Historic Landscapes and Villages

Charming views of villages and landscapes from the 17th to 19th century, featuring natural elements, architecture, and peaceful rural scenes.

Rijn, Rembrandt van, Landscape with drinking cow, verso lower right, print, prints, height 103 mm, width 128 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1652, second quarter 17th century, third quarter 17th century, paper, papier, etching, etchings, drypoint, dry needle, plate tone, Work conception, after own design by

Village view in Renkum, Jan van Goyen, 1651, draughtsman: Jan van Goyen, 1651, paper, brush, h 110 mm × w 193 mm

Port w Aleksandrii. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

The Hague, Soetens & Fils, Vertin, Petrus Gerardus, Eilbracht, Gerhardus Fredericus, Belvedère à Nijmègue, View of Nijmegen, On the right is the river Waal with two sailing ships on it. On the left the city wall and some buildings. In the meadows by the water walk two shepherds with cows and sheep. Numbers top left: PANTHEON PL XLVII., print, prints, height 315 mm, width 445 mm, 1816-08-29 - 1854-01-06, print maker, printmaker, 1826 - 1854, paper, papier, lithografie (techniek), Work conception, Dutch, 1819-03-21 - 1893-09-14, after a design by, printer, drukker, Publication (Event), Publicatie, publisher

Etching by Rembrandt from 1650 showing a landscape with a barge, including water, vegetation, and distant buildings.

View of Kleef, 1833 Page 23 Recto from a sketchbook with 41 sheets. Cleves paper. watercolor (paint). pencil brush city-view, and landscape with man-made constructions. windmill in landscape Cleves

A drawing by Thomas Wyck showing a coastal scene with a house and ships, executed in graphite pencil and gray and brown brush.

by s agniten within Uytregt

Horsemen in a Landscape, Alessio De Marchis, Italian, 1684-1754, Brush and brown wash, red, black chalk on cream laid paper, A figure on horseback rides across a triple-arched stone bridge with fortified ruined approaches in a hilly landscape. Another mounted figure appears in the lower right foreground. In the distance a single-arched bridge and several buildings can be seen. Verso: slight sketch of a complex of church-like buildings set in a hilly landscape., Italy, 1740-50, landscapes, Drawing, Drawing

Drawing (Italy)

Rijn, Rembrandt van, Landscape with drinking cow, verso lower right, print, prints, height 103 mm, width 128 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1652, second quarter 17th century, third quarter 17th century, paper, papier, etching, etchings, drypoint, dry needle, plate tone, Work conception, after own design by

Figures on a bridge over a canal, 1822 - 1893 Also studies of a boat and figures. Leaf 8 Verso from a sketchbook with 36 sheets. paper. watercolor (paint). pencil brush Also studies of a boat and figures. Leaf 8 Verso from a sketchbook with 36 sheets. paper. watercolor (paint). pencil brush

View of a river landscape with ruins, anonymous, after monogrammist CG (the Netherlands), after Claude Lorrain, 1700 - 1886 print On the left a few ruins on a river. On the river a few rowing boats and sailing ships. In the front shepherds and walkers. On the right a whale is swimming. Low Countries paper etching / brush landscape with ruins. river. rowing-boat, canoe, etc.. sailing-ship, sailing-boat

Louis Philippe Boitard, active 1734-1760, View near Aldenham, Herts, undated. Pen and brown ink, brown wash and black ink on medium, slightly textured, cream wove paper.

Ardea di Cesarini, Sir Richard Colt Hoare, 1758-1838, British, undated, Brown wash, pen and brown ink, graphite on textured, medium, cream laid paper, Sheet: 12 × 17 5/8 inches (30.5 × 44.8 cm), architectural subject

Rijn, Rembrandt van, Landscape with drinking cow, verso lower left - stamped, print, prints, height 102 mm, width 129 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1652, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, paper, papier, etching, etchings, brush, Borstel, drypoint, dry needle, Work conception, Noord-Nederlands, after own design by

Brunehault, Constantine Huygens (II), 1677, draughtsman: Constantijn Huygens (II), 18-Aug-1677, paper, pen, h 102 mm × w 169 mm

John Robert Cozens, 1752-1797, British, Castel Gandolfo, ca. 1780. Graphite on thin, slightly textured, cream laid paper.

