 1584. Two preachers are fascinated in the Rhine outside the city walls, one of these, Johan Northusen, survives. Executions on a square in the city by suspension. Episode from the Cologne War. Nummered in the bottom left: 198. The print is part of an album. Cologne paper etching violent death, being killed; being mishandled and maltreated; seeking death Bonn

St Augustine, Florida. Copperplate engraving from Allain Manesson Mallet 'Description de l'Univers ' Frankfurt-am-Main, 1686.

Sheet depicting the capture of Gulik on September 2, 1610. At top circular portraits of Prince Maurice and Christiaan I, Prince of Anhalt on either side of the plan of a fortress or castle. In the caption the legend A-L in French. Hand-numbered in lower center: 9. Capture of Gulik, 1610, print maker: Crispijn van de Passe (I), (possibly), print maker: Georg Keller, (possibly), Frans Hogenberg, (workshop of), print maker: Northern Netherlands, print maker: Germany, 1610, paper, etching, h 160 mm × w 124 mm

Fontein in De Tuinen Van de Villa Aldobrandini Te Frascati, Giovanni Battista Fonda, 1653 - 1691 Fountain in the form of a boat with putti in the middle. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Aldobrandini. Frascati Fountain in the form of a boat with putti in the middle. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Aldobrandini. Frascati

Amsterdam, Smit, Jan Willem, Bulthuis, Jan, Bendorp, Carel Frederik (I), Capture of the Kattenburger Bridge in Amsterdam by assisted, Capture of Kattenburg by armed Amsterdam citizens on 30 May 1787, print, prints, height 285 mm, width 379 mm, Northern Netherlands, 1736-02-09 - 1814-10-03, print maker, printmaker, 1787 - 1787, fourth quarter 18th century, paper, papier, etching, etchings, 1750 - 1801-05-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Artist: Claude Gellée, called Claude Lorrain, French, active Rome, 1604-1682, Port de Mer auFanal, Etching, sheet: 14.2 × 19.8 cm (5 9/16 × 7 13/16in.), Made in France, French, 17thcentury, Works on Paper -Prints

View of Serinhaim in rectangular frame with above cartouche and garlands, View of Serinhaim Orbis habitabilis oppida et vestitus (series title) Des bewoonden waerelds steden en dragten (series title), print maker: Thomas Doesburgh, (mentioned on object), publisher: Covens & Mortier, (mentioned on object), Staten van Holland en West-Friesland, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1685 - 1714, paper, etching, h 224 mm × w 283 mm

The Church and the Port. Artist: Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). Dimensions: 3 3/8 x 5 1/16 in. (8.6 x 12.9 cm). Date: 1869. Museum: Metropolitan Museum of Art, New York, USA.

Face of the Tollesteeg Poort, and Bijl holders Tooren, to Utrecht.

Sorious, Isaac, Series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672, Nichtevecht, French troops plundering and shooting through the ruins of the village of Nigtevecht, 1672, verso bottom center - stamped, The French troops plundering and shooting through the ruins of the village of Nigtevecht. Sixth print in a series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672., print, prent, historieprent, prints, prenten, height 160 mm, width 260 mm, print maker, prentmaker, 1672 - 1676, paper, papier, etching, etsen, Work conception

River landscape with anglers in boats. On the left on the bank two figures near a mill. A wooden bridge connects the bank to a river island on which is a gatehouse with a beacon., Anglers in boats near a mill and a beacon, print maker: Jan van de Velde (II), publisher: Cornelis Willemsz Blaeu-Laken, Amsterdam, 1627, paper, etching, letterpress printing, h 84 mm × w 166 mm

Village view with figures on ice: December, Jan van de Velde (II), 1608 - 1618 print A village face with float player and figures with freight on sledes on the ice, representing the month of December. On the left an elegant company on the ice. On the right the edge of a village with a stone bridge. At the bottom of the astrological symbol of the constellation Sagittarius. Print from a series of twelve. Northern Netherlands paper etching landscape symbolizing December. Capricorn (zodiacal sign of December). skates (winter sports). sleigh, sledge (non-sport). 'kolf' on the ice. outskirts of village

Court work; The plaets of Mrs. de Wed: e of the / HR Pieter van Veen; on (1) Vyverhof Siende. // Hofwerk La Place de Madame La Veuve du Sr. / Pierre van Veen, Regardant Vers (1) Vyverhof.

