Historic Landscapes and Views

A collection of detailed line engravings depicting scenic landscapes, featuring rivers, hills, and historical architecture in muted tones.

The Dnieper River, the first cataract, called Koidatsky" (Chart 1 from: Uvarov, Collection of maps and drawings for a treatise on the Antiquity, part 1). Darleng, W. (Petersburg ; zakład litograficzny ; fl. ca 1850), lithography atelier, Dupressoir, François Joseph (1800-1859), graphic artist, Darleng, W. (fl. ca 1850), graphic artist, Webel, M. B. (fl. ca 1850), draughtsman, cartoonist

An Old Oak, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on thick, slightly textured, beige, wove paper, with beige, chine colle, Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm), Plate: 11 7/16 × 6 inches (29.1 × 15.2 cm), Chine collé: 11 1/16 × 5 1/2 inches (28.1 × 14 cm), and Image: 3 × 3 1/4 inches (7.6 × 8.3 cm)

James Baylis Allen, 1803-1876, British, St. Germains, 1835. Line engraving, engraver's proof.

Caudebec, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof, touched

Lago Maggiore, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1828, Open etching on moderately thick, slightly textured, beige, wove paper, with beige, chine colle, Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm), Plate: 6 1/16 × 8 9/16 inches (15.4 × 21.7 cm), Chine collé: 5 13/16 × 8 1/4 inches (14.8 × 21 cm), and Image: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)

The Dnieper River, the first cataract, called Koidatsky" (Chart 1 from: Uvarov, Collection of maps and drawings for a treatise on the Antiquity, part 1). Darleng, W. (Petersburg ; zakład litograficzny ; fl. ca 1850), lithography atelier, Dupressoir, François Joseph (1800-1859), graphic artist, Darleng, W. (fl. ca 1850), graphic artist, Webel, M. B. (fl. ca 1850), draughtsman, cartoonist

Engraver: Emile Rouargue, French, 1795-1865, After: Leon Cogniet, French, 1794-1880, After: Felix Henri Emmanuel Philippoteaux, French, 1815-1884, Bataille du Mont-Thabor (Battle of MountTabor), Engraving, sheet: 22.3 × 30.5 cm (8 3/4 × 12in.), French, 19thcentury, Works on Paper -Prints

Print made by William Bernard Cooke, 1778-1855, British, Source of the Tamar and Torridge, 1816. Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper with chine-collé.

Vue de Lebanon After Charlotte Bonaparte French Intermediary draftsman Michel-Ghislain Stapleaux Belgian 1824 View more. Vue de Lebanon. Vues pittoresques de l'Amerique dessinées par la Comtesse Charlotte de Survillier. After Charlotte Bonaparte (French, Mortefontaine 1802-1839 Sarzana). 1824. Lithograph. Prints

Bethlehem, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1835-1836, Line engraving, first published state

Distant View of St. Michel, Print made by Thomas Jeavons, ca. 1800-1867, British, after Clarkson Stanfield, 1793-1867, British, 1834, Etching and line engraving on medium, slightly textured, cream wove paper

Modern Italy, Print made by William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1842, Etching and line engraving with graphite; engraver's proof (c), touched on thick, moderately textured, cream wove paper with cream chine-collé, Sheet: 26 1/4 × 39 3/4 inches (66.7 × 101 cm), Plate: 22 1/4 × 28 inches (56.5 × 71.1 cm), Chine collé: 21 1/2 × 27 3/8 inches (54.6 × 69.5 cm), and Image: 16 7/8 × 23 7/8 inches (42.9 × 60.6 cm)

Bei Salerno. Reinhart, Johann Christian (1761-1847), graphic artist

Buchach on the Strypa River. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

James H. Kernot, active early 19th century, Wolf's Hope, 1836. Line engraving, engraver's proof.

Bonneville, plate 64 from Liber Studiorum Published 1816 England. Etching and engraving in brown on ivory paper . Joseph Mallord William Turner

Landscape with a view of Hoch-lets, Daniel Nikolaus Chodowiecki, After Rembrandt van Rijn, after Pieter de With, 1759 print paper etching Sint-Vituskerk. Hoch Elten

Llanthony, Monmouthshire, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving and stipple engraving, 2nd state on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm), Plate: 9 9/16 × 12 1/8 inches (24.3 × 30.8 cm), Chine collé: 9 1/4 × 11 13/16 inches (23.5 × 30 cm), and Image: 6 5/8 × 9 7/16 inches (16.8 × 24 cm)

James Charles Armytage, 1802-1897, British, It's Auld Ailie Hersell, 1836-1837. Line engraving.