Nile Journey, 1890, colored chalk on blue wove paper, sheet: 15.88 × 20.32 cm (6 1/4 × 8 in.), Elihu Vedder (artist) American, 1836 - 1923

Mauzoleum grobowe w okolicach Delhi. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Figures on a bridge over a canal. Also studies from a boat and figures. Leaf 8 Verso from a sketchbook with 36 sheets.

Album with Views of Rome and Surroundings, Landscape Studies, page 48a: Roman Panoramic View. Franz Johann Heinrich Nadorp (German, 1794-1876). Watercolor with graphite;

View of Kasteel Honingen near Rotterdam, Jan Ruyscher (attributed to), c. 1648 - c. 1652, draughtsman: Jan Ruyscher, (attributed to), Rotterdam, c. 1648 - c. 1652, prepared paper, pen, brush, chalk, h 142 mm × w 162 mm

A View of the Gaut at Etawa on the Banks of the River Jumna, William Hodges, 1744-1797, British, ca. 1783, Gray wash, pen and black/gray ink and graphite on laid paper, laid down on 19th Century wash mount, Sheet: 19 7/8 x 26 1/8in. (50.5 x 66.4cm)

Danube views, Syrmia, Markt Vukovar, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

De Plompe Tooren / to Uytrecht

circle of David Cox, 1783-1859, British, Windsor, mid-19th century. Watercolor and black chalk on medium, moderately textured, cream wove paper.

Lambach, Upper Austria, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Gray wash and graphite on moderatly thick, moderately textured, beige, wove paper, Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)

Landscape with Shepherds by a River and a Town Beyond (recto); Figure Studies and Roman Ruins (verso). Jan van Scorel or Workshop (Dutch, 1495 - 1562)

Print made by Bradshaw & Blacklock, active ca.1850, British, Chepstow Castle, after 1850. Etching and color woodcut on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper.

A rider and a hiker at a ferry, at a city on a river. Third print of a series of 36 prints of landscapes, divided into six parts.

White Lady Port t 'Utegt. 1736.

PARTERRE BEFORE A PALACE

Drawing by Stefano della Bella showing a man with two donkeys carrying loads in an open space in front of several houses, executed with chalk, feather, ink, and gray wash.

IJsselmonde.Leaf 72 recto from a sketchbook with 98 sheets.

Landscape with Abraham and Angels. Attributed to Hans Bol; Netherlandish, 1534-1593. Date: 1567. Dimensions: 207 x 294 mm. Pen and brown ink with brush and brown wash, on buff laid paper, laid down on card. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: HANS BOL.

Attributed to Robert Dixon, 1780-1815, British, Norwich from the gravel pits, undated. Watercolor on medium, moderately textured, cream wove paper.

View of Ostroh. Vogel, Zygmunt (1764-1826), painter

L'Église de Jobourg. Dated: 1887. Dimensions: plate: 20 x 30.9 cm (7 7/8 x 12 3/16 in.) overall: 27.4 x 36.2 cm (10 13/16 x 14 1/4 in.). Medium: soft-ground etching and aquatint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

The Oude Haarlemmersluis (Old Haarlem Lock) on the Martelaarsgracht, Amsterdam, Jacob Isaacksz van Ruisdael, c. 1638 - c. 1655, draughtsman: Jacob Isaacksz van Ruisdael, draughtsman: Meindert Hobbema, (rejected attribution), Amsterdam, c. 1638 - c. 1655, paper, brush, h 150 mm × w 193 mm

View in Panwell, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 10 1/2 × 10 7/8 inches (26.7 × 27.6 cm)

Artist: Jean Baptiste Lallemand, French, 1716-1803, Italian Landscape withRuins, mid to late 18thcentury, Pen and brown ink and gray wash, sheet: 11.5 × 25.3 cm (4 1/2 × 9 15/16in.), Made in France, French, 18thcentury, Works on Paper - Drawings andWatercolors

Henry Swinburne, 1743-1803, British, Villeneuve-les-Avignon, France, undated. Pen and brown ink, over graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Bielany in Wrocław. Sliwinski, Robert (1840-1902), draughtsman, cartoonist

imitator of Thomas Girtin, 1775-1802, British, Valle Crucis Abbey, near Llangollen, between 1798 and 1801. Watercolor and graphite on medium, moderately textured, beige laid paper.

