Historic Landscape Prints

A compilation of intricate engravings depicting serene landscapes, architectural structures, and pastoral scenes, showcasing a classic artistic essence.

The Hague, Cuylenburgh, Cornelis van (II), Netherlands, Friday, Daniël, Vinkeles, Reinier (I), Celebration of the adoption of the Constitution, 1798, verso - stamped, Popular festival celebrating the adoption of the Constitution, May 19, 1798. Festivities at a temple of honor on the Malieveld in The Hague., print, prints, Frederik Muller History plates, height 228 mm, width 265 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1799 - 1799, paper, papier, etching, engraving, engraving (printing process), 1765 - 1765, 1758 - 1827-09-22, intermediary draughtsman

Harewood House, Print made by John Scott, 1774-1828, British, after Joseph Mallord William Turner, 1775-1851, British, Published by Robinson, Son & Holdsworth, active 1813-1816, British, 1816-1820, Etching, published state

View of Lekkerkerk, seen from the other side of the Lek River, H. Bos, c. 1750 - c. 1810, In front figures and a horse. On the water sailing and rowing boats., draughtsman: H. Bos, (signed by artist), Zuid-Holland, c. 1750 - c. 1810, paper, pen, brush, h 175 mm × w 248 mm

View of the Walton Bridge, Venus's Temple, William Woollett, 1735-1785, British, after William Hannan, died 1775, British, 1757, Engraving on thick, rough, cream, laid paper, Sheet: 17 7/8 × 23 5/8 inches (45.4 × 60 cm), Plate: 14 3/8 × 20 7/8 inches (36.5 × 53 cm), and Image: 13 1/16 × 20 inches (33.2 × 50.8 cm)

Ericsson, Henry, work, Sketch book, 30 leaves, 1931, drawing, 20 cm x 31.5 cm, Ericsson, Henry, section: People in a boat, 1931, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

New port of Toulon, Charles Nicolas Cochin (II), After Jacques-Philippe Le Bas, After Claude Joseph Vernet, 1760 print With two -way caption in French. paper etching / engraving harbour Toulon

View of the city and harbour of New York, taken from Mount Pitt, the seat of John R. Livingston, Esqre.. Saint-Mémin, Charles Balthazar Julien Fevret de (1770-1852). Prints. 1796. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.)

The Hague, Cuylenburgh, Cornelis van (II), Netherlands, Friday, Daniël, Vinkeles, Reinier (I), Celebration of the adoption of the Constitution, 1798, verso - stamped, Popular festival celebrating the adoption of the Constitution, May 19, 1798. Festivities at a temple of honor on the Malieveld in The Hague., print, prints, Frederik Muller History plates, height 228 mm, width 265 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1799 - 1799, paper, papier, etching, engraving, engraving (printing process), 1765 - 1765, 1758 - 1827-09-22, intermediary draughtsman

January; Ianuarius; The twelve months, with village scenes. Landscape with skating drivers and horses drawn sledges on the ice at the court in The Hague, representing the month of January. At the top of the constellations belonging to this month: Aquarius. First print from a series of twelve.

Incumbered this mark fetching well-called in the bird. View VI Bourg Funds the well dite aux monds.

Wenceslaus Hollar after Pieter Brueghel the Younger, The Canal, 1650 The Canal

View of Oud-Maarseveen aan de Vecht, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 17. Print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). village (+ city(-scape) with figures, staffage) Vecht. Maarsseveen

Charles Heath, 1785-1848, British, Green Park, 1825. Etching on moderately thick, slightly textured, cream wove paper with beige chine collé.

Coastal landscape at a fort with draftsman, Richard Earlom, After Claude Lorrain, 1774 print London paper etching draughtsman at work - CC - out of doors. castle

William Miller, 1796-1882, British, Palace of La Belle Gabrielle, 1828-1837. Line engraving on medium, slightly textured, beige, wove paper.

Fantastic Harbor Scene with Architecture and Figures, 1713. Isaac de Moucheron (Dutch, 1667-1744). Pen and black ink and brush and gray wash with traces of blue gouache, heightened with white gouache; sheet: 18.4 x 27.2 cm (7 1/4 x 10 11/16 in.).