James Charles Armytage, 1802-1897, British, 'It's Auld Ailie Hersell', 1836. Line engraving, engraver's proof.

View of Rome and Surrounding Country. Artist: Richard Earlom (British, London 1743-1822 London); After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: sheet: 5 13/16 x 9 3/16 in. (14.8 x 23.4 cm). Publisher: Published by Boydell and Co. (London). Series/Portfolio: Liber Veritatis, no.76. Date: 1810. Museum: Metropolitan Museum of Art, New York, USA.

Le Hâvre aux Huîtres dans le Port du Roi Georges, Nelle Hollande, 1830 - 1835. Published by J. Tastu in Paris. Lithograph, 33 x 53 cm

San-Francisco. Artist: Louis Le Breton, French, 1818-1866

W. R. Smith, active 1819-1851, Tynemouth, Northumberland, 1831. Etching and line engraving, Engraver's proof on moderately thick, smooth, cream, wove paper, with gray, chine colle.

Tancarville, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

Bliżej Kultury Unknown, Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

Etching by Jean Baptiste Chatelain depicting a river landscape with a ruin and a skipper, created in 1744, showing natural and architectural elements.

Kansas City.. Prints. 1855. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Missouri River, Kansas City (Kan.), Steamboats , Missouri River

William Miller, 1796-1882, British, Brienne, 1834. Etching and engraving, touched with graphite (Engraver's Proof).

View of Albano. Claude Thiénon (French, 1772-1846); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817. Dimensions: 202 × 293 mm (image); 223 × 307 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Winander-Mere, Westmoreland, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, engraver's proof

Capt. Thomas Hastings, 1778-1854, British, At Hastings, 5 October 1820, 1820. Graphite on medium, slightly textured, cream wove paper.

Bliżej Kultury Hellmuth (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

Oberwesel, Print made by James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1838-1854, Line engraving on medium, slightly textured, cream wove paper

The Convent of Neuburg from Haarlass. Dated: 1829. Dimensions: image: 14.2 x 19.6 cm (5 9/16 x 7 11/16 in.) sheet: 22.6 x 30.2 cm (8 7/8 x 11 7/8 in.). Medium: lithograph on chine collé. Museum: National Gallery of Art, Washington DC. Author: Ernst Fries.

Near Dieppe. Thomas McLean (England, London, 1788 - 1875)Eugène Isabey (France, Paris, 1803-1886). France, 1833. Prints; lithographs. Lithograph on chine collé

Bouvignes and Dinant, Print made by George Arnald, 1763-1841, British, after George Arnald, 1763-1841, British, 1822, Mezzotint and etching, printed in brown ink on moderately thick, moderately textured, cream laid paper, Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm) and Image: 7 3/16 x 10 1/4 inches (18.2 x 26.1 cm), boats, buildings, canoes, cargo, church, cityscape, cliffs, clouds, flag, fort, genre subject, hills, horses (animals), landscape, marine art, men, mountains, onion dome, river, riverbanks, road, sampans, shore (landform), spire, trade, transportation, trees, wagons, Belgium, Bouvignes-sur-Meuse, Collegiate Church of Notre-Dame, Dinant, Meuse, Namur, Wallonie

Near Namur, Print made by Samuel William Reynolds, 1773-1835, British, after George Arnald, 1763-1841, British, undated, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 8 1/4 × 9 9/16 inches (21 × 24.3 cm) and Image: 6 7/16 × 7 9/16 inches (16.4 × 19.2 cm)

James Baylis Allen, 1803-1876, British, St. Germains, 1835. Line engraving, engraver's proof, touched.

Print made by Charles Turner, 1774-1857, British, Totnes, on the Dart, 1823 to 1827. Mezzotint.

John Cousen, 1804-1880, British, Chateau Gaillard, From the South (Title page), 1835. Line engraving on steel.