Stone Bridge, Henry Swinburne, 1743-1803, British, undated, Gray wash and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm) and Sheet: 6 × 8 3/8 inches (15.2 × 21.3 cm)

Set for a Christmas Crèche (Nativity), Leonardo Scaglia, French, active Italy, 1640 - 1650, Pen and brown ink on cream paper, Design for a Christmas creche. A courtyard with a building and a tree on the left and a building with a thatched roof on right. In the center the Virgin and Child., Italy, ca. 1750, figures, Drawing, Drawing

Idealized Italian landscape with a derelict bridge and a castle. Draughtsman: Gerard ter Borch (I) (possibly). Dating: 1614 - 1616. Place: Zwolle. Measurements: h 203 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Mountain Landscape with a Castle and a Boatman mid-to-late 1780s Thomas Gainsborough British Once thought to date to the mid-1770s, when Gainsborough moved to London from Bath, the handling of this sheet suggests a date following the artist's visit to the Lake District in 1783. His early drawings respond to the English landscape, but this composition is an imagined conflation that demonstrates admiration for Claude Lorrain and Gaspard Dughet conveyed using black and white chalks on blue paper, a seventeenth-century technique. The appreciation for rough, irregular forms accords with the contemporary British aesthetic of the Picturesque.. Mountain Landscape with a Castle and a Boatman 341785

Cityscape with boats on a canal, 1822 - 1893 There are canal houses along the canal. In the background a drawbridge over the canal. Also two studies from a man with a cap. Leaf 50 Verso from a sketchbook with 36 blades. paper. watercolor (paint). pencil brush There are canal houses along the canal. In the background a drawbridge over the canal. Also two studies from a man with a cap. Leaf 50 Verso from a sketchbook with 36 blades. paper. watercolor (paint). pencil brush

MURVIEDRO - DIBUJO - AGUADA - 1563 - 282X950 MM. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: BIBLIOTECA NACIONAL-COLECCION. WIEN. AUSTRIA.

t 'Utegt van het Cingel, on the Tollsteeg port in Sien DT: 27. septemb er: 1744.

View in Rome near the Colosseum mid-17th-early 18th century Michiel van Overbeek Dutch. View in Rome near the Colosseum. Michiel van Overbeek (Dutch, active 1663-1709). mid-17th-early 18th century. Pen and brown ink, brown wash, on brown paper; framing line in pen and brown ink, possibly by the artist. Drawings

View of a canal in the surroundings of the city of Haarlem at moonlight; Vûe du Canal Proche de Haerlem. There are houses and ships and boats on the water. In the foreground a man with a stick is in the water.

Capt. Francis Grose, 1731-1791, British, Nun Mill, Northamptonshire, 1762. Watercolor and pen and ink on medium, slightly textured, cream laid paper.

View of the prisoner of the prisoner. In the foreground a street with links a few cottages, in the middle of three riders, right a coach with six horses, completely right a tree on a square. Behind the street water, behind it buildings, right-catching on the square, where two riders and a man stand in front of the bridge to the main building. Under large air. Reverse: Damaged wax seal. Signature: Lacquer stamp (not identified).

Jägerzeile, Macks Sugar Africanry on the shaking, From the series Sketches of Vienna in October , Carl Anton Goebel also Göbel -, Lithographic, Johann Höfelich -, Printer, Anton Paternos widow, publishing house

Lowestoffe Lighthouse (vignette), James C. Allen, active 1821-1831, British, after Joseph Mallord William Turner, 1775-1851, British, c.1830, Etching and engraving, Engraver's proof on thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm), Plate: 6 1/4 × 5 1/4 inches (15.9 × 13.3 cm), Chine collé: 6 3/16 × 5 1/16 inches (15.7 × 12.9 cm), and Image: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)

Carnavalet Museum, Collection Drawings

Man with dog at Ruin, Anonymous, 1700 - 1800 drawing paper. ink pen / brush ruin of a building ~ architecture

Netherlands, Dielen, Willem Matthias Jan van, Southern landscape with gate and tower on rock, verso - stamped, print, prints, height 99 mm, width 122 mm, 1805-10-27 - 1867-08-31, print maker, printmaker, 1815 - 1867, paper, papier, etching, etchings, aquatint

Paul Sandby RA, 1731-1809, British, Ipswich from the Grounds of Christchurch Mansion, undated. Watercolor and pen and brown ink over graphite on medium, cream, slightly textured laid paper.