The broken Sint-Antoniesdijk near Jaap Hannes, 1651, 1651 print The broken Sint-Antoniesdijk or Diemerzeedijk at the Herberg Jaap Hannes, 5 March 1651. In the caption the second half of the legend G-L. Part of a large record consisting of four images and a text sheet with a verse. print maker: Northern Netherlandspublisher: Amsterdam paper etching Dike-Break Sint-Antoniesdijk. Jaap Hannes

Repair of a bark on the quay of the port of Messina; Faces of the port of Messina. View of a quay from the port of Messina. In the foreground is a bark on his side. The sailing ship is repaired and brought. On the quay some workmen who prepare their work tools. Print from series of thirteen prints with faces of the port of Messina

The Ordeal by Arrows (Saint Sebastian). Dated: c. 1632/1633. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

SAN SEBASTIAN. FUENTERRABIA. VISTA GENERAL. DIBUJO DE PIETER VAN DER AA , 1707.

. Preposing the view of the inn onto the Amstel from where barges with the 600 armed Amsterdam citizens board and leave to Utrecht, July 17, 1787.

Winter, Hessel Gerritsz (Possibly), 1641 - 1700 drawing Ice face. parchment (animal material). ink pen

Lokhorst or Old-Teilingen, Roelant Roghman (possibly), 1646 - 1650, draughtsman: Roelant Roghman, (possibly), 1646 - 1650, paper, h 185 mm × w 305 mm

View of Delft, draughtsman: Jan Brueghel (II), 1611 - 1678, paper, pen, h 203 mm × w 400 mm

View from the dunes on the Huis te Kleef near Haarlem. Draughtsman: Aelbert Cuyp. Dating: 1630 - 1691. Measurements: h 190 mm × w 302 mm. Museum: Rijksmuseum, Amsterdam.

Graanmolen at an Overtoom, Caspar van Wittel, After Cornelis Meijer, 1683 print In the front of an Overtoom on which two rowing boats. In addition, a grain mill that is driven by water. In the distance a hilly landscape. At the top left: 3. Rome paper etching / engraving traffic on the water (+ conveyance for transport of loads and cargoes). watermill

Arrival of the procession at the Stadspoort of Antwerp; Entry of Ferdinand in Antwerp in 1635 (no. 3), Theodoor van Thulden, 1639 - 1641 print Arrival of the procession at the Stadspoort of Antwerp. In the foreground a group of riders, on the right is an army of shooters and pikers. In the air the weapons of Brabant and Antwerp. Marked at the top right: p. 5. Page no. 3 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp

Rodolphe Bresdin, My Dream, 1883 My Dream

Landscape with tower, Matthieu van Plattenberg, 1617 - 1660 print Landscape with a tower on a hill. In the foreground a path with travelers. A face at sea in the background. Paris paper etching landscape with tower or castle. sea

Truchsess is received in Delft, 1584, 1613 - 1615 print Gebrhard Truchsess, bishop of Cologne, will be received statutory in Delft, April 20, 1584. A delegation of the city meets the bishop outside the city. Episode from the Cologne War. With caption of 4 lines in Latin. Numbered 154. Printed on the back with text in Latin. Northern Netherlands paper etching Delft

River landscape with a church, Benedikt Winkler, After David Teniers, 1830 - 1861 print Numbered in the top left: NV 7. Paris (possibly) paper etching / engraving evening. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), troops that parade to enter a city. Twelfth number of a suite of 12 pieces (A. de Vesme 257. Dutuit 92) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Nuova pianta di Roma data in luce da Giambattista Nolli lanno MDCCXLVII, known as La Pianta Grande di Roma, 1748. Giovanni Battista Nolli (Italian, 1701-1756), engraved by Carlo Nolli (Italian, 1690-1790), engraved by Rocco Pozzi (Italian, 1701-1774), engraved by Pietro Campana de Soriano (Italian, 1725-c. 1779), designed by Stefano Pozzi (Italian, 1699-1768). Etching and engraving; sheet: 43 x 69.4 cm (16 15/16 x 27 5/16 in.). The monumental Pianta Grande di Roma, or Large Plan of Rome, which measures about 5 x 7 feet when its twelve plates are assembled, is a landmark in both cartography and printmaking. The map is considered the first scientific rendering of Rome, establishing new standards of accuracy and thoroughness when it was published in 1748. Devised by the Lombard architect and surveyor Giovanni Battista Nolli (Italian, 1701-56), the creation of the map required over ten years of surveying the city carried out by Nolli and a team of assistants with the help of new measurin

Emmausgoers; Euntes in Emmaus. Two disciples, clayas and (according to tradition) Petrus, are accompanied by the risen Christ to the village of Emmaus, which has been presented in the background as a castle. Right in the foreground a boy with a wheelbarrow; On the left a man with a fishing net over his shoulder. Under the show the title with links a rule in Dutch and right in French.