View of a pond with a walking couple in the foreground. To the right on the waterfront a couple with a child near some cows. To the left on the water a boat with three figures. Below the title, the coats of arms of Brunswick and Orange-Nassau with a crown and three lines in French, View of the pond near Biljoen Ve du grand Etang a Biljoen (title on object), print maker: Christian Henning, (mentioned on object), Christian Henning, (mentioned on object), Frederike Louise Wilhelmina van Oranje-Nassau, (mentioned on object), Northern Netherlands, after 14-Oct-1790 - 15-Oct-1819, paper, etching, h 302 mm × w 370 mm

January, Jan van de Velde (II), 1618 print Landscape with skating riders and horses pulled by horses on the ice at the court in The Hague, representing the month of January. At the top of the constellation belonging to this month: Waterman. First print from a series of twelve. paper etching / pen January and its 'labours'. winter sports. landscape symbolizing January. Aquarius (zodiacal sign of January) Hofvijver

View on a river with ships and boats on the water in moonlight, Pierre François Basan, after Aert van der Neer, 1753 - 1797 print In the title numbered: 2. publisher: Parispublisher: Amsterdamprint maker: France paper. cardboard. watercolor (paint) etching / brush river (+ landscape with figures, staffage). rowing-boat, canoe, etc.. sailing-ship, sailing-boat. moonlight. civic architecture; edifices; dwellings

View of the canal in the Saint James's Park in London, seen from the Horse Guards Parade, Robert Sayer, After Canaletto, 1753 print In the background Buckingham House. London paper. watercolor (paint) etching / brush public gardens, park (+ city(-scape) with figures, staffage). canal. palace. square, place, circus, etc. (+ city(-scape) with figures, staffage) St James's Park. Buckingham House. Horse Guards Parade

Le Tambourin 1788-94 Charles Melchior Descourtis. Le Tambourin. Charles Melchior Descourtis (French, Paris 1753-1820 Paris). 1788-94. Color aquatint, etching, and engraving. Prints

Israel Silvestre (1621-1691) and Jean Lepautre (1618-1682). "View of the garden of Mr. Renard at the Tuileries". Eat, 1658. Paris, Carnavalet museum. Arrondissement, etching, 1st i 1st 1, garden, tuileries

Cottage Near Snaresbroke, May 11th, 1829, Anne Rushout, ca. 1768-1849, British, 1829, Watercolor on moderately thick, slightly textured, cream wove paper

Attack on the Canton. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Nowolecki, Aleksander (1826-1884), merchant employer, Walkiewicz, Władysław (1833-1900), graphic artist

Encampment at Farnham near St. Edmund's Bury, Charles Tomkins, 1757-1823, British, after John Kendall, 1766-1829, British, 1782, Colored aquatint on thick, slightly textured, cream, laid paper, Sheet: 16 5/8 × 26 1/2 inches (42.2 × 67.3 cm), Plate: 15 × 25 inches (38.1 × 63.5 cm), and Image: 12 × 24 inches (30.5 × 61 cm)

Harewood House, Print made by John Scott, 1774-1828, British, after Joseph Mallord William Turner, 1775-1851, British, Published by Robinson, Son & Holdsworth, active 1813-1816, British, 1816, Etching and line engraving on medium, slightly textured, cream wove paper

Thomas Bradshaw, Born 1767, British, Album of Landscape and Figure Studies: Rural Scene with Church. Pen, brush and ink, watercolor; verso: graphite.

Woolwich Warren. Date/Period: Date unknown. Portrait. Gray wash and pen and black ink on very thick, cream, moderately textured laid paper. Height: 495 mm (19.48 in); Width: 689 mm (27.12 in). Author: Paul Sandby.

