Historic Landscapes and Waterscapes

A collection of historical landscapes featuring countryside scenes, fishermen, windmills, and rivers, depicted with soft tones and detailed line work.

Landscape with Houses and Two Windmills along a Road, with Three Fishermen in the Foreground, Hendrick Avercamp, before 1620, In the foreground are three fishermen., draughtsman: Hendrick Avercamp, before 1620, paper, pen, brush, h 225 mm × w 320 mm

View of a mill from the Rhine bank. Draughtsman: Jan de Bisschop. Dating: 1648 - 1671. Measurements: h 96 mm × w 153 mm. Museum: Rijksmuseum, Amsterdam.

William Brockedon, 1787-1854, British, Dartington Pleasure House. Graphite.

City wall, Allaert van Everdingen, 1631 - 1675, draughtsman: Allaert van Everdingen, 1631 - 1675, paper, pen, brush, h 51 mm × w 85 mm

Nederland, Barbiers, Pieter Bartholomeusz., Landscape with figure on bridge, Netherlands, verso - stamped, On the left a house and a large tree. In the middle a river with a bridge over it. On the left a figure walks onto the bridge., print, prints, height 37 mm, width 64 mm, Noord-Nederlands, 1772-01-23 - 1837-09-10, print maker, printmaker, 1815 - 1837, first quarter 19th century, second quarter 19th century, paper, lithography (technique)

Elihu Vedder, Nile Journey, No 15, 1890 Nile Journey, No. 15

Henry Swinburne, 1743-1803, British, Garonne River, undated. Pen and brown ink on medium, moderately textured, blued white, laid paper, mounted on moderately thick, slightly textured, cream, wove.

Cascatella, Tivoli, 1817, Hon. Henrietta Anne Fortescue, ca. 1765-1841, British, 1817, Pen and brown ink and brown wash over graphite on medium, rough, cream wove paper, Sheet: 10 3/8 × 14 3/8 inches (26.4 × 36.5 cm), Grand Tour, landscape, shrubs, Europe, Italy, Tivoli

Josi, Christiaan, Eeckhout, Gerbrand van den, Furnerius, Abraham, Amsterdam, Ploos van Amstel, Cornelis, Draughtsman for a farm, verso - stamped, A draughtsman sits on a bench in front of a farm. Two people leaning on the lower door., print, prints, height 158 mm, width 205 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1767 - 1821, paper, paper drawing, etching, etchings, roulette, color printing, 1628 - 1654-06-06, intermediary draughtsman, after a drawing by, 1621-08-19 - 1674-09-29, Publication (Event), Publication, Nederlands, 1768 - 1828-11, publisher

Ruins and Trees. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 4-5/8 x 7-5/16 in. (11.7 x 18.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Theodosius Forrest, 1728-1784, British, Theodosius Forrest, undated. Watercolor, pen, black ink, and graphite on medium, slightly textured, cream laid paper.

Drawing by Giovanni Antonio Bazzi, known as Sodoma, depicting a landscape with a castle and market spots, executed in pen around 1505.

Rev. William Gilpin, 1724-1804, British, Landscape with Two Men on a Hill and a Castle in the Distance, between 1762 and 1783. Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper.

Ascending the East Cliff, Hastings, Capt. Thomas Hastings, 1778-1854, British, 1820, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)

Port and harbour of Buenaventura, Colombia, drawing by Francois Louis Niederhausern-Koechlin (1828-1888) from a sketch of the author, Voyage a la Nouvelle Grenade, 1869, by Charles Saffray (1833-1890), from Il Giro del mondo (World Tour), Journal of geography, travel and costumes, Volume IV, Issue 18, September 28, 1876.