Shepherds and travelers at a river, Louis Monziès, after Nicolaes Pietersz Berchem, 1881 print paper etching river. herd, flock

Wine harvest in a landscape, Carl Wilhelm Weisbrod, after Nicolaes Pietersz Berchem, 1776 print Paris paper etching vintage, grape harvest. city-view, and landscape with man-made constructions

Liber Studiorum: Tan y Beolch, North Wales, 1838. John Sell Cotman (British, 1782-1842). Etching;

The Opening of the Walhalla, Charles Cousen, 1813-1889, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

Artist: Wenceslaus Hollar, Bohemian, 1607-1677, The Cliff of Dover, from the series Divers Views after theLife, Etching, image: 6.2 × 13.5 cm (2 7/16 × 5 5/16in.), Made in Bohemia, Czech Republic, Bohemian, 17thcentury, Works on Paper -Prints

Siege Van Sluis, 1794, Cornelis Bogerts, After Jacobus Buys, 1794 - 1795 print Sluis, besieged and taken by the French on August 25, 1794. Marked at the top right: XXV.D.PL.I. Northern Netherlands paper etching / engraving Victories, position was Lock

Rievaulx Abbey, Joseph C. Bentley, 1809-1851, British, after Joseph Mallord William Turner, 1775-1851, British, 1834-1836, Engraver's proof

ALEXANDER THE GREAT King of Macedon. Never completed statue of Alexander. Designed by Dinocrates and to be carved from Mount Athos. Date: 356 - 323 BC

Kors on the rivers Rosi; Misierowicz, Alojzy (Ca 1825-Post 1900), Orda, Napoleon (1807-1883), Fajans, Maksymilian (Warsaw; Litographic and photographic inn; 1853-1892); 1876 (1876-00-00-1876-00-00);Korsuń Szewczenkowski (Ukraine), Orda, Napoleon (1807-1883). The album of Polish historical views (1873-1883), Polish graphics, neo-Gothic (style), unknown (provenance), palaces (archite.), Poland (culture)

'Dunvegan Castle', 1774. Artist: Peter Mazell.

Virginia Water No. 11, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1828, Line engraving, first published state on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm), Plate: 6 × 8 1/2 inches (15.2 × 21.6 cm), Chine collé: 5 11/16 × 8 1/8 inches (14.4 × 20.6 cm), and Image: 3 5/8 × 5 1/2 inches (9.2 × 14 cm)

James Baylis Allen, 1803-1876, British, Loch Leven Castle, 1836-1837. Engraver's proof, touched.

Winter landscape, from the graphic portfolio of Die Galerie Zu Cassel in Ihren Meisterwerken nach Den OriginalGEMalden Radirt von William Unger; E.-A.-SSEMANN-BUCH- und Kunstverlag (Leipzig; Publisher; 1858-1921-2008), SEEMANN, Ernst A. (1829-1904), Unger, William (1837-1932), Rijn, Rembrandt Van (1606 -1669); 1872 (1872-00-00-1872-00-00);

View of the Small Waterfall and Rapids, Tivoli, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1769. Dimensions: 469 x 704 mm (image); 475 x 711 mm (plate); 557 x 782 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Mer de Glace, plate 50 from Liber Studiorum. Joseph Mallord William Turner; English, 1775-1851. Date: 1812. Dimensions: 180 × 255 mm (image); 217 × 293 mm (plate); 279 × 388.5 mm (sheet). Etching and mezzotint in brown on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Lebanon range and Baalbec. Woodward, John Douglas (1846-1924). Prints, Illustrations. 1881 - 1884. Dorot Jewish Division. Temples , Lebanon , Ba`labakk, Archaeological sites , Lebanon , Ba`labakk, Ba`labakk (Lebanon)

William Bernard Cooke, 1778-1855, British, Plymouth, Devonshire, 1832. Line engraving, 3rd state on thick, smooth, beige, wove paper.

Christian Wilhelm Ernst Dietrich's etching 'The horror of summer' depicts a scene with figures, landscape, and environmental elements from 1750-1816.

Haven Van Dieppe, Yves Marie Le Gouaz, After Nicolas Marie Ozanne, 1776 - 1816 print Numbered in the bottom right: 8. print maker: Francepublisher: Paris paper etching / engraving harbour. armorial bearing, heraldry Dieppe

Print made by John Pye, 1782-1874, British, Junction of the Greta and the Tees, 1834. Line engraving, second state on medium, slightly textured, cream wove paper with chine-collé.

Battlefield of Waterloo; Vue général du Champ de Bataille de Waterloo, 18 Juin 1815; Loose plates from a series of lithographs from the Waterloo area. Face over the battlefield of Waterloo. On the right the monument. Part of a series of twelve plates (supplemented to fourteen) with faces from approx. 1840 of the area where the Battle of Waterloo took place on June 18, 1815.