Fontein near the large pond in the gardens of Paleis Het Loo, Jan van Call (I), 1694 - 1697 print Print from a series of 71 prints with Rhine landscapes, faces on royal palaces and cityscapes from The Hague and Amsterdam. Amsterdam paper etching French or architectonic garden; formal garden. garden pond. garden fountain Palace Het Loo

Monplisir in the garden of the Peterhof palace; Brandard, Robert (1805-1862); 1835-1850 (1835-00-00-1850-00-00);

Winter landscape with ice entertainment, Louis Chalon, 1737 drawing paper. deck paint. gouache (paint) ice ~ freezing weather. winter sports

Book, Viennese scenen from common life after nature drawn by Sigmund by Perger, Hofmahler , Tableaux Caracteristiques du Bas Peuple de Vienne, Publiés à Vienne Chez Tranquillo Mollo, - Leaf , A Croat a Croatin with onions and a craftsman,

View of the frozen Amstel in Amsterdam, 1762, Paulus van Liender, 1762 print View of the frozen Amstel in Amsterdam with skating figures and slider drivers on the ice, and walking figures on the quay. On the left the Amsteldijk with the Herberg de Berebijt seen to the Hogesluis. On the right in the background the De Bul mill on the Bolwerk Oosterblokhuis. Under the show the title in Dutch and French. Amsterdam paper etching / engraving winter landscape; landscape symbolizing winter (the four seasons of the year). skates (winter sports). hotel, hostelry, inn. windmill Amstel (river). Amsterdam. Hogesluis. Inn De Berebijt

The Little Cavaliers, 1844. Charles François Daubigny (French, 1817-1878). Softground etching; sheet: 15.8 x 24.4 cm (6 1/4 x 9 5/8 in.); platemark: 8.3 x 13.7 cm (3 1/4 x 5 3/8 in.).

Tuskulanum. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Adam, Victor (1801-1866), graphic artist, Bichebois, Louis-Pierre-Alphonse (1801-1850), graphic artist, Żamett, Albert (1821-1877), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Canaletto, Pra della Valle, c 1735 1746 Pra della Valle

France, Paris, Daumont, Jean-François, 31st. Optical view representing the house of the orphans and the bridge over the Amstel in Amsterdam, View of the Amstel Lock and the Diaconieweeshuis in Amsterdam, Numbered in the title: 31., print, prent, opticaprent, prints, prenten, opticaprenten, height 285 mm, width 393 mm, Publication (Event), Publication, French - 1775, publisher, 1745 - 1775, paper, papier, watercolor (paint), waterverf, etching, etchings, brush, Borstel, print maker, printmaker

In the morning, French troops march past a farm toward a town, November-December 1832 Part of a series of twenty sheets from 1833 depicting the French Northern Army's military intervention in Belgium in 1832, Morning, 1832 Le Matin Souvenirs de L'Arm, print maker: Nicolas Toussaint Charlet, (mentioned on object), printer: Gihaut frères, (mentioned on object), publisher: Gihaut frères, (mentioned on object), Paris, 1832 - 1833, paper, h 245 mm - w 340 mm

Etching by Johann Ziegler from 1779 depicting Schanzel, showing the area with buildings, streets, and figures in detailed composition.

Fargue, Maria Margaretha la, Northern Netherlands, Sallieth, Mathias de, Inhaal van de prinses van Oranje en de kinderen, 1787, verso - stamped, Inhaal van de prinses van Oranje en de kinderen door de burgerij te Den Haag, 24 september 1787. The open carriage with the royal family is pulled by men and women over the road to the Bosch Bridge. With pendant., print, prints, Frederik Muller Historical plates, height 124 mm, width 198 mm, Czech, 1749 - 1791-11-29, print maker, printmaker, 1787 - 1787, paper, papier, etching, etchings, Dutch, 1743-12-29 - 1813-04-21, intermediary draughtsman

Greenwich. Date/Period: 1795 to 1800. Cityscape. Watercolor with pen and brown ink over graphite on medium, slightly textured, blued white, laid paper. Height: 284 mm (11.18 in); Width: 465 mm (18.30 in). Author: Thomas Rowlandson.

Garden at Huis ten Bosch, ca. 1825, 1824 - 1830 View of the Swiss bridge and the pond in the gardens at Huis Ten Bosch Palace in The Hague, ca. 1825. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs In the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching Palace Huis ten Bosch. Haagse Bos View of the Swiss bridge and the pond in the gardens at Huis Ten Bosch Palace in The Hague, ca. 1825. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs In the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching Palace Huis ten Bosch. Haagse Bos

Port St. Bernard. Charles-Melchior Descourtis (French, 1753-1820); after Pierre Antoine de Machy (French, 1723-1807). Date: 1783. Dimensions: 398 x 615 mm. Etching and engraving, from at least four plates, in color on white laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

View of the Chteau de Marly; Vue du Chateau de Marli Prise du Bas du Grand Parterre.in the underwear two rules French text.