Robert Fulton's first experiment with paddle-wheels on the Conestoga Creek in Pennsylvania when he was 12 years old. 1779. lifeofrobertfult00reigrich_0053

Découverte des Malfaiteurs (The Discovery of the Criminals), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 9 1633 Jacques Callot French. Découverte des Malfaiteurs (The Discovery of the Criminals), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 9. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1633. Etching; first or second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Bril, Paul, Nieulandt, Willem van (II), Riders and beggars in a landscape, recto lower right - handwritten, On the right in the foreground in an Italian landscape two men on horseback. One of these men gives money to a begging woman. In the background the mouth of a river and buildings on a rocky coast., print, prints, verso - stamped, 16, height 238 mm, width 315 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, etchings, engraving, engraving (printing process), brush, schilder, Work conception, 1554 - 1626-10-07

Fuite en Egpyte.. 1848. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Jesus Christ , Flight into Egypt

River face, Cornelis Claesz van Wieringen (attributed to), 1590 - 1633 drawing paper. ink pen river. river

Cats, Jacob (1741-1799), Haarlem, Wit, Izaak Jansz. de, The twelve months, Lentemaand, Landscape with a ruin and a ploughing farmer in the rain, verso - stamped, print, prints, Is. de Wit Jz. fc, lower right - engraved, J. Cats del., lower left - engraved, SPRING MONTH, lower center - engraved, height 202 mm, width 235 mm, Northern Netherlands, 1744-12-09 - 1809-03-13, print maker, printmaker, 1807 - 1807, paper, papier, etching, etchings, 1741-06-11 - 1799-11-09, intermediary draughtsman

Pavillion, Brighton, August 1828, Anne Rushout, ca. 1768-1849, British, 1828, Watercolor on moderately thick, slightly textured, cream wove paper

Orte. Dated: c. 1887. Dimensions: support: 15.2 x 23.6 cm (6 x 9 5/16 in.) sheet: 13.8 × 22.3 cm (5 7/16 × 8 3/4 in.). Medium: watercolor and graphite on wove paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.

In the park of the Villa Mondragone in Frascati, draughtsman: Francis Towne, 1781, paper, pen, brush, h 257 mm × w 381 mm

Rev. William Warren Porter, 1776-1804, British, Magdalen Bridge, Near Oxford, undated. Watercolor and graphite on medium, slightly textured, cream wove paper.

Souvenir d'Ostie. Jean-Baptiste-Camille Corot (French, 1796 - 1875)

Amsterdam, Philips, Caspar Jacobsz., Landscapes, Rúwientjes etc., Village view at night, verso - stamped, print, prints, height 50 mm, width 65 mm, Northern Netherlands, 1732-04-16 - 1789-03-19, print maker, printmaker, 1766 - 1766, paper, papier, etching, etchings

Shore of a Stream at Rossillon, 1867. Adolphe Appian (French, 1818-1898). Etching; sheet: 18.9 x 27.5 cm (7 7/16 x 10 13/16 in.); plate: 13.8 x 23.3 cm (5 7/16 x 9 3/16 in.).

Capt. Thomas Hastings, 1778-1854, British, Near Gravesend from the High Road, 1817. Pen and brown ink and graphite on medium, slightly textured, cream wove paper.

Vermeer, Johannes, France, Lalanne, Maxime François Antoine, View of Delft, verso - stamped, print, prints, height 158 mm, width 230 mm, 1827-11-27 - 1886-07-29, print maker, printmaker, 1837 - 1886, paper, papier, chine collé, vernis mou, Noord-Nederlands, 1632-10-31 - 1675-12-15

Amsterdam, Esveldt Holtrop, Jan Steven van, Spiegel der natuur en school der teekenkunde, Mountainous landscape with a river mouth, Mountainous landscape with a river mouth. In the distance a village by the water. On the horizon a few ships sail. On the right in the foreground two goats. On the bottom right an illegible serial number. The print is part of an album., print, prent, albumblad, prints, prenten, height 95 mm, width 178 mm, print maker, prentmaker, 1600 - 1699, paper, etching, etchings, Publication (Event), Publication, 1777 - 1833-11-20, publisher, 1787 - 1833

Sir Robert Smirke the younger, 1781-1867, British, Patras, Greece, 1803. Watercolor and graphite on moderately thick, moderately textured, beige, wove paper.

John Burnet , Amsterdam from the North West, 1794-1868, etching on laid paper.