CALPEE, ON THE JUMNA, FROM AN INDIAN DRAWING

Edward Francis Finden, 1791-1857, British, Lebanon from Tripoli, 1835-1836. Line engraving, engraver's proof.

"Etching by Jean Ouvrier showing a port view with a tower, depicting ships, harbor, architectural structures, and surrounding landscape. Created between 1745 and 1784, demonstrating detailed engraving and maritime scene composition."

Rodolphe Bresdin, Cite Lointaine, 1868 Cite Lointaine

Evening, Woodcut Engraving from the Original Painting by Jean Baptiste Corot, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Landschap Met Acis en Galathea, Wilhelm Friedrich Gmelin, after Claude Lorrain, 1770 - 1820 print Rome paper etching / engraving Acis wooing Galatea. landscapes - HH - ideal landscapes. Polyphemus, the cyclops, beholding Acis and Galatea

Salisbury, Wiltshire, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Gebel Sheikh Embarak. Date/Period: 1867. Marine art. Watercolor with pen in brown ink over graphite on moderately thick, slightly textured, cream wove paper. Height: 130 mm (5.11 in); Width: 235 mm (9.25 in). Author: Edward Lear.

Castle of Saint Stephan of Mezzo and Canturano. Joseph Anton Koch; German, 1768-1839. Date: 1809-1810. Dimensions: 153 x 214 mm (image); 170 x 225 mm (plate); 243 x 360 mm (sheet). Etching on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Hannibal passing the Alps (vignette), Print made by W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper

Martello Towers near Bexhill, Sussex, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper, Sheet: 11 1/4 × 17 1/8 inches (28.6 × 43.5 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 × 10 1/4 inches (17.8 × 26 cm)

The Acropolis of Athens, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1832, Etching and engraving on medium, slightly textured, beige, wove paper, Sheet: 6 1/16 × 8 11/16 inches (15.4 × 22.1 cm) and Image: 3 3/4 × 5 1/2 inches (9.5 × 14 cm)

Jaffa, the Ancient Joppa, Print made by William Wallis, 1794- active 1830, William Henry Bartlett, 1809-1854, British, Published by Fisher, Son & Co., active 1821-1848, British, 1846, Line engraving on medium, slightly textured, cream wove paper

plain of Vitoria, 1838, Wilkinson, Álava Armory Museum, Vitoria, Basque Country, Spain.

A Subiaco, from Malerisch Radierte Prospekte aus Italien 1792 Germany. Etching on ivory laid paper . Johann Christian Reinhart

Natives of New Herrnhut, Greenland 1863 Lars Møller This lithograph, along with 60.704.1 and 60.704.3, were executed by Lars Moeller, the native Greenlander in charge of the press, after watercolors by Hinrich Rink. It is probable that the prints were designed for export as well as home sale due to the legends in English, Danish, and Greenlandic. They were made in a small number on the lithographic press Rink brought to Greenland in 1857, and these prints are probably the best examples of the early work.. Natives of New Herrnhut, Greenland. Lars Møller (Greenlandic-Inuit, 1842-1926). 1863. Color lithograph. Prints

Staedchen (!) Neumark Klattauer Kreis, aftermasted by Joann Venuto 1820.

W. R. Smith, active 1819-1851, Dartmouth Cove, 1827. Line engraving and etching, 2nd state on moderately thick, slighty textured, cream, wove paper, with cream, chine colle.

Winter face, Johannes Philippus Lange, After Andreas Schelfhout, 1820 - 1849 print Winter face with figures and a sled on the ice, on the left a village wall with a turret. paper steel engraving winter landscape; landscape symbolizing winter (the four seasons of the year). village-walls. sleigh, sledge (non-sport)

Przeprawa przez rzekę Bhagirathi. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Netherlands, Breach of the Lock at the Arkelsche Dam in 1820, Breach of the Arkelse Dam near Gorinchem, 1820, verso - stamped, Breach of the Arkelse Dam near Gorinchem on 26 January 1820. To the left of the breached dike are people, to the right a man is fleeing with an old woman on his back., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 422 mm, width 588 mm, print maker, printmaker, 1820 - 1820, paper, papier, etching, etchings, aquatint, kleurdruk

Der König-See gegen den Untersberg bei Salzburg (Königsee toward the Untersberg near Salzburg), 1830, VI Bll. Malerische Ansichten aus den Umgebungen von Salzburg (Six Plates. Picturesque Views of the Environs of Salzburg) Hoff-Budde 193-198, etching on wove paper, plate: 16.2 x 20.7 cm (6 3/8 x 8 1/8 in.), sheet: 22.5 x 29 cm (8 7/8 x 11 7/16 in.), Hoff-Budde 1922, no. 196, State iv/iv, Ludwig Richter (artist) German, 1803 - 1884

W. R. Smith, active 1819-1851, Richmond, Yorkshire, 1818-1823. Open etching on thick, moderately textured, cream, wove paper.