A Rural Halt. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 8 3/4 × 11 3/8 in. (22.3 × 28.9 cm). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.

Money to HIET trading Moritteburg, Jean-Franis Domenont, 1745 - 1775 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush Hunting-Seat, Hunting Lodge, 'Hunting meeting', 'Jagdschloss'. Garden Fountain Moritzburg Castle

American Country Life./ MayMorning. Artist: Nathaniel Currier, American, 1813-1888 After: Frances Flora Bond Palmer, American, 1812-1876

Peep-show, Vue de Florence Prise de Vaga Loggia, 19, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

View of Nijmegen from the north, Jan Ruyter, After Cornelis Pronk, 1738 print Face over the river Waal on the city of Nijmegen, with the Sint-Stevenskerk on the right and the Valkhof on the left. In the foreground some cows and various figures. paper. watercolor (paint) etching / engraving prospect of city, town panorama, silhouette of city. sailing-ship, sailing-boat Valkhof. Sint-Stevenskerk. Waal. Nijmegen

Spotprent op de pogingen de Oranjeboom omver te trekken, 1793.Cartoon on the forgive attempts of the patriots to pull the orange tree and set up the freedom tree, 1793. Groups of patriots try to pull the tree down, dig out the roots and breaking off branches. Right of the clouds the arm of God appears with sword in the hand that will defend the tree and that warns Jacobijn brood to stop the attempts. The French rooster helps excavate. With a four-line caption.

Colored etching by Johann Ziegler showing Sigh Calae in the Augarten, created in 1783, depicting landscape features, park architecture, pathways, and tree arrangements.

Louis-Philibert Debucourt (1755-1832) after Palaiseau. "Reuilly barrier". Aquatint in color. Paris, Carnavalet museum. 74739-31 Aquatinte color, reuilly barriere, etching, walls of general farmers, 12th XIIth XII 12th 12th 12th arrondissement, engraving

Joseph Constantine Stadler, active 1780-1812, British, Fort Marlborough from Old Bencoolen, Sumatra, 1799, 1799. Aquatint.

Regency gentlemen in top hats playing bowls on a bowling green. The Bowling Alley, Worcester, or Characters of the Hand and Glove Club. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

Battersea, Chelsea and London from Mr. Rucker's Villa, Joseph Constantine Stadler, active 1780-1812, British, after Joseph Farington, 1747-1821, British, 1795, Hand colored aquatint on smooth, medium, cream wove paper, Sheet: 13 9/16 × 20 1/8 inches (34.4 × 51.1 cm), Plate: 10 1/8 × 14 3/16 inches (25.7 × 36 cm), and Image: 8 × 12 inches (20.3 × 30.5 cm)

View of the garden and the Palais de Fontainebleau, Anonymous, 1700 - 1799 print Numbered at the top right: 29. paper. watercolor (paint) etching / brush palace. garden. garden fountain. ornamental plants Palais de Fontainebleau

A Funeral Procession. Dated: 1805/1810. Dimensions: overall: 20 x 28 cm (7 7/8 x 11 in.). Medium: pen and brown and gray ink with watercolor over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

GRABADO-BULEVAR DE PARIS. Location: PRIVATE COLLECTION. France.

Counterproof of ViaSacra. Artist: Claude Gellée, called Claude Lorrain, French, active Rome, 1604-1682

The Cheyenne Brothers Starting on Their Fall Hunt. Dated: 1861/1869. Dimensions: overall: 46 x 62.1 cm (18 1/8 x 24 7/16 in.). Medium: oil on card mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