A pencil and watercolor drawing by Friedrich Philipp Reinhold depicting a couple, two women, and two children at a fountain in a home garden in Nußdorf near Vienna, 1813.

William Daniell, 1769-1837, British, Madras, ca. 1792. Gray wash and graphite on moderately thick, slightly textured, beige, wove paper.

Paul Sandby RA, 1731-1809, British, Italianate Landscape with Travelers, No. 1, ca. 1765. Watercolor and gouache over graphite on medium, cream, slightly textured laid paper mounted on thick, cream, moderately textured laid paper.

'Le Vésuve De Pompéi', 1919. Artist: Pierre Gusman.

Tyre (currently in Lebanese territory). Engraving by Aubert. "La Tierra Santa y los lugares recorridos por los profetas, por los apostoles y por los cruzados" (The Holy Land and the sites traversed by the prophets, by the apostles and by the crusaders). Published in Barcelona by the printing house of Joaquin Verdaguer, 1840.

Members of a French delegation visit Napoleon's tomb on the island of St Helena, just before they will return his remains to France, Last pilgrimage to Napol, Victor Adam, (mentioned on object), print maker: Jean Baptiste Arnout, (mentioned on object), printer: Benard Lemercier & Cie, Paris, 1840 - 1841, paper, h 222 mm - w 303 mm

Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816

Italian landscape, Willem Schellinks, 1637 - 1678, draughtsman: Willem Schellinks, 1637 - 1678, paper, brush, h 176 mm × w 308 mm

Landscape with barge with merchandise at a castle, Jan van Lockhorst, after Jan Gabrielsz. Sonjé, 1776 drawing paper. pencil. watercolor (paint) brush

Landscape with Horses and Carts and a River at Right 18th century () Anonymous, Flemish, 18th century Flemish. Landscape with Horses and Carts and a River at Right 335274

Robbery of a travelling carriage by brigands, Dirk Langendijk, 1797, draughtsman: Dirk Langendijk, 1797, paper, pen, brush, h 136 mm × w 201 mm

Eeckhout, Gerbrand van den, Doomer, Lambert, Amsterdam, Ploos van Amstel, Cornelis, Village view with large tree, Inn in Anrath, verso - stamped, Inn 'Zur blauen Hand am Kirchhof' in Anrath. In the doorway a woman with a child in her arms. Next to the inn a large tree and some figures underneath it. On the left a pig., print, prints, height 134 mm, width 185 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1759 - 1760, paper, paper drawing, etching, etchings, roulette, color printing, 1624 - 1700-07-02, intermediary draughtsman, after a drawing by, 1621-08-19 - 1674-09-29

Plate I: London from Greenwich Park, Engraved by William Daniell, 1769-1837, British, after William Daniell, 1769-1837, British, 1804, Aquatint, hand-colored, Plate: 18 1/2 x 28 1/8in. (47 x 71.4cm) and Sheet: 20 x 29 11/16in. (50.8 x 75.4cm)

The Voyage of Life , Youth. Cole, Thomas, 1801-1848. 1849. Smillie, James, 1807-1885. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Michael "Angelo" Rooker, 1746-1801, British, Clare Castle, Suffolk, between 1797 and 1800. Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper.

Lulworth Castle, Dorset, Joseph Mallord William Turner, 1775-1851, British, ca. 1820, Watercolor and scratching out on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm), castle, cows, fence, genre subject, hats, landscape, pointing, river, village, Dorset, East Lulworth, England, Europe, Lulworth castle, United Kingdom

Clarkson Stanfield, 1793-1867, British, The Blockade Station, Rye, undated. Watercolor and graphite on medium, slightly textured, cream wove paper.

Half-size Sketch for The Opening of Waterloo Bridge (Whitehall Stairs, June 18, 1817”), John Constable, 1776-1837, British, 1829 to 1831, Oil on canvas, Support (PTG): 24 x 39 inches (61 x 99.1 cm), balconies, barges (ceremonial watercraft), boats, bridge (built work), buildings, celebration, ceremony, cityscape, costume, genre subject, guards (security), houses, opening (event), people, procession, river, soldiers, uniforms, England, Greater London, London, Thames, United Kingdom, Waterloo Bridge

Thomas Jones, 1742-1803, British, active in Italy (1776-83), The Grotto at Posillipo, ca. 1782. Watercolor, graphite, pen and gray ink, and gouache on moderately thick, moderately textured, cream laid paper.