The Pont Vecchio in Florence, from The Caprices. Jacques Callot; French, 1592-1635. Date: 1617-1627. Dimensions: 56 × 78 mm (image/sheet, cut within plate mark). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Kampen. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 1 7/8 × 6 7/16 in. (4.7 × 16.4 cm). Series/Portfolio: River views of Germany and the low countries, set of 12. Date: 1642-44.Distant view of Kampen on the banks of the river IJssel; three figures seen near gallows in foreground at left One of a set of 12 views in Germany, formerly in an album, now disbound. According to Vertue, these prints based on drawings made in 1632 when Hollar made a Rhine journey from Cologne. Museum: Metropolitan Museum of Art, New York, USA.

Paardenmarkt in Valkenburg, Jan de Bisschop, 1649 drawing paper. ink pen / brush prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage). market. horse Valkenburg

View of Nancy. Dated: in or after 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

GRABADO-MUERTE DE LOS BENEDICTINOS. Location: MUSEE CARNAVALET. France.

Engelenburcht, Willem van Nieulandt (II), 1594 - 1635.

View of the completed Eastern Dock Locks at the Oosterdokskade in Amsterdam on September 7, 1831, before flooding. The locks are festively decorated with flags, in the foreground workmen are still at work, Oostelijke Doksluizen voor Amsterdam, 1831 The Eastern Dock Locks for the city of Amsterdam, during the completion (...) of the section to be flooded, the 7th September 1831 , print maker: Petrus Kiers, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), Stadsbestuur Amsterdam, print maker: Netherlands, printer: Amsterdam, 1832

Landscape with the Healing of the Blind. The miracle takes place in the left foreground, in just a few square centimetres. Jesus heals a blind man by brushing his eyes with spittle mixed with dirt and commanding him to wash himself. The drawing, which is part of a series of landscapes with scenes from the Bible, is dated 1601. Vinckboons thus made it when he was only 24 or 25 years old.

VIEW OF BONHOMMES Israel Silvestre and van der Bruggen. "VIEW OF BONHOMMES". Floor, 1650-1655.

Amsterdam, Janssonius van Waesberge, Johannes (II), Novelanus, Symon, Hogenberg, Frans, Luyken, Jan, Wiismaria, View of Wismar, verso - stamped, print, book illustration, prints, height 261 mm, width 500 mm, North Netherlandish, 1649-04-16 - 1712-04-05, print maker, printmaker, 1598 - 1598, paper, papier, etching, Dutch, German, 1540 - 1590, South Netherlandish, Publication (Event), Publication, publisher

Speculum Romanae Magnificentiae: Port of Rome. Artist: After Etienne DuPérac (French, ca. 1535-1604); Giovanni Ambrogio Brambilla (Italian, active Rome, 1575-99). Dimensions: sheet: 11 5/8 x 20 3/16 in. (29.6 x 51.2 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1581.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned

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Imperial court, Prague, Sadeler, Aegidius, Savery, Roelant, Six small landscapes in Tyrol, Watermills in a landscape, verso bottom center - stamped, Two watermills by a river. In the foreground three women are doing laundry. The third print of a six-part series with landscapes in Tyrol, print, prints, height 122 mm, width 152 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1597 - 1629, paper, engraving, engraving (printing process), Northern Netherlands, 1576 - 1639-02-25, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, granter of privilege

Riot on the Nieuwmarkt about a cropped sorceress, 1624.Reload on the Nieuwmarkt about a committed sorceress, 1624. Objects on the Nieuwmarkt with the Sint AntonieSpoort. Numbered 34.

Artist: Wenceslaus Hollar, Bohemian, 1607-1677, Dover Castle, West Side, from the series Divers Views after theLife, Etching, image: 6 × 13.5 cm (2 3/8 × 5 5/16in.), Made in Bohemia, Czech Republic, Bohemian, 17thcentury, Works on Paper -Prints

Rijn, Rembrandt van, The barge, Boat with rowing boat and bridge, verso lower left - stamped, print, prints, Rembrandt. f. 1650, lower left, height 83 mm, width 108 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1650 - 1650, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, plate tone, Work conception, after own design by

Heilbronn im Mittelalter, Baden-Württemberg, Deutschland / Heilbronn in the Middle Ages, Baden-Württemberg, Germany, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.

Skaters on the ice at a mill near Penningsveer; Landscapes. This popular series of landscapes was reprinted by Leonard Schenk in the eighteenth century. Especially on the figures on the ice and the lines in the air, it is clearly to see that the album was already saved and little ink grabbed.