Jägerzeile, Macks Sugar Africanry on the shaking, From the series Sketches of Vienna in October , Carl Anton Goebel also Göbel -, Lithographic, Johann Rauh -, Printer, Anton Paternos widow, publishing house

Landscape with Castle and Shepherd Tending Flock. Cornelis Ploos van Amstel (Holland, Weesp, 1726-1798)Cornelis Brouwer (Dutch, 1733 - 1803). Holland, 1704. Prints; etchings. Crayon-manner (in Ploos van Amstel's technique)

Fitting Diffend Die Vorcedete Vieden Und Via Vien , Fit Value of Veshrn Fellows, Vienna, Vienna Camer, Artarian, Artist, Artarish, Publishing House

Print made by Edward Goodall, 1795-1870, British, Caligula's Palace and Bridge, 1842. Etching and line engraving, first published state on thick, moderately textured, beige wove paper with cream chine-collé.

Dominic Serres RA, 1722-1793, French, active in Britain (from the 1750s), Saint Vincents, near West Malling, Kent, ca. 1779. Oil on canvas.

Landscape with stone bridge, 1787 - 1833 print In a hilly and tree -rich landscape, a man with things on his back and walking stick walks over a stone bridge. On the left, five travelers rest on horseback at an inn. A man comes out through the door. He has two glasses and a gift jug in his hands. Numbered in the bottom right: 2. The print is part of an album. paper etching river. riding a horse, ass, or mule; rider, horseman. landscape with bridge, viaduct or aqueduct. (traveller) resting in the open air

Plate with Italianizing landscape, Frederik van Frytom (Manner of), c. 1660 - c. 1680 Rectangular plate of Faïence, blue painted in the enamel with an Italianizing landscape. In the foreground on the left a stream. On the hills a temple and a ruin. On the right three figures under a group of trees. Delft . Rectangular plate of Faïence, blue painted in the enamel with an Italianizing landscape. In the foreground on the left a stream. On the hills a temple and a ruin. On the right three figures under a group of trees. Delft .

Rijn, Rembrandt van, Landscape with square tower, verso lower left - stamped, print, prints, Rembrandt f 1650, lower right, height 88 mm, width 156 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1650 - 1650, third quarter 17th century, derde kwart 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, Northern Netherlands, after own design by

Rev. John Gardnor, 1729-1808, British, Carrig Cennen Castle, Carmarthenshire, undated. Watercolor with pen and black ink and graphite on thick, moderately textured, cream wove paper.

Print made by Edward Goodall, 1795-1870, British, The Campagna of Rome, 1830. Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper.

John Robert Cozens, 1752-1797, British, From the Top of the Arena, Verona, ca. 1783. Graphite and varnish on thin, slightly textured, cream laid paper.

Neustadt an der Metau (: Böhm. Nowy Miesto Hradissie Nad Methugi :) in the Koeniggraetzer circles. Recorded in 1800 by Joann. Venuto.

Antwerp, Cock, Hieronymus, Doetechum, Johannes of Lucas van, Roman ruins, 1561, Fourth view of the ruins of the Palatine, verso - stamped, Fourth view of the ruins of the Palatine Hill in Rome. Among the ruins two men play with their dogs., print, prints, height 230 mm, width 325 mm, print maker, printmaker, 1561 - 1561, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Southern Netherlands, 1518 - 1570-03-10, after a design by, Publication (Event), Publication, publisher

Żółkiew. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Thomas Shotter Boys, 1803-1874, British, Brussels from the Paris Road, 1831. Watercolor, gouache, and scratching out on moderately thick, moderately textured, cream wove paper.