Amsterdam, Esveldt Holtrop, Jan Steven van, Scheyndel, Gillis van (I), Spiegel der natuur en school der teekenkunde, Zeven landschaps, Figuren rond een kampvuur, On the shore of a lake several figures are sitting around a campfire, at night. Three fishermen are working in the water. The print is part of an album., print, prent, albumblad, prints, prenten, height 99 mm, width 143 mm, Noord-Nederlands, 1595 - 1660-12-24, print maker, printmaker, 1605 - 1653, paper, papier, etching, etchings, Publication (Event), Publication, 1777 - 1833-11-20, publisher, uitgever, 1787 - 1833

Mill and a grazing cow on a waterfront.a Church Tower in the background. Two figures in a rowing boat on the water. Leaf 39 Recto from a sketchbook with 41 Sheets.

Watercolour - The Clyde George Heriot (1759-1839)

Jules Joseph Augustin Laurens (1825-1901). Breeze-lame in Jersey. Graphite pencil (), Black pencil, charcoal, watercolor, gouache on brown paper. 1855. Paris, house of Victor Hugo. DRAWING

Jonathan Girtin, ca.1780-aft.1820, Landscape with an Abbey, 1805. Watercolor and graphite on moderately thick, moderately textured, cream laid paper, laid on contemporary mount made of thick, slightly textured, cream card.

Edward Lear, 1812-1888, British, Salahiyeh, 1867. Watercolor, graphite, pen and brown ink on medium, slightly textured, blue wove paper, mounted on thick, moderately textured, cream wove paper.

Dumblain Abbey, Scotland, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1816, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 × 16 1/8 inches (27.9 × 41 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 3/8 × 10 1/2 inches (18.7 × 26.7 cm), abbey, Dunblane, Dunblane Cathedral, Scotland, United Kingdom

Paris, Pierron, P., Meryon, Charles, France, Nouvelle Zélande, Presqu'île de Banks Pointe dite des Charbonniers à Akaroa, Fishermen at Colliers' Point near Akaroa on the Banks Peninsula, verso right - stamped, Fishermen hauling in nets at Colliers' Point near Akaroa on the Banks Peninsula in New Zealand. The inscription at the top right Voyage du Rhin refers to Meryon's sea voyage aboard the ship Le Rhin., print, engraving, prints, engravings, height 154 mm, width 326 mm, height 348 mm, width 505 mm, French, 1821-11-23 - 1868-02-14, print maker, engraving maker, 1863 - 1863, third quarter 19th century, paper, etching, etchings, drypoint, dry needle, intermediary draughtsman, after a drawing by, printer

Capt. Thomas Hastings, 1778-1854, British, Between West Cowes and Newport, 20 February 1826, 1826. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

Sion (Switzerland), Isaac Weld, 1774-1856, Irish, ca. 1817, Pen and gray ink, gray wash and graphite on thick, moderately textured, beige, wove paper, Sheet: 8 7/16 × 13 inches (21.4 × 33 cm), landscape, Sion

Buyten De Weert

Wojska pod murami Lahaur. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

A Selection of Twenty of the Most Picturesque Views in Paris: The Water Mill above the Bridge at Charenton, 1803, printed 1810 or after. Thomas Girtin (British, 1775-1802), Frederick Christian Lewis (British, 1779-1856). Softground etching and aquatint printed in brown, hand-colored with watercolor; sheet: 45.5 x 63.7 cm (17 15/16 x 25 1/16 in.); platemark: 20.6 x 33 cm (8 1/8 x 13 in.).