Agé, Johannes François Jacobs de, Fargue, Maria Margaretha la, Northern Netherlands, Sallieth, Mathias de, Inhaaling van Haare Koninglyk Hooghied en the Princely Scions, being pulled by Citizens and Citizenesses on 24 September 1787, Reception of the Princess of Orange and the Children, 1787, verso - stamped, Reception of the Princess of Orange and the Children by the Citizens in The Hague, 24 September 1787. The open carriage with the princely family is pulled by men and women over the road to the Boschbrug. With pendant., print, prints, Frederik Muller Historieplaten, height 124 mm, width 176 mm, Czech, 1749 - 1791-11-29, print maker, printmaker, 1787 - 1787, paper, papier, etching, etchings, Nederlands, 1743-12-29 - 1813-04-21, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Balloon Ascending Near the Entrance to Lord's Cricket Ground, 1839. Artist: After Robert Bremmel Schnebbelie (British, active 1803-1849 Camden Town). Dimensions: sheet: 5 7/8 x 7 5/8 in. (14.9 x 19.4 cm). Date: ca. 1839.Balloon ascents were popular spectacles throughout the 19th century and often depicted by artists. Here, well-to-do men and women have come in carriages, and vendors and works stopped on their rounds, to watch Mr. Hampton's balloon straining at the ropes. The site is the St. John's Wood entrance to Lord's Cricket Ground, and the event took place on June 7, 1839. Museum: Metropolitan Museum of Art, New York, USA.

Watercolor depiction by Johann Gottfried Abraham Frenzel of an ordination on Epiphany 1814 in Dresden by Prince Repnin, executed over pencil with black edging line and greenish-primed frame.

Allegory on Geometry and Architecture, Bernard Picart, 1729 print Putti Study a map at a cannon. Another putto draws various geometric figures with a passer. In the background a face of the Italian port city of Genoa. Amsterdam paper etching / engraving planimetry, geometry Knee

Knutson, Johan, Pietarsaari, Illustration for the work Finland prättädt i teckninger, original 1840s, drawing, 14.7 cm x 21 cm

Chteau de Chambord. Eugène L. Lami; French, 1800-1890. Date: 1820-1835. Dimensions: 167 × 219 mm (image); 236 × 289 mm (sheet). Lithograph in black, with scraping on stone, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: EUGENE LOUIS LAMI.

Face on the ruins on the Rapenburg in line after the blast of the powder ship on January 12, 1807. View of the ruins on the Rapenburg to lead after the blast of the powder ship on January 12, 1807. See also the pendant.

St, EitIvy up like vitirs who mbarcate the irlicate ultey , view the st, Vit avec sevons verbs proxes the vienne, Ienezne etty, Johan andreas , Artarija , Cellist, Artarish, Publishishing House

Jean Pierre Marie Jazet after Jean Joseph Bastier de Bez, La promenade au Jardin Turc La promenade au Jardin Turc

Cheerful company at an inn, draughtsman: Aert Schouman, after: Cornelis Dusart, 1720 - 1792, paper, brush, h 298 mm × w 257 mm

Watercolor and gray-pen drawing over black chalk by Van der Heuss showing a winter landscape with a house, frozen water, and ice skating figures, circa 1800.

View of the garden and part of the Palais du Luxembourg in the first years of the twentieth century Pierre Courovoisier (1756-1804). View of the garden and part of the Palais du Luxembourg in the first years of the twentieth century. Gouache.

Thomas Vivares, c.1735-c.1790, British, View from Nature. Hand colored soft ground etchings.

Colored etching by Vincenz Raimund Grüner from 1810 depicting the Brigitten-Au-Kirchtag festival near Vienna, showing crowds, stalls, and event activity.

Foot Ball played at Market Place, Barnet, Robert Dighton, 1752-1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8 cm), assembly hall, football, games, genre subject, leisure, market (building), marketplace, post office, soccer, sporting art, Barnet, Barnet, England, Europe, London, United Kingdom

William Walker, 1791-1867, British, Worcester, 1792.

House of General George Washington, 18h century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1837.

Prévost-Dumarchais, Hippolyte Adrien Démetrius (or Provost-Dumarchais), the club of skaters (dummy title), 1870. Lead mine, watercolor and gouache. Carnavalet museum, history of Paris.

Arrival at Brandenburg House of the Watermen, ect. with an Address to the Queen on the 3rd October 1820, Matthew Dubourg, active 1786-1838, British, after unknown artist, 1821, Aquatint, hand-colored

Cockfight in the Sassenstraat in Zwolle. Draughtsman: Gesina ter Borch. Dating: 1655. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with peasant woman and cattle, W. Barthautz, 1700 - 1800, draughtsman: W. Barthautz, 1700 - 1800, paper, pen, brush, h 268 mm × w 366 mm

View of the beautiful party given by the city of Paris on 25 Nov 1807 Anonymous. View of the magnificent party given by the city of Paris on November 25, 1807. Water-cut colored.