Winter landscape with ice rink by Aert van der Neer, pen, brush, brown colour, black chalk, watercolor on paper, 1603-1677, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 18, 5x26, 5

Map of the Grietenij Opsterland, 1718 print At the top left Cartouche with title and administrative information about De Grietenij. A female figure, putti and the weapons of Opsterland and Grietman Augustinus Lycklama à Nijeholt. At the bottom of a cartouche with a shepherd, Ceres, a fisherman and a hunter. Including bowl: size of a Uire Gangs, Zynde 1200 Koonings rods, Welker 2000 Maaken a common Duytze Myl of 15 in a degree. Legend right. With grid. paper. pencil engraving / etching maps of separate countries or regions. coat of arms (as symbol of the state, etc.). (story of) Ceres (Demeter). hunter. fisherman. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Friesland. Opsterland

Staedtchen Beneschau in the Berauner Circles, afterwards by Joan Venuto 1810.

Alexandrie Alexandria. Vue du Port Neuf, prise du rivage, du côté du sud-est.. Prints, Illustrations. 1817. Rare Book Division. Egypt, Alexandria (Egypt), Harbors , Egypt , Alexandria

This signed on Dander Sijde by Herman Saftleven is the Heillige Kruis Ao. 1674

Princenhage, near Breda. Draughtsman: Cornelis Pronk. Dating: 7-Aug-1729. Measurements: h 154 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

EMBARQUE A CITERE DET. Author: Jean Antoine Watteau. Location: LOUVRE MUSEUM-PAINTINGS. France.

Oude Schuur, Willem Anthonie van Deventer, 1834 - 1893 drawing paper. pencil. watercolor (paint) brush barn

Henry Ossawa Tanner, The Good Shepherd, c 1918 The Good Shepherd

Conway (Castle, North Wales), Isaac Weld, 1774-1856, Irish, 1809, Watercolor, brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 13 1/16 × 16 9/16 inches (33.2 × 42.1 cm)

River face, draughtsman: Paulus van Liender, 1776, paper, pen, brush, h 53 mm × w 73 mm

Bosphet. Page 164 From a sketchbook with 175 pages.

Serenade. Figures on a bridge at night. This print is a counterprint of a print with the same title

Unfinished study, England, by John Cotman. Gift of Archdeacon F.H.D. Smythe, 1957.

PAISAJE DE LA CONCHA DE SAN SEBASTIAN-DETALLE-S XVIII. Author: LUIS PARET Y ALCAZAR (1746-1799). Location: PALACIO DE LA ZARZUELA. MADRID. SPAIN.

Lancaster. George Arthur Fripp (1813-1896). Pencil, watercolour and gum arabic. Signed and dated 1852. 46.4 x 69.3cm.

Edward Lear, 1812-1888, British, Agrigento.

House Kostverloren, Claes Jansz. Visscher (II), 1612 - 1652 print View of the house Kostverloren near Amsterdam, in addition to a low farm. In the foreground a fisherman and a woman leaning on her stick, with a dog. On the right is a figure on the waterfront. Amsterdam paper etching dog. villa. fisherman. landscapes House Kostverloren

Landscape by Antonie Mirou, Oil on wood, 1586 - after 1661, Lithuania, Kaunas, State M. Ciurlionis Art Museum, 36, 5x55, 5

Ramsay Richard Reinagle, 1775-1862, British, At Bromley, Kent, undated. Watercolor, gouache and graphite on medium, moderately textured, cream wove paper.

Chteau de Menars, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm) and Sheet: 3 1/2 × 5 3/16 inches (8.9 × 13.2 cm)

Gateway Near a Landing Bridge. Francesco Guardi; Italian, 1712-1793. Date: 1780-1785. Dimensions: 304 x 456 mm. Pen and brown ink and brush and brown wash, over black chalk, on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Villa Doria Pamphilj and Gardens in Rome, Israel Silvestre, 1693 - 1717 print View of Villa Doria Pamphilj and Gardens in Rome. Title in French in the lower margin. Print is part of an album. print maker: Parisafter own design by: Parispublisher: ParisThe HagueFrance paper etching city-view, and landscape with man-made constructions. villa Villa Doria Pamphili

of 2