Le Moulin de la Galette, 1875, Windmills, Montmartre (Paris, France). Etching, black ink, 9 1/8 x 6 5/8 in. (23.1 x 16.8 cm), Paper / Sheet 12 1/4 x 9 7/8 in. (31.1 x 25.1 cm). In red ink, l.c. HCG Henri-Charles Guérard (Lugt 1157)

William Callow, 1812-1908, British, active in France, Margate, 1849. Watercolor with pen in brown ink over graphite on beige, moderately thick, moderately textured, wove paper.

Maron in Baglen, anonymous, 1829 drawing The village of Maron in the Baglen region or bagals on Java. Heuvelrug on which village among palm trees. Rear to the right three deciduous trees with the inscription 'Cemetery'. Left front eight posts on which severed people heads of Muiters have been stabbed. Java paper. ink. watercolor (paint) prospect of village, silhouette of village. instruments of torture, execution or punishment: stake Java

John Sell Cotman, 1782-1842, British, Near Whitby, Yorkshire, 1814. Graphite on medium, smooth, beige wove paper.

Landscape with Figures. François Boucher (French, 1703 - 1770)

Large pond with ships in the gardens of the Palacio del Buen Retiro in Madrid, 1694 - 1737 Large pond with ships in the gardens of the Palacio del Buen Retiro in Madrid. Under the show a title in Latin, Spanish, Dutch and French. Print is part of an album. print maker: Amsterdampublisher: AmsterdamThe Hague paper etching Palacio del Buen Retiro Large pond with ships in the gardens of the Palacio del Buen Retiro in Madrid. Under the show a title in Latin, Spanish, Dutch and French. Print is part of an album. print maker: Amsterdampublisher: AmsterdamThe Hague paper etching Palacio del Buen Retiro

By the Wayside. Drawing. Watercolor and gouache over graphite on thick, beige, rough wove paper. Height: 184 mm (7.24 in); Width: 241 mm (9.48 in). Author: Peter DeWint.

Francis Seymour Haden, 1818-1910, British, Mytton Hall, 1859. Etching and drypoint, with plate tone on thin, smooth, cream Asian paper.

Huta. Stachowicz, Michał (1768-1825), draughtsman, cartoonist

At the Papentor's vest in Haarlem. .

Ariccia, John Robert Cozens, 1752-1797, British, ca. 1783, Graphite and red chalk on thin, slightly textured, cream wove paper, Sheet: 7 5/8 x 9 inches (19.4 x 22.9 cm), church, clouds, landscape, palazzo, path, rocks (landforms), Ariccia, Church of Santa Maria dell'Assunzione, Europe, Italy, Palazzo Chigi

Attributed to William Marlow, 1740-1813, British, Civita Castellana, undated. Pen and brown ink, brown wash and graphite on medium, slightly textured, cream laid paper.

Night landscape with the large comet (tail star) seen on a field outside the Geesterpoort in Alkmaar in January 1681. A few spectators raise their arms to heaven, Tail star above Alkmaar, 1681., draughtsman: Lambert Doomer, Northern Netherlands, Jan-1681, paper, pen, brush, h 268 mm × w 408 mm

Egypt and Nubia, Volume II: General View of Esouan and the Island of Elephantine, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 43.7 x 60.2 cm (17 3/16 x 23 11/16 in.); image: 34.2 x 53.4 cm (13 7/16 x 21 in.).

Tuchmacher Lower Wlckmühl, marriage ao. 1664 weighed, Figure 36

Orizaba, Mexico. Artist: George Overbury "Pop" Hart (American, Cairo, Illinois 1868-1933 New York). Dimensions: Plate: 8 in. × 12 1/2 in. (20.3 × 31.8 cm)Sheet: 10 7/8 × 16 1/8 in. (27.6 × 41 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Charles Hamilton Smith, 1776-1859, Belgian, Hecla & Griper, undated. Watercolor and graphite on moderately thick, moderately textured, cream wove paper.

Robert Brandard, 1805-1862, British, Quilleboeuf, 1834. Line engraving and etching, engraver's proof.

Rousseau, Jean-Jacques (1712-1778). Writer and philosopher in French language. Rousseau's tomb in Ermenonville. Oil on canvas. FRANCE. LE-DE-FRANCE. Paris. Mus_e Carnavalet (Carnavalet Museum).