Before sunset; Z: "Tygodnik Ilustrowany" 1886, No. 180 (June 12), p. 369 (title page); Brzozowski, Feliks (1836-1892), Krajewska, Julia (Fl. 1884-1888), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1886 (1886-00-00-1886-00-00);

Wm. Penn's Treaty with the Indians When He Founded the Province of Pennsa. 1661: The Only Treaty That Never Was Broken. Dimensions: image: 20.96 × 32.07 cm (8 1/4 × 12 5/8 in.) sheet: 25.08 × 35.4 cm (9 7/8 × 13 15/16 in.). Medium: hand-colored lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: after Napoleon Sarony.

Teplitz Fing. T. .

. Face on the camping of the flying army set up in a meadow outside of Delft with the tents of the Vrijkorsen from different places, August 1787. dedicated to 'Neêrland's shooting'.

Untitled. The deputies of the National Assembly announce the arrival of the king in Paris. Popular carrier of the coach near the Tuileries On July 16, 1789, current 1st rounded, 28th painting, plank 2 of the historic gallery or paintings of the events of the French Revolution (1795-1799). (Tititice title)

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Hammersmith, Charles J. Hullmandel, 1789-1850, British, after William Westall, 1781-1850, British, 1823, Lithograph

The Garden Façade of Bagatelle Jean Démosthène Dugourc French 1779

Charles Heath, 1785-1848, British, Richmond from Twickenham Park, c. 1822. Colored engraving.

A landscape by Pieter Stevens II representing winter, executed with gray-brown feather and brush, blue, brown, reddish-brown tones, and white highlights over a black pen sketch, dating before 1620.

Colored etching by Lorenz Janscha depicting the garden in Vöslau Castle, created between 1790 and 1810.

Time, Apollo and the four seasons, Claude Lorrain, 1662 print Time sitting on a stone and playing on his harp. Apollo hand in hand with four women, the personifications of the four seasons, walking through a landscape with ruins. Under the show a two -line text in Italian. Rome paper etching (story of) Apollo (Phoebus). Father Time, man with wings and scythe. seasons of the year (esp. personifications); 'Stagione', 'Le quattro stagione dell'anno' (Ripa)

John Harris, 1811-1865, British, Coaching: The First Change Up, 1863. Aquatint, hand-colored.

The Palace Garden (with accompaniment of singing bird.). Eno, Amos F., 1836-1915. Prints. 1858. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Terraces , New York (State) , New York , To 1899, Concerts , New York (State) , New York , 1800-1899, Gardens , New York (State) , New York , 1800-1899

A Westerly View of the Colledges in Cambridge NewEngland. Artist: Sidney Lawton Smith, American, 1845-1929 Artist, copy after: Paul Revere, American, 1735-1818 Artist, copy after: Joseph Chadwick Artist, copy after: Paul Revere, Sr., 1702-1754Client: Club of Odd Volumes, American, founded 1887

View of a boulevard in Paris seen from the Porte Saint-Antoine, Louis-Joseph Hijndel, 1759-c. 1796 print In the title numbered: 1. Numbered in the top left: 34. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage) Paris. Saint-Antoine gate

Siege of Haarlem, 1572-1573 (left sheet), Hendrik Spilman, after Anonymous, 1742 - 1779 print Siege of the city of Haarlem in the years 1572-1573 by the Spaniards under Fadrique Alvarez de Toledo (Don Frederik), the son of the Duke of Alva. Large show with a face on the city from the north, in print to a contemporary drawing in three magazines, of which this is the left sheet. Under the show the titles and the legends 1-35 in Dutch and French. paper etching Victory, position was Haarlem

John Preston Neale, 1771/80-1847, British, Welsh Fair, 1813. Watercolor, graphite, and white gouache on moderately thick, moderately textured, cream wove paper.

Coach leaving Canterbury Gate, Christ Church, Oxford, 1810-1815, Thomas Rowlandson, watercolour

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