The Launch of a Ship 17th century Reinier Nooms, called Zeeman Dutch. The Launch of a Ship 380694 Artist: Reinier Nooms, called Zeeman, Dutch, Amsterdam ca. 16231664 Amsterdam, The Launch of a Ship, 17th century, Etching and drypoint; state II, sheet: 5 3/8 x 9 3/4 in. (13.7 x 24.8 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954 (54.539.3)

Teyler, Johan, Netherlands, Call, Jan van (I), View of the city of Kleve, View of the city of Kleve. In the foreground meadows and the river Rhine. This print is part of an album., print, picture, album sheet, prints, pictures, height 122 mm, width 130 mm, Northern Netherlands, 1656 - 1706, print maker, printmaker, 1688 - 1698, paper, papier, etching, etchings, à la poupée, color printing, hand coloring, 1648 - 1712, supervision

Winter landscape with skaters near a city wall. In the middle a drawbridge over the canal. 25th print of a series of 36 prints of landscapes, divided in six parts, Winter landscape with skaters near a city wall Playsante landscapes and entertaining poems (title series)., print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, brush, pen, h 150 mm × w 280 mm

Italy. Treviso city. Veneto region. It stands at the confluence of Botteniga with the Sile rivers. Engraving. "Liber Chronicarum de Hartmann Schedel", 1493.

Václav Hollar (1607-1677). "Views of Germany, Canal on the Rhine". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 112277-4 Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

France, French Crown, Langlois, François, Bella, Stefano della, Varii capricii militarii, Military scenes, Soldiers at a cannon, verso - stamped, Two seated soldiers talking to a standing soldier behind a cannon. In front of the cannon sits a kneeling man with his head bowed. In the background a cityscape., print, prints, height 88 mm, width 141 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

December, Jan van de Velde II, Anonymous, Johann Tscherning, 1684 - 1729

Date: 1779

At Deptford with part of the town, Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after T. & I. Milton, 18th century, 1753, Color engraving

Gortmoles, youk Everse Lions, 1631 print A Gortmolen. Left in the foreground some figures by a horse and carriage. Numbered below: 2. Amsterdam paper etching windmill

Fisherman in his boat. Landscape with a fishing boat on a river. The fisherman has a cross-net in his hands. In the background a face on a village.

View of Meers. Dated: 1681. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Melchior Küsel after Johann Wilhelm Baur.

Winter fresh Netherlands, Giuseppe Filosi, 1742 print Dutch winter landscape with figures on skating and sledes. On the left a group of figures at a tent where hot drinks or soup is served. Numbered at the top right: Tom XI. print maker: Italypublisher: Venice paper etching horse-sleigh. skates (winter sports). sleigh, sledge (non-sport)

Meissen in the Middle Ages, Saxony, Germany, Historical, digital reproduction of an original from the 19th century, Europe

Country on Elvien, Matham Merian (i), 1643 - c. 1690 print At the top left an empty coat of arms. paper etching prospect of village, silhouette of village Ellwangen

Tip of Spire (Germany), by the army of General Custine, 29 September 1792. 89th painting, Plate 6 of the historical gallery or paintings of the events of the French Revolution (1795-1799). (Tititice title)

The Rhine at Dusseldorf. Date: circa 1630

Four Blankvoornen at a Fishnet, Albert Flamen, 1664 print Four fish on a riverbank at a fishing net. A tower in the background. print maker: Parispublisher: ParisFrance paper etching bony fishes: roach

Circi Antonini Caracallae, Der Zirkus des Caracalla, historisches Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 17. Jahrhundert, O...

Dover Castle, Henry Hulsberg, died 1729, Netherlandish, active in London, after Isaac Sailmaker, ca. 1633-1721, Dutch, active in Britain (from the 1640s), Published by Henry Overton, 1675/6-1751, British, undated, Line engraving with hand coloring in watercolor on moderately thin, slightly textured, cream laid paper, Sheet: 18 7/8 × 23 13/16 inches (48 × 60.5 cm), Plate: 18 13/16 × 23 7/16 inches (47.8 × 59.6 cm), and Image: 16 3/4 × 23 inches (42.5 × 58.4 cm)

Raam Gate (Raam Poortie). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: called Zeeman Reinier Nooms.

The Rokin with the Beurs, Reinier Nooms, 1652 - 1654 print The Rokin with moored sailing ships, and the old exhibition, designed by architect Hendrick de Keyser. paper etching / drypoint Rock

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