Rustic Scene with a River and a Bridge, Thomas Rowlandson, 1756-1827, British, 1818, Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream, wove paper, Sheet: 5 5/8 x 9in. (14.3 x 22.9cm), Contemporary drawn border: 6 7/8 × 10 1/4 inches (17.5 × 26 cm), and Mount: 12 11/16 × 16 5/16 inches (32.2 × 41.4 cm)

Henry Swinburne, 1743-1803, British, Saint-Hilaire, Bord du Loiret, undated. Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

October 10, 1832, Wanstead House, Anne Rushout, ca. 1768-1849, British, 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)

Isle of Capri Seen on the South, Henry Swinburne, 1743-1803, British, 1777 to 1778, Gray wash, graphite, pen and gray ink on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm) and Sheet: 3 13/16 × 8 7/8 inches (9.7 × 22.5 cm)

View of the ruins of the castle in the circle; SchouPpé, Alfred (1812-1899); 1861 (1861-00-00-1861-00-00);Koło (Greater Poland Voivodeship), Poland, SchouPPé, Alfred (1812-1899), SchouPPé, Alfred (1812-1899)- collections, Society for the Encouragement of Fine Arts (Warsaw- 1860-1940), Society of Zachęta Arts Zachęta (Warsaw- 1860- 1940) - collection, Warta (river), castle in Koło, gift (provenance), recovered war losses, landscapes, Poland (culture), message (provenance), ruins, Polish drawings, city views, castles, castles (archite.), Łódz

No. 200. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Fragment of the Great Colossi at the Memnonium, Thebes. Created between 1846 and 1849 by David Roberts (1796-1864). This chromolithograph measures 34.5 x 50.5 cm and was published in London by F.G. Moon. It depicts the ancient statues associated with Ramses II, King of Egypt, located at the Ramesseum in Thebes, Egypt

Sketchbook from the Stephen H. Long Expedition to the RockyMountains. Artist: Titian Ramsay Peale, American, 1799-1885

Album Drawing, Thomas Bardwell, 1704-1767, British, Previously attr: James Wills, Active 1740-died 1777, British, ca. 1730, Gray wash, pen and brown ink, and graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm)

De keuken in het tentenkamp. Krijgsgevangenenkamp Stalag IVB in Mühlberg aan de Elbe (series title). Draughtsman: Wim van Hooff. Dating: 16-Sep-1944. Place: Mühlberg. Measurements: h 18.5 cm × w 25 cm. Museum: Rijksmuseum, Amsterdam.

MALASPINA , ALEJANDRO. MARINO ITALIANO . 1754 - 1809. EXPEDICION CIENTIFICA 1789 - 1794. ISLAS FILIPINAS . " VISTA DE MANILA Y SU BAHIA DESDE EL ARRABAL ". DIBUJO DE FERNANDO BRAMBILA. MUSEO NAVAL .MADRID.

William Day, 1764-1807, Hastings, 1792. Watercolor, with pen, in brown ink and graphite on moderately tthick, moderately textured, blued white, laid paper.

Masson, Louis-Martial-Théodat (n.1827-d.), Notre-Dame pump in 1849 (dummy title). Watercolor. Carnavalet museum, history of Paris.

Herman's SOUTLEVES (1609-1685). "L'Hiver ou Les Patineners (the La suite desite this query seasons)". Pierre noire it lavis the bistre. MYee Des De-Beaux-Arts The La Lame Many of the Paris, Petit palaraéa. Chateau, winter, bistre, leisure, skating, skating, skater, black stone

Sir Augustus Wall Callcott, 1779-1844, British, Dead Calm: Boats off Cowes Castle, undated. Watercolor, with pen, in brown ink, graphite, white gouache, and scratching out on thick, slightly textured, beige, wove paper.

Campagna di Roma. Date/Period: 1843. Landscape. Graphite and gouache on moderately thick, moderately textured, gray wove paper. Height: 81 mm (3.18 in); Width: 173 mm (6.81 in). Author: Edward Lear.

of 3