Vernielde Use, 1832, Denis Auguste Marie Raffed, 1833 print Destroyed bridge at a fortification on which a figure with the arms in the air. On the left, a man pulls another man out of the water on the side. Part of the series of 24 prints about the siege of the Citadel of Antwerp, November 30 - December 23, 1832. print maker: Franceprinter: Parispublisher: Paris paper. watercolor (paint). lacquer (coating) lacquering fortifications, military engineering Antwerp. Citadel of Antwerp (19th century)

Perugia (vignette), Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching; open etching on medium, slightly textured, cream wove paper

Colored etching by August Franz Heinrich Naumann created between 1791 and 1794, titled 'Throw', showing a figure in motion with dynamic lines and shading.

Quilleboeuf, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving and etching, engraver's proof

Doctor Syntax Tumbling in the Water, from The Tour of Doctor Syntax. Thomas Rowlandson (English, 1756-1827); published by Rudolph Ackermann (English, 1764-1834). Date: 1808-1813. Dimensions: 118 × 186 mm (image); 150 × 250 mm (plate); 295 × 357 mm (sheet). Hand-colored etching and acquaint on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

J. C. Varrall, active 1815-1827, Launceston, Cornwall, 1827-1838. Open etching.

J. C. Varrall, active 1815-1827, Rochester, Stroud, and Chatham, Medway, 1827-1838. Open etching.

After: Salathiel Ellis, American, 1803-1879, Rossie (St. Lawrence Co. NY), Lithograph in colors, by Speckter & Co., sheet: 36.5 × 52.5 cm (14 3/8 × 20 11/16in.), Made in United States, American, 19thcentury, Works on Paper -Prints

Two faces on hatvan and burial mounds, Wenceslaus Hollar, after Joris Hoefnagel, 1657 print Text in Latin in the cartouche between the two performances. paper etching city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). grave, tomb and other grave-forms and grave-markers Sixty

Beach face, Gijsbertus Craeyvanger, after Adriaen van de Velde, 1833 print On the left on the beach, near a wooden cabin, a group of fishermen gathered. They share a meal. On the right a covered wagon drives with a figure and two dogs. A carriage drives through four horses on the beach. There are different bomb barges on the water. The print was made to a painting by Adriaen van de Velde in the Mauritshuis in The Hague. print maker: Netherlandsafter painting by: Netherlandsprinter: Amsterdampublisher: Amsterdam paper. beach. sailing-ship, sailing-boat

Robert Wallis, 1794-1878, British, Ehrenbreitstein, 1836. Line engraving on medium, slightly textured, beige, wove paper.

THE ROMSDAL HORN

The Acropolis of Athens, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Etching and engraving, Engraver's Proof on moderately thick, slightly textured, beige, wove pper, with cream, chine colle, Sheet: 11 3/16 × 16 1/16 inches (28.4 × 40.8 cm), Plate: 8 7/8 × 10 15/16 inches (22.5 × 27.8 cm), Chine collé: 8 1/2 × 10 5/8 inches (21.6 × 27 cm), and Image: 3 15/16 × 5 1/2 inches (10 × 14 cm)

Ehrenbreitstein, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1828, Line engraving, engraver's proof on thick, moderately textured, beige, wove paper, with gray, chine colle, Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm), Plate: 6 × 8 1/2 inches (15.2 × 21.6 cm), Chine collé: 5 3/4 × 8 1/4 inches (14.6 × 21 cm), and Image: 3 15/16 × 5 11/16 inches (10 × 14.4 cm)

Wright, Magnus von, Loneliness, inside cover page in the educational series Grunder i Teckna och Rita, 1838, lithography, graphics, leaf width 24.3 cm, leaf height 15.6 cm

. Hand-colored aquatint on paper . M. Dubourg

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